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SpaDeX mission to help India ace space docking technology: ISROHARARE – Zimbabwe’s capital markets are undergoing significant transformation, with efforts to address low liquidity, regulatory hurdles, and economic instability paving the way for potential growth. The introduction of the Zimbabwe Gold (ZiG) currency and initiatives to engage international creditors have set the stage for stability and expansion. Market analysts believe that a strategic approach is necessary to stimulate the country’s capital markets in 2025. Business analyst Kudakwashe Mundowozi highlighted the importance of enhancing liquidity through new financial instruments, streamlining regulations, and implementing investor education programs. He also emphasised the need for sustainable investment promotion and a green financing framework to attract socially responsible investors in line with global trends. Fostering public-private partnerships and encouraging foreign direct investment through policy stability and tax incentives are considered critical for long-term growth. By addressing these issues, Zimbabwe can build a more vibrant and resilient capital market. The Zimbabwe Stock Exchange (ZSE) and the Victoria Falls Stock Exchange (VFEX) are seen as key platforms for driving investment and contributing to the country’s economic development. Investment analyst Enock Rukarwa noted that the introduction of ZiG had brought relative stability, shifting stock market activity from flat to a bullish trend in late 2024. However, he pointed out challenges such as the discontinuation of foreign currency settlements, which had briefly improved liquidity. Liquidity, market depth, and size remain areas of concern, with analysts linking these variables to broader macroeconomic dynamics. Improved economic conditions, they argue, would boost confidence and activity in the stock market. Financial analyst Malone Gwadu observed that ZSE served as a haven for investors during periods of volatility, particularly in early 2024, as a hedge against exchange rate losses. However, he identified inflation and exchange rate volatility as systemic threats to market confidence and growth. To encourage market participation, Mr Mundowozi proposed tax incentives for companies listing on the ZSE, citing successful examples from Rwanda and Ireland. He also suggested adopting a fast-track listing process, similar to the Johannesburg Stock Exchange, to attract foreign companies and diversify the investor base. Finance Minister Mthuli Ncube announced plans to further incentivise market activity on the VFEX, which has been hindered by low trading volumes. As part of the 2025 national budget, the Government will reduce capital gains withholding tax on marketable securities on the ZSE, effective January 1, 2025. ZSE Chief Executive Justin Bgoni welcomed the tax reduction, stating it would increase liquidity, attract more investors, and enhance overall market efficiency. Lower taxes could also improve price discovery and make Zimbabwe’s investment landscape more appealing to foreign investors. As these measures take shape, Zimbabwe’s capital markets are expected to play a pivotal role in driving economic growth and attracting both domestic and international investors in the coming years.
INDIANAPOLIS — For Hoosiers looking to get outside the day after Thanksgiving, the Indiana Department of Natural Resources will offer free admission on Nov. 29 to all Indiana State Park properties that normally charge a gate fee. In addition to the 24 state parks, participating properties also include Raccoon Lake at Lieber State Recreation area. “Visit any of our properties on the Friday after Thanksgiving, and you’ll score the best Black Friday deal around – free admission to explore the beautiful scenery and the chance to get away from it all, relax and recharge,” said Dan Bortner, DNR director. Opt Outside Day participants can be entered in drawings for 2025 DNR annual entrance passes, Outdoor Indiana magazine subscriptions, Indiana DNR camping and inn gift cards and opt outside promotional gear. Do either or both of the following, and you’ll increase your chances of winning prizes: • Share your photos. Post photos of your adventures at DNR properties on social media. When posting photos, use the hashtag #OpOutsideIN2024 and tag the DNR or the property you are visiting in your post. More details and rules of the contests are at on.IN.gov/optoutside . • Opt Outside Scavenger Hunt. Download and complete the form at on.IN.gov/optoutside and email it to SPContests@dnr.IN.gov to be entered in a separate drawing for prizes.TerrAscend Appoints Lynn Gefen to Expanded Role of Chief People Officer
On Sunday afternoon in Ottawa, Tom Willander had a breakout performance for Team Sweden at the 2025 World Junior Championship. Willander had a steady start to the tournament, leading Sweden in ice time in each of their first two games against Slovakia and Kazakhstan but only picking up a single assist in each game despite lopsided scores in Sweden's favour. As much as his reliable defensive game is a big part of why the Vancouver Canucks drafted him eleventh overall in 2023, a little more offence is always reassuring when it comes to top prospects at the World Juniors. It was gratifying for Canucks fans, then, that Willander had such a strong performance against Switzerland in his team's third game of the tournament. Willander scored two goals, both on the power play, and added an assist for a three-point game. That brings Willander to five points in three games, which is good for sixth in scoring in the tournament — second among defencemen behind teammate Axel Sandin-Pellikka — though he'll likely move down that list as other teams finish their games on Sunday. Willander opened the scoring for Sweden, sending a perfectly placed wrist shot into the top corner over the blocker of Elijah Neuenschwander. After Sweden and Switzerland traded goals to make the score 2-1 for Sweden, Willander nearly scored another power play goal, hammering a one-timer from the point that pinged off the post. Willander found the twine again in the second period. All four Swiss penalty killers got caught too low in the zone, giving Willander plenty of space above the faceoff circles. He loaded up his shot to pick a spot but the puck deflected off the stick of Swiss forward Loris Wey to change direction and give Christian Kirsch, who came in for Neuenschwander, no chance to make the stop. Willander's technique on his wristshot is impeccable, giving him all kinds of velocity despite a deceptively quick release. The flex on his stick shows just how much torque he's applying to whip the puck forward. Along with the two goals, Willander added a second assist on Sweden's 6-1 goal, setting up Sandin-Pellikka for a one-timer that squeaked through Kirsch and was banged in by Victor Eklund in the crease. That goal ended up being the surprise game-winner, as Switzerland pushed back hard in the third period and took advantage of some undisciplined penalties by Sweden to score four goals. They simply ran out of time to complete the admittedly improbably comeback. Sweden gave Switzerland seven power plays, with five of them coming in the third period. Willander was part of that parade to the penalty box, though in his case it was less a lack of discipline and more that he was a victim of a couple of bad calls. His first high-sticking penalty was just a stick lift where the Swiss player's own stick hit him in the face, while his second penalty was a holding call where he legally pinned his man to the boards in a battle and got whistled when his man fell down. It should be noted that Willander was on the ice for three goals against — one a lucky deflection off a Swedish skate and two Swiss power play goals. That marred an otherwise great game for Willander, though he could really only be faulted on one of the goals against. His positioning was a little bit off on Switzerland's second goal, so he didn't take away a shooting lane to the far post. Despite the goals against, this was a promising performance from Willander, showing the strength of his shot and how he uses that threat to open up lanes for teammates on the power play. He was also solid at 5-on-5, continuing to use his excellent mobility to close gaps and eliminate plays. Basile Sansonnens continues to develop Willander wasn't the only Canucks prospect on the ice in the game between Sweden and Switzerland. The Canucks' seventh-round pick from the 2024 draft, Basile Sansonnens, was patrolling the blue line for the Swiss side. It's important to remember that Sansonnens just turned 18 a few months ago, as he was one of the younger players in the 2024 draft, and he'll still be eligible for next year's World Junior Championship. Combined with his lower draft position, the expectations are quite a bit lower for Sansonnens. Still, he's shown well at this year's World Juniors. His smooth skating is still the biggest argument for his NHL future but he's taken massive strides in his ability to handle and move the puck over the past few months while playing top-pairing minutes for the Rimouski Oceanic in the QMJHL. Sansonnens' passing was shocking when I watched him at the Canucks' prospect development camp in the summer but at the World Juniors, he's made crisp, tape-to-tape passes to break the puck out or move it around the offensive zone. That swift development is pretty impressive and speaks well to his coachability. In fact, it's Sansonnens' play in the offensive zone that stood out against Sweden. He made some smart plays at the blue line, sent shots into traffic in front of the net looking for tips, and showed an awareness of when to activate into open space. On one sequence, he jumped up the left side, looped behind the net, and took a hit to protect the puck along the boards to prolong a possession for Switzerland in the offensive zone — something they didn't have much of at 5-on-5. The sequence ended with a shot on goal — perhaps not the most dangerous shot but still an opportunity for a rebound and for Switzerland to continue to possess the puck down low. Let's be clear, Sansonnens still has plenty of warts. There's a reason why he was a seventh-round pick as a mobile 6'4" defenceman, after all. He was victimized by the Swedish forecheck on the 2-1 goal, for instance, and was also on the penalty kill for three of Sweden's power play goals, which is less than ideal. Some of Sansonnens' defensive flaws should improve with maturity and experience and there's a lot to like about the progression in his game, particularly in his puck skills, which were his biggest weakness. That kind of rapid improvement is exactly what you hope for from a seventh-round pick. Sansonnens is still a longshot to make it to the NHL but he's taking steps in the right direction.When the sing-along screenings of “ Wicked ” go down beginning Christmas Day, I’ll be there — but not because I have any intention of personally raising my voice in song. (Or maybe I’ll join in just with Dr. Dillamond, the goat professor, whose glottal peculiarities probably come closest to the sounds I could produce.) I do have a natural curiosity about what luck a full house of fans will have in singing along with musical-theater songs this sophisticated... this full of stops and starts and sudden shifts from major to minor chords. There’ll surely be some trained singers and actors filling the AMC seats who can keep up with these tunes. For the rest of us, there may come a realization: I’m not that girl , and probably neither are you. So what other reason is there to look forward to the official multiplex sing-alongs, if not, like, singing along? That’s easy: the subtitles. Which is to say: The songs in “Wicked” are so good — some of the best that musical theater has ever produced, to my mind — that there’s a benefit in enjoying a setting that allows you to focus in on the songcraft without having your attention waylaid by all the visual distractions the film is very understandably providing. As a 20-year aficionado of “Wicked” as a show, my only problem with “Wicked” as a movie is how director John Chu and editor Myron Kerstein are sometimes redirecting our attention to something else charming or dazzling that’s happening on screen, when what I most want is two-and-a-half hours of nonstop closeups of Ariana Grande or Cynthia Erivo delivering classic lyrics. This isn’t a serious complaint, on my part; I get that it’s a movie musical. But I’ll be pleased to see every one of lyrics popping up on the bottom of cinema screens, come Dec. 25. Because for a select subset of “Wicked” fans, the star isn’t really Erivo or Grande, grand as they both are — it’s Stephen Schwartz . Of course, there is a way to have the crux of the experience I’m anticipating without waiting for Christmas. It’s to stream or buy “ Wicked: The Soundtrack ” while settling in at Genius.com or some other lyric site to follow the bouncing ball, as it were. Even if you feel like you’ve gotten the basic grist of the lyrics through the theatrical presentation, there’s a lot of richness and nuance that’s easy to miss amid the cross-cutting, CGI, razzle-dazzle and diva-ness of it all. The album puts a further exclamation point on Schwartz’s rare brilliance as both melodist and lyricist, a la Sondheim. It’s not heresy to say that Schwartz feels like a populist Sondheim with what he did with “Wicked.” The whole score is dark, convoluted, unwieldy and subversive ... and if it sometimes comes out as something that feels to people like bubblegum, that’s just further testifies to the massiveness of the accomplishment. The first and most basic thing to say about the soundtrack is that they didn’t blow it. You don’t have to use too much of your imagination to think about how a score like this could have been egregiously updated. (Raise your hand if you imagined for a second that the Ozdust Ball could have adopted an EDM beat for a few bars. It does not.) With Schwartz himself co-producing the album with Greg Wells (“Greatest Showman”) and original music-director/arranger Stephen Oremus, it simply sounds like what the legit version would if it had something like double the pit size. And for a young audience of budding theater kids, it’s going to open them up for good (no pun intended) to the sound as well as form of traditional Broadway, even with content that might feel to them as fresh as a combination of Taylor Swift and today’s headlines. There’s not much that Grande and Erivo do that doesn’t squarely follow the template established by Kristen Chenoweth and Idina Menzel two decades ago. But their vocal performances still manage to sound surprising in small and important ways. The epic opening number, “No One Mourns the Wicked,” allows Grande to run a hell of a gamut — foretelling the moments of both dumb-blonde comedy and operatic tragedy she’ll get to hit thoughout the duration of the score. I knew she could go high-and-nasal in the pursuit of mirth (hey, I saw “Sam & Cat”), but hearing her repeat the completely ironic line “Good news” at full Sarah Brightman sopranic strength is an immediate tip-off she’ll be nailing the full range of stuff to come, too. Erivo takes longer to fully prove herself, by design. Actually, she holds back enough that it’s not till halfway through “Defying Gravity” that it feels like she’s giving it her full belt. Even though the movie has already given her “The Wizard and I” as a showstopper a whole lot earlier than that, Erivo seems to be holding just a little of her full power in reserve, for the moment when she’s fully awakened. The brilliance of those songs as first-act twins is that “The Wizard and I” is a classic “I want” song, whereas “Gravity” has to go above and beyond it as — literally — an I don’t want song. Erivo and those working with her on the vocals have been wise here: You’ve got to hold a little back, even if it’s just 5%, when you have probably the greatest middle-finger number in Broadway history on the horizon. While we all wait for that, what pleasures Erivo provides in some of the build-up numbers, by having lots of low-ley, conversational and even naïve-sounding vocal moments that establish her as a lovable innocent before she’s a righteously pissed goddess. Having just reaffirmed the case for “Defying Gravity” as an all-time corker, which Erivo delivers flawlessly, is it weird to say that I reserve an even slightly greater fondness for her tender rendition of “I’m Not That Girl”? Even if it is, here’s making the case for “I’m Not That Girl” as “Wicked’s” sleeper song, the one that’s never going to be as uber-popular as... well, you know, but will knock you down flat if you hear it at the right, forlorn time in your life. Its mid-first-act stage placement, or mid-movie here, marks it as a time-passer for some people, close to completely un-integral when it comes to advancing the plot. By Schwartz’s standards, it’s simple and un-ambitious, being the only song in the entire score without a single key change, let alone multiples. It’s also the only one that doesn’t include the slightest bit of narrative information, interpolations of other themes, or any other complicating factors keeping it from being a stand-alone. And standing alone is what it’s about, all right. You don’t even have to be a Swiftie to bask in the emo grief of lines like “Don’t wish, don’t start / Wishing only wounds the heart.” Playing this ballad for all the gentle fatalism it’s worth, Erivo is 100% That Girl. Other songs bear singling out. Jonathan Bailey does a fine job of sliding down the surface of things with “Dancing Through Life,” which — in one of “Wicked’s” many usurpings of expectations — seems to be setting Fiyero up to be a Gaston- or Prince Hans-style hunk-villain. Before that rug gets pulled to give him his humanity, he gives callow a good name. And “Life’s more painless for the brainless” (and the follow-up “thoughtless/fraughtless” coupling) would be a good line even if Schwartz weren’t foreshadowing his fate in the next act/movie. The revolving library sets during this sequence are a marvel of production design, but another example of how badly you need to hear the soundtrack on its own to catch every bit of the lyrics’ amusing nihilism. “What Is This Feeling?” delivers two things everyone wants: it’s a patter song, or as close to one as “Wicked” gets — and, more important, it’s the first chance to see how well Grande and Erivo harmonize as frenemies, before the much heavier vocal pas de deux they do in debating the merits of “Defying Gravity.” (Spoiler alert ahead.) Then, the originators of that song, Menzel and Chenoweth, show up in new verses Schwartz has penned to afford them a celebrated cameo in “One Short Day.” Schwartz’s all-new additional compositions won’t come till Part 2, but the interstitial bit he added here offers a good omen for bigger musical surprises in a year. “Popular” has that overt Ronald Reagan allusion that everybody picked up on when the show first opened, but that few newcomers to the song probably would now, 20 years later — the reference to “Great Communicators,” who come up for mention by Galinda as being more powerful than bright. It’s just a passing bit of political subtext, embedded almost unnoticeably in the frothiest number, a joke that already had a little dust on it when it first appeared, while everyone’s focused on Ariana Grande being pretty — and pretty spectacular — in pink. But the opening and closing numbers of Part 1 of “Wicked”? This is music that’s so inherently political, these bookends practically count as protest songs. “Defying Gravity” is a paean to activism, as Glinda and Elphaba debate and then sorrowfully settle their differences across the complacency/risk divide. Here, it’s as deeply moving and stirring as ever — a song for anyone who ever had to make the conscious decision in life to take the red pill and deal with the consequences, or admired someone else who did. Yet the song that always gets me the most is the one that’s almost innocuously hidden in plain sight right at the outset: “No One Mourns the Wicked.” On first listen, it feels like a standard, fairly innocuous musical scene-setter, even if, watching the film, that Wicker Woman being set up for burning does look ominious. On second or third listen, and beyond, it can feel devastating. Schwartz and his collaborators are framing the story with an Oz that is populated by an angry, self-righteous, deluded and even bloodthirsty mob... led by a woman who is going along with the great lie, in hopes of eventually rebuilding a land that fell into genocide and fascism under corrupt leadership. Light-hearted holiday fare to let us forget all about America’s problems, right? It’s in “No One Mourns the Wicked” that we get the score at its most haunting, with a cast of seeming thousands calling for retribution while Grande rolls through piercing high notes, pretending to put her approving stamp on the national travesty before her. If this doesn’t give you a chill, you’re not really listening. But who is, at the beginning of a film, as coats and popcorn are still being shuffled and a movie has barely begun to reveal its cards? That’s one more way in which “Wicked: The Soundtrack” becomes an essential post-movie listen, to really take in all the groundwork Schwartz and company have laid in foreshadowing what is actually at least as much a sociopolitical tragedy as a fantasy musical-comedy. It’s the ability to encompass all these elements, so masterfully, that makes “Wicked” not just the greatest song score of our time (or at least tied with “Hamilton” for that) but one of the greats of all time. And listen, if you just want to forego the darker, societally allegorical stuff and just spin “Popular” over and over and over again until you’ve worn the grooves off the stream, that’s OK, too. We’ve all been there. And thanks to how well Erivo and Grande deliver this material, we’ll stay in that female-friendship-trumps- everything mode a lot longer. See you at the sing-along.
Talks are under way to return members of the Bali Nine drug smuggling ring to Australia, the federal trade minister has confirmed while asserting they would continue to serve their sentences and not be released. or signup to continue reading The Australians were arrested in 2005 for attempting to smuggle heroin out of the Indonesian resort island. Five remaining members have been serving life sentences in the country for their involvement. Trade Minister Don Farrell said discussions were ongoing but confirmed the Prime Minister Anthony Albanese had advocated on behalf of the Australians. The prisoners would continue to serve their sentences in Australia under the proposal, he told Sky News on Sunday. "The proposal isn't, as I understand it, to release these people," Senator Farrell said. "They would continue to serve their sentence, except they're serving them in Australia." Mr Albanese raised the prisoner issue during a meeting with Indonesia's President Prabowo Subianto on the sidelines of the APEC Summit in Peru, Australian Assistant Treasurer Stephen Jones told reporters on Saturday. Under the deal, Jakarta would seek the repatriation of Indonesian prisoners held in Australia, the country's Law Minister Supratman Andi Agtas told Reuters on Saturday. Jakarta has no set procedures regarding international prisoner transfers but would work on the matter as soon as possible, Supratman said, stressing the counterpart country must recognise Indonesia's judicial process. "This is important to maintain a good relationship with friendly countries but this is also in our interest because we have prisoners abroad," he said. Deputy opposition leader Sussan Ley urged the prime minister to provide Australians with more information about the deal. "Let's be clear, in the first instance, these individuals, Australians, were part of a heroin-smuggling ring to bring back into Australia, in excess of eight kilos of heroin," she told Sky News on Sunday. "Drug offences are some of the worst offences our society sees because of the devastating consequences on people, including death." She called on the prime minister to confirm how the deal had been brokered, whether there would be a cost to the taxpayer, and whether they would continue to serve their full prison sentences in Australia. " And if not, why not?" she said. Bali Nine members Scott Rush, Matthew Norman, Si-Yi Chen, Martin Stephens and Michael Czugaj are serving life sentences in Indonesia for their involvement. Another member of the nine, Renae Lawrence, was released from prison in 2018 while Tan Duc Than Nguyen died of cancer the same year. The execution of two of the group's ringleaders, Andrew Chan and Myuran Sukumaran, in 2015 caused a diplomatic rupture between Australia and Indonesia. Australia recalled its ambassador in protest. with Reuters DAILY Today's top stories curated by our news team. WEEKDAYS Grab a quick bite of today's latest news from around the region and the nation. WEEKLY The latest news, results & expert analysis. WEEKDAYS Catch up on the news of the day and unwind with great reading for your evening. WEEKLY Get the editor's insights: what's happening & why it matters. WEEKLY Love footy? We've got all the action covered. WEEKLY Every Saturday and Tuesday, explore destinations deals, tips & travel writing to transport you around the globe. WEEKLY Going out or staying in? Find out what's on. WEEKDAYS Sharp. Close to the ground. Digging deep. Your weekday morning newsletter on national affairs, politics and more. TWICE WEEKLY Your essential national news digest: all the big issues on Wednesday and great reading every Saturday. WEEKLY Get news, reviews and expert insights every Thursday from CarExpert, ACM's exclusive motoring partner. TWICE WEEKLY Get real, Australia! Let the ACM network's editors and journalists bring you news and views from all over. AS IT HAPPENS Be the first to know when news breaks. DAILY Your digital replica of Today's Paper. Ready to read from 5am! DAILY Test your skills with interactive crosswords, sudoku & trivia. Fresh daily! Advertisement AdvertisementNathan Ake calls on Man City to show character after latest setback
Professional Data Recovery Software Market Revenue, Insights, Overview, Outlook, Analysis | Valuates Reports 12-21-2024 01:11 PM CET | Advertising, Media Consulting, Marketing Research Press release from: Valuates Reports Professional Data Recovery Software Market Size The global Professional Data Recovery Software market is projected to grow from US$ 3057 million in 2024 to US$ 5780 million by 2030, at a Compound Annual Growth Rate (CAGR) of 11.2% during the forecast period. Get Free Sample: https://reports.valuates.com/request/sample/QYRE-Auto-30I15052/Global_Professional_Data_Recovery_Software_Market_Insights_Forecast_to_2029 Market Analysis and Insights: Global Professional Data Recovery Software Market The exponential growth of digital data across various industries is driving the demand for professional data recovery software. With larger volumes of data being generated and stored, the risk of data loss or corruption also increases. Professional data recovery software helps businesses and individuals recover lost or inaccessible data, ensuring business continuity and minimizing data loss. Cybersecurity incidents such as data breaches, ransomware attacks, and accidental deletions are on the rise. As organizations strive to protect their data, the need for reliable and efficient data recovery solutions becomes critical. Professional data recovery software provides a means to recover data from various cybersecurity incidents, bolstering data resilience. Professional data recovery software is continuously evolving to keep up with advancements in storage technologies and file systems. The software is adapted to support new storage devices, file formats, and complex data structures. This trend ensures that data recovery software remains compatible with the latest storage technologies and can recover data from diverse sources. By Type •Windows •Mac By Application •Enterprise •Personal Key Companies MiniTool, SalvageData, Ontrack, Stellar, Prosoft Data Rescue, Alsoft DiskWarrior, Hetman Software, Kroll Ontrack, FINALDATA, DiskGenius, Veritas Technologies, Veeam, Acronis, StorageCraft, Netapp, Code42, Commvault, Kaseya, Datto, Zoolz, Piriform Recuva, WiseCleaner, PC Inspector File Recovery, EaseUS Data Recovery, TestDisk & PhotoRec, EaseUS, Stellar Data Recovery, Disk Drill, Wondershare Recoverit, R-Studio View Full Report: https://reports.valuates.com/market-reports/QYRE-Auto-30I15052/global-professional-data-recovery-software Please reach us at sales@valuates.com Address: Valuates, 4th Floor, Balaraj's Arcade, Whitefield Main road, Bangalore 560066 Valuates offers an extensive collection of market research reports that helps companies to take intelligent strategical decisions based on current and forecasted Market trends. This release was published on openPR.
Illinois coach Brad Underwood believes in players pushing each other during practice to improve themselves and the team. That's why he often pits starting guards Kylan Boswell and Kasparas Jakucionis against each other in practice. Underwood figures if it worked for Ayo Dosunmu and Trent Frazier, why not his newest backcourt? So far, that method appears to be paying off again as Boswell and Jakucionis are keying a strong start for the No. 24 Fighting Illini (8-3). They'll shoot for a non-conference win Sunday afternoon when Chicago State (0-14) visits Champaign, Ill. Boswell and Jakucionis' imprints were all over Illinois' 80-77 Braggin' Rights win over Missouri in St. Louis on Dec. 22. They combined for 37 points, 11 rebounds and nine assists, with Jakucionis scoring 21 for his sixth straight game with at least 20 points. Underwood said pitting the two against each other in practice is a win-win. "I play them opposite each other so they can just exhaust each other and beat each other up," the coach said. Jakucionis, who averages a team-high 16.5 points a game on 46.8 percent shooting from the field, co-signs on that philosophy. "We elevate each other," he said. "In practice, we're pushing each other by defending and attacking each other. And it makes one another better each day and every day." Boswell adds 10.6 ppg to go with 3.5 assists, while teammates Tomislav Ivisic (13.9 ppg) and Will Riley (12.5) also are in double figures in scoring. Perhaps the best thing about this team is that it appears to have more ceiling left. Illinois is averaging 83.6 points a game without being efficient from the field (43.3 percent) or the 3-point line (32.3 percent). The Illini likely will find more efficiency against the winless Cougars, who are searching for answers and consistency in their first year as a member of the Northeast Conference. They haven't played since Dec. 21, when they fell 81-57 at Cal State Northridge. It was predictable that Chicago State would struggle. After earning 13 wins last season at a program that has had a hard time winning consistently, coach Gerald Gillion left to serve as Rod Strickland's lead assistant at Long Island. New Cougars coach Scott Spinelli, who worked under Mark Turgeon (Maryland) and Jim Christian (Boston College), not only had to replace most of his roster but brought a new style of play to town. Gillion played a methodical half-court game, and Spinelli is trying to play at a faster pace. "We want to have guys out there that can get up and down the floor," Spinelli said this past summer. That hasn't come to fruition yet. The Cougars are last in Division I in field-goal percentage at 35.1 and third from the bottom in scoring at 59.6 points per game. They also rank near the bottom in free-throw percentage, 3-point percentage, rebounding, assists and turnovers. Jalen Forrest is the team's leading scorer at 9.1 ppg but is shooting only 33.6 percent from the field. Cameron Jernigan averages a team-high 4.5 rebounds. --Field Level Media
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Big Ten could place four teams in playoff, thanks to IU's riseATPI becomes the first TMC to create a universal self-service booking platformBig jackpot for Saudi Arabia, discovers ‘white gold’ in oil fieldsThe past week has seen significant developments in the tech industry, with AI at the forefront. OpenAI announced its transition to a for-profit entity, President-elect Trump appointed a new senior AI advisor, and Google faced intense scrutiny following the release of ChatGPT. Here’s a quick recap of the top stories. OpenAI’s For-Profit Transition Microsoft Corp.-backed MSFT OpenAI has revealed its plans to evolve into a Delaware Public Benefit Corporation (PBC). The company aims to balance shareholder and stakeholder interests while maintaining its public benefit mission. The transition is part of OpenAI’s mission to advance artificial general intelligence (AGI) for the benefit of all humanity. Read the full article here. Trump’s New AI Advisor President-elect Donald Trump has appointed Sriram Krishnan, a former general partner at Andreessen Horowitz, as senior policy advisor for AI. Krishnan will work closely with David Sacks, recently named Trump’s "AI and crypto czar." The move is part of Trump’s efforts to ensure America’s technological dominance and foster scientific breakthroughs. Read the full article here. See Also: Microsoft Invested Nearly $14 Billion In OpenAI But Now It’s Reducing Its Dependence On The ChatGPT-Parent Google’s ‘Code Red’ Following the release of OpenAI’s ChatGPT, Alphabet Inc. GOOG GOOGL Google declared a “Code Red”. The tech giant faced criticism for lagging behind rivals like Microsoft in integrating ChatGPT-like capabilities into its products. However, Alphabet’s latest advancements in AI and quantum computing are rebuilding its reputation and investor confidence. Read the full article here. Palantir: The ‘Next Oracle’ According to Wedbush Securities analyst Dan Ives, Palantir Technologies Inc. PLTR could emerge as "the next Oracle" in the AI revolution. Despite its stock surging 395.42% in 2024, Ives maintains a strong conviction in the company's growth trajectory. Read the full article here. Microsoft’s Reduced Dependence on OpenAI Microsoft is reportedly planning to reduce its dependence on OpenAI, the maker of ChatGPT. The company is working on integrating internal and third-party AI models into its AI product, Microsoft 365 Copilot. Read the full article here. Peter Thiel’s Bet on AI Former PayPal CEO Peter Thiel has shared his perspective on the evolving role of AI and its potential impact on math skills. Thiel suggested that the rise of AI could reduce the emphasis on math proficiency and lead to a societal transformation. Read the full article here. Read Next: NIO Announces Repurchase Opportunity For Convertible Senior Notes Due 2027 Photo courtesy: Shutterstock This story was generated using Benzinga Neuro and edited by Rounak Jain © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.