BUCHAREST, Romania (AP) — A far-right populist took the lead in Romania’s presidential election Sunday, electoral data showed, and will likely face leftist Prime Minister Marcel Ciolacu in a runoff in two weeks, an outcome that rocked the country's political landscape. Calin Georgescu, who ran independently, led the polls with around 22% of the vote, while Ciolacu of the Social Democratic Party, or PSD, trailed at 20.6%. Elena Lasconi of the Save Romania Union party, or USR, stood at about 17.4%, and George Simion, the leader of the far-right Alliance for the Unity of Romanians, or AUR, took 14.3%. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.
Israel sees profit in Thai food nousMinisters warned of cuts as ‘every pound’ of spending to face review
After the 2023 Allianz Risk Barometer report identified cybercrime as one of Namibia's biggest security risks, John Katanga, a master's student in digital forensic scienc ... If you are an active subscriber and the article is not showing, please log out and back in. Free access to articles from 12:00.SYDNEY, Dec. 05, 2024 (GLOBE NEWSWIRE) -- Vast Renewables Limited ("Vast”) (Nasdaq: VSTE), a leading Australian green energy technology company, held its Annual General Meeting ("AGM”) on November 27, updating shareholders on progress towards deploying its next generation concentrated solar power ("CSP”) solution to deliver clean, continuous dispatchable power and heat. The AGM saw Vast's Chairman, Peter Botten, and CEO, Craig Wood, provide updates on the company's achievements throughout 2024 and the outlook for the year ahead. All resolutions were successfully passed at the AGM, with Craig Wood, Colin Richardson and William Restrepo all re-elected as Directors. The AGM follows Vast's recent announcement that it has signed an updated funding agreement to access up to $30 million of its existing $65 million grant from the Australian Renewable Energy Agency ("ARENA”). The funding and Vast's progress throughout 2024 pave the way for another successful year ahead. Vast's technology is set to be deployed at utility-scale in Port Augusta, South Australia at the Vast Solar 1 ("VS1”) project to deliver green, reliable and affordable energy for South Australia's grid. The technology will also power a world-first co-located renewable methanol production facility, Solar Methanol 1 ("SM1”). A real world, in-demand application for hydrogen, renewable methanol has the potential to decarbonise shipping and is already being used to power major container vessels. Leveraging Australia's natural resources, the projects are set to be a catalyst for a domestic Australian CSP industry, creating highly skilled green manufacturing and operational jobs, and helping Australia become an export powerhouse by supplying Australian green technology to clean energy projects around the world. Vast is attracting significant interest from major investors, industry and international governments. Along with funding from ARENA, Vast is backed by EDF and Nabors Industries, and Vast's renewable methanol project is supported by Mabanaft and the German Government. The following addresses were made by Vast's Chairman Peter Botten and CEO Craig Wood during Vast's Annual General Meeting on November 27, 2024. Chairman's Address from Peter Botten 2024 has been a pivotal year in the growth of Vast since the business combination with Nabors Energy Transition Corp was completed in December last year. Significant progress has been made this year towards Vast's vision of delivering continuous, carbon free energy to the world, leveraging our next generation CSP technology As announced earlier this week, Vast has secured up to $30m of funding from ARENA. This is an important signal of confidence from ARENA in the potential of Vast's technology to power Australia's energy transition, and we're grateful for their ongoing support. Vast continues to progress towards final investment decision on our utility-scale CSP reference project in Port Augusta, South Australia (VS1). The project paves the way for Vast's pipeline of utility-scale projects in Australia and internationally. Alongside generating green electricity for the grid, we believe Vast's technology will have a key role to play in reducing the cost of sustainable fuels production. Vast is also progressing a co-located renewable methanol production facility (SM1) at the Port Augusta site, partnering with German fuels giant Mabanaft on that project. During the year, Vast also expanded its presence in the US market, signing a project development partnership with Houston-based renewables developer GGS Energy. As Vast looks to 2025, the key focus will be on: CEO's Address from Craig Wood As Peter mentioned, our utility-scale CSP reference project in Port Augusta, VS1, is progressing well. The plant will have 30MW capacity and 8 hours of thermal storage, providing dispatchable overnight power critical to stabilising South Australia's grid. We recently finalised the FEED stage and we're working diligently with our partners towards achieving Final Investment Decision in Q1 2025 with construction to commence shortly thereafter. The project has received support from the Australian Government, including from ARENA and the Department for Climate Change, Energy, Environment and Water. The co-located renewable methanol plant, SM1, is also progressing well through the pre-FEED stage. The project will produce 7,500 tonnes of renewable methanol per annum, which will help decarbonise the local maritime industry. As a world-first project, we're thrilled to be partnering with German company Mabanaft on this effort. Financial close is currently targeted for 2025. Vast continues to strengthen our market-leading proprietary CSP technology, and to build out our manufacturing capability ahead of delivering Vast equipment into the VS1 project. Our solution leverages the abundant sunshine in sunbelt countries like Australia to power homes, industry and transport with green, reliable and affordable energy. We continue to improve the cost and performance of our modular, scalable technology, and to de-risk its manufacture and operation. Vast equipment is currently being produced at our facility in Queensland, Australia, and we'll be scaling up our manufacturing capability to deliver to the Port Augusta projects starting in 2025. Throughout 2024, we've also invested in our business systems and capabilities to set ourselves up for success. Vast has had a strong emphasis on safety during 2024, and we are focused on improving our safety performance as we head towards construction on site next year. We are investing in a new ERP to replace legacy systems as our requirements continue to evolve. We are also developing the quality and project control systems necessary to deliver the Port Augusta projects. All of this activity means Vast's team has continued to grow throughout the year, both in Australia and the US. This growth will continue early into 2025, and then accelerate as we move into construction of the VS1 and SM1 projects. As Peter mentioned, we were delighted to announce earlier this week that Vast continues to enjoy strong support from ARENA as evidenced by up to $30m of funding being made available to the business, subject to certain milestones being achieved. This funding is important as it creates a runway to support Vast in completing the necessary activities to achieve financial close on VS1 and SM1, and to continue the build out of our Australian green technology manufacturing business. As part of that release, we also updated the estimated capital cost for VS1 to AUD360-390million. We look forward to another successful year in 2025 as we move into construction on VS1 and SM1, deliver Vast technology through our manufacturing business, and expand our project development pipeline in Australia, the US and other global markets. We thank you, our shareholders, all of our partners and our employees for their ongoing support. About Vast Vast is a renewable energy company that has CSP systems to generate, store, and dispatch carbon-free, utility-scale electricity, industrial heat, or a combination to enable the production of sustainable fuels. Vast's CSP v3.0 approach utilises a proprietary, modular sodium loop to efficiently capture and convert solar heat into these end products. On December 19, 2023, Vast listed on the Nasdaq under the ticker symbol "VSTE”, while remaining headquartered in Australia. Visit www.vast.energy for more information. Contacts For Investors: Caldwell Bailey ICR, Inc. [email protected] For US media: Matt Dallas ICR, Inc. [email protected] For Australian media: Nick Albrow Wilkinson Butler [email protected] Forward Looking Statements The information included herein and in any oral statements made in connection herewith include "forward-looking statements" within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. All statements, other than statements of present or historical fact included herein, regarding the Port Augusta project, Vast's future financial performance, Vast's strategy, future operations, financial position, estimated revenues and losses, projected costs, prospects, plans and objectives of management are forward-looking statements. When used herein, including any oral statements made in connection herewith, the words "anticipate," "believe," "could," "estimate," "expect," "intend," "may," "project," "should," "will," the negative of such terms and other similar expressions are intended to identify forward-looking statements, although not all forward-looking statements contain such identifying words. These forward-looking statements are based on Vast management's current expectations and assumptions about future events and are based on currently available information as to the outcome and timing of future events. Except as otherwise required by applicable law, Vast disclaims any duty to update any forward-looking statements, all of which are expressly qualified by the statements in this section, to reflect events or circumstances after the date hereof. Vast cautions you that these forward-looking statements are subject to risks and uncertainties, most of which are difficult to predict and many of which are beyond the control of Vast. These risks include, but are not limited to, general economic, financial, legal, political and business conditions and changes in domestic and foreign markets; Vast's ability to obtain financing on commercially acceptable terms or at all; Vast's ability to manage growth; Vast's ability to execute its business plan, including the completion of the Port Augusta project , at all or in a timely manner and meet its projections; potential litigation, governmental or regulatory proceedings, investigations or inquiries involving Vast, including in relation to Vast's recent business combination; the inability to recognize the anticipated benefits of Vast's recent business combination; costs related to that business combination; changes in applicable laws or regulations and general economic and market conditions impacting demand for Vast's products and services. Additional risks are set forth in the section titled "Risk Factors" in the Annual Report on Form 20-F for the year ended June 30, 2024, dated September 9, 2024, as amended on November 7, 2024, and other documents filed, or to be filed with the SEC by Vast. Should one or more of the risks or uncertainties described herein and in any oral statements made in connection therewith occur, or should underlying assumptions prove incorrect, actual results and plans could differ materially from those expressed in any forward-looking statements. Additional information concerning these and other factors that may impact Vast's expectations can be found in Vast's periodic filings with the SEC. Vast's SEC filings are available publicly on the SEC's website at www.sec.gov
CHICAGO (AP) — Cairo Santos had a field goal blocked — again. DeAndre Carter muffed a punt in the second half. And those were just the special teams mistakes for the struggling Chicago Bears. Santos' blocked field goal and Carter's turnover were part of another sloppy performance for Chicago in its fifth consecutive loss. The pair of miscues helped set up two of Minnesota's three touchdowns in a 30-27 overtime victory . The Bears (4-7) closed out a miserable three-game homestand after they won their first three games of the season at Soldier Field. They were in position to beat Green Bay last weekend before Santos' 46-yard field goal attempt was blocked on the final play of the Packers' 20-19 win . “It’s tough. ... When things just aren’t going your way, you gotta put your head down and just keep going to work,” tight end Cole Kmet said. “It’s not easy to do but that’s kind of where we’re at.” Chicago and Minnesota were tied at 7 when Caleb Williams threw incomplete on third-and-4 at the Vikings 30 early in the second quarter. Bears coach Matt Eberflus sent Santos out for a 48-yard attempt, but it was knocked down by defensive lineman Jerry Tillery. “I think it was the penetration with the trajectory of the ball,” Santos said. “Had the ball started 3 or 4 inches to the right of both those guys' hands, I think it still goes in through the uprights.” Brian Asamoah returned the blocked kick 22 yards to set the Vikings up with good field position. Sam Darnold then capped a six-play, 53-yard drive with a 5-yard TD pass to Jalen Nailor for a 14-7 lead with 6:29 left in the first half. It was the third blocked field goal for Santos this year, the most for Chicago in a single season since it also had three blocked in 2012. Santos also had a 43-yard try blocked in the fourth quarter of a 35-16 victory over Jacksonville on Oct. 13. The Bears became the first NFL team to allow three blocked field goals in a season since the Browns and Ravens each had three blocked in 2022. “Whenever that happens two games in a row we’ve got to make sure we take a hard look in terms of the protection, the technique and who we have in there,” Eberflus said. “So it's going to be a big thing to look at.” Chicago trailed 17-10 when it forced a Minnesota punt midway through the third quarter. Carter warned his teammates to get out of the way, but it hit the ground and bounced off the inside of his right leg before it was recovered by Bo Richter at the Bears 15. The Vikings turned the mental error into Aaron Jones' 2-yard touchdown run and a 24-10 lead. “Gotta get out of the way of the ball. That’s on me,” Carter said. “I let the team down today. Game shouldn’t have been in the situation it was in. I felt bad for the guys.” Santos and Carter both played a role in a late rally for Chicago. Carter had a 55-yard kickoff return, and Santos got an onside kick to work before making a tying 48-yarder on the final play of regulation. But the Bears stalled on the first possession of overtime, and Darnold drove the Vikings downfield to set up Parker Romo's winning 29-yard field goal. “We're losing in the most unreal situations,” Bears receiver DJ Moore said. “Now it's like the luck's got to go in our favor at some point.” AP NFL: https://apnews.com/hub/NFLRenowned Architect Kazuyo Sejima Appointed to United States-Japan Foundation Board
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Secretaries of State are being told that any outgoings which are not contributing towards one of Labour’s “priorities” must be cut as Rachel Reeves vows to wield “an iron fist against waste.” In letters sent by Chief Secretary to the Treasury Darren Jones, departments will be told to brace for “difficult” spending decisions in order to restore trust in the Government’s handling of the public finances. Every pound of departmental spending will be face a “line-by-line review” involving external finance experts from banks and think tanks in order to ensure it represents value for money, the Treasury said. The Chancellor will on Tuesday launch the next round of Government spending, and is expected to warn departments that they “cannot operate in a business-as-usual way when reviewing their budgets for the coming years”. She will insist that areas focused on Prime Minister Sir Keir Starmer’s “plan for change”, which includes targets to improve living standards across the country and build 1.5 million homes, must be prioritised. Ms Reeves said: “By totally rewiring how the Government spends money we will be able to deliver our plan for change and focus on what matters for working people. “The previous government allowed millions of pounds of taxpayers’ money to go to waste on poor value for money projects. We will not tolerate it; I said I would have an iron grip on the public finances and that means taking an iron fist against waste. “By reforming our public services, we will ensure they are up to scratch for modern day demands, saving money and delivering better services for people across the country. That’s why we will inspect every pound of Government spend, so that it goes to the right places and we put an end to all waste.” Under the Treasury’s plans, departments will ensure budgets are scrutinised by “challenge panels” of external experts including former senior management of Lloyd’s Banking Group, Barclays Bank and the Co-operative Group. These panels, which will also involve think tanks, academics and the private sector, will advise on which spending “is or isn’t necessary”, the ministry said. The Treasury said work has already begun, with an evaluation of the £6.5 million spent on a scheme that placed social workers in schools finding “no evidence of positive impact on social care outcomes”. “Departments will be advised that where spending is not contributing to a priority, it should be stopped,” it said. “Although some of these decisions will be difficult, the Chancellor is clear that the public must have trust in the Government that it is rooting out waste and that their taxes are being spent on their priorities.” Ms Reeves had already announced efficiency and productivity savings of 2% across departments in her autumn budget as she seeks to put the public finances on a firmer footing. In a speech in east London, Chancellor of the Duchy of Lancaster Pat McFadden hinted at a further squeeze. “At the Budget the Chancellor demanded efficiency and productivity savings of 2% across departments – and there will be more to come,” he said. “As we launch the next phase of the spending review at its heart must be reform of the state in order to do a better job for the public.”Save Log in , register or subscribe to save articles for later. Save articles for later Add articles to your saved list and come back to them any time. Got it Normal text size Larger text size Very large text size W e know what you’ll be thinking as soon as your eyes finish glazing across this list in its entirely: not one Taylor Swift album made the cut. Not a one! Let us explain: this is the problem with asking people to select their top 10 albums from across 25 years. It’s a lengthy period and everyone had a different favourite Taylor Swift era, thus splitting the vote and meaning she missed out. It’s a travesty, but that’s how the cookie crumbles. More importantly, the albums on this list – chosen by our critics with an eye to quality, influence and legacy – offer an interesting snapshot of this millennium’s pop developments to date: the death of rock, the ever-increasing influence of dance and electronic music, and the, um, cult of Lin-Manuel Miranda. Leave your furious comments below. Since I Left You, The Avalanches (2000) Since I Left You is pure joy. The debut of Melbourne electronica savants The Avalanches is a sparkling celebration of music itself – a sonic saturnalia dedicated to music’s endless delights. The Avalanches began as obsessive music fans, spending countless hours raiding op-shop record bins and chopping up thousands of sounds, storing them on a clutter of floppy disks. They stitched together the raggedly beautiful quilt that became Since I Left You on the fly, mad geniuses reinventing music with reckless, casual abandon. They sampled ’80s pop, old-school hip-hop, spaghetti westerns, forgotten comedy skits, wildlife recordings and even Sesame Street , and somehow transformed them into a coherent piece of manic surrealism. The wonderfully bizarre Frontier Psychiatrist and dreamy title track became unlikely hits, but the album is best consumed as a long, wandering journey – a fantastical odyssey to nowhere in particular. Impossibly layered but eminently accessible, complex but freewheeling and a little unhinged. It’s made by fanatics, but it’s for everyone. Tom W Clarke Is This It, The Strokes (2001) New York was about to change in 2001. Two planes flew into the twin towers, forever altering the city’s skyline and psyche. And The Strokes released their debut album, igniting the city’s music scene in a way that hadn’t happened since the heady days of CBGBs in the ’70s. They looked drop-dead cool, all stick-figure limbs in tight jeans, leather jackets and sneakers, like the Ramones before them. The duelling, intertwined guitars of Nick Valensi and Albert Hammond Jr. provided the bedrock for Julian Casablancas’ distorted, sinewy vocals, telling bleary-eyed tales of the city that never sleeps. These clarion calls from the streets of downtown Manhattan reverberated around the world, announcing that rock was back. Drugs, alcohol and musical drift would soon change The Strokes, but on Is This It they are forever preserved as the band that put the spotlight back on New York City and kicked down the door for other guitar-wielding groups to burst through in the Noughties. Barry Divola Discovery, Daft Punk (2001) Advertisement Gun to head, Homework (1997) is a better album than Discovery , but Daft Punk still made a mockery of the “second album syndrome” with their disco-inspired record that spawned enormous hits One More Time and Harder Better Faster Stronger , and a couple of their loveliest downtempo moments in Something About Us and Veridis Quo . Even Daft Punk’s so-called album tracks are peerless examples of their dazzling artistry, from the energy rush of Superheroes to the infectious dance-funk of High Life to the soulful disco house of Too Long , featuring Romanthony’s indelible vocals (he sung on One More Time , too). On Discovery , Thomas Bangalter and Guy-Manuel de Homem-Christo changed the electronic music landscape for the second time in four years, incorporating samples in ingeniously inventive ways and trading raw and gritty Chicago-inspired house for euphoric disco-pop that at once evoked the nostalgic wonder of childhood and romantic adventures in outer space. Annabel Ross Fever, K ylie Minogue (2001) Fever is our greatest pop artefact and the epitome of Kylie as queen of reinvention. After the misunderstood swing that was Impossible Princess (1997), an alt-pop pivot so disastrously received that she was dropped from her record label, Kylie had already dipped her toe into Euro-inflected dance-pop on Light Years (2000), producing the improbable comeback hits Spinning Around and On a Night Like This . But Fever upped the sophistication, eschewing the campy winks (we still love you sometimes, Light Years ′ Your Disco Needs You ) and delivering a masterpiece of sultry, slinky, romantic dancefloor euphoria. Beyond the no-skips tracklist – including Love At First Sight , Can’t Get You Out of My Head and Come Into My World - it’s ridiculous how well the album holds up almost 25 years on: with Fever , Kylie took the temperature of the next two decades of pop music, preempting a wave of club-centric stars from Robyn to Carly Rae Jepsen to Dua Lipa. I think this is what people actually mean when they call their favourite pop star mother . Robert Moran Back to Black, Amy Winehouse (2006) Amy Winehouse’s second and final album is a true time capsule, and a potent reminder of a talent and a life gone too soon. Hers was a once-in-a-generation voice that recalled the smoky jazz clubs of the 1960s, belied by her young age – 22 when this album was released – and the tumultuous personal life that the press preyed upon until (and beyond) her tragic death in 2011. Produced by Mark Ronson, Back to Black has some of Winehouse’s finest songs, such as the triumphant Tears Dry On Their Own and the sadly ironic Rehab . It’s all buoyed by bright, colourful musical backing that takes its cues and influences from across genres and eras – everything from doo-wop and ’60s girl groups to soul and R&B. But it’s the title track that’s the defining sound of this particular moment in 2000s history – a heart-wrenching, heartbroken performance that’s simultaneously infused with a quiet strength and fury. Giselle Au-Nhien Nguyen My Beautiful Dark Twisted Fantasy, Kanye West (2010) Advertisement Made during a period of exile imposed on (the artist formerly known as) Kanye West following his stage-bombing of a young Taylor Swift at the VMAs, My Beautiful Dark Twisted Fantasy captures a celebrity at war with fame, a genius tortured by his singular vision, believing he’d never be truly understood or appreciated. This album changed everything. It is populist maximalism, totally unrelatable and deeply human. The keys on Runaway , the Chris Rock skits and Bon Iver sample, Nicki Minaj’s barn-storming turn on Monster . And the closer, the voice of Gil Scott-Heron asking, from 1970, “Who will survive in America?” Ye no longer has the answers or even the hypothesis. His relationship to fame and reality has become more protracted and upsetting in recent years. But for a moment in 2010, he went to hell and back, found bravery in his bravado, stole fire from the gods and handed it over to the world. Brodie Lancaster Emotion, Carly Rae Jepsen (2015) In a 2019 interview with Time , Carly Rae Jepsen shrugged her shoulders and said, “I think it’s very cool to be uncool and just shamelessly feel it all”. Shamelessly feeling it all has been the Canadian popstar’s MO, right from her 2012 breakthrough hit Call Me Maybe . The single was so impossibly huge that many people (not unfairly) slotted her into the file of “one-hit wonders.” But Jepsen returned in 2015 with EMOTION , an album that boiled over with yearning and lust and love and confusion and every other human feeling that Jepsen could conjure. Its lush, pristine ’80s synthpop production underscored Jepsen’s exceptional songwriting, with rushing, full-throated verses and choruses that lifted like an A380. Run Away With Me , with its now-iconic saxophone riff and screamable “take me to the feeling” refrain, and the aching title track, are high points in an album with no low ones. One of the most acclaimed pop records of the decade, it was an album that helped usher in the era of “poptimism” and unexpectedly cemented Jepsen as a cult pop hero. Jules LeFevre Hamilton, Original Broadway Cast Recording (2015) Having launched his hip-hop revolution of musical theatre with In the Heights , Lin-Manuel Miranda dared to dream higher still. What better subject for a transformational musical than that key revolutionary, Alexander Hamilton? Miranda uses rap to solve a problem faced since recitative faded from operatic fashion: communicating swathes of story rapidly, without resorting to dialogue (given that songs more efficiently communicate emotion). Rapping doesn’t just accelerate the dissemination, it lends the whole show momentum, and with Miranda brilliantly playing Hamilton, the performing matches the writing. His songs shame much new-century composing for musicals. My Shot has the anthemic “Rise up!” refrain, Helpless is an R&B classic, The Duel Commandments is frighteningly visceral, and The Room Where it Happens is wickedly catchy. High art meets thrilling music as the rhymes, among the most dazzling since Byron, fly at you with the velocity of grapeshot from a cannon. John Shand Lemonade, Beyonce (2016) Watching Beyoncé‘s visual album Lemonade for the first time felt like witnessing a pivotal shift in the singer-songwriter’s career. Beyoncè’s music often depicted female empowerment, but with Lemonade she got personal and political, tapping into darker emotions fuelled by betrayal and survival and explored themes of womanhood, blackness in America and her southern roots. It showcased her ability to transcend genres, incorporating gospel intro Freedom , a tribute to the Black Lives Matter movement; bringing country tones into Daddy Lessons , a song about her relationship with her father; and integrating electro beats into Sorry , which detailed an incident of infidelity and brought the phrase “Becky with the good hair” into popular use. Unsurprisingly, it was a commercial and critical success, earning nine Grammy nominations (famously missing out on album of the year to Adele) and becoming the best-selling album globally in 2016. Fans even co-opted the lemon emoji to showcase their appreciation. Vyshnavee Wijekumar Advertisement Brat, Charli XCX (2024) Charli XCX’s sixth studio album, Brat , is the high point for an artist whose underdog refusal to quit has made her the most consistently risk-taking pop star of her generation. Unlike her revisionist contemporaries, Charli XCX’s discography is entirely rooted in the 21st Century. Brat reflects our third millennium club-cultural zeitgeist, with executive producer A.G. Cook mischievously blitzing this century’s dominant dance music styles (electro house, techno and EDM) into three-minute bangers. Unlike most pop stars, who wrap themselves in an untouchable aura, Charli makes her ridiculous life feel relatable, like you’ve been invited into her stretch Hummer to pop bottles with Lorde, Billie Eilish and Troye Sivan (whose definitive remix appearances have supplanted the album versions). The Brat ethos says that simply by existing you’re worthy of having some fun in this life – and it doesn’t make you any less of a thoughtful, caring, intelligent person for doing so. Nick Buckley Loading Honourable mentions Stankonia , Outkast (2000) 1989 , Taylor Swift (2014) To Pimp a Butterfly , Kendrick Lamar (2015) Melodrama , Lorde (2017) Norman F—ing Rockwell! , Lana Del Rey (2019) What albums do you think deserve a place on the list? Tell us in the comments.Duck Creek partners with Suncorp to deliver a suite of cloud-native, low-code core insurance delivery solutions
The Food and Drug Administration says Americans don’t need to worry about their dinner tables this Thanksgiving. Despite several recent outbreaks and recalls, the agency says the U.S. food supply is still one of the safest in the world. From organic carrots to McDonald’s Quarter Pounders, the U.S. has seen a number of foodborne outbreaks this year. William Schaffner, an infectious disease specialist, and Lee-Ann Jaykus, a food science expert, say our food supply isn’t in jeopardy. “The U.S. food supply is the safest in the world,” said Schaffner. “I would say that the food supply is certainly secure,” added Jaykus. Schaffner said a big reason the supply is safe is because of advancements in technology. Researchers can now take microbiological fingerprints of specific E. coli, salmonella, or listeria cases and track where they came from. “Our improvement in technology has really helped keep our food supply even safer than it was 20 years ago,” said Schaffner. Francisco Diez, a food science expert, said his opinion remains split. He feels there’s no way to prove the U.S. is the safest. “I don’t think that we have any way to claim that position because there are many other countries in the world,” Diez said. However, he does agree that the U.S. is leading the way in tracking outbreaks. “We are a country that has the tools to be able to report those cases,” said Diez. According to data cited by the FDA, high-risk recalls were not unusually high this past year, coming in at 179 compared to 145 in 2023. This is another reason why Jaykus believes there should be no major concern about the food supply. “Statistically speaking and practically speaking, as safe as it’s always been,” said Jaykus. Have a news tip? Contact Geoffrey Harris at gmharris@sbgtv.com or at x.com/GeoffHarrisTV . Content from The National Desk is provided by Sinclair, the parent company of FOX45 News.
NoneWhat will the new year bring? Based on this year, we can expect a wild ride. Here are 25 predictions for 2025. 1) President Trump, having run out of relatives to appoint to high office, will leave politics to spend less time with his family. 2) Raygun will continue to be the biggest source of family arguments since the COVID mandates, with the only allowed views being “angel” or “devil”. 3) Prince Andrew, revealed as a close contact of both a convicted paedophile and an alleged Chinese spy, will admit that he’s in the pay of the Australian Republican movement, as it’s the only way to explain the last five years. Reviving past fashion is going to become more difficult in 2025. 4) Reviving the fashion and music of past decades will become more difficult, on account that every period has been used up due to a collective failure to have any new ideas. By February 2025, we’ll be bringing back the “looks and sounds of 2024”. By March, we’ll be bringing back the “looks and sounds of February”. By April 20, we’ll be bringing back the “looks and sounds of April 3.” 5) Gina Rinehart will buy a huge new sheep farm but keep the traditional name: “Western Australia.” 6) Peter Dutton will find himself so addicted to negativity he will find himself unable to accept any view put by the government - angrily dismissing the observations that “the sky is blue”, “water is wet”, and “Australia, by and large, is a pretty good place to live.” Toto is set for a name change! Credit: Alex Ellinghausen 7) Anthony Albanese will rename his dog, worried that the current name of Toto sounds enough like Tonto to create expectations that his owner will be a man of action.