s777bet

s777bet Rarely does a college basketball game provide such stark contrast between the sport's haves and have-nots as when Jackson State faces No. 9 Kentucky on Friday in Lexington, Ky. While Kentucky claims eight NCAA Tournament crowns and the most wins in college basketball history, Jackson State has never won an NCAA Tournament game and enters the matchup looking for its first win of the season. Impressive tradition and current record aside, Kentucky (4-0) returned no scholarship players from last season's team that was knocked off by Oakland in the NCAA Tournament. New coach Mark Pope and his essentially all-new Wildcats are off to a promising start. Through four games, Kentucky is averaging 94.3 points per game, and with 11.5 3-pointers made per game, the team is on pace to set a school record from long distance. The Wildcats boast six double-figure scorers with transfer guards Otega Oweh (from Oklahoma, 15.0 ppg) and Koby Brea (from Dayton, 14.5 ppg) leading the team. The Wildcats defeated Duke 77-72 on Nov. 12 but showed few signs of an emotional letdown in Tuesday's 97-68 win over a Lipscomb team picked to win the Atlantic Sun Conference in the preseason. Kentucky drained a dozen 3-pointers while outrebounding their visitors 43-28. Guard Jaxson Robinson, held to a single point by Duke, dropped 20 points to lead the Kentucky attack. Afterward, Pope praised his team's focus, saying, "The last game was over and it was kind of on to, ‘How do we get better?' That's the only thing we talk about." Lipscomb coach Lennie Acuff also delivered a ringing endorsement, calling Kentucky "the best offensive Power Four team we've played in my six years at Lipscomb." Jackson State (0-5) and third-year coach Mo Williams are looking for something positive to build upon. Not only are the Tigers winless, but they have lost each game by nine or more points. Sophomore guard Jayme Mitchell Jr. (13.8 ppg) is the leading scorer, but the team shoots just 35.8 percent while allowing opponents to shoot 52.3 percent. The Tigers played on Wednesday at Western Kentucky, where they lost 79-62. Reserve Tamarion Hoover had a breakout game with 18 points to lead Jackson State, but the host Hilltoppers canned 14 3-point shots and outrebounded the Tigers 42-35 to grab the win. Earlier, Williams, who played against Kentucky while a student at Alabama, admitted the difficulties of a challenging nonconference schedule for his team. "Our goal is not to win 13 nonconference games," Williams said. "We're already at a disadvantage in that regard. We use these games to get us ready for conference play and for March Madness." Jackson State has not made the NCAA Tournament since 2007. The Tigers had a perfect regular-season record (11-0) in the Southwestern Athletic Conference in 2020-21 but lost in the league tournament. Kentucky has never played Jackson State before, but the game is being billed as part of a Unity Series of matchups in which Kentucky hosts members of the SWAC to raise awareness of Historical Black Colleges and Universities and provide funds for those schools. Past Unity Series opponents have been Southern in December 2021 and Florida A&M in December 2022. --Field Level MediaCONWAY, Ark. (AP) — Elias Cato scored 23 points as Central Arkansas beat UNC Asheville 92-83 in double overtime on Sunday. Jordan Morris made two free throws with one second left for UNC Asheville (2-3) to force overtime tied at 71. Fletcher Abee's 3-pointer with 33 seconds left in the first overtime tied the game at 79 and led to the second extra period. Michael Evbagharu's layup gave Central Arkansas (2-4) the lead in the second OT and Cato followed with a 3-pointer as the Bears outscored the Bulldogs 21-12 to pull out the victory. Cato added nine rebounds for the Bears. Layne Taylor totaled 19 points, seven assists, six rebounds and five steals. Brayden Fagbemi pitched in with 19 points, seven assists and five steals. The Bulldogs (2-3) were led by Fletcher Abee, who recorded 27 points. UNC Asheville also got 17 points from Josh Banks. Toyaz Solomon finished with 15 points, 15 rebounds and three blocks. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .

Six-week-old Alexis McCann has finally been given Australian citizenship after publicity and political pressure seem to have prodded the Home Affairs department into action. or signup to continue reading The baby was born to a surrogate mother in Colombia on October 11, and since then she and her parents, Melinda and Gail, together with Alexis' sister, Chloe, have been , waiting for the Australian paperwork to go through. On Saturday, it finally did after published the couple's plea on Friday, prompting Senator David Pocock to take up the case. Before that, Melinda McCann had phoned and emailed the immigration department in Canberra daily, trying to get progress. She said she felt like she was being treated like a number and not like a human being. On Friday, a member of Senator Pocock's staff liaised with the McCann family in Bogota and then pressed the Home Affairs department. On Saturday, the citizenship decision came through. "I'm very relieved that Alexis is now an Australian citizen," Melinda McCann said. "That's a big step, and I'm grateful to Senator Pocock for his behind-the-scenes work, and to . "We really want to come home." They have a flight booked this Wednesday but citizen Alexis still needs a passport first, so the family is hoping that Australian diplomats in Bogota can get that processed in time for the flight. The family has tickets back to Australia at a cost of $7500. Melinda McCann said the surrogacy process had already cost $88,000. It's not been easy. Apart from the stress of getting the Home Affairs department to process the citizenship application, Melinda McCann was also mugged. The robber on a motorbike didn't get cash but did get her unlocked phone - and that meant the banks froze her accounts. "This motorbike came hooning round the corner to take my baby and my 14-year-old so I jumped in front of him. He snatched my hand and took my phone." Before Alexis' citizenship was granted, the new parents were at the end of their tether. Melinda McCann had appealed to the Home Affairs Department to "please treat me like a human being and not like a number. We are people with feelings, stuck in a foreign country, scared to leave the apartment. "I'm calling every day with raw emotion. Just validate me as a human being. Surely, there is somebody they can get to call me up." Colombia is a popular country for couples seeking a woman to bear a child as a surrogate. There is a legal process involving health checks on the surrogate mother at an IVF clinic. There is a legal contract. One glitch might have been that Alexis' biological parents - the sperm donor and the woman who carried the baby - were not named on the Colombian birth certificate. There was then a lot of email to-and-fro. Melinda McCann said that one official email she received said: "Please note that we do require official English translation of this notary deed document to continue the assessment of this application. "In regards to urgent processing of this application, please note that the citizenship by descent application is being reviewed within our processing times as published in citizenship processing times." They were getting increasingly desperate. When she first spoke to , Melinda said she hadn't slept for four nights. Other couples there had had citizenship granted to their newborn child quickly, she said. "Most people are out of here after four to five weeks but we are heading for eight weeks," the mother said. The couple - Melinda and Gail McCann - already had five children between them before Alexis. One of them - Chloe - is in Bogota with them (and with her new sister). The others are in Australia. Two are adults and two are in their late teens being looked after by other members of the family. Melinda McCann has a business in Queanbeyan - Kapital Care - which provides "disability support, mental health and aged care services in Canberra, Queanbeyan and Wollongong". She said it had 60 employees. Steve Evans is a reporter on The Canberra Times. He's been a BBC correspondent in New York, London, Berlin and Seoul and the sole reporter/photographer/paper deliverer on The Glen Innes Examiner in country New South Wales. "All the jobs have been fascinating - and so it continues." Steve Evans is a reporter on The Canberra Times. He's been a BBC correspondent in New York, London, Berlin and Seoul and the sole reporter/photographer/paper deliverer on The Glen Innes Examiner in country New South Wales. "All the jobs have been fascinating - and so it continues." Advertisement Sign up for our newsletter to stay up to date. We care about the protection of your data. Read our . AdvertisementNEW YORK — The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.” A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan. The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J.P. Morgan. A previously unknown musical manuscript, possibly by Frederic Chopin, is held in a display case after it was discovered at The Morgan Library & Museum on Nov. 13 in New York. Robinson McClellan, the museum curator who uncovered the manuscript, said it's the first new work associated with the Romantic era composer to be discovered in nearly a century. But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand. The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained. “This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.” McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school. McClellan then worked with experts to verify its authenticity. The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else. Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis. A previously unknown musical manuscript, possibly by Frederic Chopin, is seen in a display case after it was discovered at The Morgan Library & Museum, Nov. 13 in New York. He’s buried among a pantheon of artists at the city’s famed Père Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland. Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris. Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said. “First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style," Szklener explained in a lengthy statement released after the document was revealed last month. He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another's work, or even co-written with someone else, perhaps a student for a musical exercise. Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance. “Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.” David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style. “It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document. But Ludwig noted that, if it's authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended. “In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.” The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections. Christmas music has a long and storied history beginning centuries ago with pagan rituals. Those traditions evolved with St. Francis of Assisi’s Nativity plays in the 13th century, and survived Puritan rule when many Christmas traditions and celebrations were banned during part of the 17th century. Traveling minstrels spread original songs before the invention of the printing press in 1440 ushered in an era of texts that served as the foundation for some of the most beloved Christmas songs. These tunes would be shared in the form of poetry and hymns printed on broadsides . Today, Christmas music runs the gamut from silly to revolutionary. Songs range from grandmothers getting trampled by reindeer to those based on the work of a Romantic-period poet. Who knew that the catchy tune of Wenceslas, the king with the funny name, is a reverent song about the patron saint of the Czech Republic? Or perhaps it would surprise readers to discover that “Silent Night” was designated as an item of Intangible Cultural Heritage by UNESCO. These songs we know by heart and hear so often have rich histories rooted in things like war, religion, social reform, and slavery. Stacker compiled a list of Christmas songs released before 1920 and explored the origins of these pieces. This list includes Christmas carols, famous instrumentals, popular hymns, and spirituals from countries around the world. Many of these songs were created out of a chance collaboration between artists spanning time and space; a clergyman pens a hymn, and years later, a composer resurrects those words and sets them to a melody. It may come as no surprise, then, that what people consider to be Christmas classics are among the most-covered Christmas songs of all time . “Silent Night,” for example, had 137,315 recordings according to a 2017 Billboard report. Read on to learn about the rich histories of some of the most beloved Christmas songs that are more than a century old. You may also like: 71 years of Emmy history Written by James Lord Pierpont in 1857 and originally titled “One Horse Open Sleigh,” “Jingle Bells” is one of the most beloved and ubiquitous Christmas carols in existence. In 1965, astronauts Wally Schirra and Thomas Stafford made “Jingle Bells,” the first song heard from space as they orbited Earth aboard the Gemini 6. It may be surprising that this Christmas classic was written as a Thanksgiving song. This traditional English Christmas carol refers to the practice of wassailing, the definition of which has evolved over the years . In the song, wassailing is the practice of traveling door-to-door, wishing good health, and asking for a bit of hospitality and Christmas tidings in return, including a drink from a communal bowl filled with mulled cider or ale called wassail. Other familiar variants of the song include “Here We Come A-Caroling,” and “Here We Come A Christmasing.” Published by hymn writer John Mason Neale in 1853, this carol was based on the life of the virtuous ruler Wenceslaus I, Duke of Bohemia . Wenceslaus I was revered for his piety, morality, and virtue. After his assassination, he was posthumously conferred as a king by Holy Roman Emperor Otto I, which is why people don’t sing of good Duke Wenceslaus. Wenceslaus was elevated to sainthood immediately after his death, and he's considered the patron saint of the Czech Republic. The version of “O Tannenbaum” most of us are familiar with today was written in 1824 by Ernst Anschütz, a well-known organist and composer from Leipzig, Germany. Anschütz’s version was one of many based on a 16th-century German folk song that pays homage to the steadfast nature of the "Tannenbaum," the German word for a fir tree. The song’s association with Christmas began with Anschütz even though no explicit mention of Christmas was made in his original lyrics. Furthermore, most Christmas trees are spruce, not fir. Readers may be more familiar with the song’s English title, “O Christmas Tree.” If you’ve ever wondered what “God rest you merry” means, you’re not alone. This carol’s title is often misinterpreted, mispunctuated, and widely debated. The phrase “rest you merry” is used in the same way we use “rest assured.” It is not an address to merry gentlemen but rather an imperative statement to all gentlemen to be happy, citing the birth of Christ. It’s even referenced in Charles Dickens' classic “A Christmas Carol.” The earliest known print edition of the carol dates back to 1760, but its author is unknown. You may also like: 30 celebrities you might not know are LGBTQ Originally titled “Three Kings of Orient,” this carol was written by journalist-turned-clergyman John Henry Hopkins in 1857 for a Christmas pageant and published six years later. The carol chronicles the Christian gospel of Matthew in which three biblical magi, commonly known as the three wise men, bring gifts of gold, frankincense, and myrrh to honor the birth of Jesus. Edmund Sears—a Unitarian pastor in Wayland, Mass.—wrote a five-stanza poem titled “It Came Upon the Midnight Clear” in 1849. It was adapted by American composer Richard Storrs Willis in 1850 and set to a melody called “Carol.” The words of this poem-turned-carol are regarded as an account of the issues at the time. Topics referred to in the song include the end of the Mexican-American war and a call for peace among men. Proudly rejoicing the nativity of Jesus, “Go Tell It on the Mountain” was an African-American spiritual dating back to 1865. John Wesley Work Jr. was a composer and ethnomusicologist who compiled hundreds of spirituals and even composed a few, including “Go Tell It on the Mountain,” in his work: “American Negro Songs and Spirituals; A Comprehensive Collection of 230 Folk Songs, Religious and Secular.” Written by William Chatterton Dix in 1865 and published in 1871, this carol explores what the shepherds present at the birth of Jesus must have been thinking when they encountered him. In gospel, hymns, and art, shepherds are central characters in the Nativity of Jesus. The song is set to the familiar melody of “Greensleeves,” a 16th-century English folk song. The exact origins of this popular carol are unknown, but it is most often credited to John Francis Wade. Originally written and printed in Latin as “Adeste Fideles,” it first appeared in Wade’s 1751 collection “Cantus Diversi.” You may also like: Exploring minority representation in the biggest box office winners ever What began in 1818 as a modest performance outside of St. Nicholas parish in Oberndorf, Austria, has become one of the most popular Christmas songs of all time. Translated into over 300 languages, “Stille Nacht” was written by a priest named Joseph Mohr and composed by Franz Xaver Gruber in 1818. The song became popular among traveling folk singers, and before long, it could be heard around the world. The English version we know today called “Silent Night” was not written until 1863. “Stille Nacht” was named an intangible cultural heritage by UNESCO in 2011 . “Carol of the Bells” is no doubt familiar to you, if not by name, then by melody. The carol was based on an Ukranian folk chant called "Shchedryk,” which was traditionally sung on New Year’s Eve as it spoke of good fortune for the upcoming year. American composer Peter J. Wilhousky adapted the lyrics "Shchedryk” into a Christmas song in 1919 using the original musical arrangement by Ukranian composer Mykola Leontovych. Many artists have covered the carol over the last century, and one of its more popular variants is “Christmas Eve/Sarajevo” by the Trans-Siberian Orchestra. “In the Bleak Midwinter” was based on a poem of the same name written by English poet Christina Georgina Rossetti in 1872. English composer Gustav Holst first set the poem to music in 1906. This particular carol was published by Cecil Sharp, a famous conservator of English folk tradition, in 1911. The song is packed with symbolism that dates back to pagan rituals. Holly, representing males, and ivy, representing females, used to be burned together during the pagan festival of Beltane to encourage a fruitful spring. In Christianity, holly is symbolic of the crown of thorns Jesus wore during his crucifixion. With this rich history, evergreens like holly and ivy are viewed as symbols of rebirth and renewal, which are common themes celebrated at Christmas time. This carol was based on the poem "Christmas Bells," written by Henry Wadsworth Longfellow on Christmas Day in 1863. With an injured wife and a son who joined the union army against his father’s wishes, Longfellow lamented hearing bells on Christmas Day during the American Civil War. The lyrics convey a sense of hopelessness when goodwill and peace on Earth seemed impossible. The poem was set to music in 1872 by English composer John Baptiste Calkin. You may also like: Mistakes from the 50 best movies of all time “O Holy Night” is based on a French poem titled "Minuit, Chrétiens," written by Placide Cappeau at the behest of a parish priest. Composer Adolphe Adam set the poem to music that same year, and it quickly gained popularity throughout France. When Cappeau denounced the Catholic Church to join the socialist movement, the church responded by denouncing his beloved carol. The song made a resurgence after it was translated into English and introduced in America by John Sullivan Dwight. After visiting Bethlehem in the Mutasarrifate of Jerusalem , Phillips Brooks was inspired to write about his experiences. Brooks, an Episcopal priest, shared the poem he had written with Lewis Redner, his church’s organist, and asked him to create a melody for it so they could perform it at an upcoming Sunday school service. In a single evening, Redner composed the tune that we know today. Reflecting on the success of the carol, Redner stated : “Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868.” Mistakenly attributed, for many years, to Martin Luther—the seminal figure of Europe’s Protestant Reformation in the 16th century—and even titling early versions of this piece “Luther’s Cradle Song,” “Away in a Manger” is a relatively simple carol with unknown origins. The first record of the text being set to music with the title “Away in a Manger” is found in the 1885 publication “Little Children's Book for Schools and Families.” The carol we know as “Hark! The Herald Angels Sing” was originally titled "Hymn for Christmas-Day,” published in 1739 by Charles Wesley, leader of the Methodist movement and brother to John Wesley, the movement’s founder. But it was George Whitefield who adapted the text in 1753 to give us that familiar opener “Hark! The Herald Angels Sing.” The melody was composed by Felix Mendelssohn and later adapted by William H. Cummings in 1855 to create the song that's popular today. This numeric carol was originally published in England in 1780 in a children’s book called “Mirth Without Mischief.” It is believed to be a type of children's memory-and-forfeit game in which the singer must remember every verse or forfeit something if they make a mistake. You may also like: Best and worst Al Pacino movies Citing the gospel of Luke, this English carol is based on a French song called “Les Anges dans nos campagnes.” The lyrics were written by James Chadwick, a bishop in 1862. His words were set to the tune "Gloria," which was arranged by Edward Shippen Barnes. This Christmas ballad is believed to date back to the 15th century. Unlike many other carols that reference the gospels of Luke or Matthew, this story takes place sometime in between as Mary and Joseph journey to Bethlehem. It is one of the few depictions of Joseph struggling to accept Mary’s pregnancy, evidenced through lyrics such as “O then bespoke Joseph/ With words so unkind,/ Let him pluck thee a cherry/That brought thee with child.” The song was made popular again by Joan Baez’s rendition in 1961. The exact origins of this carol are unknown, but it is believed to be one of the oldest carols still sung today. Dating back to the 12th century, “The Friendly Beasts” is a traditional French carol about the animals present at the birth of Jesus and the gifts they bestowed on him. “Joy to the World” was originally written as a hymn by Isaac Watts. Watt’s adaptation of Psalm 98 interprets Christ as the king of the church and as the king of the world. “Joy to the World” is one of the most recorded Christmas songs of all time . Perhaps the darkest song on this list, “Coventry Carol,” depicts the biblical event “The Massacre of the Innocents” in which King Herod ordered the killing of all male babies under the age of two in Bethlehem. The song takes the form of a lullaby recited to the persecuted children. In Christianity, “The Massacre of the Innocents” is an important part of the broader Nativity story and thus a relevant story in the Christmas narrative. “Coventry Carol” was originally part of a medieval mystery play performed in England called “The Pageant of the Shearmen and Tailors.” You may also like: Best Grateful Dead albums of all time Receive the latest in local entertainment news in your inbox weekly!Day after Gidderbaha bypoll result, Warring, Bittu engage in war of words

Site Is in One of The Country's Fastest Growing Areas with One of The Strongest Economy And Provides Easy Access to The Crossroads of America SALT LAKE CITY , Dec. 12, 2024 /PRNewswire/ -- VanTrust Real Estate today announced the acquisition of 32 acres, located at 5998 West Parkway Blvd, in West Valley City, Utah , to build four industrial warehouse buildings. The site's prime location offers easy access to the "Crossroads of America" – a network of interstates, local highways, roads and rail lines that converge in Utah's capital city area. The site is located just south of State Route 201 and west of Mountain View Corridor. It is also near the Salt Lake City International Airport, Interstate 80, Interstate 15, and the Union Pacific Railroad intermodal hub. The site will accommodate four buildings that will provide 600,000 square feet of new Class A industrial space to this growing logistics area. According to Tom Freeman and Travis Healy of Colliers, the leasing team VanTrust has hired to market the buildings, there is consistent demand for space in this area due to its strategic position in the Salt Lake Valley, and because the area is one of the fastest growing and has one of the strongest economies in the country. "We are thrilled to have acquired this advantageously located site on which to build new industrial warehouses," said Chris McCluskey , VanTrust's Executive Vice President of Development for Salt Lake City . "One of our specialties at VanTrust is industrial properties, and we are excited to add this tremendous location to our portfolio." VanTrust anticipates construction on the first two buildings will start in late spring 2025 and deliver late spring 2026. Construction timing on the second two buildings is still to be determined. Specific tenants for the warehouses have not yet been identified. Since its inception in 2010, VanTrust has experienced rapid growth. The full-service real estate development company is based in Kansas City , with offices in Columbus , Dallas , Phoenix , Jacksonville , and Salt Lake City . VanTrust has developed more than 68 million square feet of office, industrial, multifamily, science + technology, and mixed-use development. The company has more than $7 billion of product nationwide. About VanTrust Real Estate VanTrust Real Estate, LLC is a full-service real estate development company. The company acquires and develops real estate assets for the Van Tuyl family portfolio and offers a broad range of real estate services including acquisition, disposition, development, development services, corporate services, and asset enhancement. Product types include office, industrial, multifamily, mixed-use and science + technology. VanTrust works nationally with regional offices in Columbus , Dallas , Phoenix , Jacksonville and Salt Lake City with its headquarters in Kansas City, Missouri . For more information, visit www.vantrustre.com . View original content to download multimedia: https://www.prnewswire.com/news-releases/vantrust-real-estate-acquires-strategically-located-salt-lake-county-site-to-build-four-new-industrial-warehouses-302330708.html SOURCE VanTrust Real Estate

India’s Image Now Transformed Into World’s ‘Deep Tech Hub’ From ‘IT Outsourcing Centre’ Due to Government’s Reforms: Petroleum Minister Hardeep Singh PuriIBM and State of Illinois to Build National Quantum Algorithm Center in Chicago with Universities and Industries