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Madikeri: Karnataka Minister for Minor Irrigation, Science and Technology, NS Boseraju, announced that a Swabhimani Sammelan (Self-respect convention) will be held in Hassan, similar to the one conducted earlier in Raichur. The event will be held under the banner of the party and will focus on addressing issues faced by backward classes, minorities, and economically disadvantaged sections. Speaking to the media in Madikeri, Minister Boseraju responded to questions about the upcoming gathering, which will be organised by the Ahinda community and supported by Congress. He stated that the event in Hassan would see participation from KPCC President and Deputy Chief Minister DK Shivakumar, Congress workers, and people from the Ahinda community. He clarified that the purpose of the gathering was to raise a voice against the ongoing conspiracies against Chief Minister Siddaramaiah, the Congress government, and their efforts to protect the interests of the marginalized. Boseraju further criticised the BJP, accusing them of undermining development work happening in the state. He condemned BJP leaders, particularly opposition leader Ashoka, for making baseless allegations daily. According to Boseraju, such statements were aimed at diverting attention from the development progress and were likely intended to assert internal power struggles within the BJP. The Minister also discussed the upcoming winter session of the state legislature, noting that the Chief Minister had instructed all Cabinet members to be prepared to answer questions effectively and confidently, particularly in response to allegations made by opposition parties. On the topic of BJP leaders’ approach to constitutional issues, Boseraju accused them of hypocrisy. He noted that while BJP leaders criticised others for their statements against the Constitution, they themselves were involved in similar actions without facing consequences. Boseraju also addressed concerns regarding JD(S) leader HD Kumaraswamy's decision to field his son Nikhil Kumaraswamy in the upcoming by-election. He revealed that BJP leaders were already aware of this development months ago, and feared that a victory by Nikhil would undermine BJP’s position in the state. Referring to comments by Congress leader DK Shivakumar, Boseraju suggested that BJP leaders were indirectly providing support to Congress in this political manoeuvre.As if the surge in trading volumes and regulatory uncertainty were not enough, the third and perhaps most significant signal came in the form of a sudden and sharp correction in stock prices. With little warning, major indices tumbled, wiping out gains and erasing investor confidence in a matter of hours. This rapid decline in prices not only highlighted the fragility of the market but also served as a wake-up call for investors who had become complacent in their trading strategies.‘Gladiator II’ review: Are you not moderately entertained?
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Houston-area holiday events, Christmas lights from The Woodlands to GalvestonThe sculpture, a life-sized bronze representation of a man with a pained expression on his face, holding a cup of milk, captures the moment when my father's brother, in a desperate attempt to nourish himself, took his final sip of sustenance before succumbing to the effects of extreme hunger and illness. The milk, tainted with his own blood due to internal injuries, symbolizes the cruel fate that awaited him and the countless others who perished during a time of great hardship and suffering.
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As the season progresses, Villarreal fans will be hoping that Munir continues to deliver standout performances and goals, helping the team in their pursuit of glory. The excitement and unpredictability of the Champions League will undoubtedly provide thrilling moments for both players and supporters alike, making every match a spectacle to behold.
In November, the growth rate of exports fell, but the monthly export volume hit a new high for the year. This fluctuation in the export sector has raised concerns and sparked discussions among economists and policymakers.
Save Log in , register or subscribe to save articles for later. Save articles for later Add articles to your saved list and come back to them any time. Got it Normal text size Larger text size Very large text size In mere months – March, to be exact – cult comedian Kate Berlant will complete her first-ever trip to Australia to perform. What she’ll perform when she gets here, though, she’s not yet sure. At this stage, she doesn’t even have the title. “What is the show?” Berlant deadpans, looking skyward as though contemplating a philosophical quandary she has no literal answer to. “That’s a really good question ... I mean, it’s just standup. I’m really just going to be doing standup.” Anyone familiar with Berlant’s comedy – her taped special Cinnamon in the Wind , for example; or her decade-long partnership with outlandish foil John Early (including their sketch special Would It Kill You To Laugh? ); even her podcast POOG (a play on GOOP) with fellow comedian Jacqueline Novak, and its spin-off Berlant & Novak – would understand that “just standup” is a loaded concept with Berlant. Although well-recognised from her acting work – she’s starred in films including Don’t Worry Darling , Once Upon a Time in Hollywood and Dream Scenario , and on TV in A League of Their Own , The Other Two and Search Party – her cerebral comedy, an act of onstage pomposity that folds the form in on itself with absurdist, and delightfully silly, abandon (“intellectual vaudeville”, a critic once branded it), has made Berlant a beatified icon of alt-comedy. If the fact she hasn’t got her new show sorted four months out from her booked dates fills you with secondhand anxiety, fear not: this is how Berlant works, working bits out on stage with the improvisational acuity of a surgeon. Since February, she’s been regularly taking the stage at Largo’s in Los Angeles, her hometown club, to riff on “themes of contemporary alienation”, with the goal of putting together a new hour. “Relying so much on improvisation is terrifying and oftentimes I’ve been doing standup and thought, wow, it would be so nice to just know what you’re gonna say every night,” says Berlant of her process. “But so much of standup is about hiding the work, hiding the fact that you’ve said this thing a million times, and I’ve always struggled with that because it’s just hard to keep up that performance in a way that feels authentic.” Advertisement It’s a dry autumn afternoon in Los Angeles when we speak over Zoom, and the twilight sun splashes through Berlant’s bedroom window (not to mention her incredible curls) like Cheezel dust. She’s spent the day dealing with a sudden and, at 37, completely unexpected allergic reaction to tomatoes and nightshade. “If I sound a little weird it’s because my mouth is inflamed,” she offers apologetically. And yet, she’s eager to discuss her return to standup because for the past couple of years she’s been focused entirely on her play, Kate . Berlant ended Kate in February after a string of sold-out runs across New York, Los Angeles and London. A one-woman show about a flailing actor’s desperate bid to be taken seriously, the conceit went deep. Shows reportedly featured Berlant herself mingling in crowded foyers before doors opened, holding a sign saying “Ignore me”. It premiered off-Broadway in September 2022, and earned rave reviews for its metatextual skewering of artistic self-indulgence. The Guardian labelled it the “one-woman show to end all one-woman shows”. Berlant says it was her biggest success yet. Which begs the question: why did she end it? Why is she not just bringing Kate to Australia? “Again, a really good question,” Berlant jokes. “It’s not that I’ll never do it again, but I do think it’s healthy to step away from things. I think things ripen and they absolutely rot. It just felt to me like it was time to do something else, just for my own brain.” “I just wanted to step away from it for a second”: Berlant during the opening night performance of her acclaimed play Kate in Pasadena in January. Credit: Getty Images She very well could have kept Kate going, Berlant concedes. But her hope is that, as the show operates in a separate universe to her standup, she can revive it a year from now, or two years from now, or even five years from now, and the material will organically grow with her. In the meantime, she’s been in discussions with her director, Bo Burnham, to potentially film and release it. “But that’s something for down the line. Because the show is extremely meta, it’s not just a show you throw a camera in front of,” says Berlant. “I just wanted to step away from it for a second and get back to what I really love doing the most, which is standup.” Advertisement When I speak to Berlant, it’s the week after Donald Trump’s crushing win in the US election – a desolate new landscape in America made real. “It’s scary, it’s dark, it’s intensely depressing, and kind of just surreal. It’s such a bizarre time to be alive,” Berlant says, staring into the camera, eyes like saucers to underscore the understatement. “It’s a really bizarre, rather depressing time.” Is that mood already affecting her new standup? “I’m reacting to it maybe in, like, a subtextual way, but not directly,” says Berlant. “No, certainly the show I’ll be doing will not be about me wrestling with, like, how to live in America under Trump. Like, I would sooner die.” It’s for the best. Because if there’s a through line to Berlant’s work, it’s that her performances have always been about the act of performing. Onstage, whether in a scripted play or in a standup set, she’s Kate, but she’s also “Kate”. The persona she’s made her own is of the self-serious artist desperate for attention, for fame, to be noticed as special. A piss take of the narcissism inherent in showbiz, it’s also a well-wrought personification of today’s wider condition, where social media has given everyone main character syndrome. “It just turns out that way with everything I do. My comedy is often about comedy and my performance is usually about performance, and so inevitably with my standup it’s hard for me to ignore how bizarre standup is when I’m doing standup, and it’s hard for me to not kind of call out how inherently strange the dynamic is and how strange it is as a form,” says Berlant. ‘Performing is inherently embarrassing and, I would say, something to be avoided if you can.’ “The idea of a person standing there and just talking about what’s on their mind, it denies that standup is such a highly constructed persona and performance, down to the shoes you wear. I’ve always looked at the conditions of performance as being really bizarre and also funny. And also just the fact that performance is, of course, a naked plea for attention and adoration. I can’t pretend that that’s not what’s going on in the room, you know?” The focus on performance is never far from Berlant; she’s been thinking about it forever (she even has degrees in the cultural anthropology of comedy and performance studies from New York University). A child actor, she scored her first onscreen gig at 15, playing Student #2 in an episode of Lizzie McGuire , and believed it would set her on a path to screen stardom (it didn’t). There was enough self-awareness in her failure to fuel another mode of expression: when she started doing comedy at 17, she quickly found that her standup landed on a self-referential conceit. Advertisement “I would end up kind of talking about standup in the standup. Which sounds awful,” Berlant laughs. “But, I mean, just talking about the encounter between performer and audience, and how performing is inherently embarrassing and, I would say, something to be avoided if you can.” She’d experienced something similar to that indescribable ick in her upbringing, too, as the only child of two artists – her father Tony Berlant is a prominent US sculptor; her mother Helen Mendez performed in experimental theatre before becoming a set designer. In an episode of Netflix’s The Characters , she portrayed an insufferable Marina Abramović type, lampooning the pretentious art world egos she’d witnessed growing up. “The self-importance of the art world, like the self-importance of Hollywood, there’s almost nothing to comment on because it’s so in plain sight,” Berlant says. “From an early age, I think I was aware of performance as not just being something people do on stage, but just as a child watching adults perform: perform being smart, perform being interesting, perform the performance of being an artist. “I mean, if you call yourself an ‘artist’ ...” she glances into the camera with an are you serious? stare. “That’s quite a part to play.” Berlant with her comedy partner John Early at this year’s Creative Arts Emmys, where their sketch special was nominated. Credit: Getty Images Is she never not aware of the performance? Like, even in this interview: me, playing the role of the politely probing interviewer, trying to dig at some defining childhood trauma; she, the subject, playing at being revealing, as if she’s never considered these stories before. “Yeah, it’s hard to separate, I think I’m always aware of it,” says Berlant. “But what I really find funny are people who don’t know that we can see them performing. We live in a world now where everyone’s a performer, even people who aren’t performers are used to performing for social media. So there’s been a huge breakdown in those terms and in their definitions.” Advertisement Complicating Berlant’s obsession with the artifice of authenticity in comedy and theatre is a sincere love of live performance. In a world where standup careers can thrive exclusively through crowd-work clips on TikTok, she still craves the sacredness of the club. Loading “When I started standup, the only way to get good or build a career was to perform, do shows, as many shows as you could do. Even just, like, spiritually, I feel so lucky that was how I came up,” she says. “So I do think that in today’s world, it’s still very exciting when people show up physically to see a show. I think that’s something that will persist, but it is feeling more and more rarefied and less valued.” It’s why Berlant is excited for the set she’ll be bringing to Australia, whatever shape it ends up taking. After her journey with Kate , a return to the spontaneous possibilities of her standup has been calling. “There’s something that feels good about just being like, okay, this is where I am right now in my life, this is how I’m reacting to it, and not being too precious about it or spending years crafting it. I think that’s what makes it feel alive, for me and the audience.” Kate Berlant will be performing at Melbourne Recital Hall on March 7 and at Sydney Opera House as part of All About Women on March 9. To read more from Spectrum , visit our page here .
Vikings escape with 30-27 win over Bears in overtime thriller(Bloomberg) -- US stocks ended a shortened trading session higher while Treasury yields declined across the curve. Speculation that President-elect Donald Trump will temper his most extreme trade policies drove the dollar down. The S&P 500 climbed more than 1% for a second straight week. On Friday, it rose 0.6%, notching fresh record highs. The 10-year Treasury yield fell to 4.17%. The Bloomberg Dollar Spot Index extended a weekly decline to more than 1%, snapping eight weeks of gains. Trump’s pick for his Treasury secretary has fueled optimism that tariffs will be measured, boosting US stocks and bonds, and sapping dollar strength. The S&P 500 rose 5.7% in November, its best month this year, as investors plowed $141 billion into US equities, the heaviest inflows for a four-week period on record, according to EPFR Global data. A handful of tech titans have led 26% year-to-date gains in US stocks on the prospect of Federal Reserve rate cuts while the American economy continues to grow. “We were talking day in and day out about trade tensions in 2019. What happened? The Nasdaq was on a tear. What mattered was the Fed was making a U-turn, real rates went down, and that drove equities,” Max Kettner, multi-asset chief strategist at HSBC Holdings Plc, said in an interview with Bloomberg TV. “That’s very similar to now — this is still a cutting cycle. It’s a fantastic set-up.” Read more: The Vintage Year for US Stock Markets That Few People Expected There is now an “extreme disconnect” between investor bullishness on US assets and bearishness on the rest of the world, according to Bank of America Corp. strategists, who made a contrarian bet on European stocks as the continent’s main equity index heads for its worst year of underperformance relative to the US since 1976. Scope for fiscal spending appears to be improving in Europe, while any potential ceasefire in Ukraine could ease pressure from high energy prices, according to the strategists. Read more: BofA Strategists Make Contrarian Bet on Shunned European Stocks Euro-area inflation climbed above the European Central Bank’s 2% target, but by a margin that was seen as too small to derail the path of policymakers to lower rates. Traders on Friday raised their ECB rate-cut bets, seeing a 20% chance of a half-percentage point reduction in December. Elsewhere, the yen advanced more than 3% against the dollar this week, as bets grow that the Bank of Japan will raise interest rates next month. In Canada, the economy posted a modest gain last month after a weaker-than-expected third quarter, putting the central bank on track to keep cutting rates. Some of the main moves in markets: Stocks The S&P 500 rose 0.6% as of 4:07 p.m. New York time The Nasdaq 100 rose 0.9% The Dow Jones Industrial Average rose 0.4% The MSCI World Index rose 0.6% Currencies The Bloomberg Dollar Spot Index fell 0.4% The euro rose 0.3% to $1.0581 The British pound rose 0.4% to $1.2744 The Japanese yen rose 1.3% to 149.64 per dollar Cryptocurrencies Bitcoin rose 2.4% to $97,423.65 Ether rose 0.5% to $3,590.25 Bonds The yield on 10-year Treasuries declined nine basis points to 4.17% Germany’s 10-year yield declined four basis points to 2.09% Britain’s 10-year yield declined three basis points to 4.24% Commodities West Texas Intermediate crude fell 1% to $68 a barrel Spot gold rose 0.6% to $2,653.89 an ounce This story was produced with the assistance of Bloomberg Automation. © 2024 Bloomberg L.P.
Data centers are known to be power-hungry facilities that require a substantial amount of water for cooling systems and other operational requirements. Recognizing the environmental impact of such water-intensive operations, Microsoft has developed a novel design that harnesses the power of evaporation to minimize water usage.First Quarter CCAR_McKie 10 pass from Vasko (Hensley kick), 8:15. Second Quarter GAST_FG Rickman 28, 14:07. GAST_Brock 19 run (Rickman kick), 8:38. CCAR_Courtney 5 pass from Vasko (Hensley kick), 4:16. CCAR_FG Hensley 43, :01. Third Quarter CCAR_C.Washington 18 run (Hensley kick), 10:56. GAST_FG Rickman 30, 7:06. CCAR_McKie 31 pass from Vasko (Hensley kick), 2:44. GAST_Brock 1 run (pass failed), :25. Fourth Quarter CCAR_Vasko 10 run (Hensley kick), 9:50. CCAR_FG Hensley 23, 8:33. CCAR_Fletcher 39 interception return (Hensley kick), 7:13. GAST_Fleming 6 pass from Lowe (Hurst pass from Lowe), 4:36. INDIVIDUAL STATISTICS RUSHING_Coastal Carolina, Washington 20-124, Vasko 13-68, Bennett 8-43, Price 5-26, Lloyd 3-10, Taylor 1-5, Duplessis 1-1, (Team) 2-(minus 2). Georgia St., Brock 14-71, Veilleux 11-62, Lowe 3-47, Dukes 2-11, Beasley 3-11. PASSING_Coastal Carolina, Vasko 13-17-1-200, (Team) 0-1-0-0, Duplessis 0-1-1-0, Kim 0-1-0-0. Georgia St., Veilleux 15-26-4-205, Lowe 2-6-0-21. RECEIVING_Coastal Carolina, McKie 5-81, Tucker 3-31, Karr 2-35, Duplessis 1-41, Berrong 1-7, Courtney 1-5. Georgia St., Hurst 8-131, Dukes 3-15, Riles 2-26, Fleming 2-18, Brock 1-21, Milton 1-15. MISSED FIELD GOALS_None.
The Super Lotto jackpot has been hit for the fourth time this year. The J$162 million jackpot was hit by a lucky player in St Elizabeth who bought a J$200 ticket with the winning numbers 11, 19, 24, 25, 33 and Super Ball 5. The ticket was bought at Three Bar in Santa Cruz. Jamaicans have won three of the four jackpot hits so far this year. In March, a businessman took home J$163 million and in August a retiree won the J$236.5 million Super Lotto jackpot. The other Super Lotto jackpot hit was in St Maarten. That player won J$294 million, also in August. To begin the process of collecting their jackpot, the latest winner must present the winning ticket with their signature affixed and valid national ID at the Supreme Ventures Flagship Store located in Twin Gates Plaza at 25 Constant Spring Road in St Andrew within 90 days from the draw date. The multi-jurisdictional game is currently played in six Caribbean countries: Jamaica, Barbados, St Kitts & Nevis, Anguilla, Antigua and St Maarten. Draws take place every Tuesday and Friday at 8:30 pm. Follow The Gleaner on X and Instagram @JamaicaGleaner and on Facebook @GleanerJamaica. Send us a message on WhatsApp at 1-876-499-0169 or email us at onlinefeedback@gleanerjm.com or editors@gleanerjm.com .
The Opta Club Power Rankings: Liverpool, Inter Milan, Arsenal in Top ThreeDuncan Connors. PHOTO: PETER MCINTOSH Collective will is all that can overcome intolerance and bullying Duncan Connors writes. Recently, I wrote in the ODT on the rise of bullying and lying in every day life. Both concern power over others. However, we do not live in a vacuum. We live within society. Consent and indifference fuels toxicity. Catholic priest Fr David Ardagh Walter, (a founder of CND) once explained bad occurred not due to a surplus of evil, but an absence of good. We are all naturally good but the decision to not standing leads to great wrongdoing and injustice. We normalise bad behaviour. Normalisation is mostly an innocuous process. It is the adoption of something new: technology, the acceptance of activities once considered wrong. Society evolves and we move on. However, another aspect of normalisation that academics, historians, psychologists and sociologists have studied since the 20th century is how can advanced societies normalise the very worse conduct towards one another? Examples include the French Revolution, the Holocaust or the Soviet purges. More recently, we are now witnessing significant acceptance of aggressive and confrontational attitudes online by individuals such as the deeply unpleasant Andrew Tate. The once strange and unacceptable becomes familiar and tolerated. This is not necessarily a bad thing: I wrote this article on an Emirates flight on an Apple laptop. My boarding pass was on my phone. The same phone Mum uses to nag me from London. That is good normalisation, the acceptance by society of new technology. Society evolves and moves on. That's a good thing. But there is a darker side. In an age of extremes where vocal minorities at either end of the political spectrum dominate, we have become a ground down silent majority. The endless confrontational hoo-ha on the internet is a curse. The dam broke in 1994 with the election to the US congress of an angry, radical, right-wing and evangelical Republican Party led by the confrontational firebrand Newt Gingrich. They focused their ire on the permissive attitudes of the Clinton administration, the president’s family, friends and associates. Little did they know their actions would influence political parties abroad, in Australia and New Zealand, the British Brexit movement, the European far right and the internet conspiracy fuelled Maga movement supporting Donald Trump. While we have normalised many positive aspects of the internet, few predicted the spread of misinformation and conspiracy theories. One who did was academic and science fiction author David Brin. In his 1990 book Earth Brin predicted exactly how the internet would become toxic. He saw in the giddy rush to make fortunes from the implementation of this new technology, we would brush over the necessary process of thoughtful reflection as merely the rumblings of habitual party poopers. The best explanation comes from the work of the Italian philosopher Antonio Gramsci. He divided society into three elements; the rulers, the ruled and the bourgeoisie in between. He stated the following: the bourgeoisie will always do what the rulers want because a) they aspired to joining, even had pretensions of being, part of the ruling class, and b) they saw themselves as superior to the ruled, even though they are effectively part of the same cohort. Therefore, their support of the decisional class will always be forthcoming due to their self-interest and aspirations. All totalitarian regimes in history had substantial civil services comprised of the above, as well as the support of business and civil interest groups that benefit from the new regime. However, even in regular, democratic, developed nations, particularly in the politics of the workplace, the same cohort will support the ascendent and those in control. This can be innocuous but due to the factors outlined above, in recent years increasingly this had led to toxic and passive aggressive behaviour, if that is what is now considered acceptable. The consequence is stagnation as the creative people businesses and society need to generate new ideas and productivity tend to be singled out and marginalised. They walk away and we are all the poorer because of it. The solution? Simple: tolerance and understanding the view and lives of the other. How can this happen? I have no idea. It's down to society to change itself. This requires a collective process across all social boundaries and beliefs. I can only pray, hope, even plead and beg we can all look within ourselves and challenge our ways in an age of division born of toxicity and confrontation. — Duncan Connors is an Otago business academic.As fans and supporters, it is crucial to respect their privacy and allow them the space to work through any issues they may be facing. Instead of spreading baseless rumors and gossip, we should offer our understanding and well wishes to Cecilia and Nicholas as they navigate their relationship.