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Jude Law has been killing a wide range of roles since he broke out in Anthony Minghella’s “ The Talented Mr. Ripley ” in 1999. Twenty-five years later, Law’s latest performance as grizzled FBI agent Terry Husk in hardboiled ’80s actioner “ The Order ” (Vertical, December 6) is a departure: The actor not only masters an American accent (he’s done that before, in “Cold Mountain” and other roles), but he’s embodying a gun-wielding Western masculine archetype: rugged, angry, laconic, righteous. Think Clint Eastwood , although Law told me that he channeled Gene Hackman and Paul Newman in our video interview (above). Law’s latest incarnation since he founded Riff Raff Entertainment in 2017: producer. “I love finding material,” he said. “I love reading. I love thinking about who would be good in what role and taking the reins and being able to nurture ideas. I still sit and hope that I get phone calls from certain filmmakers who are making their own things, but when you just spend your time doing that, there’s a certain sense of powerlessness. So producing is a way of taking slight control over the future. You go through ebbs and flows of success and failure, and being the hot ticket and not being the hot ticket. And so you have to dodge those bullets a little. But right now, it feels like my choices are honestly on ‘what haven’t I done? How can I stretch and build this acting muscle, and who am I?'” Riff Raff came aboard “ The Order ” at the script stage, excited by the potential for the hardboiled action story adapted by “King Richard” writer Zack Baylin from the 1989 nonfiction book “The Silent Brotherhood” by Kevin Flynn and Gary Gerhardt about how the FBI chased down white supremacist terrorist groups in the Pacific Northwest. Law’s first choice for director was Australian Justin Kurzel (“Nitram”). “This extraordinary untold true story, at the heart, had these uncomfortable, relevant tentacles to today’s divisive, political social terrain,” said Law. “There was also this potential for a great genre movie, a thrilling cat-and-mouse drama. And the one person who deals with this kind of male, violent terrain brilliantly, unpacks it with such clarity and humanity, is Justin Kurzel. He elevated the whole thing from the day he got involved. [He] has a non-judgmental approach to these characters, looking at their decision-making, the communities around them, and the world that encourages them to behave the way they do, and see through the actions that they enact.” “The Order” is partly fictionalized. “The biggest change is my character,” said Law. “[Baylin] made a choice early on to draw on some of the special agents that were involved in the case, but amalgamate them. I was grateful because it gave me an opportunity to develop what Husk needed to influence and steer the story. This guy is broken physically and emotionally; he thinks his greatest battles are behind him, and that he’s almost halfway to retirement, but in fact, the biggest fight is in front. But an awful lot of it really happened.” Law is unrecognizable as Husk. He built up his body and grew a mustache. “We talked about performances by people like Hackman and Newman in their 50s and 60s,” said Law, “Popeye Doyle in ‘The French Connection,’ and where and how they were allowed as performers to play these sometimes damaged, willful men, but who had a good heart. You had to have faith that they were morally correct, but they sometimes used immoral ways to win their moral argument.” Law read and interviewed agents about the period to get an understanding of the mindset. “What is it to be that devoted?” he said. “What sparks that initially? Is it a belief in the agency? In America? Is it a belief, sometimes, in just catching a bad guy? And trying to understand the physical effect of the pressures of that job, losing family, drinking and smoking that much to relieve the stress. Men like that were looked at in a different way when they were making movies in the 70s and 80s, and they were allowed a little more elbow room to be themselves. It was interesting to embody him and try and remember what manhood was then, and masculinity.” Though set in the ’80s, “The Order” is all too relevant today. “It was this historical piece that had this incredible timely substance to it,” said Law. “It’s important to dismantle these situations so that we hopefully learn from them and understand rather than point fingers or say, ‘this is wrong, this is right. He’s good, he’s bad.’ I sincerely believe very few people are bad. A lot of bad decisions are made, and toxic environments are created, in which bad decisions are easier to make.” Known for his golden-boy looks, Law has long tried to move away from them. “I was always a little uncomfortable in my 20s,” he said. “I took the craft of acting seriously. I was passionate about it. I was inspired by actors who I saw as fearless and boundless, and I wanted to do the same. And it irritated me that there was attention being put more on what I looked like than on the work I was doing. And I probably took that too seriously for a while and beat myself up about it and said no to certain things and tried, like any 20-year-old, to prove my chops. I don’t feel I ever leaned into it fully. But right now, on the other side of 50, I’m happy and excited to be able to take on roles where that is not the emphasis, and if it is, then it’s the emphasis of someone who used to be the good-looking guy. There’s not a lot to get out of the character who is simply the good-looking guy. It’s the same for women, there’s not a lot to play with.” That’s why Law steered into so much character acting, from Gigolo Joe in Steven Spielberg’s “A.I.” in his 20s and Maguire in Sam Mendes’ “The Road to Perdition” to gout-riddled King Henry the Eighth in “Firebrand.” “It’s the area where my curiosity lies,” said Law. “There’s a challenge in trying to mine them for plausibility and embody them. You have to find the truth within yourself. But you also have to layer them up so that they are three-dimensional and realistic. And not go too far so that you’re playing a caricature. It’s a lovely juggling act. To me, the sweet spot of what I do is where you’re physically, internally, and superficially imagining what they must be like, but also not signposting.” “The Talented Mr. Ripley” marked Law’s big breakout role and his first Oscar nomination. “Yeah, my career changed after ‘Ripley,'” said Law. “I’d done a couple of films before, and they’d been pretty well received, and I’d gotten those early promising young actor awards and recognition. But now I was in the company of all these people who were pretty heavy hitters already, and certainly a couple of steps further down the line than me. Matt [Damon] was doing ‘Good Will Hunting,’ Gwyneth [Paltrow] had just won for ‘Shakespeare in Love.’ Philip [Seymour Hoffman] was about to do ‘Boogie Nights’ and Cate Blanchett was about to do ‘Elizabeth.’ Being in their company lit a certain light on my work. And things changed.” A second Oscar nomination followed for Minghella’s “Cold Mountain,” his first American role. And Law enjoyed his comedic character role as Dr. Watson in the Sherlock Holmes franchise opposite Robert Downey, Jr. A third movie is in the offing. “The journey of getting that right has been almost more complicated than making the first two films,” Law said. “There have been various scripts. With the amount of time that passed, we want to deliver something special and extraordinary, but also investigate the time that’s passed. What have they been doing? Have they been back together? We got pretty close a couple of years ago, and then it all went quiet again.” Law and the Downeys are friends; he went to see Downey’s play in New York, “McNeal,” and learned there’s a new script to read. “Hopefully, this is the one. Otherwise, what will happen eventually is we’ll make it one day, and we’ll both be withered, old, gray.” On Law’s wish list of who he’d like to work with: the Coen brothers and Paul Thomas Anderson. “Three people I’m hoping to go back and work with are Justin Kurzel, David O. Russell, and Brady Corbet,” he said. “Even from his first film, ‘Childhood of a Leader,’ It was clear this was an incredible talent, and I had such a great time on ‘Vox Lux.’ It was such an unusual experience. I’m so proud and so happy that he’s having the success he is with [‘The Brutalist’].” The landscape for making mid-range budget movies like “The Brutalist” and “The Order” has changed. “It is amazing that it got made,” said Law. “It’s never been easy. The sad side is all this creative energy is spent fighting, and that’s not because you’re asking for a ton more money or a ton more time. It’s just a little more so that you’re not up against it. Now, sometimes being up against it actually can help the peace. Case in point, on ‘The Order” we were fighting to the first day for a little more time, a little more budget. And in fact, Justin made such a bold decision. ‘Nope, this is what we’ve got. We are going to shoot this at such top speed, we’re going to capture that energy, it is going to be in the film.’ In a weird way, it paid off. But nonetheless, the fight to get it there and then get it seen is exhausting.” Another example: period drama “Firebrand” started out well at Cannes and then got hit by the strikes. “So we couldn’t promote it,” said Law. “We put a pin in it for a year, and it’s slightly lost its energy, certainly here in the States. It did pretty well in Europe. Again, it’s finding that distributor that understands a film like ‘The Order’ or ‘Firebrand,’ and knows how to get to the audiences that want to see it. And then it’s demonstrating to the business as a whole that those audiences are out there. You make it for a sensible figure. You get that sensible figure back. Not everything’s going to be some smash hit, but be smart, you know?” On the TV side, “ Star Wars: Skeleton Crew ” (Disney+, December 2) came Law’s way a couple of years ago, pre-strike, and was then postponed. He worked with “an extraordinary group of directors,” he said. “We’ve got David Lowery, Jon Watts is the showrunner, the Daniels, Lee Isaac Chung, Bryce Dallas Howard.” After a childhood watching Disney animation, Law remembers seeing “Star Wars” in 1977 and “being blown away. It was life-altering, and it dominated my play for the next 10 years as a kid. Jon had a brilliant concept: a lot of our generation remember seeing [‘Star Wars’] through the eyes and fantastical imagination of children. He’s made the protagonists kids in that world, trying to survive. I play someone who is mysterious, contradictory, potentially a helping hand, potentially not.” Next up: Law has just finished “Black Rabbit,” an eight-episode limited series produced by Riff Raff, pitched by screenwriter Baylin during “The Order.” “It’s about a guy who runs a successful downtown restaurant/nightclub in New York,” said Law. “A brother returns and destroys his world. It looks at all the characters behind the scenes, in the restaurant, in the front of the house, the financiers, the friends. Jason Bateman plays my brother and directed the first two, Justin Kurzel directed the final two.”US prosecutors seek to drop federal criminal cases against Trumpjili super ace mod apk 。

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SHAMED ex-minister Louise Haigh was moved from an earlier frontbench role after growing close to a nationalist politician. The ex-Transport Secretary, who quit last month over a fraud conviction , struck up a friendship with Colum Eastwood when she was Shadow Northern Ireland Secretary from 2020-21. At the time, Mr Eastwood, 41, led the Social Democratic and Labour Party which backs a united Ireland. The politics of Northern Ireland are sensitive given the history of sectarian violence during The Troubles. And Labour insiders were worried by the friendship’s potential impact, The Sun on Sunday has been told. Sir Keir Starmer moved Ms Haigh, 37, to Shadow Transport Secretary in his 2021 reshuffle. READ MORE ON LOUISE HAIGH The source said: “Northern Ireland is a sensitive brief. “You have got to tread the path between the nationalists and the Democratic Unionist Party .” Ms Haigh and Mr Eastwood did not respond to requests to comment, while Labour declined to comment. Ms Haigh quit as Transport Secretary nine days ago after it emerged she had committed a fraud offence in 2014. Most read in The Sun The year before she had told police that she had lost her work phone in a mugging , and later found it had not been taken but failed to inform officers. She was given a conditional discharge following the incident which happened before she became MP for Sheffield Heeley. Haigh described the incident as a genuine mistake from which she did not make any gain. She said Sir Keir knew of her conviction . He has said she was only asked to resign after “further information came to light” but has declined to say what.

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Bar staff to be trained to deal with spiking as PM demands joint action on VAWGThe Tampa Bay Rays have had six of their 2025 regular-season games shifted to the early season due to weather issues from playing outside, Major League Baseball announced Monday. The Rays' usual home, domed Tropicana Field, was damaged by Hurricane Milton last month with almost all of its roof shredded and no possibility of playing there next year. As a result, the Rays moved their 2025 home games from St. Petersburg to the New York Yankees training complex at nearby Tampa, which has an 11,000-seat outdoor stadium. An April series scheduled against the Los Angeles Angels that had been set for California will instead be played April 8-10 in Florida. A series between the two which had been set for August in Florida will now be hosted by the Angels on August 4-6. A Rays series against the Minnesota Twins planned in Minneapolis from May 26-28 will instead be played on the same dates in Tampa while a series that had been set for Tampa on July 4-6 will now be played in Minnesota. Florida summers can bring extreme heat and rain. js/bspTexans foiled by mistake after mistake in 32-27 loss to Titans

US stocks ended mixed on Friday, though the S&P 500 rose to fresh records as traders took in November jobs data and ramped up bets for another rate cut this month. Bond yields were lower, with the 10-year Treasury yield down three basis points to 4.151%. than expected last month, with payrolls rising by 227,000 compared to estimates of 220,000, the Bureau of Labor Statistics reported on Friday. The jobless rate, meanwhile, edged up slightly to 4.2%. A stronger job market is solidifying confidence that the US economy will avoid a downturn, which is a positive for stocks. Yet, the increase in unemployment is leading investors to grow more confident that the Fed will feel comfortable continuing to cut interest rates, with markets pricing eyeing an 85% of a rate cut at this month's policy meeting, according to . "Today's report tells us we are clearly not entering into a recession. This is the last piece of data the Fed needs to make its decision later this month. This job report was a quality print and tells us the job market remains healthy and steady," Gina Bolvin, the president of Bolvin Wealth Management Group, said in a statement. "There's a fine line between normalization and deterioration in the labor market, but the US still appears to be following the normalization path," Jason Pride, the chief of investment strategy and research at Glenmede, added. "The unemployment rate's negative tilt may help make a firmer case for a 25bp cut from the Fed this month." Doubts, though, are lingering over whether the Fed will continue to cut rates in early 2025. The probability that rates will remain just 25 basis-points lower in January — implying one skip — have climbed to 63%, up from a 58% chance priced in a week ago. Read the original article onEssex Property Trust declares $2.45 dividendBiden opens final White House holiday season with turkey pardons and first lady gets Christmas tree

The Qatar University Young Scientists Centre (QUYSC) celebrated the closing ceremony of its scientific programmes for the Fall 2024 semester. The programmes were 'I am Discovering Materials,' 'Technology in Sports' and 'STEM in Sports.' A total of 150 students from six high schools participated in the seventh edition of the 'I am Discovering Materials' programme, from Nasser bin Abdullah Al-Attiyah School, Semsima High School, and Ahmed bin Hanbal School, in addition to three girls’ schools: Umm Hakeem High School, Zubaydah High School and Al-Kawthar High School for Girls. Simaisma Secondary School for Boys won first place, Al-Kawthar Secondary School for Girls secured second place, and Ahmed Bin Hanbal Secondary School for Boys came in third. The eleventh edition of the 'Technology in Sports' programme attracted 140 high school students. This cycle encouraged the participants to innovate scientific projects based on the use of technology and smart sensors to serve the sports field. The participating schools were Ahmed Bin Mohammed Al-Thani Secondary School for Boys, Amr Bin Al Aas Secondary School for Boys, Al-Jamiliya Secondary School for Boys, Doha Secondary School for Boys, Al-Maha Academy for Girls, and Umm Ayman Secondary School for Girls. Ahmed bin Mohamed Secondary School for Boys won first place, Umm Ayman Secondary School for Girls secured second place, and Al-Jamiliya Secondary School for Boys came in third. In its third edition, the 'STEM in Sports' programme evaluated five finalist groups from about 120 high school students from Mohammed bin Abdulaziz Al Mana Secondary School for Boys, Ibn Taymiyyah Secondary School for Boys, Dukhan Secondary School for Boys, Tariq bin Ziyad Secondary School for Boys, and Omar bin Al Khattab Secondary School for Boys. Ibn Taymiyyah Secondary School for Boys took the first place, Tariq bin Ziyad Secondary School for Boys was second, and Dukhan Secondary School for Boys third. Dr Saeed al-Meer, director of QUYSC, said: “One of the most important goals of the centre is to prepare students to be able to apply the acquired skills and knowledge in the scientific field in order to serve the nation and enhance its sustainable development." Related Story QU Health sector convenes int’l advisory board meeting Qatar Foundation secures 11 awards at MEPRA 2024Menendez brothers' bid for freedom delayed until January

Menendez brothers' bid for freedom delayed until January

Thousands of Netflix users reported technical difficulties while trying to watch the fight. Frustrated viewers contended with buffering and blurry video, a result of tens of millions of households trying to watch the bout at once. It’s the kind of thing that, if the event were aired on a traditional network, would have provoked angry calls to cable companies. Live sports is considered one of the great opportunities for streamers, including Netflix, which need mass audiences tuning in to please advertisers. Companies including Amazon and Apple are spending big, driving up the price of live sports rights and encroaching further on the turf of legacy network rivals. But sports are also a challenge for tech firms. Even without buffering or grainy feeds, live streams are typically delayed compared with cable and satellite broadcasts, which means streaming audiences risk seeing spoilers on social media if the events are simulcast. For Netflix, the stakes are high. The company will host its first live NFL games on Christmas, including one featuring a halftime show from Beyoncé. Netflix is also preparing to air WWE’s “Raw” pro-wrestling franchise starting next year. Brandon Riegg, Netflix’s vice president of nonfiction series and sports, said he has “full faith” in the company’s engineering team, which learned much from the Paul vs. Tyson live match and will adjust before the NFL games. Netflix said it worked quickly to stabilize the viewing for a majority of its subscribers during the boxing event, in which the 27-year-old Paul defeated the 58-year-old Tyson. “We were overwhelmed in the sense of the expectation — it far exceeded our expectations in terms of how many people came to the fight,” Riegg told The Los Angeles Times. “It’s as simple as that. As much as we forecast how many people would come, many, many more people came. It’s impossible for our engineering team to test that magnitude of traffic and viewership unless they have a real, live thing, which is what happened.” On the bright side, Netflix showed that it can be a big draw for sports fans, with an average audience of 108 million live viewers globally tuning in for the fight. Netflix said there were 65 million live concurrent streams, calling it the “most-streamed global sporting event ever.” Industry observers say the day is coming when streamers could place their own bid to host the Super Bowl on their platforms, as long as they can handle the traffic. “Once they prove that they’re capable of delivering a consistent, robust, top-of-the-line, premium experience for these events that consumers have grown to expect, then I have no doubt that we’re going to get there,” said Rob Rosenberg, a former Showtime Networks executive and founder of New York-based Telluride Legal Strategies. The technological challenges aren’t unique to Netflix. Glitches have arisen during other live events streamed on competitors’ platforms, including on YouTube during an NFL game last year and on Amazon’s Prime Video during a Thursday Night Football game in 2022. There are various reasons why buffering occurs, particularly with a highly-anticipated program. When a sporting event is being live streamed, the captured video is released in smaller segments of a few seconds in length that are then transmitted to streaming subscribers and decoded by the users’ devices. If too many devices are seeking those video segments at the same time, it can cause a backlog. Streamers can try to solve the problem by rerouting traffic, but even that sometimes isn’t enough. Streaming services can try to prepare ahead of time by buying more bandwidth capacity from the internet service providers, but it can be difficult to guess how many people will watch, especially if the streamer is new to a particular type of content. There may be limits on how much bandwidth companies can buy. For example, Australia has much less available bandwidth compared with the United States, said Simon Wistow, a co-founder and vice president of strategic initiatives at cloud computing company Fastly. Wistow added that if streamers buy too much capacity and it isn’t used, that’s wasted money. “There’s a lot of complexities, a lot of things go on,” Wistow said. “The scale of internet traffic just gets bigger and bigger every year.” Netflix said it will improve its systems to better handle live events at unprecedented scale and work with ISPS to continue increasing its capacity. The company has been steadily putting on more live events, such as a hot dog eating competition, Screen Actors Guild Awards and a tennis exhibition match. The company’s first live event was a Chris Rock comedy special last year, which has drawn 23.5 million views. An early effort at live streaming, a “Love Is Blind” reunion special, encountered technical trouble due to a bug that went unnoticed until people tried to watch the program. The Paul vs. Tyson event was a new milestone for Netflix’s live streaming efforts. For some viewers, like Florida resident Malcolm Scott, the streamer’s issues were unacceptable. Scott even sued Netflix for breach of contract last week, alleging that Netflix viewers missed large portions of the fight. Netflix declined to comment on the lawsuit. Brian Comiskey, a futurist at the trade group Consumer Technology Assn., chalked Netflix’s problems up to technological growing pains. “At the end of the day this is content being delivered from thousands of miles away via files,” said Comiskey, calling himself a millennial who remembers what it was like pre-smartphone. “This is a tremendous step in technology, but it only gets better from there.” Brian Rolapp, the NFL’s chief media and business officer said he believes Netflix will be ready to stream its games. “I think it shows the power of their global platform, their international reach, which is one reason why we did this deal,” Rolapp said during the Sports Business Journal Media Innovators Conference. “So, I think what they did was pretty extraordinary.”

HOUSTON (AP) — The Houston Texans made mistakes in every facet of the game Sunday against the Tennessee Titans to lose for the third time in four games. C.J. Stroud threw two interceptions, the defense gave up multiple big passing plays and Ka′imi Fairbairn missed a 28-yard field goal that would have tied it late in a 32-27 loss . Javascript is required for you to be able to read premium content. Please enable it in your browser settings. Get the latest sports news delivered right to your inbox six days a week.

You Bet fans complain as iconic show fronted by Holly Willoughby and Stephen Mulhern returns with missing featureNEW DELHI: The food processing industry is expected to double in size by 2025-26, driving hiring in the fast-moving consumer goods (FMCG) sector. A report by TeamLease EdTech shows that hiring intent for freshers increased to 32 per cent in the second half of 2024, compared to 27 per cent in the first half of the year. The growth in hiring is linked to the expansion of the food processing industry, which is projected to grow from $ 263 billion in 2019-20 to $ 535 billion by 2025-26, with an annual growth rate of 12.6 per cent. IPL 2025 mega auction IPL Auction Live: Pant, Iyer, Arshdeep enter in marquee list CSK need Dhoni; Gaikwad still new to captaincy - says Raina How and where to watch Indian Premier League mega auction This growth has enabled deeper penetration into rural and semi-urban markets. The report highlights that key product segments including dairy, RTE foods, frozen meat, and snacks are generating employment opportunities, particularly in supply chain and market research sectors. "The rise in demand for fresh talent in FMCG can clearly be attributed to deeper expansion in rural and semi-urban markets, fueled by the rapid growth of India's food processing industry," Shantanu Rooj, founder and CEO, TeamLease Edtech, was quoted as saying by news agency ANI. The report also highlights that FMCG companies are focusing on hiring freshers with expertise in market insights, retail distribution, and regional consumer behavior to support their expansion into untapped markets. Specific job roles are seeing high hiring intent in various cities. Food engineers have a hiring intent of 41 per cent in Bengaluru, logistics coordinators 39 per cent in Delhi, supply and distribution chain positions 37 per cent in Hyderabad, and brand management trainees 34 per cent in Bengaluru. The survey was conducted across 526 small, medium, and large companies in 18 industries and covered 14 geographical areas, including metros, tier-1, and tier-2 cities. Ready to Master Stock Valuation? ET's Workshop is just around the corner!To ensure delivery by Christmas, mail letters and packages by Dec. 18: Chicago postmaster

Donald Trump is not racist, ESPN's Stephen A. Smith says as he insists 'brothers found him to be cool'Montreal police chief expects additional arrests following anti-NATO protest