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LOS ANGELES (AP) — Right when the Los Angeles Rams' offense has dropped into a disconcerting slump, their defense has held three straight opponents under 10 points for the first time in decades. Although the Rams (10-6) are closing in on an NFC West title and another playoff berth with a five-game winning streak, the way they're doing it makes their postseason prospects quite unpredictable. The methodology has been strange, but the results are not: After holding off Arizona 13-9 on Saturday night, Los Angeles has won nine of 11 and is very close to claiming its fourth division title and sixth playoff berth in coach Sean McVay's eight seasons. “I’m proud of this group and the way they battled back,” Matthew Stafford said. “A lot of people doubted us, and a lot of people wrote us off at 1-4. To be able to sit here with our record what it is right now, I feel proud of this group.” The Rams hadn't held three straight opponents to single-digit scoring since 1975, but rookie coordinator Chris Shula's defense has done it with a strong front and a little luck on the back end, including the last-minute interception by Ahkello Witherspoon on a pass that deflected off star Arizona tight end Trey McBride's head at the goal line. Kyler Murray threw it before McBride was probably ready because Shula had called a zero blitz on first down at the Los Angeles 5. “I want to make more plays to make sure they don’t have to do as much as they did (against Arizona), but I’m proud of them,” Stafford said of the Rams' defense. "It’s awesome to watch where they were in training camp to where they are now. Shula is doing a hell of a job. We all knew he would. Those guys are playing hard for him.” But the Rams have scored more than 21 points just once during their five-game winning streak, their longest since their Super Bowl championship season in 2021. They’ve managed only three touchdowns in their last three games while scoring fewer than 20 points each time out, although that stretch includes games played in the rain (San Francisco) and in subfreezing temperatures (New York Jets). Against the Cardinals in Inglewood's ideal weather, the Rams’ offense still produced one TD, a season-worst 12 first downs and only 257 total yards — 139 fewer than Arizona. The running game struggled again, as it often does when all five starting offensive linemen aren't healthy, while the entire roster aside from Puka Nacua combined for just seven receptions for 60 yards — a surprising number for a McVay offense. “I don’t think there’s one thing I can point to,” McVay said Sunday. “I could go on and on about some of the things, starting with me, but then also about our execution in terms of getting connected in the run game, targeting the right way, making sure that the ball is going where it should go, and guys that I know are capable of playing the way that we’ve seen. If they do that, then I know that it’s not as far as sometimes it can feel like. But ultimately, we’ve got to do it.” What's working The young front four remains the strength of the defense. Jared Verse had a tremendous game on the edge against Murray and Arizona's running game, while fellow rookie Braden Fiske and second-year pros Kobie Turner and Byron Young all recorded sacks. What needs help The Rams again failed to establish the running game despite never trailing Arizona. Kyren Williams got his second-fewest carries of the season (13, with just five in the second half), while rookie Blake Corum was barely involved. Los Angeles' 3.9 yards per rush is the second-lowest mark in the NFL even though Williams began Sunday third in the league with 1,299 yards. Stock up Witherspoon not only made the game-saving interception, but the eight-year veteran who went unsigned until September also has seized the starting cornerback job from Cobie Durant, who didn't play on defense against the Cards despite being healthy again. McVay said Witherspoon's play during Durant's brief injury absence resulted in the change. Stock down Cooper Kupp had one catch against Arizona, and he has just 12 receptions in the past five games, matching the least productive five-game stretch of his eight-year career. Stafford has said the Rams need to get their Super Bowl 56 MVP more involved, and Kupp says he's healthy — yet it isn't happening. Injuries McVay believes the Rams stayed healthy outside of a stinger for rookie safety Kam Kinchens, but they felt the absence of RT Rob Havenstein, who injured his shoulder last week during an unpadded practice. Backup Joe Noteboom committed three holding penalties and got beaten repeatedly. Key number 4 — Stafford's consecutive games without taking a sack. That's the longest streak of his 16-year career, yet he has only one 200-yard passing game in that stretch. Next steps The Rams began Sunday preparing as if they'll play the Seahawks (9-7) next Saturday, although the game could happen a day later. McVay won't show his cards, but if the Rams have clinched, they seem likely to rest several regulars for the playoffs. ___ AP NFL: https://apnews.com/NFL Greg Beacham, The Associated Press
The Wanted star Max George has said he is “staying positive” while in hospital waiting for tests that could shine a light on issues with his heart. In a post to Instagram on Thursday the singer, 36, explained that he went to hospital after feeling “really unwell” and added that he needed “a lot more tests” to determine “what surgery I will need to get me back on my feet.” Updating his fans, George posted a video from his hospital bed on Friday, and said he “had a bit of a rough day”. A post shared by Max George (@maxgeorge) He added: “My heart rate dropped a bit this morning, which was, it was a little bit scary. “But everyone here is amazing, so wanted to get it back up a little bit and get it stable again, which is great. “Reason I’m not... like a lot of friends and family are asking why I’m not just going in and having anything (like surgery) done yet, because there’s so many tests that need to be done before we do anything. “So I just need to get through till, I guess, next week. Get all the tests done, and then they’ll know exactly what to do, because otherwise, obviously, they’ll be able to do something, but it’ll be better doing it with all the information that they need. “But, yeah, it’s shit, but still here and staying positive. “And thanks everyone as well for all the lovely messages and any friends and family and that that have messaged that I haven’t got back to. “I see you all and yeah, means a lot. Much love and have a nice Friday night.” George rose to fame in the 2010s with The Wanted, who had a number of hit songs including All Time Low, Glad You Came and Heart Vacancy. His bandmate Tom Parker died in 2022 at the age of 33 after being diagnosed with an inoperable brain tumour. George, who helped carry Parker’s coffin at his funeral alongside fellow bandmates Siva Kaneswaran, Jay McGuiness and Nathan Sykes, previously said on This Morning that he continued to message his late bandmate following his death as it brought him “a bit of comfort”. He also appeared in the US musical series Glee as Clint and in his band’s reality series The Wanted Life. Over the years, he has competed in a number of competition series including Strictly Come Dancing in 2020, Bear Grylls: Mission Survive and Richard Osman’s House Of Games. George’s girlfriend is former EastEnders star Maisie Smith, who appeared on BBC One dancing competition series Strictly Come Dancing in 2020 at the same time as George, though they have previously said that romantic sparks only began to fly in 2022. He was due to appear on a MasterChef Christmas special before the BBC pulled the show from its festive schedule amid allegations about the conduct of judge Gregg Wallace across a range of shows.
( MENAFN - USA Art News) In the vast tapestry of American art, women artists have historically played a vital role in shaping the narrative, yet their contributions have often been overlooked or undervalued. From the early colonial period through to the contemporary art scene, female artists have broken barriers, challenged societal norms, and carved out unique spaces for their voices within the art world. As we celebrate their contributions, it is essential to understand how these talented women continue to influence modern art movements and redefine the landscape of American art. The journey of women artists in America dates back to the colonial period when figures like Anna Mary Robinson started to gain recognition through their portraiture. However, it wasn't until the 19th century, with the rise of the women's suffrage movement, that women's roles in art began to shift. Artists such as Mary Cassatt and Georgia O'Keeffe emerged, gaining prominence for their explorations into modernism and social issues. Cassatt, known for her intimate depictions of women and children, challenged traditional representations of femininity, while O'Keeffe broke ground with her abstract, evocative interpretations of the American landscape and its flora. The early 20th century gave rise to the feminist art movement, which further highlighted the significance of women in art. This movement aimed to address the gender disparities within the art world and encouraged women to express their experiences through their work. Feminist art has continued to evolve, with artists like Judy Chicago and the Guerrilla Girls who emerged in the 1970s and 1980s actively working to raise awareness of the underrepresentation of women artists and the misogyny prevalent in the art industry. Their impact is still palpable today, as evident in art institutions and galleries that increasingly strive to include diverse voices in their programming. The feminist art movement has undoubtedly been a catalyst for change in American art. Artists affiliated with this movement used their creative expressions to confront societal norms and advocate for women's rights. Judy Chicago's monumental installation The Dinner Party (1979) remains a pivotal piece in this dialogue and has become an iconic symbol of female empowerment in art. This collaborative installation featured place settings honoring significant women in history, simultaneously celebrating their achievements and shedding light on their historical marginalization. Another notable figure, the Guerrilla Girls, shined a glaring spotlight on the gender and racial disparities within the art world. Through provocative posters and performances, they challenged institutions to recognize and celebrate women and artists of color. Their work compelled galleries and museums to reassess how they curate, often leading to increased representation of women artists and marginalized groups in exhibitions. The feminist art movement not only legitimized women's experiences in the art world but also inspired future generations of female artists to embrace their identities and navigate the chaotic territory of gender and power. Groups such as the Wavelengths Collective, formed in the 1990s, worked alongside the feminist art movement, blending activism and art while championing diverse and underrepresented artists. As the art scene expands in the 21st century, the conversation surrounding women artists continues to evolve. Institutions are increasingly prioritizing inclusivity and representation, resulting in a renewed focus on providing platforms for women artists in the USA. Initiatives such as the Brooklyn Museum's A Woman's Work: A Midsummer Night's Dream and Other Works by Female Artists exhibition exemplify the art world's commitment to honoring female talent. Additionally, non-profit organizations like the Women's Caucus for Art (WCA) strive to support women artists, advocate for gender equality in the arts, and bolster the representation of female artists through community engagement, awards, and exhibitions. Their work highlights the ongoing systemic issues women continue to face and emphasizes the importance of collaborative efforts to reshape the art world into a more equitable space. The Contemporary Landscape Today's American art scene boasts a wealth of female talent that is redefining boundaries and constantly pushing the envelope. Artists like Kehinde Wiley, who explores themes of race, identity, and representation, often collaborate with women artists to ensure diversity in their narratives. The rise of social media also plays an essential role in democratizing access to art, allowing women artists to reach wider audiences and gain recognition beyond traditional galleries. Artists like Amy Sherald and Njideka Akunyili Crosby have taken center stage, using their art to reflect on identity, culture, and race. Their work challenges conventional notions of beauty and representation, showcasing the depth and complexity of modern societal issues while giving visibility to previously unrepresented perspectives. Furthermore, the ongoing rise of queer and trans artists who identify as women is reshaping the conversation surrounding gender and identity in contemporary art. Artists like Juliana Huxtable actively interrogate the intersections of race, gender, and sexuality, pushing for expanded dialogues within art communities. Their work contributes to a broader understanding of the multiplicity of women's experiences and identities. The impact of women artists in American art can no longer be ignored; their contributions have been pivotal in shaping the art landscape throughout history. From the early pioneers who redefined femininity in art to the contemporary voices challenging societal norms, the journey of female artists continues to inspire and provoke change. As the art world progresses, it becomes increasingly essential to elevate and celebrate the stories of women artists, recognizing not only the barriers they have broken but also the innovative pathways they continue to forge. The future of American art lies in this commitment to inclusivity, paving the way for a more diverse and representative narrative that honors the invaluable impact of women artists in shaping the creative landscape of our time. Breaking barriers is more than a campaign; it is a call to action to recognize and amplify the voices of women who have always been at the forefront of American culture and expression. 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Trudeau dijo a Trump que aranceles también perjudicarán a estadounidenses, según ministro canadienseOMAHA — Creighton did it again. In an in-state women’s college basketball series with Nebraska largely dictated by what happens beyond the 3-point arc, the Jays rallied with six 3-pointers in the fourth quarter to beat No. 21 Nebraska 80-74 on Friday at Sokol Arena. At one point in the fourth quarter, the Jays made four straight 3-pointers. The Jays were 6 for 9 on threes in the fourth quarter and 13 for 29 for the game to give Nebraska its first loss to the season. The Jays outscored Nebraska by 24 points on 3-pointers. Creighton has won three straight in the series. Lauren Jensen had a game-high 31 points for the Jays with four 3s. Morgan Maly, a senior from Crete, scored 18. Alexis Markowski worked really hard for Nebraska, finishing with 26 points and 12 rebounds and calling for the ball inside where she often had an advantage. People are also reading... Britt Prince added 20 points in the first game against her hometown school. Nebraska led 55-52 to start the fourth quarter. For the final 10 minutes, one of the questions was how much did Markowski have left? And also, could the Huskers defend the 3-point line just a little longer? The Jays made two of their first three 3-point attempts to start the quarter to regain a 60-57 lead. Molly Mogensen had the first one, and Jensen the second for her fourth of the game. When Mogensen made another three the Jays led 72-66. The Jays sealed the deal when Prince missed a 3-pointer with seven seconds left and the Jays made their free throws. Nebraska led 22-19 after the first quarter. It was an entertaining start. The game started with Markowski going at Maly inside the paint, the Nebraska natives who played in the same club in Lincoln. There were five combined 3-pointers, with three for the Jays and two for Nebraska (each from Prince). Creighton used a 13-2 run that included three 3-pointers to take a 15-8 lead. But Nebraska got back in it with a steal and layup from Allison Weidner and a take to the basket from Callin Hake. Creighton added two more 3-pointers in the second quarter, but Nebraska was able to keep a lead at halftime 37-35. Reach the writer at 402-473-7435 or bwagner@journalstar.com . On Twitter @LJSSportsWagner. Subscribe for the best Husker news & commentary Be the first to know Get local news delivered to your inbox! Husker volleyball/women's basketball reporter {{description}} Email notifications are only sent once a day, and only if there are new matching items.
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