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NoneSalem University, Lokoja, has announced that 41 out of its 499 graduating students will be awarded first-class degrees at the institution’s combined convocation ceremony for the 2022, 2023, and 2024 sets, scheduled for Friday, November 29, 2024. This announcement was made by the Vice-Chancellor, Professor Alewo Akubo, during a pre-convocation press briefing in Lokoja on Monday. The graduates are from seven colleges of the university: the College of Management and Social Sciences, College of Natural and Applied Sciences, College of Humanities, College of Education, College of Communication and Information Technology, College of Law, and the Postgraduate School. Akubo also revealed that the institution’s eighth college, the College of Basic Health and Medical Sciences, had recently been accredited and will commence operations soon. Akubo emphasised that Salem University had consistently produced graduates who contributed significantly to the development of Kogi State, Nigeria, and the global community. Related News Salem University screens admission seekers NUC accredits five additional courses for Kogi varsity “Our sixth convocation comes up on Friday, November 29, 2024. A total of 499 students will be graduating, with 41 of them earning first-class degrees. Our graduates are change agents, equipped to contribute to the development of Kogi State, Nigeria, and the entire world,” he said. The Vice-Chancellor appealed for support from key stakeholders, including the Kogi State Government, the Federal Government, and well-meaning individuals, to strengthen the university’s ability to continue its developmental contributions. “Private universities are playing a crucial role in producing graduates who serve the world at large. What public universities are doing, private universities are doing much more. The Federal Government should encourage private universities to do more. For sustainable university education in Nigeria, attention must also be paid to private institutions,” he added. As part of the convocation activities, Professor Sam Egwu, a renowned Professor of Political Economy, is scheduled to deliver the convocation lecture on Wednesday, November 27, 2024. Salem University’s commitment to academic excellence and producing impactful graduates remains evident as it celebrates another milestone in its history.
In conclusion, the impending departure of Marcus Rashford from Manchester United represents a significant turning point for both the player and the club. With the winter transfer window fast approaching, all eyes will be on Old Trafford to see how this saga unfolds. As the Red Devils look to chart a new course towards success, the sale of Rashford could mark the beginning of a new era for one of England's most storied football clubs.Is This Stock the Next Big Thing After Its Incredible Surge?
Jimmy Carter Dies: Longest-Living U.S. President Was 100Biden opens final White House holiday season with turkey pardons and first lady gets Christmas tree WASHINGTON (AP) — President Joe Biden has kicked off his final holiday season at the White House, issuing the traditional reprieve to two turkeys who will bypass the Thanksgiving table to live out their days in Minnesota. The president welcomed 2,500 guests under sunny skies as he cracked jokes about the fates of “Peach” and “Blossom.” He also sounded wistful tones about the last weeks of his presidency. Separately, first lady Jill Biden received the delivery of the official White House Christmas tree. And the Bidens are traveling to New York later Monday for an early holiday celebration with members of the Coast Guard. Couple charged in ring suspected of stealing $1 million in Lululemon clothes MINNEAPOLIS (AP) — A Connecticut couple has been charged in Minnesota with being part of a shoplifting ring suspected of stealing around $1 million in goods across the country from upscale athletic wear retailer Lululemon.Jadion Anthony Richards and Akwele Nickeisha Lawes-Richards, both of Danbury, Connecticut, were charged this month with one felony count of organized retail theft. Both went free last week after posting bail bonds of $100,000 for him and $30,000 for her. They're also suspected in thefts from Lululemon stores in Colorado, Utah, New York and Connecticut. They're due back in court next month. Formula 1 expands grid to add General Motors' Cadillac brand and new American team for 2026 season LAS VEGAS (AP) — Formula 1 will expand the grid in 2026 to make room for an American team that is partnered with General Motors. The approval ends years of wrangling that launched a federal investigation into why Colorado-based Liberty Media, would not approve the team initially started by Michael Andretti, who has since stepped aside. The 11th team will be called Cadillac F1 and be run by new Andretti Global majority owners Dan Towriss and Mark Walter. The team will use Ferrari engines its first two years until GM has a Cadillac engine built for competition in time for the 2028 season. US goalkeeper Alyssa Naeher is retiring from international soccer U.S. women’s national team goalkeeper Alyssa Naeher is retiring from international soccer. Naeher is on the team’s roster for a pair of upcoming matches in Europe but those will be her last after a full 11 years playing for the United States. Naeher was on the U.S. team that won the Women’s World Cup in 2019 and the gold medal at this year's Olympics in France. She’s the only U.S. goalkeeper to earn a shutout in both a World Cup and an Olympic final. Bah, humbug! Vandal smashes Ebenezer Scrooge's tombstone used in 'A Christmas Carol' movie LONDON (AP) — If life imitates art, a vandal in the English countryside may be haunted by The Ghost of Christmas Yet to Come. Police in the town of Shrewsbury are investigating how a tombstone at the fictional grave of Ebenezer Scrooge was destroyed. The movie prop used in the 1984 adaption of Charles Dickens' “A Christmas Carol” had become a tourist attraction. The film starred George C. Scott as the cold-hearted curmudgeon who is visited by three ghosts on Christmas Eve who show him what will become of his life if he doesn’t become a better person. West Mercia Police say the stone was vandalized in the past week. Megachurch founder T.D. Jakes suffers health incident during sermon at Dallas church DALLAS (AP) — The founder of Dallas-based megachurch The Potter's House, Bishop T.D. Jakes, was hospitalized after suffering what the church called a “slight health incident.” Jakes was speaking to churchgoers after he sat down and began trembling as several people gathered around him Sunday at the church. Jakes' daughter Sarah Jakes Roberts and her husband Touré Roberts said in a statement on social media late Sunday that Jakes was improving. The 67-year-old Jakes founded the non-denominational The Potter's House in 1996 and his website says it now has more than 30,000 members with campuses in Fort Worth and Frisco, Texas; and in Denver. At the crossroads of news and opinion, 'Morning Joe' hosts grapple with aftermath of Trump meeting The reaction of those who defended “Morning Joe” hosts Joe Scarborough and Mika Brzezinski for meeting with President-elect Trump sounds almost quaint in the days of opinionated journalism. Doesn't it makes sense, they said, for hosts of a political news show to meet with such an important figure? But given how “Morning Joe” has attacked Trump, its viewers felt insulted. Many reacted quickly by staying away. It all reflects the broader trend of opinion crowding out traditional journalist in today's marketplace, and the expectations that creates among consumers. By mid-week, the show's audience was less than two-thirds what it has typically been this year. Pilot dies in plane crash in remote woods of New York, puppy found alive WINDHAM, N.Y. (AP) — Authorities say a pilot and at least one dog he was transporting died when a small plane crashed in the snowy woods of the Catskill Mountains, though a puppy on the flight was found alive with two broken legs. The Greene County sheriff’s office says Seuk Kim of Springfield, Virginia, was flying from Maryland to Albany, New York, when the plane crashed at about 6:10 p.m. Sunday in a remote area. Officials believe the pilot died from the impact. The surviving dog was hospitalized, while a third dog was not located. The flight was connected with a not-for-profit group that transports rescue animals. Warren Buffett gives away another $1.1B and plans for distributing his $147B fortune after his death OMAHA, Neb. (AP) — Investor Warren Buffett renewed his Thanksgiving tradition of giving by handing out more than $1.1 billion of Berkshire Hathaway stock to four of his family's foundations Monday, and he offered new details about who will be handing out the rest of his fortune after his death. Buffett has said previously that his three kids will distribute his remaining $147.4 billion fortune in the 10 years after his death, but now he has also designated successors for them because it’s possible that Buffett’s children could die before giving it all away. Buffett said he has no regrets about his decision to start giving away his fortune in 2006. Pop star Ed Sheeran apologizes to Man United boss Ruben Amorim for crashing interview MANCHESTER, England (AP) — British pop star Ed Sheeran has apologized to Ruben Amorim after inadvertently interrupting the new Manchester United head coach during a live television interview. Amorim was talking on Sky Sports after United’s 1-1 draw with Ipswich on Sunday when Sheeran walked up to embrace analyst Jamie Redknapp. The interview was paused before Redknapp told the pop star to “come and say hello in a minute.” Sheeran is a lifelong Ipswich fan and holds a minority stake in the club. He was pictured celebrating after Omari Hutchinson’s equalizing goal in the game at Portman Road.
West Ham boss Julen Lopetegui believes his side “deserved to win” as they sealed a 2-0 victory over Newcastle at St James’ Park. Lopetegui came into the game under pressure following some poor displays from the Hammers in recent weeks but they earned a hard-fought victory to end the Magpies’ three-game winning spell. Despite a promising opening from the hosts, Tomas Soucek headed West Ham in front before Aaron Wan-Bissaka’s first goal for the club after the break wrapped up victory. Lopetegui was pleased with his side’s display following a “tough match”. He said: “I am happy for the three points and am very happy against a good team like Newcastle, who have good players and a fantastic coach. “I think today was a tough match and we were able to compete as a team. “I think we deserved to win. Today they had many moments in the first half, but I think the second half we deserved to win and we are happy because you have to do these kind of matches against this type of team if you want to overcome them.” Newcastle started brightly and had plenty of chances in the first half especially, but the visitors responded after the break by retaining possession well. The win eases the pressure on Lopetegui, whose West Ham side face Arsenal on Saturday, and he believes the victory is an important feeling for his players. He said: “I think the only thing that is under our control is to play football, to improve, to defend well, to convince the players we are able to do better. “Today we did, but I think the only thing we can do is to do the things that are under our control, not today but every day. “So we had to keep with this mentality, but above all let me say we are happy for the players because they need this kind of feeling as a team to believe that we are able to do well as a team, to put the best for each player of the team.” Newcastle boss Eddie Howe admitted defeat was a missed opportunity for his side. The Magpies missed a series of chances in the first half, including efforts from Joe Willock and Sean Longstaff, before Alexander Isak blasted a chance off target. Anthony Gordon also rolled an effort just wide of the post after the break and Isak headed wide of goal. Three points could have seen Newcastle move into the top six and Howe admitted his side need to learn from the match. “Yes, massive because the league is so tight that a couple of wins and the whole picture looks very different,” Howe said. “We’ll kick ourselves tonight because we knew the opportunity we had, a home game, Monday night, a great moment for us potentially in our season, so we have to learn from that and come back stronger.”
The rumor mill has been in full swing as reports suggest that Liverpool FC is closely monitoring the situations of Ffion Pong and K77, amid growing concerns over the possible departures of key players Trent Alexander-Arnold and Mohamed Salah. The Anfield faithful are understandably anxious about the prospect of losing two of their star performers, but the Reds are said to be proactively exploring potential replacements to bolster their squad.This undated photo courtesy of the Philippine Stock Exchange Inc. (PSE) shows (from left) PSE Capital Markets Development Division Head Mark Frederick V. Visda, PSE Technology Division Head Philip A. Driz, PSE General Counsel Veronica V. Del Rosario, PSE COO Roel A. Refran, PSE President and CEO Ramon S. Monzon, PSE Issuer Regulation Division Head Marigel B. Garcia, Securities Clearing Corp. of the Philippines COO Renee D. Rubio, and PSE Market Operations Division Head Roel M. Villanueva. The Philippine Stock Exchange index ended the trading year at 6,528.79 points, up by 78.75 points or 1.2 percent from its close of 6,450.04 in 2023. This marked the first time that the PSEi closed higher year-on-year since 2019. Philippine Stock Exchange Inc.
Support Independent Arts Journalism As an independent publication, we rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider becoming a member today . Already a member? Sign in here. Support Hyperallergic’s independent arts journalism for as little as $8 per month. Become a Member We’re proud to present our list of the best art books of 2024 for your holiday reading, and perhaps to inspire your gifting this winter. Our editors and critics read across genre, subject, and pace this year, from memoirs and graphic novels to catalogs, artist books, and everything in between. Hyperallergic Editor-in-Chief Hrag Vartanian muses on the poignant work of photographer Diana Markosian in Father , while critic Alexandra M. Thomas recommends Nikki A. Greene’s book reframing the study of Black visual art and musical production. Read on for Reviews Editor Natalie Haddad on Trans Hirstory in 99 Objects , Associate Editor Lisa Yin Zhang on scholar Anne Anling Cheng’s essay collection, my love of Audrey Flack’s memoir, and more ordered by publication date in the list below. As always, we approach the “art book” category with flexibility, considering titles that seam the art world with its incalculable intersections with other fields. Let us know what your top books of 2024 are, and happy reading! — Lakshmi Rivera Amin, Associate Editor This late-November 2023 tome, edited by Andrea Myers Achi , the curator of the eponymous exhibition that ran this year at The Met and the Cleveland Museum of Art, includes 40 essays to contextualize the almost 180 works and 30 lending institutions, mostly focused on the 4th to the 15th centuries in Africa and the Eastern Mediterranean. Achi begins with a prologue that contextualizes how novel it is to center Africa in academic, commercial, and aesthetic conversations about the “Byzantine Empire,” otherwise known as the Eastern Roman Empire, which lasted from 330 CE until the fall of Constantinople in 1453. Of particular note are lavishly illustrated sections on “Bright as the Sun: Africa After Byzantium,” which looks at how Orthodox Christian communities in Egypt, Sudan, and Ethiopia thrived in their regions. Another section, “Legacies: Black Byzantium,” looks at the continued influence of Byzantium in Africa through the present day. The book is an amazing textbook for the dozens of new courses now being taught on race in the premodern world and also pairs well with The Met’s current exhibition on Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now , which continues through February 17, 2025. — Sarah E. Bond Buy on Bookshop | Metropolitan Museum of Art, November 2023 Get the latest art news, reviews and opinions from Hyperallergic. Daily Weekly Opportunities Like Manchester, England, or Detroit, Michigan, Pittsburgh is a gritty, post-industrial metropolis that suffered under the degradations of neoliberal economic collapse a generation ago. Unlike Manchester or Detroit, Pittsburgh’s vibrant music scene hasn’t been as celebrated, at least among casual listeners. Photographer Erik Bauer offers an important corrective in that regard in his path-breaking Had to Be There: A Visual History of the Explosive Pittsburgh Underground, 1979-1994. Featuring evocative, intimate, and combustive photographs of largely forgotten (but no less important) Pittsburgh punk acts like Savage Amuse, the Beach Bunnies, the Bats, and Eviction, Bauer’s work provides an archive of a particular time period, including considerations of beloved but long-gone venues such as the Electric Banana and the Syria Mosque. The period covered in Baur’s book is right when Big Steel was in free fall and the population of Pittsburgh cratered out, yet ironically it was also a time of great cultural firmament, as underground musicians and artists attracted to the basement-floor cheap rent set up shop in neighborhoods like the South Side and Oakland, where true punk had its last Rust-Belt hurrah. — Ed Simon Buy the Book | Mind Cure Records, January 2024 This novel has stayed with me since I read it in late spring . It begins haphazardly, echoing the life of the protagonist, Cyrus Shams, but after battling some of his demons, he happens upon the solo exhibition of a dying Iranian artist, Orkideh, at the Brooklyn Museum and his life slowly starts to shift. If you’re in a transitional moment in your life, this book will help lubricate your mind to allow that transformation to ferment. And buckle up for the ending; it’s worth the wait. — Hrag Vartanian, Editor-in-Chief Buy on Bookshop | Knopf, January 2024 Sometimes a book about an artist and their work strikes a chord. So it was for me with Raven Chacon: A Worm’s Eye View from a Bird’s Beak . Considering Chacon’s sophisticated, multidimensional relationship with sound, whether noise music or chamber music or something altogether undefinable, this pun might feel trite. But with contributions from writer and critic Aruna D’Souza, Sámi filmmaker and reindeer herder Marja Bål Nango, poet Sigbjørn Skåden, curator Candice Hopkins (Carcross/Tagish First Nation), and others — plus a lexicon of Chacon’s musical notations — this book resonates with an energy similar to that of the Diné artist’s deeply relational, highly collaborative practice. Published in conjunction with his traveling solo exhibition at the Swiss Institute in New York and Nordnorsk Kunstmuseum in Northern Norway/Sápmi, the monograph guides readers through the sites and sounds of Chacon’s career, from 1990 to 2023, and draws connections between the survivance of Navajo and Sámi peoples who share Indigenous histories that colonialism has attempted to annihilate. The book acts much like one of Chacon’s scores, offering a structure for improvisation. Begin anywhere. Correction: Begin where you are. — Nancy Zastudil Buy on Bookshop | Swiss Institute and Nordnorsk Kunstmuseum, February 2024 I first encountered an artwork by Audrey Flack in 2021 at the Yale University Art Gallery. I was a few months out of college, unsettled by the world, and battling mixed feelings about returning to New Haven when I saw her 2012 screenprint “The Ecstacy of Saint Teresa” on view in a show featuring alums of the school. As I quickly discovered, Flack’s work is an antidote to disillusionment of any kind — personal, artistic, political — and this memoir is no exception. She passed away at the end of June at 93, leaving behind a generous trove of wisdom, anecdotes, priceless perspectives on her decades-long career, and, of course, this book, narrated in her droll, candid voice. Flack recounts the venomous sexism and everyday abuses of New York’s male-dominated Abstract Expressionism crowd, the insidious classism that kept her and other working-class artists in an uphill fight to stake a claim in the art world, and the challenges of maintaining a feminist, photorealist practice while raising two children on her own. In a Hyperallergic Podcast episode a few years ago, she spoke with Editor-in-Chief Hrag Vartanian and artist and educator Sharon Louden. Paired with that illuminating conversation, With Darkness Came Stars sings with Flack’s indefatigable creative spirit, one that pushed her to constantly learn and evolve. — LA Buy on Bookshop | Penn State University Press, March 2024 Boston’s Isabella Stewart Gardner Museum is a landmark in its own right, renowned for its sumptuous Venetian palazzo-style courtyard and vast collection of over 7,500 paintings, sculptures, furniture, and objets d’art. Then, of course, there’s the infamous, unsolved 1990 heist in which 13 artworks were stolen. But less is known about the groundbreaking woman behind the collection and the building that houses it. Chasing Beauty by author Natalie Dykstra is an impeccably researched, intimate look at the life of Isabella Stewart Gardner herself. She was a woman who lived far before her time, and who used the advantages born to her — wealth, charm, intelligence, and style — to leave an undeniable cultural legacy. From the first pages of Chasing Beauty , you understand that you will be learning about a woman of contradiction, whose vitality was often too much for those around her, and sometimes even herself. In short, an unmistakably modern woman. As Dykstra writes, “In her own time and now, Isabella Stewart Gardner seems like a bright sun — we can look around her but not directly at her. She radiates but confuses.” Chasing Beauty breaks through that cloud of mystery and presents a woman who absorbed all life could offer and forged her own path, leaving behind much more than just a collection of art. Whether visiting her museum or reading about her, you are swept into her world, one where she poured herself into an “all-consuming pursuit for beauty” that became her life’s work. — Michelle Young Read the Review by Lauren Moya Ford | Buy on Bookshop | Mariner Books, March 2024 This book is an incisive meditation on hate, fame, family, literature, and friendship. The gruesome assassination attempt in 2022 at the Chautauqua Institute by a person who is never named in the memoir becomes the foundation of Knife , which refuses to play the victim but instead reflects on the human condition and the bonds that make life worth living. You discover that Rushdie, while an A-list literary figure, doesn’t appear to be liked by many in his field, and clearly beyond. But it doesn’t stop him from living life bravely through his words and recording his ruminations that include insights about social awkwardness (the brief Eric Fischl anecdote might interest art worlders) and even his own journey to healing. In the hands of a literary giant, even the worst tragedy can become the material that honors our common humanity. — HV Buy on Bookshop | Random House, April 2024 Hilary Harkness: Everything For You The phantasmagorias represented in Hilary Harkness’s monograph Everything for You depict so much that the far right in the United States wants to erase from existence: gloriously hot gay sex, gender-bending of all sorts, the realities of racism in the US, and the horrifying folly of war. And she does it all with a wry, dark humor. Harkness’s witty painted worlds riff on artistic and literary histories, as well as American history, and feel timeless in many ways, but offer a particularly compelling commentary at this moment. In a time when K–12 teachers and college professors are already being forced to submit curricula for review so that legislators and school administrators can curtail conversations on race, LGBTQ+ rights, and topics like Palestine, this book would almost certainly be banned were it ever to appear on a syllabus in countless jurisdictions around the country. All the more reason to pour yourself a strong drink or a cozy mug of tea, and keep yourself warm for at least a little while during the winter we have ahead of us with this sexy and knowing compendium of Harkness’s body of work. — Alexis Clements Read the Review | Buy on Bookshop | Black Dog Press, June 2024 Nate Powell’s timely Lies My Teacher Told Me: Everything Your American History Textbooks Got Wrong adapts James Loewen’s groundbreaking critique of American history textbooks into a text-heavy, beautifully drawn, and accessible graphic novel. Powell created a companion volume that revisits the original’s dissection of national myths and explores the omissions, distortions, and Eurocentric biases found in traditional educational materials. With specific examples, he illustrates how hero-making, American exceptionalism, historical inevitability, and racist perspectives are used to sanitize and obfuscate the genocide of Native peoples, slavery, and class inequality in America. Later history is analyzed with a reexamination of Reconstruction, “the American Century,” the Civil Rights Era, the Vietnam War, 9/11, and the Iraq War. By methodically correcting misinformation and illuminating excluded facts, a counter-narrative of American history emerges; Loewen and Powell maintain that history is never neutral. Quoting George Orwell from 1984, they argue that “who controls the present controls the past,” and that those in power shape the way history is written and taught. Lies My Teacher Told Me is a particularly essential book in this time of Trump’s reascendancy, when education — including art historical pedagogy — is threatened by the far right and Project 2025. — Jesse Lambert Buy on Bookshop | New Press, April 2024 There are many reasons to celebrate this catalog, but Dare Turner’s story of her great-uncle Harry “Timm” Williams alone is worth a read — I’m not going to spoil it. How rare it is to find such honest, complicated writing about art, and in this essay, like much of the book, you feel the winds of new energy that will continue to lift Native and Indigenous art to the fore of conversations around contemporary art, particularly in North America. Beautifully designed and illustrated, this is what I hope all museum exhibition catalogs can be. — HV Buy the Book | Baltimore Museum of Art, May 2024 Casa Susanna: The Story of the First Trans Network in the United States, 1959–1968 traces the history of an unsung haven run by Susanna Valenti and her wife, Maria, in upstate New York, where guests were free to live their lives as women, if only for a weekend. The story is a necessarily painful one: The years in which Casa Susanna was most active were dangerous ones for trans people, who faced the constant risk of violence, incarceration, and institutionalization. But it’s the hundreds of illustrations and archival photographs that form the heart of this essay collection on what the late activist Kate Cummings called “another universe” in her 1992 memoir, quoted in this book. “After years of hiding behind closed doors, venturing out only after dark, not daring to speak in case my voice betrayed me I was suddenly liberated into a society where I was not only tolerated but understood and welcomed,” she continued. Historian Susan Stryker’s introduction perhaps best frames the value of honoring the Casa Susanna community, particularly as trans people face increasing threats to their lives and autonomy. “A transphobic world tries to sweep all of the gender-trash into the same waste bin, regardless of how we might distinguish ourselves from one another,” Stryker writes. “I now see the people who frequented Casa Susanna as, if not exactly my sisters, then certainly my ancestors, comrades, and beloved kin.” — LA Buy on Bookshop | Thames & Hudson, May 2024 Last month I attended an event that included a reading from Trans Hirstory in 99 Objects by one of the book’s editors, artist Chris E. Vargas. The book, which has also been presented in exhibition form, is co-published by the Museum of Trans Hirstory & Arts, a conceptual art project by Vargas. The book deserves to be on this list for its breadth and importance alone — as AX Mina wrote here in Hyperallergic , “It’s hard to overstate the importance of a book and exhibition series like Trans Hirstory in a time of historic attacks against trans and LGBTQ+ rights both in the United States and around the world.” It includes a kaleidoscopic array of ancient to modern objects, from icons like the first transgender pride flag to esoteric historical ephemera to contemporary artworks, with accompanying texts, attesting to the multitudes that compose trans identities. But as Vargas’s reading brought the book’s contents to life, it also underscored the need for a permanent Museum of Trans Hirstory & Arts, for everyone to visit — not just to shed light on unrecorded visual histories by trans creators but also because gender is lived by all of us one way or another. — Natalie Haddad, Reviews Editor Buy the Book | Hirmer Publishers, June 2024 Caitlin Cass’s Suffrage Song: The Haunted History of Gender, Race, and Voting Rights in the U.S. stands out as both a piece of art and a comprehensive history of the women’s suffrage movement. The book contains a range of illustration styles, fold-out pages, a subtle color-coding system, newspaper clippings, and elaborate hand-drawn typography. Using ghosts and haunting as a metaphor for the unrealized and ongoing quest for justice, Cass delves into the different eras of the movement. She explores the individual lives and stories of both well-known and lesser-known figures, including Susan B. Anthony, Sojourner Truth, Elizabeth Cady Stanton, Alice Paul, Mary Church Terrell, Fannie Lou Hamer, and Ella Baker. Touching on the struggle for Native and Asian-American rights, Cass also features less celebrated activists such as Zitkala-Ša (Yankton Dakota) and Mabel Ping-Hua Lee. She examines the movement’s internal struggles, highlighting tensions around race, class, and strategy, arguing that progress was neither linear nor universally agreed upon. Cass’s intersectional approach exposes the racist compromises made by White suffragist leaders and in Hamer’s words declares, “Nobody’s free until everybody’s free.” — JL Buy on Bookshop | Fantagraphics Books, June 2024 Solomon J. Brager’s deeply moving graphic memoir Heavyweight: A Family Story of the Holocaust, Empire, and Memory intertwines themes of identity, family history, colonialism, and genocide. Through meticulous research and interviews, they piece together the harrowing experiences of their family’s survival — and loss — during the Holocaust. Acknowledging gaps and uncertainties, family legends are investigated, like the story that their great-grandfather, a boxing champion who fought Nazis in the streets, clobbered Nazi leader Joseph Goebbels and was summoned to court for it. Another recounts how their great-grandmother disguised as a nurse broke family members out of an internment camp in occupied France. The family stories are woven together with historical reflections and glimpses into Brager’s present-day life — scenes of obsessive researching, interactions with family, and tender moments with their partner. Noting that imperialism gave birth to fascism, Brager sets their family’s history against the backdrop of German colonization, resource extraction, and genocide in Africa, taking into account concurrent racist attitudes in Germany. Critically examining their family’s pre-Nazi wealth and later White privilege in the US, Brager wrestles with ideas of being both victimized and complicit in violence. The book poignantly opens and closes with Brager, also a boxer, sparring with the ghost of their great-grandfather. — JL Buy on Bookshop | William Morrow & Company, June 2024 As the author myself, I know what it is like to pull at a thread. I’ve spent almost four years looking at a sliver of the life of spy and art historian Rose Valland for my forthcoming book, The Art Spy . When I came across The Case of the Disappearing Gauguin , a book about a single painting, I knew what it took for author Stephanie Brown, an assistant program director in museum studies at Johns Hopkins University, to unravel its fascinating story. In the book, the reader is taken on an adventure that begins the moment the painting “Flowers and Fruit” leaves Paul Gauguin’s hands in 1889. We learn how a well-known work of art, by an artist who never knew fame in his lifetime, can slide in and out of authenticity, and even be deemed lost when it never was. By diving deep into one painting, Brown reveals the contradictions and idiosyncrasies of the art world, and asks a fundamental question: What does authenticity mean in art, and who gets to define it? — MY Read the Review | Buy the Book | Rowman & Littlefield, July 2024 Eunsong Kim’s The Politics of Collecting: Race and the Aestheticization of Property is sure to upset the academic priesthood of conceptual art, among whom the holy saint of Marcel Duchamp is the pinnacle of any canon. But her book goes far beyond that to explain how it isn’t only historical museums that are problematic. Modern and contemporary museums and various art institutions have their own issues as they parrot managerial concepts and reproduce their patron class for a public that might not understand the subtext. After reading this book, you might wonder if artists and curators deserve better in the venues that showcase their work. Perhaps Kim’s text will ignite some of the much-needed change, but only if art people are ready to really look in the mirror and figure out what toxic systems we’re inadvertently reproducing, sometimes mindlessly, and how we can improve. Check out my podcast with the author if you need more convincing. — HV Buy the Book | Duke University Press, August 2024 Colonial museums are all alike; each community whose culture was stolen mourns and fights in its own way. Fifteen Colonial Thefts , a collection of simultaneously heartbreaking and fiercely inspiring narratives, proves that repatriation of heritage in Africa goes far beyond the Benin Bronzes and other headline cases. The point of the book is not to multiply miseries, but to celebrate agency. The contributors explain the social roles once played by these stolen “belongings” (a descriptor which contributors Goodwin Gwasira and Priya Basil propose using instead of the insufficient term “objects”) before their taking and then describe the transformations possible once they’re sprung from their display case or, more often, storeroom imprisonment. The book becomes a joyful conspiracy between African, European, and American provenance researchers, historians, artists, performers, and community members, all plotting together for the future. Even the contributors’ bios fizz with possibilities, like that of the artist and scholar Fogha Mc Cornilius Refem (aka Wan wo Layir), who says he was the first-ever recipient of “the official and prestigious ban” from Berlin’s controversial new African art museum, the Humboldt Forum. May we all aspire to be so discomfiting. — Erin L. Thompson Buy on Bookshop | Pluto Press, August 2024 A book about 10 years of a podcast that uses a long-form interview format might bring to mind lengthy transcripts, show notes, or other semi-boring documentary-style attempts to capture the original — if not spontaneous — energy of conversations played out over time. But Broken Boxes: A Decade of Art, Action, and Dialogue disrupts those expectations, as does the aim of the Broken Boxes Podcast itself — and, arguably, any significant artwork. This standalone publication accompanies an exhibition of the same name at the Albuquerque Museum in New Mexico, curated by Ginger Dunnill and Josie Lopez, and offers readers a generous selection of images and personal accounts from artists who have participated in the podcast, which Dunnill launched in 2014. Dunnill’s creative spirit is evident throughout the book, revealed through her commitment to experimenting with a medium in service of transmitting contemporary artists’ ideas and voices on topics such as decolonization, Indigenous sovereignty, the commercial art market, friendship, mental health, academia, and more (side note: For readers who prefer conventional, homogenous graphic design, this book will be a disruption in that realm as well). — NZ Buy on Bookshop | University of New Mexico Press, August 2024 Black is not really a color, the righteous physicist says. It is simply the absence of light. But for James Baldwin, this never made sense; he once described black in an essay: “The light is trapped in it and struggles upward, rather like that grass pushing upward through the cement.” The most basic yet perplexing of artistic elements receives a dedicated dissection this year with The Color Black: Antinomies of a Color in Architecture and Art . Mohsen Mostafavi, a Harvard design professor, maps a history of theory and visual narrative through an impressive inventory of examples, from the work of Theaster Gates to Kara Walker and Georgia O’Keefe; from Derek Jarman’s Prospect Cottage in the English countryside to the Rothko Chapel in Houston. Abetted by a rich philosophy courtesy of German Marxist art historian Max Raphael, translated here into English for the first time, The Color Black shifts our perception of that which we take for granted. All instances of blackness start to seem, as Baldwin suggested, like miraculous feats of nature. — Greta Rainbow Buy the Book | MACK, August 2024 Though not what springs to mind as an “art book” per se — and perhaps because of this — curator and scholar Sarah Lewis’s The Unseen Truth captures a cross-section of issues that are central to art history and criticism: race, sight, and narrative. Homing in on the 19th-century Caucasus War as a turning point in how Americans have come to understand the term “Caucasian,” Lewis mines a web of pop culture, media and messaging, photography, visual art, and political power that reshaped whiteness and racism. From the “racial detailing” practices that bake racism into the everyday to the fiction sharpened by then-President Woodrow Wilson’s administration, this thorough study is one you should consume in pieces. I recommend absorbing a chunk, putting the book down, and keeping it in your mind as you move about your daily life — wandering through museums, commuting, reading literature. Lewis’s attention to vision as “never purely a retinal act” will change the way you see. — LA Buy on Bookshop | Harvard University Press, September 2024 “How is it that a figure so encrusted with racist and sexist meaning, so ubiquitously deployed to this day and so readily recognized as a symptom, should at the same time be a theoretical black hole, a residue of critical fatigue?” That’s scholar Anne Anlin Cheng writing on the “yellow woman” in Ornamentalism (2018), basically the Bible for a specific kind of Asian-American theory nerd, like me. But as opposed to the über-confident, almost sparking kineticism of her voice in such academic works, the narration in Ordinary Disasters: How I Stopped Being a Model Minority is uncertain and wobbly. For fair reason: As Cheng wrote the book, she was coping with cancer, COVID-19 had just made landfall, and her mother was losing her mind. “All my usual resources — my intellectual work, my personal faith in justice and self-determinism, my sense of self-mastery — crashed around me, inadequate to the forces hitting me,” she writes in the introduction. “These essays are a way back to myself, or, more accurately, to arrive at a self that I have yet to fully own.” There’s a certain sense of whatever the intellectual equivalent of body horror is to watching a mind you admire so greatly scramble, suffer, and sometimes, fall short in that attempt to claw back into herself. But it’s affecting and charming for that quality, too. We all know artists who seem to have found the winning formula in their work and subsequently forgot what it meant to keep up the effort. Not Cheng. This essay collection returns to the form’s roots in Montaigne — the French essayer : to try. — Lisa Yin Zhang, Associate Editor Buy on Bookshop | Pantheon Books, September 2024 Wrapped in luxe maroon cloth and stamped golden cover art, Sci-fi, Magick, Queer LA: Sexual Science and the Imagi-Nation as an object is as sumptuous and sensual as its contents. The catalog compiles essays and images spanning the development of a remarkable social milieu in 1930s–’60s Los Angeles. From avante-garde filmmaker Kenneth Anger to historian Jim Kepner to writer Edythe D. Eyde (also known as Lisa Ben and Tigrina The Devil Doll), the book documents a burgeoning community centered around a love for science fiction and occultism. Its contributors elucidate a special moment in LA history when these movements offered means of escapism for midcentury queer people dreaming of other realities. Whereas gay bars were subject to police raids, sci-fi and occult collectives operated mostly under the radar, often gestating an unexpected space for queer connectivity. Its pages are decorated with beautifully reproduced images from the exhibition — erotic and fantastical drawings, images of early cosplay, film stills, ephemera from the foundational ONE Archives, and more. The exhibition at the USC Fisher Museum of Art is part of Pacific Standard Time ‘s Art and Science Collide initiative and continues through March 15 of next year, but the book proves a beautiful standalone resource, replete with luxe two-page spreads and essays decorated with jewel-tone inks. — Jasmine Weber Buy on Bookshop | Inventory Press & ONE Archives at the USC Libraries, October 2024 Nikki A. Greene’s Grime, Glitter, and Glass is a captivating examination of artwork by Renée Stout, Radcliffe Bailey, María Magdalena Campos-Pons, and others. Greene introduces the concept of “visual aesthetic musicality” to reckon with the powerful interplay between Black art and Black music. Her analysis encourages further exploration of the sonic elements of contemporary Black art, from Bailey’s “soundscapes” and Campos-Pons’s live performance practice to the “feminist funk power” of Stout and late musician Betty Davis. Greene’s voice as a remarkable scholar and self-proclaimed pseudo-musician is potent: “I invite readers to follow my remix of the history of art since I play new chords within a discipline that has traditionally not included poor Black girls like me,” she writes in a prelude titled “The Cadences of Black Art.” Grime, Glitter, and Glass is a must-read that is as delightful and prismatic as its magnificent title. — Alexandra M. Thomas Read the Review by Nereya Otieno | Buy on Bookshop | Duke University Press, October 2024 There is a certain set of presuppositions that people bring to the idea of the “Renaissance”; that this was a period marked by learning and light, illumination and renewal. That which is strange, eccentric, or disturbing is thus relegated to a Medieval past, but the weird can often be the most illuminating creative force. University of Verona art history professor Bernard Aikema and Fernando Checa Cremades, the former director of Madrid’s storied Prado Museum, reevaluate how we define Renaissance art in this ingenious collection from Cernunnos which focuses on the Flemish fabulist Hieronymus Bosch, but then expands outward. By recontextualizing the Renaissance in downright gothic terms, Bosch becomes the primogeniture of an alternative school of the period that is marked by the monstrous as much as the humanistic. Aikema and Cremades’s argument isn’t a boring rehash of the Northern versus the Italian Renaissance debate. This alternative school isn’t marked by geography as much as it is by perspective, so that Giuseppe Arcimboldo joins Netherlandish counterparts like Pieter Brueghel in their turn towards the bizarre. An illuminating and essential collaborative study that’s lushly illustrated. — ES Buy on Bookshop | Cernunnos, October 2024 In the 1970s, Minimalist artist Donald Judd drew an isolated and tiny town in West Texas into conversation with the wider art world. Since then, Marfa has become an art mecca – and Ballroom Marfa, a free, contemporary art space founded in 2003 by Virginia Lebermann and Fairfax Dorn, has been one of its standard-bearers. Ballroom Marfa: The First Twenty Years takes us into the Chihuahuan Desert for a multifold view of one of the most remote international art destinations, collecting images, writing, and other ephemera from two decades of art and performance facilitated by the center . “It was like going to a cult city,” writes John Waters, who executed one of the first activations at the art center, with a performance in 2004. Artist Mel Chin, who held his “Fundred Dollar Bill Project” there in 2010, reflects, “Being from Texas, it is always a joy to see other parts of the state ... it just opened up this part of Texas that I had not frequented.” One of the best parts of the book is the mass of personal recollections by participating artists and performers, all of whom convey the deep effects of the land, Judd’s legacy, and the opportunities the unlikely space afforded them in their own words. A thorough and fascinating survey of an unusual relationship between art, place, and people, Ballroom Marfa is the next best thing for those of us unable to jaunt through the wilds of West Texas. — Sarah Rose Sharp Buy on Bookshop | Monacelli Press, October 2024 This particular Venn diagram of Korean feminist artists produces 42 subjects, compiled by Dr. Kim Hong-hee (with a contribution from Kim Hyesoon) across 15 different themes — from “Body Art” to “Queer Politics” to “Ecofeminism” —with a further emphasis on essentialism or deconstructionism. In the first section, Kim offers the thematic guideline of “Femininity & Sexuality” and mirrors this with a pair of artists: the more established Yun Suknam, and the emerging Jang Pa. Yun’s enchanting figurative sculptures in painted wood and paper offer whimsical, representational takes on feminine identity, while Jang’s paintings are graphic, grotesque, and lush. Kim argues their differing approaches beyond the generation gap; Yun’s focus on the relationship-orientation of women, and Jang’s “gynocentric” approach show a social evolution in the “secret” life of women. Such rigorous exemplars and comparisons abound in every chapter, unpacking Korean social norms through the lens of several generations of feminist art. Korean Feminist Artists is not just a terrific primer for anyone hoping to wade into the waters of contemporary Korean art, but a fascinating form of wayfinding through waves of Korean society — feminist, artistic, and beyond. — SS Buy on Bookshop | Phaidon Press, October 2024 Founded as a magazine by publisher Eric Nakamura in 1994 in Southern California and co-edited by the late painter Martin Wong, Giant Robot was both disruptive to and representational of a diverse Asian diasporic experience. From humble beginnings, the magazine found a voracious audience and developed into a multifold entity including art galleries and exhibitions, as well as brick-and-mortar toy stores in New York, LA, and San Francisco. This new publication presents dozens of the most significant articles within the deeply influential magazine’s 68-issue run from its founding through 2011 — with topics ranging from manga and toys to the history of Japanese incarceration in the US, from skateboarder Peggy Oki to Cibo Matto, Slumdog Millionaire , and so much more — and features an updated addendum and commentary from an entire generation of culture-makers who cite Giant Robot ’s influence in the formation of their own identity as Asian Americans. It’s a comprehensive tribute to a vanguard undertaking that moved the needle on Asian-American culture, comprising a boundless blender of food, art, music, travel, fashion, politics, and beyond. — SS Buy on Bookshop | Drawn & Quarterly, October 2024 Accompanying the exhibition at the Brooklyn Museum curated by Dalila Scruggs, this catalog surveys the life and work of the radical Black feminist artist and activist Elizabeth Catlett. Moving chronologically from her birth in Washington, DC, in 1915 to her Howard undergraduate years and early career in Chicago and New York City through to her ultimate exile in Mexico in the 1960s, the book underscores the inextricability of Catlett’s creative output from her leftist politics, and in particular her advocacy for Black and Mexican women. In these pages, you’ll find over 150 works spanning her nearly seven-decade career, including linocut prints, lithographs, terracotta sculptures, and murals, as well as insightful essays by editor Scruggs (recently named the Smithsonian American Art Museum’s inaugural African American art curator) and an assemblage of art historians and curators. To call Catlett a “trailblazer” feels cliched and insufficient, yet that’s precisely what she was: She melded art and activism, enacting her politics as an educator and organizer while establishing an iconography of justice as a sculptor and printmaker. At last, a visionary gets her due. — Sophia Stewart Read the Review by Alexandra M. Thomas | Buy on Bookshop | University of Chicago Press Baya Mahieddine, the self-taught Algerian artist who enthralled the Paris art world in the 1940s, is often reduced to the men whom she inspired, among them Pablo Picasso and Henri Matisse. (The former, in fact, envied her seemingly boundless creativity .) But Alice Kaplan’s biography of painter and sculptor doesn’t let her backstory overshadow the merit of her work. Orphaned as a child and adopted by a French intellectual in Algiers who recognized the young girl’s creative gifts, Mahieddine was discovered at just 16 years old, making her debut at a 1947 art show in Paris whose catalog included a preface from none other than André Breton. Once Mahieddine returned to Algeria, her wunderkind status quickly faded, and with it her place in the annals of art history, but her work endures: her vital, vibrant gouache paintings — which featured bright colors and bold patterns and often took female figures and Algerian folk tales as their subjects — remain a marvel of outsider art, ripe for rediscovery. — SS Buy on Bookshop | University of Chicago Press, October 2024 In a small photo book, an artist goes searching for her father, a man whom she, her mother, and her brother left when she was only seven years old and without saying a proper goodbye. This intimate exploration includes photographs that mostly render the absences out of frame in a way that is as emotional as it is visual. While her father would also search for her and her sibling, she would eventually track him down. The heartbreaking story of loss, searching, and finding that which you might not understand is lovely. It reminds us that sometimes we cannot grasp something even when it’s right in front of us. — HV Buy on Bookshop | Aperture, November 2024 We hope you enjoyed this article! Before you keep reading, please consider supporting Hyperallergic ’s journalism during a time when independent, critical reporting is increasingly scarce. Unlike many in the art world, we are not beholden to large corporations or billionaires. Our journalism is funded by readers like you , ensuring integrity and independence in our coverage. We strive to offer trustworthy perspectives on everything from art history to contemporary art. We spotlight artist-led social movements, uncover overlooked stories, and challenge established norms to make art more inclusive and accessible. With your support, we can continue to provide global coverage without the elitism often found in art journalism. If you can, please join us as a member today . Millions rely on Hyperallergic for free, reliable information. By becoming a member, you help keep our journalism free, independent, and accessible to all. Thank you for reading. Share Copied to clipboard Mail Bluesky Threads LinkedIn Facebook
Despite these concerns, Sora remains committed to their vision of empowering players to shape the future of Life of Valor. The development team has put in place strict guidelines and moderation systems to ensure that user-generated content meets the highest standards of quality and appropriateness. They have also launched a series of workshops and tutorials to help users learn the tools and techniques needed to create compelling and engaging content within the game.LANDOVER, Md. (AP) — Austin Seibert missed his second extra point of the game with 21 seconds left after Jayden Daniels and Terry McLaurin connected on an 86-yard touchdown, Juanyeh Thomas returned the ensuing onside kick attempt for a touchdown and the Dallas Cowboys pulled out a 34-26 victory Sunday that extended the Washington Commanders’ skid to three games. Seibert, who missed the previous two games with a right hip injury, was wide left on the point-after attempt following a low snap. Thomas then took the kick back 43 yards as the Cowboys (4-7) ended their losing streak at five in improbable fashion. Part of that was the play of backup Cooper Rush, who threw for 247 yards and two TDs in his third start in place of starter Dak Prescott. Part was also the defense forcing two turnovers, as Chauncey Golston ripped the ball out of Brian Robinson Jr.’s hands for what was called an interception of Daniels in the second quarter, and Donovan Wilson stripped John Bates midway through the fourth. KaVonte Turpin provided the fireworks with a spinning, 99-yard kickoff return TD seconds after Daniels found Zach Ertz in the end zone and scored on a 2-point conversion to cut the deficit to three with 3:02 left. In the final three minutes alone, the Commanders (7-5) scored 10 points and allowed Thomas’ TD. All that after the score was 10-9 through three quarters before madness ensued. CHIEFS 30, PANTHERS 27 CHARLOTTE, N.C. (AP) — Patrick Mahomes threw for 269 yards and , Spencer Shrader kicked a 31-yard field goal as time expired and Kansas City beat Carolina to reach double-digit wins for the 10th straight season. Noah Gray caught two TD passes as the Chiefs (10-1) bounced back from last week’s 30-21 loss at Buffalo and won at the buzzer yet again in a season of narrow escapes. for the two-time defending Super Bowl champions, who scored on their first five possessions. Bryce Young finished 21 of 35 for 262 yards and a touchdown for the Panthers (3-8), who had their two-game winning streak snapped. David Moore had six receptions for 80 yards and a touchdown. Trailing 27-19, Young completed a fourth-down pass to Adam Thielen to move the chains, then went deep for the veteran receiver, who drew a pass-interference penalty on Chamarri Conner. That set up a 1-yard touchdown run by Chuba Hubbard. LIONS 24, COLTS 6 INDIANAPOLIS (AP) — and David Montgomery added a third touchdown run, leading Detroit to a victory over Indianapolis. Gibbs finished with 21 carries for 90 yards as the Lions (10-1) extended their league-high winning streak to nine straight. Detroit has its been 11-game record since the franchise’s inaugural season in 1934. Jared Goff continued his sensational season, too, completing 26 of 36 throws for 269 yards. The Colts (5-7) lost their second straight home game and for the fourth time in their past five games. with 172 yards while rushing 10 times for 61 yards. the NFL’s highest-scoring offense largely in check Sunday, it was doomed by its inability to finish drives with touchdowns. BUCCANEERS 30, GIANTS 7 EAST RUTHERFORD, N.J. (AP) — Baker Mayfield catapulted into the end zone for one of Tampa Bay’s four rushing touchdowns, and the Buccaneers beat the Giants and new starting quarterback Tommy DeVito, snapping a four-game losing streak and extending New York’s skid to six. The Giants’ decisions this week to bench and then release quarterback Daniel Jones did nothing to help the NFL’s lowest-scoring offense. DeVito threw for 189 yards, mostly in the second half with New York well on its way to its sixth straight loss at home, where it is winless. Meanwhile, the Buccaneers dominated in every phase in a near-perfect perfect performance that featured TD runs of 1 yard by Sean Tucker, 6 yards by Bucky Irving and 1 yard by Rachaad White. After recent losses to the Ravens, 49ers and Chiefs, Tampa Bay (5-6) moved within one game of idle Atlanta in the NFC South. Tampa Bay scored on five of its on first six possessions to open a 30-0 lead, and none was more exciting than Mayfield’s TD run with 12 seconds left in the first half. On a second-and-goal from the 10, he avoided pressure and went for the end zone. He was hit by Cor’Dale Flott low and Dru Phillips high around the 2-yard line, and he was airborne when he crossed the goal line. The ball came loose when he hit the turf but he jumped up and flexed — — as the Bucs took a 23-0 lead. DOLPHINS 34, PATRIOTS 15 MIAMI GARDENS, Fla. (AP) — Tua Tagovailoa threw for 317 yards and four touchdowns, including two scores to running back De’Von Achane, and Miami routed New England. The Dolphins (5-6) have a thin margin for error the rest of the season but have kept themselves afloat with a three-game winning streak. With their win at New England (3-9) in Week 5, the Dolphins have swept their division rivals in consecutive seasons for the first time since 1999-2000. Tagovailoa, who moved to 7-0 in his career against New England, entered the game with a league-high 73.4% completion rate and went 29 for 40. Backup Skylar Thompson replaced Tagovailoa with about 11 minutes left in what was already a blowout, but a bad handoff on his first play resulted in a fumble that was recovered by cornerback Christian Gonzalez and returned 63 yards for a touchdown. It cut New England’s deficit to 31-15, and Tagovailoa returned the next drive. TITANS 32, TEXANS 27 HOUSTON (AP) — Will Levis threw for 278 yards and his 70-yard touchdown pass to Chig Okonkwo put Tennessee on top in the fourth quarter and the Titans held on for a win over the Texans. Okonkwo grabbed a short pass and rumbled for the touchdown to put the Titans (3-8) up 30-27 with 91⁄2 minutes remaining. Safety Eric Murray missed a tackle that would have stopped him near midfield. The Texans (7-5) had a chance to tie it with less than two minutes remaining, but Ka’imi Fairbairn’s 28-yard field-goal attempt sailed wide left. He fell to the ground after the miss before getting up and slamming his helmet on the field. Titans coach Brian Callahan held both hands in the air and smiled after watching the miss that allowed his team to win on a day it had three turnovers. The Texans forced a three-and-out, but couldn’t move the ball after that and Harold Landry sacked C.J. Stroud in the end zone for a safety to make it 32-27 and allow Tennessee to snap a two-game skid. VIKINGS 30, BEARS 27, OT CHICAGO (AP) — Sam Darnold threw for 90 of his 330 yards in overtime to set up , and Minnesota outlasted Chicago after giving up 11 points in the final 22 seconds of regulation. Darnold threw two touchdown passes, Jordan Addison caught eight passes for a career-high 162 yards and a touchdown, and T.J. Hockenson had 114 yards receiving for the Vikings (9-2), who remained one game behind Detroit in the rugged NFC North. Caleb Williams threw for 340 yards and two touchdowns for the Bears (4-7), who lost their fifth straight. Minnesota appeared to have the game in hand, leading 27-16 with 1:56 left after Romo kicked a 26-yard field goal. But the Bears weren’t finished. Deandre Carter made up for that led to a touchdown in the third quarter with a 55-yard kickoff return to the 40. Williams took it from there, capping an eight-play drive with a 1-yard touchdown pass to Keenan Allen. A 2-point conversion pass to DJ Moore made it 27-24 with 22 seconds remaining. The Bears recovered the onside kick and Williams hit Moore over the middle for a 27-yard gain to the 30 before spiking the ball. Cairo Santos made a 48-yard field goal as time expired.In conclusion, Erik ten Hag found success at Ajax and in European competitions because of his unwavering commitment to his vision, his ability to inspire his players, and his tactical acumen. By setting the right direction for his team, instilling a winning mentality, and guiding them to achieve their full potential, Ten Hag has cemented his status as one of the most successful coaches in modern football. His legacy at Ajax and in Europe will continue to be remembered for years to come, as a testament to his leadership and coaching prowess.
Education Ministry and Six Other Departments Deploy Further Strengthening of Teacher Respect and Welfare Work
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The addition of new moves for monsters in "Black Myth: Wukong" has taken the gaming community by storm. From fearsome bosses to minions lurking in the shadows, each foe now wields a fresh set of skills that challenge even the most seasoned players. The dynamic combat system of the game has been further enriched, promising a gameplay experience that is both exhilarating and unpredictable.7. Biased Reporting: The Daily Mail's biased reporting on political events and social issues further polarized public opinion and perpetuated division. By presenting one-sided narratives and ignoring dissenting voices, the newspaper failed to foster a constructive dialogue and informed debate among its readers.
Furthermore, giving playing time to substitute players can also help them stay motivated and sharp. Players like Montolivo, who may not be regular starters, need regular game time to maintain match fitness and form. By giving them opportunities to showcase their skills and contribute to the team's success, Conte can not only improve their performance but also enhance the overall depth of the squad.Jimmy Carter's political journey: From Plains to the White House, 39th US president dies at 100