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NEW DELHI: The controversy over Union home minister Amit Shah's alleged "insult" of Ambedkar will figure prominently in the special CWC meeting called in Belagavi to commemorate the 100th anniversary of Mahatma Gandhi becoming the Congress president, the party said, as it named the public meeting to be held on the second day as "Jai Bapu, Jai Bhim, Jai Samvidhan" rally. AICC general secretaries K C Venugopal, Jairam Ramesh and spokesperson Pawan Khera said the "nav satyagrah baithak" to be held on Dec 26-27 will decide the party's action plan for the coming year. As part of 'Ambedkar Samman Saptah' to protest against Shah, Congress district units Tuesday took out "Ambedkar samman march" and submitted memorandum to district collectors urging the President of India to sack Shah as home minister. Earlier, the party held press conferences in 150 cities as part of the protest. Congress said like the chintan shivir in Udaipur and AICC session in Raipur, the Belagavi session will bring out historic decisions that will set the course for the party's activities in the new year. The CWC will pass two resolutions in the meeting, with one being political. Besides the political concerns and action plan focussing on the "challenges facing the country under the Modi govt", Congress will also follow up on the Shah-Ambedkar row, as the party plans to intensify its protest. Ramesh said RSS could never accept the Constitution and Ambedkar, and has been trying for years to change the Constitution. "When PM Modi became an MP and entered Parliament, he prostrated on the steps. The result was that the old Parliament building was abandoned and the new building was inaugurated. On Nov 26 this year, the PM prostrated before the original copy of the Constitution, which means a new Constitution will be brought," he said. Stay updated with the latest news on Times of India . Don't miss daily games like Crossword , Sudoku , Location Guesser and Mini Crossword . Spread love this holiday season with these Christmas wishes , messages , and quotes .The U.S. emphasizes that Israel's incursion into Syria must be temporary and that any actions taken must be proportionate and targeted at legitimate security threats. The U.S. supports Israel's right to self-defense but also stresses the need to abide by international law and norms. The U.S. is closely monitoring the situation and is prepared to take further steps to ensure that the conflict does not escalate and that a peaceful resolution is within reach.
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As the first half progressed, both teams traded blows, with chances at both ends. Arsenal hit the woodwork twice, while Sandberg forced a series of fine saves from the Gunners' goalkeeper. The breakthrough finally came in the 38th minute, as Rodriguez rifled in a long-range strike to give Sandberg the lead going into halftime.Poland plans to take Hungary to European Court of Justice over political asylum case
The demands of achieving both one-day shipping and a satisfying orgasm collide in Halina Reijn’s a kinky and darkly comic erotic thriller about sex in the Amazon era. stars as Romy Mathis, the chief executive of Tensile, a robotics business that pioneered automotive warehouses. In the movie’s opening credits, a maze of conveyor belts and bots shuttle boxes this way and that without a human in sight. Romy, too, is a little robotic. She intensely presides over the company. Her eyes are glued to her phone. She gets Botox injections, practices corporate-speak presentations (“Look up, smile and never show your weakness”) and maintains a floor-through New York apartment, along with a mansion in the suburbs that she shares with her theater-director husband ( ) and two teenage daughters (Esther McGregor and Vaughan Reilly). But the veneer of control is only that in “Babygirl,” a sometimes campy, frequently entertaining modern update to the erotically charged movies of the 1990s, like “Basic Instinct” and “9 1/2 Weeks.” Reijn, the Dutch director of has critically made her film from a more female point of view, resulting in ever-shifting gender and power dynamics that make “Babygirl” seldom predictable — even if the film is never quite as daring as it seems to thinks it is. The opening moments of “Babygirl,” which A24 releases Wednesday, are of Kidman in close-up and apparent climax. But moments after she and her husband finish and say “I love you,” she retreats down the hall to writhe on the floor while watching cheap, transgressive internet pornography. The breathy soundtrack, by the composer Cristobal Tapia de Veer, heaves and puffs along with the film’s main character. One day while walking into the office, Romy is taken by a scene on the street. A violent dog gets loose but a young man, with remarkable calmness, calls to the dog and settles it. She seems infatuated. The man turns out to be Samuel (Harris Dickinson), one of the interns just starting at Tensile. When they meet inside the building, his manner with her is disarmingly frank. Samuel arranges for a brief meeting with Romy, during which he tells her, point blank, “I think you like to be told what to do.” She doesn’t disagree. Some of the same dynamic seen on the sidewalk, of animalistic urges and submission to them, ensues between Samuel and Romy. A great deal of the pleasure in “Babygirl” comes in watching Kidman, who so indelibly depicted uncompromised female desire in Stanley Kubrick’s “Eyes Wide Shut,” again wade into the mysteries of sexual hunger. “Babygirl,” which Reijn also wrote, is sometimes a bit much. (In one scene, Samuel feeds Romy saucers of milk while George Michael’s “Father Figure” blares.) But its two lead actors are never anything but completely magnetic. Kidman deftly portrays Romy as a woman falling helplessly into an affair; she both knows what she’s doing and doesn’t. Dickinson exudes a disarming intensity; his chemistry with Kidman, despite their quickly forgotten age gap, is visceral. As their affair evolves, Samuel’s sense of control expands and he begins to threaten a call to HR. That he could destroy her doesn’t necessarily make Romy any less interested in seeing him, though there are some delicious post-#MeToo ironies in their clandestine CEO-intern relationship. Also in the mix is Romy’s executive assistant, Esme (Sophie Wilde, also very good), who’s eager for her own promotion. Where “Babygirl” heads from here, I won’t say. But the movie is less interested in workplace politics than it is in acknowledging authentic desires, even if they’re a little ludicrous. There’s genuine tenderness in their meetings, no matter the games that are played. Late in the film, Samuel describes it as “two children playing.” As a kind of erotic parable of control, “Babygirl” is also, either fittingly or ironically, shot in the very New York headquarters of its distributor, A24. For a studio that’s sometimes been accused of having a “house style,” here’s a movie that goes one step further by literally moving in. What about that automation stuff earlier? Well, our collective submission to digital overloads might have been a compelling jumping-off point for the film, but along the way, not every thread gets unraveled in the easily distracted “Babygirl.” Saucers of milk will do that. “Babygirl,” an A24 release, is rated R by the Motion Picture Association for “strong sexual content, nudity and language.” Running time: 114 minutes. Three stars out of four.