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FREMONT, Calif.--(BUSINESS WIRE)--Dec 16, 2024-- Blackmagic Design announced it will start taking pre-orders for the new Blackmagic URSA Cine Immersive camera — the world’s first commercial camera system designed to capture Apple Immersive Video for Apple Vision Pro — today with deliveries due to start in early 2025. DaVinci Resolve Studio will be updated to support editing Apple Immersive Video early next year, offering professional filmmakers a comprehensive workflow for producing Apple Immersive Video for Apple Vision Pro. Apple Immersive Video is a remarkable 180-degree media format that leverages ultra-high-resolution immersive video and Spatial Audio to place viewers in the center of the action. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20241216360826/en/ Blackmagic URSA Cine Immersive features a fixed, custom lens system pre-installed on the body, which is designed specifically to capture Apple Immersive Video for Apple Vision Pro. The sensor delivers 8160 x 7200 resolution per eye with pixel level synchronization and an incredible 16 stops of dynamic range, so cinematographers can shoot 90fps 3D immersive cinema content to a single file. The custom lens system is designed for URSA Cine’s large format image sensor with extremely accurate positional data that’s read and stored at time of manufacturing. This immersive lens projection data — which is calibrated and stored on device — then travels through post production in the Blackmagic RAW file itself. Additionally, DaVinci Resolve Studio will be updated to support editing Apple Immersive Video early next year, offering professional filmmakers a comprehensive workflow for producing Apple Immersive Video for Apple Vision Pro. (Photo: Business Wire) “We are excited to begin accepting pre-orders for the new Blackmagic URSA Cine Immersive camera and preview a true end-to-end workflow for Apple Immersive Video with DaVinci Resolve,” said Grant Petty, Blackmagic Design CEO. “We are looking forward to working closely with filmmakers and production companies on the Blackmagic production workflow for Apple Immersive Video before releasing the camera to a wider audience later in 2025. We can’t wait to see the amazing action, drama, concerts, sports and other incredible experiences our customers will capture in this powerful new format pioneered by Apple.” The World’s First Commercial Camera System for Apple Immersive Video Blackmagic URSA Cine Immersive features a fixed, custom lens system pre-installed on the body, which is designed specifically to capture Apple Immersive Video for Apple Vision Pro. The sensor delivers 8160 x 7200 resolution per eye with pixel level synchronization and an incredible 16 stops of dynamic range, so cinematographers can shoot 90fps 3D immersive cinema content to a single file. The custom lens system is designed for URSA Cine’s large format image sensor with extremely accurate positional data that’s read and stored at time of manufacturing. This immersive lens projection data — which is calibrated and stored on device — then travels through post production in the Blackmagic RAW file itself. The World’s First Editing Software for Apple Immersive Video A new version of DaVinci Resolve Studio set to release in Q1 next year includes powerful new features to help filmmakers edit, color grade, and produce Apple Immersive Video shot on the URSA Cine Immersive camera for Apple Vision Pro. Key features include a new immersive video viewer, which will let editors pan, tilt, and roll clips for viewing on 2D monitors or on Apple Vision Pro for an even more immersive editing experience. Additionally, transitions rendered by Apple Vision Pro will also be able to be bypassed using FCP XML metadata, giving editors clean master files. To complete the workflow, export presets will enable quick output into a package which can be viewed directly on Apple Vision Pro. About Blackmagic URSA Cine The Blackmagic URSA Cine camera platform is the basis of multiple models with different features for the high end cinema industry. All models are built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help filmmakers move quickly on set. Customers also get 12G‐SDI out, 10G Ethernet, USB-C, XLR audio, and more. The fold out monitor has a large 5′′ HDR touchscreen on one side and an external color status LCD on the other. The right side of the camera features a dedicated assist station with a second 5′′ HDR touchscreen that allows crew to work around the camera without needing external monitors. An 8-pin Lemo power connector at the back of the camera works with 24V and 12V power supplies, making it easy to use the camera with existing power supplies, batteries, and accessories. Blackmagic URSA Cine Immersive comes with a massive 250W power supply and B mount battery plate, so customers can use a wide range of high voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. Customers will also receive a top handle, antennas for high speed Wi-Fi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up. Blackmagic URSA Cine Immersive comes with 8TB of high performance network storage built in, which records directly to the included Blackmagic Media Module, and can be synced to Blackmagic Cloud and DaVinci Resolve media bins in real time. This means customers can capture over 2 hours of Blackmagic RAW in 8K stereoscopic 3D immersive, and editors can work on shots from remote locations worldwide as the shoot is happening. The new Blackmagic RAW Immersive file format is designed to make it simple and easy to work with immersive video within the whole post production workflow, and includes support for Blackmagic global media sync. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Blackmagic URSA Cine Immersive is the first commercial, digital film camera with ultra fast high capability Cloud Store technology built in. The high speed storage lets customers record at the highest resolutions and frame rates for hours and access their files directly over high speed 10G Ethernet. The camera also supports creating a small H.264 proxy file, in addition to the camera original media when recording. This means the small proxy file can be uploaded to Blackmagic Cloud in seconds, so media is available back at the studio in real time. Blackmagic Media Dock accelerates post production workflow by making it faster and simpler to start editing and performing color correction. Customers can mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine Immersive cameras all at the same time. The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and is extremely fast, even when a lot of users are connected at the same time. Blackmagic URSA Cine Immersive Features DaVinci Resolve Immersive Features Availability and Price Blackmagic URSA Cine Immersive is available to pre order now direct from Blackmagic Design offices worldwide for $29,995 (US). Delivery will start in late Q1 2025. URSA Cine Immersive will be available from Blackmagic Design resellers later next year. Press Photography Product photos of the Blackmagic URSA Cine Immersive, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images . About Blackmagic Design Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s EmmyTM award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com . View source version on businesswire.com : https://www.businesswire.com/news/home/20241216360826/en/ CONTACT: Media Terry Frechette +1 408 954 0500 Ext. 321 pr-usa@blackmagicdesign.com KEYWORD: CALIFORNIA UNITED STATES NORTH AMERICA INDUSTRY KEYWORD: FILM & MOTION PICTURES CONSUMER ELECTRONICS TECHNOLOGY GENERAL ENTERTAINMENT ENTERTAINMENT OTHER TECHNOLOGY PHOTOGRAPHY SOFTWARE AUDIO/VIDEO HARDWARE OTHER ENTERTAINMENT SOURCE: Blackmagic Design Copyright Business Wire 2024. PUB: 12/16/2024 05:15 PM/DISC: 12/16/2024 05:15 PM http://www.businesswire.com/news/home/20241216360826/en
The Atlanta Hawks and Houston Rockets are two upstart teams that crashed the NBA Cup party with big wins Wednesday. While the semifinal matchups are intriguing, they aren't registering with ticket buyers. Tickets for the NBA Cup in Las Vegas have plummeted since the teams were set. They were hoping for Lakers, Warriors, Suns, Clippers, Celtics or Knicks but no dice. The current get in prices: Dec. 14: Bucks-Hawks - $29 Dec. 14: Thunder-Rockets - $39 Dec. 17: NBA Cup Final - $79 The semifinals of the NBA Cup are set, with the Milwaukee Bucks facing the Atlanta Hawks and the Oklahoma City Thunder playing the Houston Rockets. It's not a surprise that ticket sales are lagging for the Cup, simply due to the nature of the in-season tournament. The matchups aren't set until three days before the semifinals happen, making it difficult for even diehard fans to plan a trip to Las Vegas to see their teams. That's especially true when all the teams close to Sin City lost out. Going to Vegas from Los Angeles, Phoenix or the San Francisco Bay Area is fairly easy and affordable, even on the spur of the moment. From L.A. or Phoenix, fans can even drive. But to get to Vegas from Milwaukee or Oklahoma City on short notice can be both logistically difficult and expensive. Attendance relies heavily on interest from people who are already in Las Vegas, which means that teams with a broader national fan base — like the Boston Celtics, New York Knicks or the Lakers — simply are more likely to draw fans at a neutral site. The game times don't help. The Milwaukee Bucks-Atlanta Hawks game starts at 1:30 p.m. locally, a time chosen to accommodate turning over the arena for the evening crowd. The second game is scheduled for 5:30. In a city where many businesses are open all night and casinos famously don't have clocks, early afternoon isn't exactly prime time. This isn't to say any of the semifinal teams are unworthy or that the games won't be entertaining. All of the potential matchups are fun, with MVP candidates, All-Stars and potential All-Defensive teamers. They simply aren't going to drive Las Vegas ticket sales on short notice. There's one simple solution that would be better for attendance and television ratings: Make the semifinals a single-ticket event. That's what the Final Four does, a single-elimination tournament that the NBA seems to be imitating with the Cup. Then, the games can start closer together, without the need to usher out one crowd and welcome another between contests. That, in turn, allows for a later start time. It's also far easier to sell out half the number of seats and ensure that there's actually a crowd cheering on the NBA's signature midseason event. Even if the Lakers and Knicks aren't playing.None
French lawmakers on Wednesday voted to oust the government of Prime Minister Michel Barnier after just three months in office, a historic move which hurled the country further into political uncertainty. For the first time in over sixty years, the National Assembly lower house toppled the incumbent government, approving a no-confidence motion that had been proposed by the hard left but which crucially was backed by the far-right headed by Marine Le Pen. Barnier's rapid ejection from office comes after snap parliamentary elections this summer which resulted in a hung parliament with no party having an overall majority and the far-right holding the key to the government's survival. President Emmanuel Macron now has the difficult task of picking a viable successor with over two years of his presidential term left. He is to address the nation at 1900 GMT on Thursday, the Elysee said. Earlier in the day, Macron is to receive Barnier at 0900 GMT who will submit the resignation of the government. The National Assembly debated a motion brought by the hard left in a standoff over next year's austerity budget, after the prime minister on Monday forced through a social security financing bill without a vote. With the support of the far-right, a majority of 331 MPs in the 577-member chamber voted to oust the government. Macron flew back into Paris just ahead of the vote after wrapping up his three-day state visit to Saudi Arabia, an apparent world away from the domestic crisis. He strolled earlier Wednesday through the desert sands of the Al-Ula oasis, an iconic tourist project of the kingdom, marvelling at ancient landmarks. After landing, he headed direct to the Elysee Palace. "We are now calling on Macron to go," Mathilde Panot, the head of the parliamentary faction of the hard-left France Unbowed (LFI) party told reporters, urging "early presidential elections" to solve the deepening political crisis. But taking care not to crow over the fall of the government, Le Pen said in a television interview that her party -- once a new premier is appointed -- "would let them work" and help create a "budget that is acceptable for everyone". Laurent Wauquiez, the head of right-wing deputies in parliament, said the far-right and hard-left bore the responsibility for a no-confidence vote that would "plunge the country into instability". Macron on Tuesday had rejected calls to resign, saying such a scenario amounted to "political fiction". With markets nervous and France bracing for public-sector strikes against the threat of cutbacks, action that will shut schools and hit air and rail traffic, there is a growing sense of crisis. The unions have called for civil servants, including teachers and air traffic controllers, to strike on Thursday over separate cost-cutting measures proposed by their respective ministries this autumn. Meanwhile, Macron is due to host a major international event Saturday, with the reopening of the Notre-Dame cathedral after the 2019 fire, with guests including Donald Trump on his first foreign trip since he was elected to be the next US president. "His failure," was left-wing daily Liberation's front-page headline, with a picture of Macron, whose term runs until 2027. In an editorial, Le Monde said Le Pen's move risked upsetting her own supporters, such as retirees and business leaders, by toppling the government. "In the space of a few minutes, she shattered the strategy of normalisation she had consistently pursued," the daily said. Some observers have suggested that Le Pen, 56, is seeking to bring down Macron before his term ends by ousting Barnier. Le Pen is embroiled in a high-profile embezzlement trial. If found guilty in March, she could be blocked from participating in France's next presidential election. But if Macron stepped down soon, an election would have to be called within a month, potentially ahead of the verdict in her trial. Candidates for the post of premier are few, but loyalist Defence Minister Sebastien Lecornu and Macron's centrist ally Francois Bayrou are possible contenders. On the left, Macron could turn to former Socialist premier and interior minister Bernard Cazeneuve, a contender in September. Macron is minded to appoint the new premier rapidly, several sources told AFP. It was the first successful no-confidence vote since a defeat for Georges Pompidou's government in 1962, when Charles de Gaulle was president. The lifespan of Barnier's government is also the shortest of any administration since the Fifth Republic began in 1958. bur-jh-sjw/rlp Get any of our free email newsletters — news headlines, sports, arts & entertainment, state legislature, CFD news, and more.Have you heard the one about the Colorado School of Mines mechanical engineer who’s going to play football at mighty Alabama? Standby. It’s a good one. “I mean, it didn’t feel real at first,” Blake Doud is telling me of his commitment to play for the Crimson Tide. “It kind of still doesn’t feel real.” Oh, it’s real alright. Really wild. Really cool. See, Doud last week became the first Mines player to enter the NCAA transfer portal in the portal era — and the first Oredigger to make the leap to a Power 4 program. Even that part is wild; it was Mines coaches, specifically punting guru Scott Groner, who encouraged him to go. “Blake would be the first to admit he didn’t want to leave Mines,” Groner tells me. It’s true. He didn’t. Mines football players don’t leave Mines football. They love Mines football. “Coming to school here was the best thing that ever happened to me,” Doud says. But that’s the thing about Mines. You opt into long study hours and brutal exam weeks to jump start your life — whether that’s building rockets or bridges as an engineer... or chasing an NFL dream with your lead foot. “At the end of the day it’s our duty to send these guys off and better their lives,” Groner says. “If he can play in front of those SEC crowds and get three meals a day and work with an SEC strength program, I truly felt that could be the edge that would allow him an NFL opportunity.” Friggin’ Alabama was never a thought in Doud’s mind. Shoot, punting wasn’t much of one, either. Mines was the only program to recruit Doud as a punter instead of a wide receiver, where he excelled at Legend High in Parker. So he chose Mines to punt balls and “hopefully build some stuff, because I’ve always liked building stuff,” he says. “It’s not easy here (at Mines),” says Doud, who will dual-enroll at Mines and Alabama next semester to complete his engineering degree. “But this place has truly shaped who I am.” Doud redshirted his first year at the Division II powerhouse. He didn’t appear in a single game in his second season. He exploded in 2023 and 2024, winning RMAC Special Teams Player of the Year and first-team All-American honors. He led Division II last season at 46.1 yards per punt. “I saw it straight away,” says Groner, a former All-American punter, who spent eight years working with the Kansas City Chiefs and now works part-time with the Broncos equipment team. “I saw his 6-foot-5 frame. Being 6-foot-5 as a punter is kind of a cheat code — long levers, powering through the football, good hang time. Then his coach-ability took over.” It’s rare a single punt turns heads in college ball. But in Week 1 this season Doud launched an 80-yard boomer that went viral with over 2 million views on social media. A couple Power 4 assistants even asked me if he would consider transferring to play Division I ball for a year. Doubt it, I said. Mines football players don’t leave Mines. They love Mines. “Blake kind of came out of nowhere a little bit. He was this scrawny 6-foot-5 kid,” Groner says. “But he’s extremely coachable, which most Mines kids are. Everything I’d say, he would’t question it. He’d try it, then come back at me if something didn’t feel right. Those are the best kinds of kids to work with. And I can tell he’s really invested and driven and wants to be great. That makes it fun as a coach.” Then came the transfer portal. “I know the portal is frowned upon in college football,” Groner says. “But this is different. This is potentially life-changing.” Groner’s first call went to Dustin Colquitt, a close friend from their time with the Chiefs, who works with specialists at the University of Tennessee. The Vols didn’t need a punter. The University of Texas-El Paso was Doud’s first scholarship offer in the portal. Then the University of Missouri. Once Missouri offered, Alabama special teams analyst Jay Nunez called Doud with a scholarship offer. Roll Tide. He’s moving to Tuscaloosa in early January. “Alabama, they were always No. 1 when I was growing up,” he says. “Always in big games.” “Building stuff” is still on the table. But career plans have changed. Doud studies Los Angeles Rams punter Ethan Evans, who played at Wingate University, another Division II program. A man named Lloyd Madden was the last Mines player to play in a regular-season NFL game, the school said. That was in the 1940s. I asked Groner, who knows NFL punters: Is Blake one? “He is,” Groner says. “He has the body and he’s only getting stronger. If he doesn’t have the NFL leg now, he will. The hard work is there. The desire is there. And he’s a gamer. He is.” Before he left the Mines campus, the Orediggers had one request for their All-American punter. “When you’re playing on Monday Night Football,” Groner says, “you have to say, ‘Blake Doud, Colorado School of Mines.’” Roll Mines.
Digital ID for age verification in alcohol sales gets varied guises in Delhi, Istanbul, UKNorth Korean nationals indicted in scheme using IT workers to funnel money for weapons programsNone
NoneQorvo, Inc. ( NASDAQ: QRVO ) Barclays 22nd Annual Global Technology Conference December 12, 2024 12:50 PM ET Company Participants Grant Brown - Senior Vice President and Chief Financial Officer Dave Fullwood - Senior Vice President, Sales and Marketing Philip Chesley - President, High Performance Analog & Senior VP Conference Call Participants Tom O'Malley - Barclays Tom O'Malley Hi, Semiconductor and Semicap Equipment Analyst here. Please have Grant Brown, Phil Chesley, and Dave Fullwood here from Qorvo. And I love having a full suite of guys on stage. I never get to fill all the seats. It is awesome. Thanks for joining me. Grant Brown Appreciate it. Well, thank you. Thanks for having us. Tom O'Malley So I think a good point to start is maybe with the state of the full business. So Grant, could you walk us through what's going on with the ACG business, CSG and Phil, maybe with ACG, you guys can mix it up whoever wants to go first can start. Grant Brown Sure. Thanks very much for having us. Always appreciate the opportunity. Maybe before I begin, I'd to remind the audience that the Safe Harbor language that applies to our press release is also applies to today's presentation and this discussion and refer everyone to our filings, specifically Form 10-K and 10-Q for any additional information and risk factors. I'll go ahead and start, and then I'll throw it over to Philip or Dave, who can elaborate. Looking across the full business, Qorvo's markets are underpinned by some significant global megatrends that we commented on at our Investor Day. Those are electrification, connectivity, mobility, sustainability, datafication and AI, of course. Each of these unlock new functionality and new user experiences that are made available by the customers we serve and the products of ours that enable that.