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RIO DE JANEIRO (AP) — Thousands of revelers gathered alongside Copacabana beach for Rio de Janeiro’s annual pride parade on Sunday, many scantily dressed and covered in glitter. Read this article for free: Already have an account? To continue reading, please subscribe: * RIO DE JANEIRO (AP) — Thousands of revelers gathered alongside Copacabana beach for Rio de Janeiro’s annual pride parade on Sunday, many scantily dressed and covered in glitter. Read unlimited articles for free today: Already have an account? RIO DE JANEIRO (AP) — Thousands of revelers gathered alongside Copacabana beach for Rio de Janeiro’s annual pride parade on Sunday, many scantily dressed and covered in glitter. Rainbow-colored flags, towels and fans abounded among the crowd mostly made up of young people who danced and sang along to music blaring from speakers. While the atmosphere was festive, some spoke of the threat of violence LGBTQ+ people face in Brazil. “As the sister of a trans woman, I’m scared to death,” said Helen Karajá, a 32-year-old bisexual artist. At least 230 LGBTQ+ Brazilians were victims of violent deaths in 2023, according to the umbrella watchdog group Observatory of LGBTI+ deaths and violence in Brazil. And more trans people — 100 — were murdered in Brazil last year than in any other country, according to Transgender Europe, a network of global non-profits that tracks the data. Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. To be sure, life for gay people is safer now than it used to be, said Carlos da Cunha, a 71-year-old hairdresser. “In the past, people had to go to ghettos to meet people, because you couldn’t just be anywhere,” said da Cunha. “Now, we can walk down the street without being attacked, without being insulted or humiliated.” One of the themes of this year’s pride march was sustainability. “Environmental justice will only be possible with racial and social justice, gender equality and sexual diversity” read one banner attached to a truck. Brazil has faced a series of environmental catastrophes this year, including record drought in the Amazon rainforest, floods in the southern Rio Grande do Sul state, and wildfires across the country. “If we can’t respect the environment, how can we respect others?” said Alexia Soutinho, a 23-year-old student who identifies as pansexual and lives in the Cidade de Deus favela. Advertisement Advertisement
Police searching for man who allegedly groped 5-year-old near New York migrant shelter
To fashion girlies, fall/winter is widely considered the best sartorial season of them all. I mean, these months provide the perfect climate for maximum closet optimization. You can layer your favorite warm-weather clothes and turn them into cozy outfits, not to mention your entire jacket collection finally gets resurrected—nothing is off the table. That said, the most joyous sartorial aspect of the season is fashion's annual return to . Chelsea boots, over-the-knee boots, ankle boots, and UGG boots are all styles we collectively go back to year after year. Beloved for their wearability and innate statement-making capabilities, these shoes are considered the GOATs every fall and winter. As always, these staples will make their return, but this year there are several new styles on the menu, as well. For one, are back, waking up from a 10-year slumber to take center stage once more. The classic riding boot, too, is having a resurgence, offering a modern take on the 2010 Pinterest aesthetics of yore. Meanwhile, have become a must-have style that no shoe collection is complete without. This is all to say: there are a whole lot of iterations to choose from. And now that the new year is here, it's time to refresh and refine your personal collection. Ahead, I invite you to peruse these and more types of stylish boots. Platform boots Platform boots are the bad bitch's best friend. They're innately edgy, punk, and surprisingly functional, due to the added traction of the chunky sole (I wear mine instead of snow boots). Knee-highs, ankle boots, even over-the-knee—no shoe style can't be improved with a flatform sole. Try these: ASOS DESIGN Carmen Chunky Flat Knee Boots Cowboy Boots Beyoncé didn't invent these, but she might as well have. C'mon, ? That plus the coastal cowgirl trend... It's safe to say Western-inspired footwear has taken over the fashion scene. Typically, these are made of durable leather, with intricate and ornate embossing and embroidery. Pointed-toe styles are the most popular, but you can shop square toes, as well. Try these: Tecovas The Annie Star UGG Boots Ok, this is a brand name and not a shoe style, but UGG has more than earned its place on this list. It made the padded, round-toe shoe style famous and now, it's utterly ubiquitous. Usually, these boots are lined with thick fur and have a suede outer, for optimum insulation and comfort. UGG Women's Classic Chillapeak Knee-High Boots Knee-high boots are really in their main character era. These are one of (if not ) trendiest boot designs of the moment, having successfully climbed the fashion ranks until they reached complete market domination. You can shop them in every fabric imaginable, from leather and suede to snakeskin, leopard print, croc, and more. Try these: Marc Fisher Lalita Foldover Dress Boot Combat Boots Combat boots are basically the chill older sister of the pop-punk platform. Inspired by OG military boots, these feature a lace-up front and a rounded toe—usually made of black leather. They pair well with girly dresses and mini-skirts. Vivaia Round-Toe Lug Sole Lace-Up Ankle Boots (Florence) Biker Boots Though —otherwise known as motorcycle boots—have been a staple in the motorcycle enthusiast crowd for, well, , they've also been the subject of interest among fashion girlies for a while now. You can spot a moto boot because of its rounded toe and buckled detailing. Aerosoles Comfortable Women's Knee High Squared Toe Engineer Boot Mid-Calf Boots Mid-calf boot styles are equal parts chic and practical. Because of their casual-cool design, these might be the most versatile options on the list. You can wear them with pretty much anything, during pretty much any season. Sarto Amari Mid Calf Boot Chelsea Boots Chelsea boots are a stylish unisex shoe style beloved by all. They usually hit at mid-calf or ankle height and are typically categorized by the stretchy panel on each side of the shoe. Said panel acts as a chic design detail and also makes for easy slip-on. Try these: Madewell The Idris Ankle Boot Riding Boots Equestrians did it first! But now that the horse girl aesthetic is here to stay, as are these knee-high flat boots. Though they were originally created for *actual* horseback riding, they look just as good on the subway. Try these: NATURALIZER Jessie Knee High Riding Boot Ankle Boots Ankle booties are the mini skirt's best friend. The two go hand-in-hand, working together to show off every inch of those legs. Designs run the gamut, from olive green stilettos to chunky lug-sole styles—Chelsea boots, too, are considered ankle boots, ICYWW. Mix No. 6 Tasea Bootie Over-the-Knee Boots Easily the most statement-making boot type on the list, these babies are bold by definition—and only for the brave of heart. Solid-colored styles are the easiest to style, but you can choose from heeled versions, flat, or platform, if you're really feeling feisty. Try these: Jeffrey Campbell Overlook Over The Knee Boots Why trust Cosmo: Cosmo’s team of fashion experts—which includes senior director of commerce , senior accessories editor , and fashion editor —have decades of experience in the industry. They spot relevant trends on the runway before they even hit your TikTok FYP or Insta Explore Page and conduct research across retailers of all kinds to bring you the best clothing and accessory picks for every season. Basically, we've curated a chic little corner of the internet for you like it’s our job (because it is, heh). We have pretty high standards when it comes to clothing and accessory recommendations. Each of our shopping articles adheres to the and includes products for all sizes. And you better believe we read those product reviews (and test many of the brands IRL) so you don't have to. You're welcome! Kelsey (she/her) is a freelance digital fashion editor and writer with a knack for turning top-performing content into top-selling content. She has extensive experience in editorial and e-commerce strategy, having worked in both divisions during her years at Seventeen and Bustle. With more than a decade of experience in digital media, she also offers creative and social media consulting, as well as copywriting services. She enjoys cheeseburgers, traveling, and vintage hauls. Follow her on Instagram at . Megan Uy is an associate shopping editor at , where she searches for the best products in all things fashion, home, beauty, sex, gifts, and more, so you don’t have to. When she’s not writing for the site, she’s whipping up some cool and trendy content for the fashion section of the print magazine. She’s been with the brand since 2019 (when she was an itty-bitty editorial fellow), and she's also written for , , and . Follow her on to get some BTS of the editor life and chaotic NYC content. Also, feel free to hit her up if you ever wanna discuss the madness that is .
(All times Eastern) Schedule subject to change and/or blackouts Friday, Dec. 20 COLLEGE BASKETBALL (MEN’S) 4 p.m. ESPNU — Chris Paul HBCU Challenge: Norfolk St. vs. Grambling St., Uncasville, Conn. 6:30 p.m. ESPNU — Chris Paul HBCU Challenge: Delaware St. vs. Alabama St., Uncasville, Conn. 8 p.m. FOX — St. John’s at Providence 8:30 p.m. ESPNU — Cincinnati vs. Dayton, Cincinnati COLLEGE BASKETBALL (WOMEN’S) 8:30 p.m. FS1 — Ohio St. vs. Stanford, San Francisco 11 p.m. FS1 — Creighton vs. UCLA, San Francisco COLLEGE FOOTBALL Noon ESPN — The StaffDNA Cure Bowl: Ohio vs. Jacksonville St., Orlando, Fla. 3:30 p.m. ESPN2 — The Union Home Mortgage Gasparilla Bowl: Tulane vs. Florida, Tampa, Fla. 8:10 p.m. ABC — CFP First Round: Indiana at Notre Dame ESPN — CFP First Round: Indiana at Notre Dame ESPN2 — CFP First Round: Indiana at Notre Dame (Command Center) GOLF 3:30 a.m. GOLF — DP World Tour: The AfrAsia Bank Mauritius Open, Second Round, Mont Choisy Le Golf, Grand-Baie, Mauritius Noon GOLF — PGA Tour: The PNC Championship Pro-Am, Ritz-Carlton Golf Club, Orlando, Fla. 4 a.m. (Saturday) GOLF — DP World Tour: The AfrAsia Bank Mauritius Open, Third Round, Mont Choisy Le Golf, Grand-Baie, Mauritius HORSE RACING 3 p.m. FS2 — NYRA: America’s Day at the Races NBA BASKETBALL 7:30 p.m. NBATV — Milwaukee at Cleveland NBA G-LEAGUE BASKETBALL 11 a.m. ESPNU — Winter Showcase: Texas vs. Motor City, Orlando, Fla. 1 p.m. NBATV — Winter Showcase: San Diego vs. Long Island, Orlando, Fla. 1:30 p.m. ESPNU — Winter Showcase: Mexico City vs. Rip City, Orlando, Fla. 3:30 p.m. NBATV — Winter Showcase: Cleveland vs. Salt Lake, Orlando, Fla. 4 p.m. ESPNEWS — Winter Showcase: Delaware vs. Santa Cruz, Orlando, Fla. TENNIS 6 a.m. TENNIS — Next Gen ATP Finals: Round Robin 11 a.m. TENNIS — Next Gen ATP Finals: Round Robin The Associated Press created this story using technology provided by Data Skrive TV listings provided by LiveSportsOnTV .
Trump gave Interior nominee one directive for a half-billion acres of US land: ‘Drill.’C.J. Stroud taking a game-losing safety vs. the Titans encapsulates his stunning sophomore slumpSportscaster Greg Gumbel dies from cancer at age 78
UVALDE, Texas — A Texas judge on Thursday refused to throw out criminal charges accusing the former Uvalde schools police chief of putting children at risk during the slow response to the 2022 Robb Elementary School shooting, while a lawyer for his co-defendant said they want to move the upcoming trial out of the small town where the massacre occurred. At a court hearing in Uvalde, Judge Sid Harle rejected Pete Arredondo's claim that was he improperly charged and that only the shooter was responsible for putting the victims in danger. Nineteen children and two teachers were killed in the shooting on May 24, 2022. Harle also set an Oct. 20, 2025, trial date. An attorney for Arredondo's co-defendant, former Uvalde schools police officer Adrian Gonzales, said he will ask for the trial to be moved out of Uvalde because his client cannot get a fair trial there. Uvalde County is mostly rural with fewer than 25,000 residents about 85 miles (140 kilometers) west of San Antonio. “Everybody knows everybody,” in Uvalde, Gonzales attorney Nico LaHood said. Both former officers attended the hearing. Nearly 400 law enforcement agents rushed to the school but waited more than 70 minutes to confront and kill the gunman in a fourth-grade classroom. Arredondo and Gonzales are the only two officers facing charges — a fact that has raised complaints from some victims' families. Both men have pleaded not guilty to multiple counts of abandoning or endangering a child, each of which carry punishment of up to two years in jail. Gonzales has not asked the judge to dismiss his charges. A federal investigation of the shooting identified Arredondo as the incident commander in charge, although he has argued that state police should have set up a command post outside the school and taken control. Gonzales was among the first officers to arrive on the scene. He was accused of abandoning his training and not confronting the shooter, even after hearing gunshots as he stood in a hallway. Arredondo has said he was scapegoated for the halting police response. The indictment alleges he did not follow his active shooter training and made critical decisions that slowed the police response while the gunman was “hunting” his victims. It alleges that instead of confronting the gunman immediately, Arredondo caused delays by telling officers to evacuate a hallway to wait for a SWAT team, evacuating students from other areas of the building first, and trying to negotiate with the shooter while victims inside the classroom were wounded and dying. Arredondo’s attorneys say the danger that day was not caused by him, but by the shooter. They argued Arredondo was blamed for trying to save the lives of the other children in the building, and have warned that prosecuting him would open many future law enforcement actions to similar charges. “Arredondo did nothing to put those children in the path of a gunman,” said Arredondo attorney Matthew Hefti. Uvalde County prosecutors told the judge Arredondo acted recklessly. “The state has alleged he is absolutely aware of the danger of the children,” said assistant district attorney Bill Turner. Jesse Rizo, the uncle of 9-year-old Jacklyn Cazares who was killed in the shooting, was one of several family members of victims at the hearing. “To me, it’s hurtful and painful to hear Arredondo’s attorneys try to persuade the judge to get the charges dismissed,” Rizo said. He called the wait for a trial exhausting and questioned whether moving the trial would help the defense. “The longer it takes, the longer the agony,” Rizo said. “I think what’s happened in Uvalde ... you’ll probably get a better chance at conviction if it’s moved. To hold their own accountable is going to be very difficult.” The massacre at Robb Elementary was one of the worst school shootings in U.S. history, and the law enforcement response has been widely condemned as a massive failure. Nearly 150 U.S. Border Patrol agents, 91 state police officers, as well and school and city police rushed to the campus. While terrified students and teachers called 911 from inside classrooms, dozens of officers stood in the hallway trying to figure out what to do. More than an hour later, a team of officers breached the classroom and killed the gunman. Within days of the shooting, the focus of the slow response turned on Arredondo, who was described by other responding agencies as the incident commander in charge. Multiple federal and state investigations have laid bare cascading problems in law enforcement training, communication, leadership and technology, and questioned whether officers prioritized their own lives over those of children and teachers. Several victims or their families have filed multiple state and federal lawsuits. Associated Press reporter Jim Vertuno in Austin, Texas, contributed. Lathan is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.
Political wrangling in India as US charges billionaire Gautam Adani with bribery and fraud
Trump taps Kimberly Guilfoyle to serve as US ambassador to Greece — after reported split with Don Jr.Forum: Support for emerging hawkers vital to keep the trade goingUS President-elect Donald Trump filed a brief Friday urging the Supreme Court to pause a law that would ban TikTok the day before his January 20 inauguration if it is not sold by its Chinese owner ByteDance. "In light of the novelty and difficulty of this case, the court should consider staying the statutory deadline to grant more breathing space to address these issues," Trump's legal team wrote, to give him "the opportunity to pursue a political resolution." Trump was fiercely opposed to TikTok during his 2017-21 first term, and tried in vain to ban the video app on national security grounds. The Republican voiced concerns -- echoed by political rivals -- that the Chinese government might tap into US TikTok users' data or manipulate what they see on the platform. US officials had also voiced alarm over the popularity of the video-sharing app with young people, alleging that its parent company is subservient to Beijing and that the app is used to spread propaganda, claims denied by the company and the Chinese government. Trump called for a US company to buy TikTok, with the government sharing in the sale price, and his successor Joe Biden went one stage further -- signing a law to ban the app for the same reasons. Trump has now, however, reversed course. "Now (that) I'm thinking about it, I'm for TikTok, because you need competition," he recently told Bloomberg. "If you don't have TikTok, you have Facebook and Instagram -- and that's, you know, that's Zuckerberg." Facebook, founded by Mark Zuckerberg and part of his Meta tech empire, was among the social media networks that banned Trump after attacks by his supporters on the US Capitol on January 6, 2021. The ban was driven by concerns that he would use the platform to promote more violence. Those bans on major social media platforms were later lifted. In the brief filed on Friday, Trump's lawyer made it clear the president-elect did not take a position on the legal merits of the current case. "President Trump takes no position on the underlying merits of this dispute," John Sauer wrote in the amicus curiae -- or "friend of the court" -- brief. "Instead, he respectfully requests that the court consider staying the act's deadline for divestment of January 19, 2025, while it considers the merits of this case, thus permitting President Trump's incoming Administration the opportunity to pursue a political resolution of the questions at issue in the case." ft/aha
Ustby, Donarski lead No. 16 North Carolina women over Villanova 53-36 in Battle 4 Atlantis semifinal
One night last month, near the end of the Chicago International Film Festival, a particularly long line of moviegoers snaked down Southport Avenue by the Music Box Theatre. The hot ticket? This fall’s hottest ticket, in fact, all over the international festival circuit? Well, it’s a 215-minute drama about a fictional Hungarian Jewish architect who emigrates to America in 1947 after surviving the Holocaust. The film’s title, “The Brutalist,” references several things, firstly a post-World War II design imperative made of stern concrete, steel, and a collision of poetry and functionality. Director and co-writer Brady Corbet, who wrote “The Brutalist” with his filmmaker wife, Mona Fastvold, explores brutalism in other forms as well, including love, envy, capitalist economics and how the promise of America eludes someone like the visionary architect László Tóth, played by Adrien Brody. Corbet, now 36 and a good bet for Oscar nominations this coming January, says his unfashionable sprawl of a picture, being distributed by A24, is also about the “strange relationship between artist and patron, and art and commerce.” It co-stars Felicity Jones as the visionary architect’s wife, Erzsébet, trapped in Eastern Europe after the war with their niece for an agonizingly long time. Guy Pearce portrays the imperious Philadelphia blueblood who hires Tóth, a near-invisible figure in his adopted country, to design a monumental public building known as the Institute in rural Pennsylvania. The project becomes an obsession, then a breaking point and then something else. Corbet’s project, which took the better part of a decade to come together after falling apart more than once, felt like that, too. Spanning five decades and filmed in Hungary and Italy, “The Brutalist” looks like a well-spent $50 million project. In actuality, it was made for a mere $10 million, with Corbet and cinematographer Lol Crawley shooting on film, largely in the VistaVision process. The filmmaker said at the Chicago festival screening: “Who woulda thunk that for screening after screening over the last couple of months, people stood in line around the block to get into a three-and-a-half-hour movie about a mid-century designer?” He lives in Brooklyn, New York, with Fastvold and their daughter. Our conversation has been edited for clarity and length. Q: Putting together an independent movie, keeping it on track, getting it made: not easy, as you told the Music Box audience last night. Money is inevitably going to be part of the story of “The Brutalist,” since you had only so much to make a far-flung historical epic. A: Yeah, that’s right. In relation to my earlier features, “The Childhood of a Leader” had a $3 million budget. The budget for “Vox Lux” was right around $10 million, same as “The Brutalist,” although the actual production budget for “Vox Lux” was about $4.5 million. Which is to say: All the money on top of that was going to all the wrong places. For a lot of reasons, when my wife and I finished the screenplay for “The Brutalist,” we ruled out scouting locations in Philadelphia or anywhere in the northeastern United States. We needed to (film) somewhere with a lot less red tape. My wife’s previous film, “The World to Come,” she made in Romania; we shot “Childhood of a Leader” in Hungary. For “The Brutalist” we initially landed on Poland, but this was early on in COVID and Poland shut its borders the week our crew was arriving for pre-production. When we finally got things up and running again with a different iteration of the cast (the original ensemble was to star Joel Edgerton, Marion Cotillard and Mark Rylance), after nine months, the movie fell apart again because Russia’s invasion of Ukraine. We couldn’t get any of the banks to cash-flow the tax credit (for location shooting in Poland). It’s completely stable now, but at that time the banks were nervous about whether the war would be contained to Ukraine or not. And then we finally got it up and running in Budapest, Hungary. Q: That’s a long time. A: Every filmmaker I know suffers from some form of post-traumatic stress (laughs). It sounds funny but it’s true. At every level. On the level of independent cinema, you’re just so damn poor. You’re not making any money, and yet from nose to tail, at minimum, a movie always takes a couple of years. With bigger projects, you might have a little more personal security but a lot less creative security with so many more cooks in the kitchen. Either route you choose, it can be an arduous and painful one. Whether you’re making a movie for a million dollars, or $10 million, or $100 million, it’s still “millions of dollars.” And if you’re concerned about the lives and livelihoods of the people working with you, it’s especially stressful. People are constantly calling you: “Is it happening? Are we starting? Should I take this other job or not?” And you have 250 people who need that answer from you. Every iteration of the project, I always thought we were really about to start in a week, two weeks. It’s just very challenging interpersonally. It’s an imposition for everyone in your life. And then there’s the imposition of screening a movie that’s three-and-a-half-hours long for film festivals, where it’s difficult to find that kind of real estate on the schedule. So essentially, making a movie means constantly apologizing. Q: At what point in your acting career did you take a strong interest in what was going on behind the camera? A: I was making short films when I was 11, 12 years old. The first thing I ever made more properly, I guess, was a short film I made when I was 18, “Protect You + Me,” shot by (cinematographer) Darius Khondji. It was supposed to be part of a triptych of films, and I went to Paris for the two films that followed it. And then all the financing fell through. But that first one screened at the London film festival, and won a prize at Sundance, and I was making music videos and other stuff by then. Q: You’ve written a lot of screenplays with your wife. How many? A: Probably 25. We work a lot for other people, too. I think we’ve done six together for our own projects. Sometimes I’ll start something at night and my wife will finish in the morning. Sometimes we work very closely together, talking and typing together. It’s always different. Right now I’m writing a lot on the road, and my wife is editing her film, which is a musical we wrote, “Ann Lee,” about the founder of the Shakers. I’m working on my next movie now, which spans a lot of time, like “The Brutalist,” with a lot of locations. And I need to make sure we can do it for not a lot of money, because it’s just not possible to have a lot of money and total autonomy. For me making a movie is like cooking. If everyone starts coming in and throwing a dash of this or that in the pot, it won’t work out. A continuity of vision is what I look for when I read a novel. Same with watching a film. A lot of stuff out there today, appropriately referred to as “content,” has more in common with a pair of Nikes than it does with narrative cinema. Q: Yeah, I can’t imagine a lot of Hollywood executives who’d sign off on “The Brutalist.” A: Well, even with our terrific producing team, I mean, everyone was up for a three-hour movie but we were sort of pushing it with three-and-a-half (laughs). I figured, worst-case scenario, it opens on a streamer. Not what I had in mind, but people watch stuff that’s eight, 12 hours long all the time. They get a cold, they watch four seasons of “Succession.” (A24 is releasing the film in theaters, gradually.) It was important for all of us to try to capture an entire century’s worth of thinking about design with “The Brutalist.” For me, making something means expressing a feeling I have about our history. I’ve described my films as poetic films about politics, that go to places politics alone cannot reach. It’s one thing to say something like “history repeats itself.” It’s another thing to make people see that, and feel it. I really want viewers to engage with the past, and the trauma of that history can be uncomfortable, or dusty, or dry. But if you can make it something vital, and tangible, the way great professors can do for their students, that’s my definition of success. “The Brutalist” opens in New York and Los Angeles on Dec. 20. The Chicago release is Jan. 10, 2025. Michael Phillips is a Tribune critic.