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As creatives, we rely on our tools not just to keep up with our ideas but to enhance and streamline the creative process. The Huion Kamvas Pro 27 aims to be that kind of tool—a professional pen display that blends cutting-edge technology with thoughtful design catering to professionals across various disciplines. Whether you’re an illustrator sketching intricate designs, a photographer editing your images, or an artist bringing your creations to life, the Kamvas Pro 27 promises to deliver. But does it live up to its promises and bring enough value to earn a spot in your workspace? We review it to find out. From the moment you unbox the , you can tell it’s built with creatives in mind. The massive 27-inch display immediately demands your attention, providing ample space for intricate illustrations, detailed photo edits, and even multitasking between projects. Its solid plastic chassis frame strikes the perfect balance between sturdiness and manageability, and it feels solid without being overly heavy or cumbersome. However, it does demand a sizable workspace to use, and I found myself rearranging my desktop to allow it to take its place. An additional VESA arm that attaches to the back of the display can be purchased separately if space is an issue. Two legs on the back of the display, once extended into place, allow for an ergonomic working angle. Whether you’re sketching at a nearly flat angle or refining details with the legs extended, the pen display adapts effortlessly to your workflow. The screen’s matte, anti-glare finish is another great addition, ensuring hours of work don’t strain your eyes. The screen itself can double as a second display when not in use, providing you with more desktop real estate. The Kamvas Pro 27 performs like a tool designed to keep up with your vision. Its 4K UHD resolution is stunning, capturing every tiny detail in crystal-clear precision, and is a complete joy to use. For those who rely on color accuracy—such as photographers and graphic designers—the 99% sRGB / 98% Adobe RGB / 97% DCI-P3 coverage certainly won't let you down. Colors appear vivid yet true-to-life, making it easy to trust what you see on-screen. The laminated screen does a fantastic job of reducing parallax, ensuring that every pen stroke lands exactly where you expect it to. I never noticed the parallax during use, perhaps because I was initially in awe of such a large working area. Even with time, the parallax—which exists at 18 ms—never hindered anything I was working on. With 8,192 levels of pressure sensitivity, the pen offers remarkable control, whether you’re laying down the lightest shading or bold, confident lines. Its tilt functionality feels natural at 60 degrees, emulating the fluidity of traditional tools. I found myself often switching between different software simply to try something out, just to see how the pen display handled it—and I can report no issues were found with any software. The is designed for creatives who demand precision, versatility, and vibrant visuals in their workflow. For illustrators, artists, and photographers, its expansive 27-inch 4K screen provides the canvas needed for detailed designs and large compositions, while the responsive pen ensures that every stroke feels natural and accurate. With the 10-point finger touch display, it easily allows you to rotate and zoom your images while working on them without hesitation. Photographers and photo editors will appreciate the exceptional color accuracy, making it a reliable choice for color grading and retouching. Its anti-glare display ensures you can work comfortably, even during extended editing sessions. While I did use the pen display for video editing, I was more inclined to use the mouse, perhaps because of familiarity. Hobbyists may also enjoy the display, but its premium cost caters more to professionals. As someone who edits almost daily, I can confidently say that working on a display of this scale has been a game-changer. It’s not just about having more room to work—it’s about how that space transforms the way I interact with my images. Editing feels smoother, more intuitive, and, dare I say, more enjoyable in a way that smaller screens simply can’t replicate. A pen display of this size, whether working on a composite or editing and refining a photograph, just feels right. It’s immersive and deeply satisfying. The Huion Kamvas Pro 27 stands out as a top contender in the realm of pen displays, delivering a first-class experience that caters to professionals across various creative fields. Its vibrant visuals, precise pen technology, and robust construction are all designed to elevate your workflow. While the size and price might make it a considered purchase, the value it brings to the table more than justifies these factors. Whether you’re illustrating, painting, editing photographs, or compositing, the Kamvas Pro 27 is a tool that inspires confidence and creativity in equal measure. For those looking to step up their game without reaching for the most expensive option on the market—as its nearest competitor is $1,500 more—this display hits a sweet spot of performance and accessibility. You can purchase one . Gary McIntyre is a landscape photographer and digital artist based on the west coast of Scotland. As well as running photography workshops in the Glencoe region, providing online editing workshops, Gary also teaches photography and image editing at Ayrshire college.hen the two Voyager probes launched into space in 1977, they were headed to uncharted territory. It was the humanity had sent robot spacecraft to study up close the four giant outer planets of our solar system: Jupiter, Saturn, Uranus, and Neptune. Stunning images and scientific data captured by the probes over the next few decades of the cosmos. Through the Voyagers, we learned of Jupiter’s , the tilted magnetic field of , a rotating storm on Neptune called the Great Dark Spot, and Saturn’s dynamic rings. We also discovered 23 new moons of the outer planets and found that these moons were not the dead, frozen worlds scientists had suspected. Saturn’s moons appeared to be composed mostly of water ice, while active volcanoes on Jupiter’s moon Io spewed lava dozens of miles high. Eventually, the two spacecraft would not just the four giant planets, but 48 of their moons, as well as the rings, atmospheres, and magnetic fields those planets possess. Once the Voyagers’ tour of the four planets was complete in 1990, the world’s attention faded; but the probes continued to provide remarkable insights into the dynamics of the solar system, including ultraviolet sources among the stars and the boundary between the sun’s influence and interstellar space. Even today, both probes continue sending back data about the interstellar medium, the space between the stars, says Linda Spilker, NASA’s project scientist for the Voyager missions—including precise measurements of the density and temperature of the thin ionized gases it contains and the incidence of high-energy cosmic rays. Some experts give the Voyagers only about five years before we lose contact. More than 45 years after they first launched, the Voyagers are now NASA’s and the most distant human-made objects from the Earth—but they will one day soon go offline and drift silently into the final frontier, perhaps for eternity. NASA has been progressively shutting down the instruments and cameras on the spacecraft for decades, to extend their working lives to the limit by using as little electricity as possible. One of Voyager 1’s last photographs, for example, was the famous “ ” taken in 1990, shortly before its cameras were powered off forever. And since the late 1990s, engineers have commanded both Voyagers to shut down instruments related to plasma science, the strength of electromagnetic fields, and the analysis of starlight. Some experts give the Voyagers only about five years before we lose contact. “There’s been a big push to try to keep the mission going until the 50th anniversary of their launches,” in 2027, says Johns Hopkins space scientist Ralph McNutt, who witnessed the Voyager 1 launch from Florida’s Cape Canaveral in 1977 and has been involved with the Voyager missions throughout his career. “We’ll see.” , Voyager 1 is now more than 15 billion miles from Earth, about three times the average orbit of Pluto, where radio signals take about 23 hours to reach it; while its twin Voyager 2 is almost 13 billion miles away. The probes are still in fragile radio contact with Earth, and their instruments show both have passed the “heliopause”—the theoretical outer edge of the solar system, where the wind of charged particles from the sun finally comes to an end. They are now drifting through interstellar space. But the probes are running critically short of electricity from what are called their “nuclear batteries”—actually radioisotope thermoelectric generators that make electricity from the radioactive decay of plutonium. The fading power of the probes and the difficulties of making contact over more than 10 billion miles means that, one day soon, one or other of the Voyagers won’t answer NASA’s daily attempts to communicate via the Deep Space Network of radio dishes. Both probes use heaters to keep key instruments warm and keep the hydrazine in the fuel lines liquid: When the fuel freezes up, the probes won’t be able to use their thrusters to keep their main radio antennae pointed at the Earth, and their communications will come to an end. Newer space probes are now exploring the outer reaches of the solar system, including the . McNutt is overseeing an instrument on that probe, which is now heading for the “termination shock” where the solar wind first impacts the interstellar medium, about 5.5 billion miles from the Earth—almost twice the distance from Earth to Pluto. He’s also one of the principal scientists behind the proposal, which could launch as soon as 2036. Its technology will be 50 years more advanced than the Voyagers, and it could reach the same distance in half the time. For McNutt, it’s a “pleasant surprise” that the Voyagers are still working after all these years: “I joke with people: If you go back and look at the original papers, the Voyagers were designed to work for four and a half years,” he says. “We’ve outlived the warranty by a factor of 10.” Even when the Voyagers can no longer communicate with Earth, it will not be the end of their mission. Both probes bear the famous 12-inch “ ” of the sounds of Earth, greetings in more than 50 languages, music by Mozart and Chuck Berry, and a star map showing how to get here. The designers of the probe hoped that one day these records might be played by alien spacefarers far from Earth. And their hopes may someday come true: Voyager 1 will get relatively near a star in the constellation Camelopardalis in about 40,000 years, while Voyager 2 will near a star in the constellation Andromeda at about the same time. It’s possible that the Voyagers may one day be overtaken by newer probes from Earth, but for now they are humanity’s ambassadors to the stars; when their communications to the Earth cease, that will become their final mission. Posted on Tom Metcalfe is a science journalist based in London, where he writes mainly about space, energy, archaeology, Earth, and the oceans. He has written for and others. Cutting-edge science, unraveled by the very brightest living thinkers.
The mayor’s meeting with Tom Homan, who will oversee the southern and northern borders and be responsible for deportation efforts in the Trump administration, came as Adams has welcomed parts of the president-elect’s hardline immigration platform. Adams told reporters at a brief news conference that he and Homan agreed on pursuing people who commit violent crimes in the city, but did not disclose additional details or future plans. “We’re not going to be a safe haven for those who commit repeated violent crimes against innocent migrants, immigrants and longstanding New Yorkers. That was my conversation today with the border czar, to figure out how to go after those individuals who are repeatedly committing crimes in our city,” Adams told reporters. In the weeks since Trump’s election win, Adams has mused about potentially scaling back the city’s so-called sanctuary policies and coordinating with the incoming Trump administration on immigration. He has also said migrants accused of crimes shouldn’t have due process rights under the Constitution, though he later walked back those comments. The mayor further stunned Democrats in the city when he sidestepped questions in two televised interviews last week on whether he would consider changing parties to become a Republican, telling journalists that he was part of the “American party.” Adams later clarified that he would remain a Democrat. For Adams, a centrist Democrat known for quarreling with the city’s progressive left, the recent comments on immigration follow frustration with the Biden Administration over its immigration policies and a surge of international migrants in the city. He has maintained that his positions have not changed and argues he is trying to protect New Yorkers, pointing to the law-and-order platform he has staked out throughout his political career and during his successful campaign for mayor. At his news conference Thursday, Adams reiterated his commitment to New York’s generous social safety net. “We’re going to tell those who are here, who are law-abiding, to continue to utilize the services that are open to the city, the services that they have a right to utilize, educating their children, health care, public protection,” he said. “But we will not be the safe haven for those who commit violent acts.” While the education of all children present in the U.S. is already guaranteed by a Supreme Court ruling, New York also offers social services like healthcare and emergency shelter to low-income residents, including those in the country illegally. City and state grants also provide significant access to lawyers, which is not guaranteed in the immigration court as they are in the criminal court. Still, Adams’ recent rhetoric has been seen by some critics as an attempt to cozy up to Trump, who could potentially offer a presidential pardon in his federal corruption case. Adams has been charged with accepting luxury travel perks and illegal campaign contributions from a Turkish official and other foreign nationals looking to buy his influence. He has pleaded not guilty. Homan, who was Trump’s former acting U.S. Immigration and Customs Enforcement director, also met last week with Republicans in Illinois, where he called on Gov. J.B. Pritzker and Chicago Mayor Brandon Johnson, both Democrats, to start negotiations over how Trump’s mass deportation plans, according to local media. Separately, New York City officials last week announced continued efforts to shrink a huge emergency shelter system for migrants because of a steady decline in new arrivals. Among the planned shelter closures is a massive tent complex built on a federally owned former airport in Brooklyn, which advocates have warned could be a prime target for Trump’s mass deportation plan. Elsewhere, Republican governors and lawmakers in some states are already rolling out proposals that could help him carry out his pledge to deport millions of people living in the U.S. illegally. Izaguirre reported from Albany, N.Y.New bioprinting technique creates functional tissue 10x faster December 3, 2024 Penn State Researchers have developed a novel bioprinting technique that uses spheroids, which are clusters of cells, to create complex tissue. This new technique improves the precision and scalability of tissue fabrication, producing tissue 10-times faster than existing methods. Facebook Twitter Pinterest LinkedIN Email Three-dimensional (3D) printing isn't just a way to produce material products quickly. It also offers researchers a way to develop replicas of human tissue that could be used to improve human health, such as building organs for transplantation, studying disease progression and screening new drugs. While researchers have made progress over the years, the field has been hampered by limited existing technologies unable to print tissues with high cell density at scale. A team of researchers from Penn State have developed a novel bioprinting technique that uses spheroids, which are clusters of cells, to create complex tissue. This new technique improves the precision and scalability of tissue fabrication, producing tissue 10-times faster than existing methods. It further opens the door to developing functional tissues and organs and progress in the field of regenerative medicine, the researchers said. They published their findings in Nature Communications. "This technique is a significant advancement in rapid bioprinting of spheroids," said Ibrahim T. Ozbolat, Dorothy Foehr Huck and J. Lloyd Huck Chair in 3D Bioprinting and Regenerative Medicine and professor of engineering science and mechanics, of biomedical engineering and of neurosurgery at Penn State. "It enables the bioprinting of tissues in a high-throughput manner at a speed much faster than existing techniques with high cell viability." Bioprinting allows researchers to build 3D structures from living cells and other biomaterials. Living cells are encapsulated in a substrate like a hydrogel to make a bioink, which is then printed in layers using a specialized printer. These cells grow and proliferate, eventually maturing into 3D tissue over the course of several weeks. Ozbolat explained that it's like constructing a brick wall where the cells are the bricks and the bioink is the cement or mortar. However, it's difficult to achieve the same cell density as what's found in the human body with this standard approach, Ozbolat said. That cell density is essential for developing tissue that's both functional and can be used in a clinical setting. Spheroids, on the other hand, offer a promising alternative for tissue bioprinting because they have a cell density similar to human tissue. While 3D printing spheroids offers a viable solution to producing the necessary density, researchers have been limited by the lack of scalable techniques. Existing bioprinting methods often damage the delicate cellular structures during the printing process, killing some of the cells. Other technologies are cumbersome and don't offer precise control of the movement and placement of the spheroids needed to create replicas of human tissue. Or the processes are slow. In previously published research, Ozbolat and his colleagues developed an aspiration-assisted bioprinting system. Using a pipette tip, the researchers could pick up tiny balls of cells and place them precisely where they self-assemble and create a solid tissue. However, since the technique involves moving spheroids one at a time, it could take days to build a one cubic centimeter structure. To address these issues, the team developed a new technique called High-throughput Integrated Tissue Fabrication System for Bioprinting (HITS-Bio). HITS-Bio uses a digitally controlled nozzle array, an arrangement of multiple nozzles that moves in three dimensions and allows researchers to manipulate several spheroids at the same time. The team organized the nozzles in a four-by-four array, which can pick up 16 spheroids simultaneously and place them on a bioink substrate quickly and precisely. The nozzle array can also pick up spheroids in customized patterns, which can then be repeated to create the architecture found in complex tissue. "We can then build scalable structures very fast," Ozbolat said. "It's 10-times faster than existing techniques and maintains more than 90% high cell viability." To test the platform, the team set out to fabricate cartilage tissue. They created a one-cubic centimeter structure, containing approximately 600 spheroids made of cells capable of forming cartilage. The process took less than 40 minutes, a highly efficient rate that surpasses the capacity of existing bioprinting technologies. The team then showed that the bioprinting technique can be used for on-demand tissue repair in a surgical setting in a rat model. They printed spheroids directly into a wound site in the skull during surgery, which was the first time spheroids have been printed intraoperatively. The researchers programmed the spheroids to transform into bone using microRNA technology. MicroRNA helps control gene expression in cells, including how cells differentiate into specific types. "Since we delivered the cells in high dosages with this technique, it actually sped up the bone repair," Ozbolat said. After three weeks, the wound was 91% healed after three weeks and 96% healed after just six weeks. The HITS-Bio technique offers an opportunity to create complex and functional tissue in a scalable manner, Ozbolat said. Expanding the number of nozzles could lead to production of larger and more intricate tissues, such as organs and organ tissue like the liver. Ozbolat said that the team is also working on techniques to incorporate blood vessels into the fabricated tissue, a necessary step for producing more types of tissues that can be used clinically or for transplantation. This wasn't an issue with the two applications demonstrated in this study because cartilage has no blood vessels and, in a surgical setting, the surrounding blood vessels could help with blood flow to the bioprinted bone tissue. Other Penn State authors include: Myoung Hwan Kim, doctoral student in biomedical engineering; Yogendra Pratap Singh and Miji Yeo, postdoctoral scholars in engineering science and mechanics; Daniel Hayes, Dorothy Foehr Huck and J. Lloyd Huck Chair in Nanotherapeutics and Regenerative Medicine; and Elias Rizk, professor of neurosurgery at the Penn State College of Medicine. Co-author Nazmiye Celik was a doctoral scholar in engineering science and mechanics at the time of the study and is now a postdoctoral fellow at Johns Hopkins University. Ozbolat, Kim, Singh, Yeo and Hayes are affiliated with the Huck Institutes of the Life Sciences. Ozbolat and Hayes are also affiliated with the Penn State Materials Research Institute. Ozbolat is also affiliated with the Penn State Cancer Institute. Funding from the National institute of Biomedical Imaging and Bioengineering and the National Institute of Dental and Craniofacial Research supported this work. Story Source: Materials provided by Penn State . Original written by Christine Yu. Note: Content may be edited for style and length. Journal Reference : Cite This Page :
PITTSBURGH — Many Americans consider social media a scourge, but for a home cook, it can be a fun and informative place to get help deciding what to eat. Sure, some of the recipes would-be influencers recommend are in fact pretty abominable — check out @chefreactions on TikTok, Instagram or X for many, many examples — but I have stumbled across some pretty good recipes on many occasions, too. One that’s been going viral for a while and but only recently caught my eye shines a spotlight on the creamy, tomatoey dish known as Marry Me chicken. There are probably as many recipes for Marry Me chicken on social media as there are cooks. (Delish claims to have created the video recipe for the original dish, also known as Tuscan chicken, in 2016.) But in my opinion, the best variations hang their chef’s hat on a sauce made with sun-dried tomatoes, garlic and cream. Yum! This rich and luxurious entree is a definite step above the “engagement” chicken that caused a similar stir when it made its debut in Glamour magazine in 2004. That proposal-worthy recipe — saved for posterity in the 2011 cookbook “100 Recipes Every Woman Should Know: Engagement Chicken and 99 Other Fabulous Dishes to Get You Everything You Want in Life” — featured a whole chicken roasted with lemon and herbs. Awesome for sure, but not nearly as swoon worthy. I’ve been married for a very long time, so I’m not looking for a dish that will get me engaged. But who wouldn’t want applause when they put dinner on the table? That’s how Delish’s original recipe made it into the latest installment of “Dinner for Four for $25.” Usually when I’m building these economical meals, I do all my shopping in one store. This time, I shopped over the course of a weekend at some of my favorite haunts to see if that made a difference. (And no, I didn’t factor in the cost of gas, but maybe should have!) First stop after downing my Saturday morning latte and Nutella mele at a street-side table at Colangelo’s in the Strip District: Wholey’s Market, where I found boneless chicken breast at the bargain price of $3.89 per pound. I then crossed the street and headed down the block to Pennsylvania Macaroni Co., where I found several varieties of sun-dried tomatoes to chose from. I went with a jar of Ponti sun-dried cherry tomatoes for $5.09 — a definite splurge when your budget is only $25, but an ingredient I knew would deliver plenty of flavor. At Aldi, I found a bag of five huge lemons for $3.89, or 78 cents apiece, and a nice package of fresh broccoli for $2.28. A bargain, considering I would only use about two-thirds of it. The German supermarket chain known for its low prices and no-frills shopping experience (you have to deposit a quarter to get a shopping cart) also had butter — a main ingredient in my sandwich cookie dessert — on sale for $3.99 a pound. A bag of powdered sugar was pretty cheap, too, at just $2.09 for a two-pound bag. “Shopping” my pantry for ingredients I always have on hand, including garlic, olive oil, spices, rice, molasses and vanilla, once again helped keep costs down. Total bill: $24.38, or 62 cents under budget. Not bad when you consider the homemade dessert recipe makes more oatmeal sandwich cookies than a family can/should eat at one sitting. Sun-dried tomatoes could be considered a splurge item because even a tiny jar is expensive, but their concentrated, sweet and tangy tomato goodness add so much flavor to a dish! They are certainly the star of this chicken dish that has been making the rounds on social media platforms. Some say the entree is so good, you’ll get a marriage proposal out of it. At any rate, the Parmesan cream sauce that gets spooned on top of the chicken and rice will certainly make your diners swoon. This original recipe from is a pretty easy dish to get on the table in quick fashion. Just remember to use a dry pot holder to take the pan out of the oven because it will be very hot; I very stupidly used a damp dish towel and now have another cooking scar. 4 (8-ounce) boneless, skinless chicken breasts Kosher salt Freshly ground black pepper 3 tablespoons extra virgin olive oil, divided 2 cloves garlic, finely chopped 1 tablespoons fresh thyme leaves 1 teaspoon crushed red pepper flakes 3/4 cup chicken broth 1/2 cup chopped sun-dried tomatoes packed in oil 1/2 cup heavy cream 1/4 cup finely grated Parmesan Fresh basil, torn, for serving, optional Cooked rice, for serving Preheat oven to 375 degrees. In a large ovenproof skillet over medium-high heat, heat 1 tablespoon oil. Generously season chicken with salt and black pepper and cook, turning halfway through, until golden brown, about 5 minutes per side. Transfer chicken to a plate. In same skillet over medium heat, heat remaining 2 tablespoons oil. Stir in garlic, thyme and red pepper flakes. Cook, stirring, until fragrant, about 1 minute. Stir in broth, tomatoes, cream, and Parmesan; season with salt. Bring to a simmer, then return chicken and any accumulated juices to skillet. Transfer skillet to oven. Bake chicken until cooked through and juices run clear when chicken is pierced with a knife, 10-12 minutes. Arrange chicken on a platter. Spoon sauce over. Top with basil, if using, and serve with cooked rice. Serves 4. — Broccoli is a reliable veggie when you need a little something extra to round out a meal and don’t want to spend a fortune. Here, it’s blanched until crisp-tender and then tossed with lemon juice and zest and a pinch of red pepper flakes. I used lemon olive oil (already on hand) for an extra burst of citrus flavor. 1 large bunch broccoli, separated into florets 2 tablespoons olive oil or butter 1 clove garlic, minced Juice and zest of 1/2 lemon 1 pinch (or two) red pepper flakes Flaky salt and freshly ground ground black pepper, to taste Place broccolini in a large skillet with about 2 inches of water; bring to a boil and cook until bright green, 1-2 minutes. Drain. Heat olive oil in the same skillet over medium heat. Stir in garlic and cook until golden and fragrant, 1-2 minutes. Add broccoli; cook and stir until heated through, 2-3 minutes. Squeeze lemon juice and zest over broccoli and season with red pepper flakes, salt, and pepper. Serves 4. — Gretchen McKay, Post-Gazette Remember how if you were lucky when you were a kid you got an individually wrapped Little Debbie Oatmeal Creme Pie in your lunchbox? These soft and chewy oatmeal cookies sandwiched with vanilla buttercream taste exactly the same. Actually, they’re better because they’re not made with corn syrup and artificial flavorings, but rather real butter and brown sugar. It’s important to let the cookies cool on the baking sheet for a few minutes before transferring them to a rack. Otherwise they will fall apart. The icing is very sweet, so you might want to reduce the amount of powdered sugar. For cookies 1/2 cup unsalted butter, at room temperature 1 cup packed light brown sugar 1 tablespoon molasses 1 large egg, room temperature 1 teaspoon vanilla 1 1/4 cups all-purpose flour 1/2 cup old-fashioned oats 3/4 teaspoon baking soda 1/2 teaspoon salt For filling 1/2 cup unsalted butter, at room temperature 3 cups powdered sugar 2 tablespoons heavy cream 2 teaspoons vanilla Pinch of salt Preheat oven to 325 degrees and line two sheet pans with parchment paper. In stand mixer outfitted with whisk attachment add butter, brown sugar and molasses and beat on low speed until combined. Gradually increase speed to medium-high and beat until smooth, about 2 minutes. Scrape down sides and bottom of bowl with spatula, then add egg and vanilla extract. Beat on medium-high speed until combined. Add flour, oats, baking soda and salt and beat on low speed until just combined and no streaks of flour remain. Use a 1/2 -ounce cookie scoop tor tablespoon measure to portion out equal amounts of dough. Roll the dough in your hands to smooth the edges, then place 2 inches apart on prepared pans. Bake until cookies have puffed up and are set and firm around the edges but still somewhat soft in the middle, 9-11 minutes. Remove sheet pans from oven and allow cookies to rest on the pans for 5 minutes, then use a metal spatula to transfer cookies to a cooling rack to cool completely. Once cookies have cooled, make filling. In stand mixer fitted with the paddle attachment, combine butter, confectioners’ sugar, cream, vanilla and salt. Beat on low speed, gradually increasing the speed to high, until creamy and fully incorporated, about 45 seconds. If filling is dry, add a small splash or two of cream. Assemble cookies. Using a small offset spatula or butter knife to spread about 2 tablespoons of filling onto the bottom side of one cookie, then place second cookie on top to sandwich. Repeat with remaining cookies and serve. Makes 16 sandwich cookies. —”Sweet Tooth” by Sarah Fennel (Clarkson Potter, $35) ©2024 PG Publishing Co. Visit at post-gazette.com. Distributed by Tribune Content Agency, LLC.
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It doesn't matter if he's talking about the NFL or Thanksgiving dinner, Cleveland Browns quarterback Jameis Winston is always going to be true to himself. During a recent appearance on Ohio Sports talk show "BIGPLAY," Winston was asked if there are any side dishes he avoids on Thanksgiving. The former No. 1 pick quickly revealed that he's not a fan of mashed potatoes. He just doesn't think they deserve to be part of a traditional Thanksgiving dinner. "There's not really much I avoid on Thanksgiving. I just have this thing where I'm like, 'Please don't bring mashed potatoes.' I really don't think it's a staple," Winston said . One of the co-hosts for "BIGPLAY" tried to talk Winston into changing his tune on mashed potatoes, but he wasn't having any of it. "Gravy is for the dressing or stuffing. You don't need gravy for mashed potatoes, you know what I'm saying? It's not a Thanksgiving meal. I would rather have a baked potato." Jameis Winston HATES mashed potatoes 😅 “Please don't bring mashed potatoes to Thanksgiving... I would rather just have a baked potato.” I can watch him talk ALL DAY. (🎥 @BIGPLAY ) pic.twitter.com/C14UhRHCT1 We initially thought Winston would receive pushback on social media for this take, but it's quite the contrary. Most fans are applauding the veteran gunslinger for apparently speaking the truth about mashed potatoes. "Couldn't agree more. That's my QB1," one fan said. "I agree with Jameis," another fan wrote. "Mashed Potatoes are mid." "Valid take. Mashed potatoes are nasty," a third person commented. Kevin Sabitus/Getty Images While Winston's food takes might be a tad controversial, there's no questioning that he has given the Browns a spark this season. They're 2-2 when he starts at quarterback. Last week, Winston led the Browns to an upset win over the Steelers. He orchestrated a game-winning drive in the snow. Winston will be back in action on Monday night when the Browns take on the Broncos in the Mile High City. Related: Kelly Ripa Tells Social Media Trolls To 'Get A Life' Amid Thanksgiving Stuffing DebateLOUISVILLE, Ky. (AP) — Pittsburgh quarterback Eli Holstein was carted off the field and taken to a hospital with a left leg injury sustained while being sacked in the first quarter of Saturday's Atlantic Coast Conference game at Louisville. The redshirt freshman's left ankle was caught at an awkward angle beneath Louisville defensive end Ashton Gillotte's hip on a twisting tackle for a 4-yard loss at midfield. Panthers medical personnel rushed to Holstein's aid, with a cart arriving quickly on the field within minutes. Holstein’s leg was placed in a boot before he was helped onto the cart. He gave a thumbs-up to nearby teammates as he left the field to applause before being taken a hospital. Holstein started for the Panthers (7-3, 3-3 ACC) after missing last week’s 24-20 home loss to No. 17 Clemson with a head injury sustained in the previous game against Virginia while sliding at the end of a run. He left an Oct. 24 game against Syracuse after taking a hit, but returned against SMU the following week. Holstein completed 3 of 4 passes for 51 yards before being intercepted in the end zone by Louisville's Stanquan Clark on the game-opening possession. He was relieved by junior Nate Yarnell. Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here . AP college football: https://apnews.com/hub/ap-top-25-college-football-poll and https://apnews.com/hub/college-football
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Ensuring that arts communities can flourish across Colorado takes creative solutions. A new policy framework from the Colorado Business Committee for the Arts creates a roadmap to address some of the top challenges for the state’s creative industries and to make the most of the opportunities ahead. Based on feedback from over 800 individuals through surveys, focus groups and interviews, the framework aims to represent the collective vision of the creative community across Colorado. “It recognizes the profound role that arts and culture play in shaping the social fabric, economic vitality and collective identity of communities” reads Colorado’s Art Policy Framework final report . “At its core, this framework is an affirmation that the arts are not merely an ornamental aspect of society but a fundamental driver of human expression, innovation, and connection.” While advocacy has long been relevant to the Colorado Business Committee for the Arts’ mission, the framework marks a shift for the 39-year-old organization. “Advocacy was always part of our mission, but sort of advocacy with a little ‘A,'” said Meredith Badler, the organization’s deputy director. “It was really during the pandemic that we got more involved at the state legislature as well as at the federal level, and so a lot of our initial advocacy work was very reactive.” Today, the organization has a contract lobbyist, a grassroots mobilization tool called the Colorado Arts Action Network , an active policy committee and important partnerships to support its advocacy efforts. The pandemic made it apparent that previous efforts were not always inclusive of the entire state and barely scratched the surface of need but also that there was an eagerness from people to have their voices heard in this arena, Badler added. It’s here that the need for a policy framework became apparent. “For a long time in Colorado there just hadn’t been a unified and coordinated voice for arts advocacy,” Badler said. “It really came from this idea of being more inclusive and proactive in our advocacy work going forward.” The framework establishes where the Colorado Business Committee for the Arts should focus its future advocacy and lobbying efforts through four priorities that exemplify what the organization heard through its stakeholder process. The first priority speaks to the need for policies that are locally and culturally responsive. In mountain and rural communities, the organization heard significant feedback around the need to amplify arts assets, events and cultural heritage through statewide tourism and local promotion, Badler said. These communities also expressed a need for more resources and capacity including in education, concerns about the affordability and availability of arts space and threatened liveability for creative employees, all of which are addressed in the framework. While the stakeholder process showed more similarities than differences between Colorado’s communities, there are still unique needs depending on where you live, Badler noted. “It’s a big, diverse state and the needs of a community — just even thinking about the Roaring Fork Valley, what people need in Rifle in Glenwood and the climate in Aspen — are very different,” she said. This top priority speaks to the need to understand “that every community or demographic or discipline may have some distinct needs, and we need to be thinking about that from the beginning as we’re suggesting, monitoring or supporting policy going forward,” Badler said. Policies that meet this could include creating and supporting municipal-arts partnerships, protecting dedicated arts spaces, using art as a tool to support mental health and ensuring equitable and daily access to arts. The second priority revolves around supporting the creative economy and ensuring there are sustainable funding models — be it grants or financial incentives — supporting art infrastructure and including the creative sector in economic and tourism strategies. The third priority is centered around bolstering the liveability of creative workers. This includes making sure creatives have access to affordable housing, fair compensation and professional development. The fourth and final priority is making sure arts education is supported and expanded for all ages. This includes policies to expand, improve, mandate and fund preschool to 12th-grade public arts programs as well as integrating arts into educational and career pathways. With the framework set out, the next step includes making a more tactical legislative agenda and ensuring these priorities are reflected in future policy at the federal, state and local levels. Critically, with a tight state budget and uncertain future for federal arts funding under President-elect Donald Trump, this will include collaboration and being creative about how to support the arts beyond funding. “How can we make sure arts and creative industries are incorporated into other initiatives?” Badler said, adding that this includes looking at things like: “What’s happening in the housing space, and how can we make sure artists and gig workers can access those opportunities? What’s happening in mental and behavioral health, and how can we make sure that arts interventions are eligible for those opportunities?” Federally, there are concerns that under the pending Trump administration, arts funding could take a hit including the National Endowment for the Arts. In his first term, Trump attempted to eliminate the program, from which the state of Colorado receives around $85 million to fund statewide programs. “It’s something we’re looking very closely at,” Badler said. “Not only would (changes to the National Endowment for the Arts) impact direct grants to cultural organizations and projects here in the state, but our state arts agency gets a significant amount of matching funds from the (endowment) every single year.” In addition to these large-scale efforts, the policy framework also suggests that local advocacy and progress are critically important. One survey respondent from the San Luis Valley put it this way: “When local communities are empowered to make decisions about what is happening in the community — whether it is arts related or education or otherwise — you get more buy-in and more genuine projects.” As such, the full 54-page report includes a comprehensive list of the concerns and potential solutions presented throughout the stakeholder process to guide local advocates and efforts. “While (Colorado Business Committee for the Arts) doesn’t have the capacity to be at every city council meeting across the state, we’re hoping that this can be a resource for those local advocates and that we can provide any support or guidance that’s available,” Badler said. In recent years, the organization also created the Colorado Arts Action Network , a grassroots mobilization tool to help people stay informed about and involved in arts policy. “I think the call to action is really signing up for the Colorado Arts Action Network,” Badler said. “That’s how we’ll really start. It will help people be able to stay more informed and take action going forward as we bring this roadmap to life.”
Avior Wealth Management LLC lessened its stake in shares of Globant S.A. ( NYSE:GLOB – Free Report ) by 29.7% during the 3rd quarter, according to its most recent filing with the Securities and Exchange Commission. The institutional investor owned 1,571 shares of the information technology services provider’s stock after selling 664 shares during the quarter. Avior Wealth Management LLC’s holdings in Globant were worth $311,000 at the end of the most recent reporting period. Other institutional investors and hedge funds have also made changes to their positions in the company. Investidor Profissional Gestao de Recursos Ltda. boosted its holdings in shares of Globant by 109.8% in the 3rd quarter. Investidor Profissional Gestao de Recursos Ltda. now owns 39,595 shares of the information technology services provider’s stock valued at $7,845,000 after buying an additional 20,725 shares in the last quarter. TrinityPoint Wealth LLC purchased a new stake in Globant during the third quarter valued at approximately $208,000. Natixis Advisors LLC boosted its stake in Globant by 30.4% in the third quarter. Natixis Advisors LLC now owns 13,468 shares of the information technology services provider’s stock valued at $2,669,000 after acquiring an additional 3,142 shares in the last quarter. Impax Asset Management Group plc grew its holdings in Globant by 26.1% in the third quarter. Impax Asset Management Group plc now owns 8,269 shares of the information technology services provider’s stock worth $1,638,000 after purchasing an additional 1,711 shares during the last quarter. Finally, Zions Bancorporation N.A. increased its position in shares of Globant by 18.0% during the third quarter. Zions Bancorporation N.A. now owns 6,334 shares of the information technology services provider’s stock worth $1,255,000 after purchasing an additional 965 shares in the last quarter. 91.60% of the stock is currently owned by hedge funds and other institutional investors. Globant Stock Performance Shares of NYSE GLOB opened at $229.28 on Friday. Globant S.A. has a 1 year low of $151.68 and a 1 year high of $251.50. The company’s fifty day moving average price is $210.11 and its 200 day moving average price is $191.90. The company has a market capitalization of $9.88 billion, a PE ratio of 58.06, a price-to-earnings-growth ratio of 2.55 and a beta of 1.39. Wall Street Analysts Forecast Growth Read Our Latest Stock Analysis on Globant About Globant ( Free Report ) Globant SA, together with its subsidiaries, provides technology services worldwide. It provides digital solutions comprising blockchain, cloud technologies, cybersecurity, data and artificial intelligence, digital experience and performance, code, Internet of Things, metaverse, and engineering and testing; and enterprise technology solutions and services, such as Agile organization, Cultural Hacking, process optimization services, as well as AWS, Google Cloud, Microsoft, Oracle, SalesForce, SAP, and ServiceNow technology solutions. Further Reading Receive News & Ratings for Globant Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Globant and related companies with MarketBeat.com's FREE daily email newsletter .The ice sheet at TRIA Rink was slightly more crowded than in recent weeks on Thursday morning as the Minnesota Wild held their pregame skate in preparation for the Oilers first visit of the season. The two extra bodies on the ice represented some good news for a team that has made winning, despite significant injuries, its competing storylines this season. ADVERTISEMENT Specifically, veteran defenseman Jonas Brodin and top-line forward Mats Zuccarello were in full uniform, skating with their teammates for the first time in a long time. And while neither was expected back in the lineup just yet, having numbers 25 and 36 on the rink was a notably positive sight. “Really good just in the sense that they were able to skate, so we’ll do some extra work after practice and then probably skate again tomorrow and then we’ll see,” Wild coach John Hynes said. “I don’t have a timeline on them yet other than they’ve progressed well to get in the team setting. So, now we’ll see what they do. They’ll need some contact and some extra work and see how they respond.” Brodin has missed nine games this season, including the previous seven in a row, while dealing with an upper body injury. Zuccarello last played in a home win over Montreal on Nov. 14, when he was hit below the belt by a teammate’s shot and suffered a lower body injury that required surgery. Having both players back on the ice was a meaningful step for their teammates, as the Wild have persevered and gotten to the top of the Western Conference standings despite those losses, and the ongoing absence of center Joel Eriksson Ek. Brodin especially is a key player on the team’s blue line. ADVERTISEMENT “It’s exciting for everyone. He’s an important part of our team and such a factor every time he’s on the ice,” defenseman Declan Chisholm said. “He’s missed for sure and we’re excited to get him back soon.” Hynes added that during a player’s recovery from an injury, after they have begun working out and skating on their own, that first time stepping back onto the practice rink with teammates in full uniform can be a notable psychological boost. “It’s important because usually you go through that stage of the off-ice treatments and then recovery, weight room, skate on your own, and they’ve been skating together for a couple days,” the coach said. “But to get in the team setting where you’re with other guys on the ice, you’re back with the team, there’s a lot more going on, and you’re reading and reacting in certain situations, it’s a good step to get back in the team setting.” Eriksson Ek has not yet begun skating on his own as he recovers from a lower body injury suffered in overtime of a win versus Vancouver last week. ADVERTISEMENT Hockey fans in the holiday spirit of helping those in need will have two opportunities to contribute to toy drives organized by the Wild in advance of Christmas. Prior to the Saturday, Dec. 14 game versus Philadelphia and the Friday, Dec. 20 game versus Utah, fans coming to Xcel Energy Center may bring new, unwrapped toys, games and cash which will be collected at the arena’s entrances. Personnel from the Salvation Army will distribute the donated items to needy families in the Twin Cities. ______________________________________________________ This story was written by one of our partner news agencies. Forum Communications Company uses content from agencies such as Reuters, Kaiser Health News, Tribune News Service and others to provide a wider range of news to our readers. Learn more about the news services FCC uses here .NEW YORK (AP) — Stocks edged higher in midday trading on Wall Street Friday, keeping the market on track for its fifth gain in a row. The S&P 500 was up 0.1% and is solidly on track for a weekly gain that will erase most of last week’s loss. The Dow Jones Industrial Average climbed 226 points, or 0.5%, and the Nasdaq composite slipped 0.2% as of 11:32 a.m. Eastern. Several retailers jumped after giving Wall Street encouraging financial updates. Gap soared 9.3% after handily beating analysts’ third-quarter earnings and revenue expectations, while raising its own revenue forecast for the year. Discount retailer Ross Stores rose 3.6% after raising its earnings forecast for the year. EchoStar, parent company of the Dish satellite television provider, fell 3.3% after DirecTV called off its purchase of the company. Smaller company stocks had some of the biggest gains. The Russell 2000 index rose 1.3%. A majority of stocks in the S&P 500 were gaining ground, but those gains were kept in check by slumps for several big technology companies. Nvidia fell 3%. Its pricey valuation makes it among the heaviest influences on whether the broader market gains or loses ground. The company has grown into a nearly $3.6 trillion behemoth because of demand for its chips used in artificial-intelligence technology. Intuit, which makes TurboTax and other accounting software, fell 4.7%. It gave investors a quarterly earnings forecast that fell short of analysts’ expectations. Facebook owner Meta Platforms fell 1.3% following a decision by the Supreme Court to allow a multibillion-dollar class action investors’ lawsuit to proceed against the company. It stems from the privacy scandal involving the Cambridge Analytica political consulting firm. European markets were mostly higher and Asian markets ended mixed. Crude oil prices rose. Treasury yields held relatively steady in the bond market. The yield on the 10-year Treasury fell to 4.41% from 4.42% late Thursday. In the crypto market, Bitcoin fell back a bit after surpassing $99,000 for the first time on Thursday. It has more than doubled this year and was most recently trading around $98,600, according to CoinDesk. Retailers remained a big focus for investors this week amid close scrutiny on consumer spending habits headed into the holiday shopping season. Walmart, the nation’s largest retailer, reported a quarter of strong sales and gave investors an encouraging financial forecast. Target, though, reported weaker earnings than analysts’ expected and its forecast disappointed Wall Street. Consumer spending has fueled economic growth, despite a persistent squeeze from inflation and high borrowing costs. Inflation has been easing and the Federal Reserve has started trimming its benchmark interest rates. That is likely to help relieve pressure on consumers, but any major shift in spending could prompt the Fed to reassess its path ahead on interest rates. Also, any big reversals on the rate of inflation could curtail spending. Consumer sentiment remains strong, according to the University of Michigan’s consumer sentiment index. It revised its latest figure for November to 71.8 from an initial reading of 73 earlier this month, though economists expected a slight increase. It’s still up from 70.5 in October. The survey also showed that consumers’ inflation expectations for the year ahead fell slightly to 2.6%, which is the lowest reading since December of 2020. Wall Street will get another update on how consumers feel when the business group The Conference Board releases its monthly consumer confidence survey on Tuesday. A key inflation update will come on Wednesday when the U.S. releases its October personal consumption expenditures index. The PCE is the Fed’s preferred measure of inflation and this will be the last PCE reading prior to the central bank’s meeting in December.
Daily Post Nigeria CAF Awards 2024: Nnadozie battles Banda, Mssoudy for POTY Home News Politics Metro Entertainment Sport Sport CAF Awards 2024: Nnadozie battles Banda, Mssoudy for POTY Published on December 12, 2024 By Mike Oyebola Super Falcons goalkeeper Chiamaka Nnadozie has been named among the final nominees for the 2024 CAF Women’s Player of the Year. Zambia forward Barbara Banda and Morocco’s Sanna Mssoudy are the other players nominated for the prestigious award. Nnadozie is also in contention for the Goalkeeper of the Year. The 24-year-old will be looking to succeed her compatriot, Asisat Oshoala, who won the award last year. Oshoala has won the award for a record six times. Nnadozie impressed for Nigeria at the 2024 Olympic Games in Paris. Related Topics: Don't Miss UCL: Saka, Olise included as UEFA unveils Champions League team [Full list] You may like CAF Awards 2024: Okwuchukwu makes final shortlist for women’s young POTY CAF Awards 2024: Edo Queens battle TP Mazembe, AS FAR for Women’s Club of the Year Nnadozie targets WAFCON glory with Super Falcons CAF Awards 2024: Nnadozie makes women’s Player of the Year final shortlist CAF Awards 2024: Nnadozie, Okwuchukwu, Super Falcons in final shortlists France boss lauds Nnadozie despite victory over Super Falcons Advertise About Us Contact Us Privacy-Policy Terms Copyright © Daily Post Media LtdAP Sports SummaryBrief at 5:15 p.m. ESTRidley vs. Interboro just another game that means everything to the respective programs' players Subscribe to continue reading this article. Already subscribed? To login in, click here.
SHAREHOLDER INVESTIGATION: Halper Sadeh LLC Investigates AVAV, CTV, AE, PLL on Behalf of ShareholdersGENEVA (AP) — World Cup sponsor Bank of America teamed with FIFA for a second time Tuesday, signing for the Club World Cup that still has no broadcast deals just over six months before games start. Bank of America became FIFA’s first global banking partner in August and sealed a separate deal for a second event also being played in the United States, two days before the group-stage draw in Miami for the revamped 32-team club event . It features recent European champions Real Madrid, Manchester City and Chelsea. “FIFA is going to take America by storm and we’re going to be right at their side,” the bank’s head of marketing, David Tyrie, said in a telephone interview Tuesday. Bank of America joins 2026 World Cup sponsors Hisense and Budweiser brewer AB InBev in separately also backing the club event, and more deals are expected after Saudi Arabia is confirmed next week as the 2034 World Cup host. While games at the next World Cup, co-hosted with Canada and Mexico, will be watched by hundreds of millions globally mostly on free-to-air public networks, the Club World Cup broadcast picture is unclear. FIFA has promised hundreds of millions of dollars in prize money for the 32 clubs to share but is yet to announce any broadcast deals for the month-long tournament. It is expected to land on a streaming service. “You have to think about how you are going to connect with these fans,” Tyrie told the Associated Press from Boston. “TV is one, sure, social media is a big avenue. “The smart marketing capabilities are able to say ‘Hey, we need to tilt this one a little bit more away from TV-type marketing into social-type marketing.’ We have got a pretty decent strategy that we’re putting in place to do activation.” Engaging Bank of America’s customers and 250,000 employees are key to that strategy, Tyrie said. “It’s going to be for our clients, and entertainment, it’s going to be for our employees in creating excitement. All of the above.” The Club World Cup will be played in 12 stadiums across 11 cities, including Bank of America Stadium in Charlotte, N.C, and Lumen Field where the hometown Seattle Sounders play three group-stage games. European powers Madrid, Man City and Bayern Munich lead a 12-strong European challenge. Teams qualified by winning continental titles or posting consistently good results across four years of those competitions. The exception is Lionel Messi’s Inter Miami, who FIFA gave the entry reserved for a host nation team in October based on regular season record without waiting for the MLS Cup final. LA Galaxy hosts New York Red Bulls playing for that national title Saturday. Messi’s team opens the FIFA tournament June 15 in the Miami Dolphins’ Hard Rock Stadium and will play its three group games in Florida. “The more brand players you bring in, the bigger the following you have got,” Tyrie acknowledged, though adding Messi being involved was “not a make or break for the event.” The Club World Cup final is July 13 at Met Life Stadium near New York, which also will host the World Cup final one year later. AP soccer: https://apnews.com/hub/soccerArcutis Biotherapeutics exec buys $7,766 in stock