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Subscribe to our newsletter Privacy Policy Success! Your account was created and you’re signed in. Please visit My Account to verify and manage your account. An account was already registered with this email. Please check your inbox for an authentication link. Support Hyperallergic We’re funded by readers like you! If you value our reviews and news reporting, we need your support more than ever. Please join us as a member today. Already a member? Sign in here. Support Hyperallergic’s independent arts journalism for as little as $8 per month. Become a Member Scrawlspace is such a provocative title for an exhibition that before I saw it I assumed it had to be good. In some ways it is — deeply inquisitive where too many contemporary art exhibitions are merely declarative and well researched rather than organized willy nilly — but the premises of this show are in some instances cliché and a bit contradictory. Scrawlspace was conceived by Emily Alesandrini when she and her co-curator, Lucia Olubunmi R. Momoh, were both earning their master’s degrees at Tulane University. The term combines two words to suggest an area for writing that gives access to hidden parts of our spaces of habitation. Theirs is a straightforward curatorial proposition, as they explain in their brochure essay. The featured artists “examine the historically charged relationships Black Americans have maintained with writing, reading, and language, revealing new possibilities for and beyond words.” Certainly, in a show where the hypotheses are so exacting, these words matter, and they articulate a worthwhile goal. But this emphasis on “new possibilities” for language shows up in too many press releases and exhibition essays. Modernism got drunk on the idea of estrangement in order to make things new, and writers treat contemporary art’s hangover by drinking the same whiskey. Exhibitions can have other objectives: exploration; reminding viewers of forgotten things; sensitizing us to what may be ignored; fashioning something that sustains us. Alesandrini and Momoh also root the work in a particularly Black quest for freedom. Again from their essay: “Black artists have located room for resistance in writing—scrawlspaces, through which liberation can be felt and fostered.” They surmise from their research that the term originates in some lost or undocumented communication between cultural theorist Fred Moten and poet Harryette Mullen discussing the work of the Black feminist scholar Hortense Spillers in an essay examining oppressive language systems. So, the ideal of emancipation is entwined with the term. However, why is Blackness, which is a political designation, a cultural locale, and, most fundamentally, a state of being, confined to being an emblem of resistance and liberatory strategies? This association is asserted so frequently and widely in the contemporary art scene that it goes unquestioned. Yes, Blackness enables the country’s most self-serving PR statements — the Preamble to the Constitution and the Declaration of Independence — to approach being true. But as much as being Black should not be restricted to the trope of the magical negro , it should similarly not be constrained to the role of the poet warrior figure. Some Black people just want to make good food and watch their children grow. Get the latest art news, reviews and opinions from Hyperallergic. Daily Weekly Opportunities Nevertheless, in some ways it makes sense that this exhibition is caught up in this confinement/liberty incongruity, given that writing is itself contradictory. To “write” means to compose a coherent text that is intended to be read and understood by others. Yet it also means to merely make marks — letters, words, or other symbols on a legible surface with an implement. It is about both making sense and making traces or imprints that may mean nothing for those other than the writer, and sometimes, it is coded and can be read only by a select group. Shinique Smith’s “Firedog” (2006) uses the latter tactic. This work of ink, spray paint, and collage on paper depicts the sweep and rhythmic calligraphy of graffiti. Whether this is a document of actual graffiti inscribed somewhere or just an example of the highly stylized ligatures and curlicues of the writing is unclear. But I imagine someone who grew up tagging, as Smith did, recognizing things here that I cannot. I do recognize the text in Lukaza Branfman-Verissimo’s “collective survival part one: won’t you celebrate with me” (2022). On a sandwich board with black lettering overlaid by multicolored chessboard motif on one side and many-hued letters interrupted by a black background on the other, the spaces typically present between words are gone, so it’s challenging and fun to read, in the way that Christopher Wool’s paintings can be. But when I decipher it I’m brought back to the beauty and bravery of Lucille Clifton’s lyric poem : “won’t you celebrate with me / what i have shaped into / a kind of life? i had no model.” The words are interspersed with the patterned motif in such a way that they together read as a kind of linguistic/design mosaic that might be its own dialect or idiolect. Despite the ponderous premise, in the show there are other moments like these that are celebratory, carefree, even spendthrift. Glenn Ligon’s “Study for Negro Sunshine #150” (2023) manipulates the close relationship between written and uttered words, showing how the phrase “negro sunshine” repeated starts to clump up in the space of the frame and lose hold of its sense. You know what this is like if you’ve said a word or phrase over and over again until it dissolves into an audio mist in which meaning is barely recognizable. This combination of oil stick, coal dust, and gesso on paper glints subtly as if the devolution from one state to the other were throwing off sparks in the transition. I also find myself appreciating Renee Gladman’s ink, acrylic, and pastel compositions on paper because the writing is so small that it’s illegible. It reminds me of how people sometimes whisper to themselves, intoning a koan, or a poem or affirmation. In her “Space Question Vector” (2021) I imagine that she is murmuring the location of these celestial bodies or the secrets of orbital patterns. Sometimes the gesture of having written is enough to indicate serious engagement, serious thought. By contrast, some works are so archly intellectual that they leave me cold, such as Jamilah Sabur’s paintings, in which neon letters and words are attached to a field of color that contains one smaller photographic image. And there are artists who I’ve been thrilled to encounter in the past, but whose art in this show is not as enthralling. This is the case with Kameelah Janan Rasheed’s pieces, such as “Each Sentence Is a Sponge” (2023), which, the caption tells me, has to do with the religious ecstatic experience of speaking in tongues or automatic writing. The problem is that the scribbles don’t come together as a coherent (that word again) story or documentation of an event. I don’t mind being trapped in an artist’s mind, but I need a bit of cheese to tempt me there. Making a case that the work means a certain thing when this thing isn’t in evidence ironically gets at the alchemy of language, but the artist doesn’t do that. As writers and readers, we are always conjuring things into existence that were not there a moment ago. Now I think of Audre Lorde’s poem “Coal ,” and her explanation of the difference between kinds of writing: I believe that Alesandrini and Momoh were after this ragged edge of language, where it falls apart into characters and forms hinting that something else was there, something impelling the act of writing. By exploring how this inflects Black experience in this nation, the show at its best creates a kind of portal to elsewhere. Scrawlspace continues at the 8th Floor gallery (17 West 17th Street, Chelsea, Manhattan) through December 7 . The exhibition was curated by Emily Alesandrini and Lucia Olubunmi R. Momoh. We hope you enjoyed this article! Before you keep reading, please consider supporting Hyperallergic ’s journalism during a time when independent, critical reporting is increasingly scarce. Unlike many in the art world, we are not beholden to large corporations or billionaires. Our journalism is funded by readers like you , ensuring integrity and independence in our coverage. We strive to offer trustworthy perspectives on everything from art history to contemporary art. We spotlight artist-led social movements, uncover overlooked stories, and challenge established norms to make art more inclusive and accessible. With your support, we can continue to provide global coverage without the elitism often found in art journalism. If you can, please join us as a member today . Millions rely on Hyperallergic for free, reliable information. By becoming a member, you help keep our journalism free, independent, and accessible to all. Thank you for reading. Share Copied to clipboard Mail Bluesky Threads LinkedIn Facebook

Clubs from across the football pyramid are “alarmed” by the lack of consultation on legislation which could “fundamentally affect the future of English football”, West Ham vice-chairwoman Karren Brady has said. The Apprentice star also argued that a lack of clarity from the Government on the ownership test is causing “significant uncertainty” for potential investors. This came as the House of Lords continued its scrutiny of the Football Governance Bill, which seeks to establish an independent regulator for the top five tiers of the men’s game. In the upper chamber, Baroness Brady said: “We are creating legislation which will profoundly affect 160 quite unique institutions, from Premier League clubs through to the National League community clubs, but it is important for everyone to understand that the consultation with these affected businesses by the current Government has been remarkably limited, almost unbelievably so. “Just seven Premier League clubs, I was one of them, was granted a brief half-hour meeting with the Secretary of State over the summer. “And following this cursory engagement, significant decisions were made that could fundamentally affect the future of English football, most notably with the inclusion of parachute payments within the backstop mechanism. “This is particularly concerning given that fundamental issues still remained unresolved, we still lack any clarity on Uefa’s position on state interference, for example, this clearly creates profound uncertainty for clubs competing in or aspiring to European competition, as well as our national teams.” “We don’t know what the ownership test will look like, this causes significant uncertainty for potential investors as to whether they are able to own a club,” she added. Lady Brady continued: “I have spoken to many of my colleagues across all of the football pyramid, we are all alarmed about and puzzled by the lack of discussion on the Bill with ministers. “Would the minister agree that we all want to get the detail of this Bill right? And can she see any downsides to providing meaningful opportunities to hear from all clubs across the football pyramid affected by the legislation?” Prior to this, Tory shadow sports minister Lord Parkinson of Whitley Bay had tabled an amendment which he said would allow clubs to “make their views known on this legislation” by including specific competitions on the face of the Bill. Labour frontbencher Baroness Twycross told the upper chamber: “I don’t think the leagues are confused either on which leagues this legislation will apply to.” She added: “This power is both reasonable and the result of evidence-based consultation with all key stakeholders in the industry. “This power ensures that the competitions in scope can be amended in a timely manner and ensures the scope of the regime remains relevant.” The peer later said: “Over the past three years there have been countless opportunities for all affected and interested parties to make representations.” Lady Brady also raised concerns about the financial distribution backstop, which she said is “clearly designed as a mechanism to gain direct access to, and apportionate Premier League revenue, and no-one else’s”. “I might add the backstop will allow the IFR (Independent Football Regulator) to do this even if it was against the Premier League clubs’ will, or even without the clubs’ agreement, even if it was to have a detrimental effect on the clubs and the overall competition it removes revenue from,” she added. The backstop would allow the new IFR to intervene in the distribution of Premier League broadcast revenue down the leagues as a last resort. It could be triggered by the Premier League, English Football League (EFL) or National League to mediate the fair financial distribution of this revenue if they are not able to come to an agreement. Conservative peers later raised concerns over the cost implications to clubs of establishing the regulator, although they faced claims of “filibustering” – wasting time by making overlong speeches in a bid to delay progress. Watching opposition benches blatantly filibustering to destroy the Football Governance Bill is nothing short of sporting vandalism.Football is broken. Clubs are struggling. Now those seats have been lost, do they no longer care about likes of Reading or Southend? @FairGameUK — Niall Couper (@NiallCouper) December 4, 2024 Labour peer Lord Watson of Invergowrie questioned why Lord Parkinson was showing “confected outrage” at the Bill when the former culture minister would have been defending a similar proposal had the Tories remained in power. Lord Parkinson, in his reply, said: “We want to see this regulator established, we want to see it doing its work and doing so effectively, but we also see before us a Bill that is different because of the election that was called and the result that happened, and we’re interrogating particularly closely the changes that the Government have made to the Bill – of which there are many. “And we have more concerns on these benches than we did before the election from my colleagues behind me about the way we do it.” The Tory peer pointed to Labour frontbenchers fulfilling their duties to “properly scrutinise” then-government legislation when they were on the opposition benches. Lady Twycross, in an intervention, said: “While I agree that (Lord Parkinson) is correct that I would scrutinise legislation when I was sitting on those (opposition) benches, I have never sought to filibuster a Bill to which my party had committed, which my party had laid before Parliament, and intended to filibuster it to the point of getting us stuck in treacle.” Lord Parkinson replied: “That is not what we’re doing.” Niall Couper, chief executive of the campaign group Fair Game, wrote on social media site X: “Watching opposition benches blatantly filibustering to destroy the Football Governance Bill is nothing short of sporting vandalism.”Dockery's 27 lead Howard past UNC Wilmington 88-83LAPD believes missing Maui woman in Mexico; no foul play suspected

The hundreds of mysterious New Jersey drone sightings are sparking mounting demands for a more forceful federal response, calls that come as even more sightings are being reported in New York, Pennsylvania and Maryland. “What is happening is outrageous. Thousands of drones and unmanned aerial systems flying above us, and our government is not telling us who’s operating them and for what purpose,” Rep. Nicole Malliotakis, R-N.Y., said a press conference in Staten Island on Friday. “I don’t believe that the United States of America, with its military capabilities, does not know what these objects are. And what I’m asking, and what we’re all asking, is for you to be straight with us and just tell us what is going on,” Malliotakis said. Know the news with the 7NEWS app: Download today Despite mounting concerns from a growing bipartisan chorus of elected officials, the White House said yesterday that the Department of Homeland Security, the FBI and state and local law enforcement agencies “have not been able to corroborate any of the reported visual sightings”. In a statement to NBC News, the U.S. Secret Service confirmed it “does not currently have any unmanned aerial systems operating in or around New Jersey or New York”. New York Gov. Kathy Hochul said in a post on X Friday that while she knows New Yorkers have spotted drones this week, “at this time, there’s no evidence that these drones pose a public safety or national security threat.” The statements come as dozens of on-camera sightings have been captured in New Jersey and as concerns for safety and privacy continue to grow. Overnight, 79 sightings were reported across New Jersey alone, a senior official briefed on the drone sightings told NBC News. The sightings — which occur up to 180 times per night, according to several New Jersey officials — have remained consistent for nearly a month. ‘Response is entirely unacceptable’ Former Republican Maryland Gov. Larry Hogan said in a post on X Friday that he personally witnessed “dozens of large drones” above his home, adding that “neither the White House, the military, the FBI, or Homeland Security have any idea what they are, where they came from, or who has launched or is controlling them – and that they pose no threat.” “That response is entirely unacceptable,” Hogan wrote. “I join with the growing bipartisan chorus of leaders demanding that the federal government immediately address this issue. The American people deserve answers and action now.” In a statement to NBC News, “The U.S. Secret Service does not currently have any unmanned aerial systems operating in or around New Jersey or New York.” Democratic New Jersey Gov. Phil Murphy wrote letters to President Joe Biden, Sens. Chuck Schumer and Mitch McConnell, Rep. Mike Johnson and Rep. Hakeem Jeffries urging Congress to take action. Murphy said he wants to “encourage Congress to pass legislation empowering state and local law enforcement entities to use advanced detection and mitigation technologies to deal with UAS”. Sen. Richard Blumenthal, D-Conn., wrote his own letter to DHS, FBI, FAA and the Department of Defense on Friday, requesting a briefing on drone activity no later than Dec. 18. “I am writing to express my deep concerns regarding the increased reporting of drone activity in the airspace near New England. As you are aware, these states are home to some of the busiest and most complex airspaces in the country,” Blumenthal wrote. Calls for flight restrictions, no-fly zones Staten Island Borough President Vito Fosella and Malliotakis said that they reached out to the FAA last week after the first reported sighting on Staten Island. Malliotakis said that when she urged the FAA to impose flight restrictions, she “got a cookie cutter response”, adding that she was “not happy about it”. “The people of this city and state and region deserve answers of what the heck is going on,” Fossella said Friday. Malliotakis added that she’s concerned that drones were spotted overhead at a Coast Guard base on Staten Island, adding to reports of drone activity over military bases in New Jersey. An ongoing investigation leads officials to believe previously reported New Jersey sightings over the Picatinny Arsenal in Morris County and Trump National Golf Club in Bedminster were indeed drones, a senior official briefed on the drone sightings told NBC News. A spokesperson from the Naval Weapons Station Earle, in Colts Neck, New Jersey, said in a statement Friday that they were “aware of the recent reports of drone sightings across New Jersey” and coordinating with federal and state agencies. “While no direct threats to the installation have been identified, we can confirm several instances of unidentified drones entering the airspace above Naval Weapons Station Earle,” the statement said. Montvale, New Jersey Mayor Michael Ghassali said Friday that the response to the sightings is “now becoming a complete joke”, in a post on his Facebook account. Ghassali said that he is issuing an emergency declaration for Montvale for a no fly zone for drones due to a lack of federal response in the town. “The feds can’t control the air space, and yesterday my phone didn’t stop with drone sightings messages,” he said. ‘Hobbyists’ or ‘weapons of war’? Sen. Andy Kim, D-NJ, wrote a letter Thursday alongside Sens. Gillibrand, Schumer and Booker to DHS, FBI and FAA urging the agencies to hold a briefing on how they are responding to the drones. He posted a thread on X Friday describing drones he witnessed in New Jersey. “Homeland Security Secretary briefed last week on new technology they were deploying but we need details on what those efforts have yielded and if more resources are needed,” Kim wrote. “If they haven’t fully identified the devices yet we still should know what is being done.” Gillibrand said in an interview with MSNBC Thursday that officials need to be asking “very serious questions” about the design and intended function of the devices. The commercial-grade drones are much larger and more sophisticated than “hobbyist” ones, raising concerns over unknown capabilities. “We should not be looking at these in the way we would look at a kite or a balloon,” Gillibrand said. “These are drones, unmanned aerial systems that have been used as weapons of war around the globe.” Kim said that police officers told him they see drones every night, but that when they approach with helicopters, “the drones would turn off the lights and go dark if approached”. “Homeland Security Secretary briefed last week on new technology they were deploying but we need details on what those efforts have yielded and if more resources are needed,” Kim wrote. “If they haven’t fully identified the devices yet we still should know what is being done.” Gillibrand said in an interview with MSNBC Thursday that officials need to be asking “very serious questions” about the design and intended function of the devices. The commercial-grade drones are much larger and more sophisticated than “hobbyist” ones, raising concerns over unknown capabilities. “We should not be looking at these in the way we would look at a kite or a balloon,” Gillibrand said. “These are drones, unmanned aerial systems that have been used as weapons of war around the globe.”

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The West Bengal Joint Entrance Examination Board (WBJEEB) has officially released the dates of the WBJEE 2025 exam. The entrance exam, which takes admission into engineering, technology, pharmacy, and architecture courses in various universities and colleges across West Bengal, will be conducted on April 27, 2025. The WBJEE 2025 schedule and information bulletin will be released on the official websites, wbjeeb.nic.in and wbjeeb.in. Aspiring candidates are advised to regularly check the Board’s websites for updates regarding the exams. According to the official notice, "The WBJEE-2025 for admission to engineering, technology, pharmacy, and architecture courses at various universities and colleges in West Bengal will be held on Sunday, April 27, 2025." Aspiring applicants are encouraged to visit the Board's website (www.wbjeeb.nic.in/www.wbjeeb.in) on a regular basis for more detailed information. The board will administer the OMR-based WBJEE 2025 Common Entrance Examination for undergraduate admission to engineering, technology, pharmacy, and architecture. This test is valid for the academic year 2025-26 at numerous universities, government institutions, and self-financing engineering and technology institutes throughout West Bengal. Get Latest News Live on Times Now along with Breaking News and Top Headlines from Education and around the world.

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Dockery's 27 lead Howard past UNC Wilmington 88-83FLOWERY BRANCH, Ga. (AP) — This was not the homecoming scenario Kirk Cousins would have scripted. Cousins' return to Minnesota, his NFL home from 2018 through 2023, on Sunday comes as he is hearing speculation about his job security in Atlanta. Cousins has thrown six interceptions with no touchdowns in the Falcons' three-game losing streak. That includes four picks in last week's 17-13 loss to the Los Angeles Chargers, his most in a decade. “It’s kind of the challenge always in pro football to be able to get back up off the mat and get back going,” Cousins said after Wednesday's practice. A vote of confidence from coach Raheem Morris can't silence suggestions that it's time to give rookie first-round pick Michael Penix Jr. a chance to jump-start the Falcons' struggling offense. Morris said Sunday he didn't consider removing Cousins from the game, and he repeated his support for the veteran on Wednesday. “Got to go to Minnesota and get a big-time win and Kirk’s ready to go,” Morris said before acknowledging Cousins must bounce back from “obviously a tough game.” “You know, realistically, man he is built for this and he’s ready to go,” Morris said. The losing streak has left the Falcons (6-6) struggling to remain on top of the weak NFC South. They hold the tiebreaker advantage with Tampa Bay (6-6), but need Cousins to end his turnover streak. Cousins, 36, was expected to be the reliable leader on offense after he signed a four-year, $180 million contract. He will be in the spotlight for all the wrong reasons. He said he expects a loud reception from Minnesota's fans. “They’re great fans, great football fans,” Cousins said. “As a result I think they’ll make it as hostile as they can for us.” Cousins ranks fifth in the league with 3,052 passing yards. He has 17 touchdown passes and his 13 interceptions are only one shy of his career high. Cousins insists he feels strong in his return from last season's torn Achilles tendon. He was critical of his mental mistakes in the loss to the Chargers. He said he rushed some passes, sometimes lacking the necessary velocity on his throws and giving defensive backs the opportunity to step in front of receivers for interceptions. Atlanta offensive coordinator Zac Robinson also said Cousins' lack of velocity on his throws “just goes back to, you know, decisiveness, being decisive when you do cut it loose. Certainly those things happen with quarterbacks. There might be times where, you know, you’re not as convicted on a throw. And it shows by the way the football comes out.” Morris said he still has confidence in Cousins' arm and the mental side to his game. “He’s done a great job with us, and I have no real qualms about him bouncing back and him being able to play the game the way it needs to be done,” Morris said. “He’s still an elite processor. He has the ability to make all the throws. He’s shown that throughout the year.” Vikings defensive coordinator Brian Flores also said he expects Cousins will shake out of his slump. “I know the narrative is he had a tough game last week, but he’s played some good football," Flores said. "I think the people in this building know what Kirk can do. He’s a very, very good quarterback.” Added Flores: “He’s a bounce-back type of guy, as we all know. I’m expecting his best, the best version of Kirk, the best version of that offense. It’s going to be a major challenge for us.” Atlanta's offensive production has dipped while the veteran quarterback’s turnovers have been on the rise. The Falcons were held to under 20 points in each of their three straight losses. “Have to just believe that tough times don’t last, tough people do,” Cousins said. “You have to keep pushing.” ___ AP Pro Football Writer Dave Campbell contributed to this report. ___ AP NFL: https://apnews.com/hub/nfl Charles Odum, The Associated Press