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winph99 com Texans foiled by mistake after mistake in 32-27 loss to TitansWedgewood Launches Blue Rabbit for Equine Veterinarians at AAEPDallas, TX, Dec. 20, 2024 (GLOBE NEWSWIRE) -- In an industry often characterized by rapid change and high turnover, David Boisture’s 22-year career with Dickey’s Barbecue Pit stands as a testament to the enduring strength of the brand and the opportunities it provides to franchise owners. As a franchisee and area director, Boisture operates a Dickey’s location in Arlington at Ballpark and Lamar, one of several stores he has successfully managed during his tenure with the company. His longevity and sustained success highlight the stability and scalability of the Dickey’s franchise model. “When I first joined Dickey’s, I was drawn to its authenticity and community focus,” Boisture said. “Over the past two decades, I’ve seen firsthand how those values resonate with customers and create a sustainable foundation for growth.” A Foundation for Long-Term Success Boisture’s journey with Dickey’s began in 2002, sparked by his father-in-law’s recommendation after seeing an ad in The Wall Street Journal. A visit to Dickey’s then-modest headquarters and a conversation with founder Travis Dickey left a lasting impression, inspiring Boisture to open his first store. Since then, Boisture has not only grown his own business but has also played a critical role in mentoring new franchisees and ensuring operational excellence across multiple locations. Roland Dickey Jr. , CEO of Dickey’s Capital Group , emphasized the importance of Boisture’s contributions. “David represents the kind of leadership and commitment that defines the success of our franchise system,” said Dickey Jr. “His 22 years with Dickey’s are a reflection of the strength of the brand and the value of consistency in delivering high-quality barbecue and exceptional service to our communities.” The Role of Community and Leadership Throughout his career, Boisture has been a strong advocate for local engagement, seeing it as a critical component of Dickey’s success. “Community involvement isn’t just good business; it’s essential to building trust and loyalty,” Boisture said. “Supporting local events and organizations has helped us build lasting connections that benefit both the franchise and the neighborhoods we serve.” Now, as an area director, Boisture oversees multiple locations in the Dallas area, applying his years of experience to support other franchise owners in navigating challenges and building sustainable operations. “David’s depth of knowledge and leadership have been invaluable to our team,” said Laura Rea Dickey , CEO of Dickey’s Barbecue Restaurants, Inc. “His long tenure with the brand reflects a shared commitment to quality, innovation, and a focus on long-term success.” A Legacy of Stability In an industry often subject to fleeting trends, Boisture attributes his enduring success to Dickey’s consistent approach to growth and its emphasis on operational excellence. “Dickey’s has always focused on building something sustainable,” he said. “The brand’s careful approach to expansion and its dedication to franchisee support create an environment where businesses can thrive for the long term.” For Boisture, the impact of his work extends beyond business metrics. “Being part of Dickey’s has given me a career that’s not only rewarding but also meaningful,” he said. “It’s allowed me to provide for my family, support my community, and be part of a brand with real staying power.” About Dickey’s Barbecue Restaurants, Inc. Founded in 1941 by The Dickey Family, Dickey's Barbecue Restaurants, Inc. is the world’s largest barbecue concept and continues as a third-generation family-run business. For over 80 years, Dickey’s Barbecue Pit has served millions with its signature Legit. Texas. Barbecue.TM Slow-smoked over hickory wood-burning pits, Dickey’s barbecued meats are paired with a variety of southern sides. Committed to authentic barbecue, Dickey’s never takes shortcuts—because real barbecue can’t be rushed. With over 866 restaurants across eight concepts in the U.S. and several countries, Dickey’s Barbecue Franchise and Dickey’s Restaurant Brands continues to grow under the leadership of Roland Dickey, Jr., CEO of Dickey’s Capital Group, and Laura Rea Dickey, CEO of Dickey’s Barbecue Pit, Inc. Dickey’s has been recognized on Newsweek’s 2022 "America’s Favorite Restaurant Chains" list, Nation’s Restaurant News 2024 top fast-casual brands for value, and USA Today’s 2021 Readers’ Choice Awards. The brand has also ranked in the Top 20 of Fast Casual’s “Top 100 Movers and Shakers” for four of the past five years. Additional accolades include Entrepreneur's Top 500 Franchise and Hospitality Technology’s Industry Heroes list. The brand has been featured by Fox News, Forbes, Franchise Times, The Wall Street Journal, and People Magazine . For more information, visit www.dickeys.com . For information about becoming a franchise partner, visit www.dickeysfranchise.com . Attachment David Boisture

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Avalanche play the Lightning on 3-game win streakFacebook Twitter WhatsApp SMS Email Print Copy article link Save It's holiday season, but that doesn't have to mean waiting in long lines for big sales to buy the hottest toy or newest game system. Whether you're a parent, relative, teacher, librarian or just a friend to a young person, consider a book that you can enjoy together. 'I Like Your Chutzpah And Other Yiddish Words You'll Like' Written and illustrated by Suzy Ultman “I Like Your Chutzpah and Other Yiddish Words You’ll Like," written and illustrated by Suzy Ultman Sweet, funny and infinitely readable, this board book contains 12 Yiddish words and their meanings, each accompanied by a simple, colorful illustration that will inspire fun reading voices. Recommended ages: 1 to 3. $9.99, RISE x Penguin Workshop ___ 'The 13 Days of Swiftness: A Christmas Celebration' People are also reading... The real reason Corvallis' Pastega Lights moved to Linn County Corvallis chemical manufacturer eyes Albany for expansion UPDATED: GAPS teacher strike NOT off after talks over returning to the classroom break down Recently made-over park sees this change after Albany got an earful Corvallis decides layout for new civic campus — with a side of strife Agreement reached (again), GAPS teachers get new contract Albany man pleads to numerous sex crimes Strike to end, GAPS reaches tentative deal with Albany teachers Philomath moves forward following July Nazi flag controversy Court dismisses jail-related Benton County whistleblower complaint 2025 to bring rate increases, new fee for hauling Corvallis waste Corvallis woman cuts hair for homeless: 'The Lord gave me a calling' OSU football: Beavers add 18 players as signing period opens Family objects to Jefferson man’s sex offense sentence A false start: GAPS strike continues after district, teachers announce deal Written by Tiffany Garland, illustrated by Brooke O'Neill "The 13 Days of Swiftness: A Christmas Celebration," written by Tiffany Garland, illustrated by Brooke O’Neill For the littlest Swifties, a play on the classic Christmas song — except instead of 12 days there are 13. Each page has bright illustrations and lots of Easter eggs for the fandom. Recommended ages: 3 and up. $10.99, Little, Brown Books for Young Readers 'Into the Uncut Grass' Written by Trevor Noah, illustrated by Sabina Hahn "Into the Uncut Grass" by Trevor Noah and illustrated by Sabina Hahn Trevor Noah tells a story of a boy and his teddy bear who venture into the uncut grass, picking up bits of wisdom along the way. Long and quotable, with humor and gentle watercolor illustrations. Per the intro, "it's a picture book, but it's not a children's book. Rather, it is a book for kids to share with parents and for parents to share with kids." All ages. $26, One World ___ 'Proper Badger Would Never' Written by Lauren Glattly, illustrated by Rob Sayegh "Proper Badger Would Never" by Lauren Glattly and illustrated by Rob Sayegh Badger was determined to be a perfectly proper guest at his first party, but his instincts may have gotten the better of him. Shred the gift wrapping paper? Never. Dig into the cake before it's served? Of course not. A colorful, texture-rich picture book that leans into joyful chaos. Recommended ages: 4 to 8. $18.99, Flamingo Books ___ 'Attack of the Scones' Written by Josh Funk, illustrated by Brendan Kearney "Attack of the Scones: Lady Pancake and Sir French Toast" by Josh Funk and illustrated by Brendan Kearney In the sixth installment of the series, Lady Pancake and Sir French Toast take on an alien invasion with the help of their fridge friends. Told in rhyming couplets with whimsical, expressive full-page illustrations. Recommended ages: 5 to 8. $8.99 paperback, $18.99 hardcover; Union Square Kids __ 'Bog Myrtle' Written and illustrated by Sid Sharp "Bog Myrtle" by Sid Sharp One sister loves the forest and its splendors; the other is more interested in money. Sharp uses literary devices from irony to alliteration to puns, taking on topics like worker rights and environmental sustainability. "This graphic novel is perfect for the quirky, goofy child in your life who loves deadpan humor and 'The Skull' by Jon Klassen," says Sarah Bradley, lead bookseller at Powell's Books. Recommended ages: 6 to 11. $22.99, Annick Press ___ 'My UnderSlumberBumbleBeast' Written by Zoje Stage and illustrated by J.E. Larson "My UnderSlumberBumbleBeast" by Zoje Stage and pictures by J. E. Larson Stage's book reimagines the monster under the bed as something far cuter and weirder. One day while cleaning her room, Pru finds a shy little creature called an UnderSlumberBumbleBeast. Includes crosshatch drawings and a glossary of the trickier vocabulary. Recommended ages: 7 to 10. $15.99, Bad Hand Books 'Otto Normal's Monsterton: The Disappearance of White Pine Beach' Written by Danielle McKechnie, illustrated by Simon Estrada "Otto Normal's Monsterton: The Disappearance of White Pine Beach" Otto moves with his mom from his normal California town to Monsterton, where they're the only humans among zombies, ghosts and sirens. Otto soon finds himself on a quick-paced adventure. With chunks of text broken up by beautiful digital color illustrations, blurring the line between chapter book and graphic novel, this glossy volume feels special to hold. Recommended ages: 8 to 12. $22.99, Simon & Schuster ___ 'The Wild Robot' Written and illustrated by Peter Brown "The Wild Robot" by Peter Brown Roz the robot is the sole survivor of a shipment gone overboard and has to adapt to the wild. She becomes the de facto mother of Brightbill the gosling, and the forest animals that shunned her otherness begin to form a community around her. Short chapters are punctuated by black-and-white illustrations. The trilogy saw a theatrical adaptation this year, and a special edition of the first volume features full-color inserts from the movie. Recommended ages: 8 to 12. $8.99 single paperback, $54 box set, Hatchette Book Group ___ 'The Young Green Witch's Guide to Plant Magic' Written by Robin Rose Bennett, illustrated by Rachel Grant "The Young Green Witch’s Guide to Plant Magic: Rituals and Recipes from Nature" by Robin Rose Bennett and illustrated by Rachel Grant This herbalist's chapter book with watercolor illustrations imparts how to use different plants, along with lessons of appreciation and self-acceptance and breathing meditations. There are also recipes for handy concoctions kids can make with minimal adult supervision, such as oatmeal scrub, lavender honey and dandelion pesto. Recommended ages: 8 to 12. $16.99, Running Press Kids ___ 'The Millicent Quibb School of Etiquette for Young Ladies of Mad Science' Written by Kate McKinnon, illustrated by Alfredo Cáceres "The Millicent Quibb School of Etiquette for Young Ladies of Mad Science" by Kate McKinnon Kate McKinnon of "Saturday Night Live" and "Barbie" fame tells the story of three adopted sisters who, having zero interest in perfecting the 85 ways to properly sit on a velvet fainting couch, find themselves expelled from etiquette school. Their new, extremely uncouth school puts them at the heart of a mystery in which the town is at stake. With fun fonts and the occasional illustration, the novel is a wildly imaginative celebration of strangeness with humor a la Lemony Snicket. Recommended ages: 8 to 12. $17.99, Little, Brown Books for Young Readers ___ 'Plain Jane and the Mermaid' Written and illustrated by Vera Brosgol "Plain Jane and the Mermaid" by Vera Brosgol The recently orphaned Jane has a week to get married and get her dowry before she'll be kicked to the streets. Handsome Peter might have accepted Jane's proposal if he hadn't been kidnapped by a mermaid. This full-color graphic novel challenges gender roles and beauty standards through an underwater adventure full of snark and hilarious characters, rivaling Jeff Smith's "Bone." Recommended ages: 10 to 14. $14.99, First Second 'A Good Girl's Guide to Murder' A trilogy by Holly Jackson "A Good Girl's Guide to Murder" by Holly Jackson Pip investigates a murder that she thinks another student was wrongly accused of. It's an ambitious project for a high school capstone, but Pip's an ambitious student. A TV adaptation of this true-crime-style story was produced by the BBC and released on Netflix over the summer. . Recommended ages: 14 and up. $14.99 single paperback, $47.97 box set, Ember ___ 'The Calculation of You and Me' By Serena Kaylor “The Calculation of You and Me" by Serena Kaylor Marlowe has great grades and a loving family, two best friends who understand her and all her autistic quirks, and a romantic boyfriend — until he breaks up with her, sending her perfectly categorized world into a tailspin. This sweet, funny, page-turning novel celebrates romance as an act and a genre. Recommended ages: 13 and up. $14 paperback, $24 hardcover, Wednesday Books ___ 'Lunar New Year Love Story' Written by Gene Luen Yang, illustrated by LeUyen Pham "Lunar New Year Love Story" by Gene Luen Yang and Leuyen Pham Valentina has one year to prove she doesn't share her family's fate of all romances ending in misery. If she doesn't find lasting love by then, she will give her heart to Saint Valentine and be forever protected from heartbreak. The graphic novel celebrates Asian culture alongside the ups and downs of love. Recommended ages: 14 and up. $17.99 paperback, $25.99 hardcover, First Second Small, luxury foods are great as stocking stuffers or other gifts. Ideas for under $50 By KATIE WORKMAN Associated Press Game-changing holiday gifts for building fires, printing photos, watching birds and more By JESSICA DAMIANO Associated Press More consumers hope to cut out self-gifting this year. They may be making a mistake. More consumers hope to cut out self-gifting this year. They may be making a mistake. Americans are heading into the first holiday season in years where buying less may be the first thing on their minds. And this year, gift lists may exclude one important person: you. Stacker dug into Deloitte's 2024 holiday retail survey to explore the psychology behind Americans' reluctance to self-gift this year. In the modern era, holiday gifting includes a practice that may seem rooted in consumerism—giving ourselves gifts. However, "self-gifting," psychologists say, carries its own importance. It's one consumers intend to cut back on or eliminate entirely this holiday shopping season, according to Deloitte's 2024 holiday retail survey of over 4,000 U.S. consumers. We've all done it. With hard-to-resist Black Friday deals and hypertargeted advertising, it can be difficult to resist shopping for yourself when doing so for others. Meanwhile, the cost of goods and services has risen faster than usual every year since 2021, when post-COVID-19 pandemic inflation took root in the U.S. economy and altered how we consume. Even so, Americans expect to spend more on gifts this holiday than in the previous five years. Deloitte found that the average person anticipates spending $1,778 this year, a 19% increase from 2019, when the average expected spend was $1,496. Baked into that figure are consumers' expectations of higher prices this season, according to Deloitte. In response, some Americans are signaling they may do less for themselves. About 1 in 3 consumers intend to self-gift this year, down from almost half of all consumers last year, Deloitte found. At least 2 in 5 (43%) won't spend on themselves at all, up from 25% last year. Today, the appeal of giving gifts around winter holidays is nearly universal. The holidays have long been an occasion to show our love for others in the exchange of gifts. Though giving gifts may have emerged from the biblical story of the three wise men, Christmas celebrations were among the first to lean into a commercialized version of the winter holidays. Other religious traditions like the Jewish celebration of Hanukkah have evolved to include gifting as a part of its observance over the winter holiday. Even workplace culture has adopted gifting as a way to foster connections and lift moods with traditions like Secret Santa. This holiday season, though, our modern treat-yourself-culture could be on pause for many Americans. You may also like: How to increase your credit limit and keep a good credit score More Americans prepared to remove themselves from holiday gift lists Dr. Steve Westberg, a professor of marketing and consumer psychology at the University of Southern California, suggests that the uptick in surveyed adults who say they hope to scale back self-gifting this year may be due to consumer pessimism and financial concern. Faced with more limited options during the pandemic years, Americans bestowed themselves with material goods—some out of practical necessity, others not. Over the 2020 and 2021 holiday seasons, Americans hunkered down at home to avoid catching or spreading the latest COVID-19 variant. They bought lots of furniture, electronics, and other items in lieu of spending on travel, outings, and live events. In 2022 and 2023, consumers embarked on so-called " revenge travel " to catch up on international and domestic trips. They attended the live music and sporting events they had missed out on. Today, there are signs that all of that spending is beginning to cause stress for the typical American consumer as prices remain painfully high . Americans' total amount of credit card debt is at an all-time high, and default rates for vehicle loans and credit cards are rising. In almost every major poll leading up to the 2024 presidential election, the economy and inflation were consistently the top issues driving voters to the polls. However, as consumers pull back, there's evidence that self-gifting can positively impact personal well-being . Jacqueline Rifkin, an assistant marketing and management communications professor at Cornell University, describes the practice as a way to self-regulate emotions. Self-gifting can express positive emotions in a way we may recognize as a celebration. "You just got a promotion, or you won some big award, you're feeling good, and you want to extend or amplify those good feelings. You can use self-gifting to achieve that," Rifkin told Stacker. Self-gifting can also be a way to deal with negative emotions. Rifkin published research in the Journal of Consumer Research on self-gifting, which revealed that people were least likely to gift things to themselves when under stress or feeling constrained—even though self-gifting can help us regulate during stressful moments. "If you're going through a rough time ... you can use self-gifting to pick yourself back up. One of the colloquial ways we think about this is 'retail therapy,'" Rifkin said. Can self-gifting and retail therapy veer into wasteful self-indulgence? Potentially, according to Westberg, who says the reasons we self-gift are similar to those that drive compulsive shopping habits. The act generates a positive emotional response. There's an important distinction, however, that experts draw between the two. Westberg and Rifkin agree that self-gifting stands out from other forms of shopping in that it incorporates intentionality. "You could define self-gifting as being a little more thoughtful in your choice," Westberg explained. Consumer advocates suggest that shoppers looking to cut back on spending create guardrails to help them shop more intentionally. Removing credit card information from our web browser's autofill function or delaying the impulse to "buy now" and creating a wish list instead can elongate the purchase process. Putting space between the initial urge to buy and the purchase can be revealing, too: It clarifies what's really meaningful and worthy enough to justify buying. For others, like Westberg, shopping satisfaction is derived from researching items to self-gift in the future. Westberg's initial inclination when it comes to self-gifting, like many of us, is to reward himself with some kind of "big ticket" item. "On the other hand, I don't know that I'll ever actually do that because once I have it, the anticipation aspect is going to go away," Westberg said. "So while I do think about self-gifting myself a car ... I get a lot of enjoyment [from] doing the research. ... [It's] the thoughtfulness that I can put into it rather than having the physical thing." According to Rifkin, our reluctance to give ourselves gifts isn't always born of financial constraints but also a belief that giving ourselves something won't actually make us feel better, even though it can. She advises consumers to remember that gifts can take on different forms this holiday season, and many of them don't cost a thing. "It's this intentional behavior that we engage in. It's something you do, you do it on purpose, and you do it for yourself," Rifkin said. "Could it be going for a walk around the block? Absolutely. Could it be dusting off a book that you hadn't read in a while and spending an hour reading it? Yes." Story editing by Alizah Salario. Copy editing by Paris Close. Photo selection by Kristen Wegrzyn. Get the latest local business news delivered FREE to your inbox weekly.

Norris scores his 2nd goal of game with 41.6 seconds left to lift Senators over Red Wings 2-1Peripheral Intravascular Ultrasound (IVUS) Catheter Market to Observe Prominent CAGR of 17.48% by 2030, Size, Share, Trends, Demand, Growth, Challenges and Competitive Outlook 12-20-2024 07:54 PM CET | Business, Economy, Finances, Banking & Insurance Press release from: Data Bridge Market Research (DBMR) Peripheral Intravascular Ultrasound (IVUS) Catheter Market Data Bridge Market Research analyses that the peripheral intravascular ultrasound (IVUS) catheter market which is USD 180.03 million in 2022, is expected to reach USD 653.22 million by 2030, at a CAGR of 17.48% during the forecast period 2023 to 2030. Market Definition: Intravascular ultrasound (IVUS) is a catheter-based imaging technology that allows doctors to see inside blood vessels. Cross-sectional images aid in determining the presence and extent of disease, plaque geometry and morphology, guide wire position during lesion crossing, and post-treatment stent position. Browse More About This Research Report @ https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-peripheral-intravascular-ultrasound-ivus-catheter-market BIOTRONIK SE & Co. KG (Germany), MicroPort Scientific Corporation (China), Jotech GmbH (Germany), Johnson & Johnson Private Limited (U.S.), Vascular Solutions, Inc. (U.S.), Abbott (U.S.), BD (U.S.), Boston Scientific Corporation (U.S.), Medtronic (Ireland), Cook (U.S.), Johnson & Johnson Private Limited (U.S.), Smith+Nephew (Germany), Cardinal Health (U.S.), Terumo Corporation (Japan), Conavi Medical (U.S.), Edwards Lifesciences Corporation (U.S.), Infraredx, Inc. (U.S.), Getinge AB (Sweden), Coloplast Corp (Denmark), McKesson Medical-Surgical (U.S.) Competitive Landscape and Peripheral Intravascular Ultrasound (IVUS) Catheter Market Share Analysis: The peripheral intravascular ultrasound (IVUS) catheter market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, global presence, production sites and facilities, production capacities, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies' focus related to peripheral intravascular ultrasound (IVUS) catheter market. Browse More Reports: https://articles9555.blogspot.com/2024/12/targeted-protein-degradation-market_19.html https://articles9555.blogspot.com/2024/12/floriculture-lighting-market-research.html https://articles9555.blogspot.com/2024/12/android-set-top-box-stb-and-television.html About Data Bridge Market Research: An absolute way to predict what the future holds is to understand the current trend! Data Bridge Market Research presented itself as an unconventional and neoteric market research and consulting firm with an unparalleled level of resilience and integrated approaches. We are committed to uncovering the best market opportunities and nurturing effective information for your business to thrive in the marketplace. Data Bridge strives to provide appropriate solutions to complex business challenges and initiates an effortless decision-making process. Data Bridge is a set of pure wisdom and experience that was formulated and framed in 2015 in Pune. Contact Us: - Data Bridge Market Research US: +1 614 591 3140 UK: +44 845 154 9652 APAC: +653 1251 1629 Email: - sopan.gedam@databridgemarketresearch.com This release was published on openPR.

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In the backdrop of a new exhibition ‘Fonseca: An Indic Lexicon’ at the Xavier Institute Historical Research, Porvorim, NT NETWORK examines how the late Goan artist Angelo da Fonseca is gradually finding more ground in his homeland KALYANI JHA | NT NETWORK Goa has been the birthplace of many artists, some of whom have gained world prominence. Yet, not all of them were fully accepted by their community in their homeland. Among these was the great modernist painter late Angelo da Fonseca. Indeed, the St. Estevam-born artist, faced ire from the Portuguese administration in Goa at that time, the church, and his village, for his portrayal of Christian icons in Indian settings, which went against the then popular European version of Christianity. This led the Shantiniketan School of Art artist to leave Goa and settle in Pune where he produced most of his works at the Anglican Christa Prema Seva Ashram. His works went on to feature in major exhibitions, including in Rome. In fact, he also received a knighthood from the pope and two medals from Pope Pius XII. And now, over 50 years since his passing away in 1967, this forgotten artist in Goa with over 1,000 paintings exploring Christian art themes in the Indian context and colours is being reviewed, studied, and slowly getting his due recognition. Leading this revival of interest in his art is writer and artist Savia Viegas who has been studying Fonseca’s works since 2009. In fact, after presenting a paper on his work in Gujarat at the MS University, Baroda, Viegas received a one-year grant from the India Foundation for the Arts in 2010 to do further research. She has since curated a number of exhibitions on Fonseca at the Xavier Centre of Historical Research (XCHR), Porvorim. “I found his ideas very fascinating. Very few people looked at it that way. They just think he is an iconic painter. But when I saw the connection between development of the nation and polity and the kind of icons Fonseca was painting, it was fascinating,” she shares. She further explains that Fonseca started painting in 1931 and continued till 1967. These were the years of the freedom movement in India with major developments in the process of de-colonisation. “So, there are a lot of ideas about freedom struggle, Indian-ness, about having God look like Indian and not European which are embedded in his ideas,” says Viegas. Dwelling on the unkindness that Fonseca received for his works back in the day, Viegas states that this can be observed in some of his correspondence that she has access to. “It didn’t affect his painting but it definitely made him very despondent. He said, ‘I paint for the public but the public doesn’t accept my images’,” shares Viegas. “At one point of time he says, ‘How does it matter who I paint, who I don’t paint? What matters is that looking at a painting you are inspired by the ideas I am trying to convey’.” Viegas says that when she shared her ideas with the Jesuits at XCHR, they were helpful in allowing her to have a freehand in curating the exhibitions. In fact, the XCHR are the custodians of a collection of Fonseca’s original artworks which have been gifted to the centre by his widow Ivy. The Centre has been making these accessible for public viewing through these various exhibitions like ‘A Christmas Story’ which showed his paintings on Christmas and nativity, ‘The Power and The Glory’ which dwelt on the Lenten period, and ‘Maiden, Muse and Madonna’. Recently, a new exhibition ‘Fonseca: An Indic Lexicon’ opened at the centre. “This year, we decided to look at some paintings that were made during the year that India as a nation was being born after a colonial period,” says Viegas. She adds that this art exhibition has gotten a better response from people. “An artist collection is not to be kept in archive. It is to be shown to people because it was painted for people. The Jesuits are doing a fantastic job in this respect,” says Viegas. In fact, director of XCHR Fr. Rinald D’ Souza admits to learning more about Fonseca through the last three exhibitions he curated with Viegas. “Every time I look at Fonseca, I discover something more about him and something more about myself,” he says. Talking about the deep connection of the Jesuits and Fonseca, Fr. D’Souza explains that Fonseca had a deep association with Fr. Matthew Lederle who was also writing a lot on Indian Christian art. “Lederle was also instrumental in Fonseca’s travel to Nuremberg, Germany where a substantial portion of his collection resides. A lot of work was done for the Jesuits at that time,” he shares. He adds that Fonseca was one of the most important artists of the 20th century not just from the Goan and Christian perspective. “One of the things was that he made this change that moved the face of Christian iconography,” he says, adding that as a cultural institution, the XCHR has to do their best to promote Fonseca. But this journey to get this master artist his due, is an ongoing struggle, reveals Viegas. “I don’t think it is easy for an artist, especially in Goa, to make a mark, no matter how good he is. People are a little apathetic to art. We have good infrastructure now. But cultural appreciation and critique has to come from people. It is only then Fonseca and other forgotten artists will be redeemed,” says the curator. In fact, with the goal of throwing more light on Fonseca, two years ago, Fr. Délio Mendonça, while working at the XCHR, published a coffee table book titled ‘Fonseca’. “I had access to some literature on Fonseca from our library and to his many originals. But there was no book or relatively complete monograph on the artist. There were brief essays about this artist but not easily accessible. This lacuna is one of the reasons that led me to write the book,” he shares. Since the XCHR was the custodian of the Fonseca artworks and with plans for an art gallery for his large legacy, Fr. Mendonca thought that a book dedicated to the magnum opus of Fonseca was necessary to showcase Fonseca’s art and his thoughts to a larger public in India and in the Church; and to prevent Fonseca from falling into total oblivion. Architect Gerard Da Cunha who published the book adds that it was done for the simple reason that everybody had forgotten Fonseca. “I suppose books and exhibitions have popularised him now and he is getting into the mainstream as being one of Goa’s main artists. He was an artist beyond his time. And it takes time to bring a man back to his history,” he says. Fr. Mendonca too opines that books and exhibitions are a sign of recognition of the artist. But more needs to be done. “His works, his thoughts and the motivation for creating a new Christian iconography for India and the world can inspire religious, social and political life,” says Fr. Mendonca. “It is not easy to acknowledge the works of persons when these disturb our holy traditions and question our cherished assumptions. But art should also disturb, provoke and renew our commitments.” He adds that there is a need for an art gallery to bring out Fonseca’s art. “His universal thoughts and spirituality are important for contemporary India,” says Fr. Mendonca, adding that Fonseca’s work reflected human and divine representations emanating peace, devotion, tenderness and serenity. To take the interest in Fonseca’s artworks further, Viegas will soon be coming out with her monograph titled ‘Angelo da Fonseca: An Artist of His Time’with six chapters dealing with different facets of Fonseca’s life and art. “It looks at his early life, at his Bengal school influence of other artists. It also looks at the kind of technique he used and the kind of colours he made. The book also examines all the images he created. There is a special chapter on Our Lady and then the last chapter deals with how people responded to his work,” she shares. The XCHR is also looking at further plans to bring Fonseca into mainstream art discussion. “A lot more has to be done. This includes an extensive website to get Fonseca to the public and to make the collection known. We also would like to start educational programmes for school children and public and invite lecturers,” shares Fr. D’Souza. “But in terms of him getting his due, that depends on the public and how they accept Fonseca as their own.”Shocking Nvidia Move! New GPU Launch Could Shake the Market

Iowa moves on without injured quarterback Brendan Sullivan when the Hawkeyes visit Maryland for a Big Ten Conference contest on Saturday afternoon. Former starter Cade McNamara is not ready to return from a concussion, so Iowa (6-4, 4-3) turns to former walk-on and fourth-stringer Jackson Stratton to lead the offense in College Park, Md. "Confident that he'll do a great job," Iowa coach Kirk Ferentz said of Stratton on his weekly radio show. "He stepped in, did a really nice job in our last ballgame. And he's got a good ability to throw the football, and he's learning every day. ... We'll go with him and see what we can do." Iowa had been on an upswing with Sullivan, who had sparked the Hawkeyes to convincing wins over Northwestern and Wisconsin before suffering an ankle injury in a 20-17 loss at UCLA on Nov. 8. Stratton came on in relief against the Bruins and completed 3 of 6 passes for 28 yards. Another storyline for Saturday is that Ferentz will be opposing his son, Brian Ferentz, an assistant at Maryland. Brian Ferentz was Iowa's offensive coordinator from 2017-23. "We've all got business to take care of on Saturday," Kirk Ferentz said. "I think his experience has been good and everything I know about it. As a parent, I'm glad he's with good people." Maryland (4-6, 1-6) needs a win to keep its hopes alive for a fourth straight bowl appearance under Mike Locksley. The Terrapins have dropped five of their last six games, all by at least 14 points, including a 31-17 loss at home to Rutgers last weekend. "It's been a challenging last few weeks to say the least," Locksley said. The challenge this week will be to stop Iowa running back Kaleb Johnson, who leads the Big Ten in rushing yards (1,328) and touchdowns (20), averaging 7.1 yards per carry. "With running backs, it's not always about speed. It's about power, vision and the ability to make something out of nothing," Locksley said. "This guy is a load and runs behind his pads." Maryland answers with quarterback Billy Edwards Jr., who leads the Big Ten in passing yards per game (285.5) and completions (268). His top target is Tai Felton, who leads the conference in catches (86) and receiving yards (1,040). --Field Level MediaIn the waning days of President Joe Biden 's administration, the government's highway safety agency is proposing voluntary safety guidelines for self-driving vehicles. But a rule from the National Highway Traffic Safety Administration putting the plan in place won't be approved before the end of Biden's term in January and likely will be left to whoever runs the agency under Republican Donald Trump . Tesla CEO Elon Musk , whom Trump has named to co-lead a “Department of Government Efficiency” to cut costs and regulations, has floated the idea of him helping to develop safety standards for self-driving vehicles — even though the standards would affect Tesla's automated driving systems. At present there are no federal regulations that specifically govern autonomous vehicles, and any regulation is left to states. However, self-driving vehicles must meet broad federal safety standards that cover all passenger vehicles. Under the agency's proposal, released on Friday, automakers and autonomous vehicle companies could enroll in a program that would require safety plans and some data reporting for autonomous vehicles operating on public roads. To apply companies would have to have independent assessments of their automated vehicle safety processes, and there would be requirements to report crashes and other problems with the vehicles. Companies would have to give NHTSA information and data on the safety of the design, development and operations of the vehicles. The agency would decide whether to accept companies into the program. But auto safety advocates say the plan falls short of needed regulation for self-driving vehicles. For instance, it doesn't set specific performance standards set for the vehicles such as numbers and types of of sensors or whether the vehicles can see objects in low-visibility conditions, they said. “This is a big bunch of nothing,” said Missy Cummings, director of the autonomy and robotics center at George Mason University and a former safety adviser to NHTSA. “It’ll be more of a completely useless paperwork drill where the companies swear they’re doing the right thing.” Michael Brooks , executive director of the nonprofit Center for Auto Safety, said one of the few good things about the plan is that companies will have to report data on crashes and other problems. There have been reports that the Trump administration may want to scrap a NHTSA order that now requires autonomous vehicle companies to report crashes to the agency so it can collect data. A message was left Friday seeking comment from the Trump transition team on crash reporting requirements. Brooks said the incoming administration probably will want to put out its own version of the guidelines. NHTSA will seek public comment on the plan for about 60 days, then the plan would have to wind its way through the federal regulatory process, which can take months or even years. “It is important that ADS (Automated Driving System) technology be deployed in a manner that protects the public from unreasonable safety risk while at the same time allowing for responsible development of this technology, which has the potential to advance safety,” the proposed rule says. The agency concedes that in the future, there may be a need for NHTSA to set minimum standards for self driving vehicle performance that are similar to mandatory safety standards that govern human-driven cars. But the agency says it now doesn't have data and metrics to support those standards. The voluntary plan would help gather those, the proposal said.Jordan Sears scores 25 points, Jalen Reed has double-double and LSU outlasts UCF 109-102 in 3OT

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