HOUSTON, Texas (KTRK) -- Officials say a dozen python snakes were rescued during an animal neglect investigation in northwest Houston on Thursday. Harris County Constable Precinct 1 deputies and the Houston SPCA team learned that a man was keeping the snakes on an apartment balcony in the 4000 block of Watonga Boulevard without a working warming system. The discovery was made after someone reported about 20 ball python snakes, with some dying in the past three months, Pct. 1 said. "Having concerns with the recent cold fronts lowering temperatures and the snakes being left outside on the apartment balcony, Pct. 1 and HSPCA Cruelty Investigators responded by visiting the apartment complex and unit to investigate further," the constable's official said on social media. Pct. 1 deputies said the owner admitted to keeping his snakes on the balcony for months, failing to power the warming system he created. The owner agreed to surrender a dozen snakes, with investigators finding out two of them had died. While assessing the snakes, authorities say their temperatures were so low that a regular thermometer couldn't read them. They had to use an infrared thermometer to find the snakes had dangerously low temperatures. The investigation is ongoing, and the Harris County District Attorney's Office will review the case for criminal charges.Fluence Energy, Inc. Announces Convertible Notes Offering and Intention to Enter into Capped ...
EAST RUTHERFORD, N.J. (AP) — The New York Giants organization got exactly what it deserved in getting blown out by Baker Mayfield and the Tampa Bay Buccaneers. The Giants were embarrassed in Sunday's 30-7 loss , taunted by Mayfield after a touchdown run just before halftime. And then they saw their fans walk out on them again when the Bucs extended their lead to 30-0 and sent New York (2-9) to its sixth straight loss.
NoneBest TV of 2024: A modestly better lineup than usual, but why didn’t it feel that way?
One of my top shows of 2024 actually premiered in 2021. That’s because it took a couple of years for the Australian series “The Newsreader” to make its way Stateside. Alas, it was only legal to stream in the U.S. for a handful of weeks in September and then — pffft! — it was gone before most people had even heard of it. Well, I have great news. The show will be available once again, this time via Sundance Now (accessible through the AMC+ streaming platform), which has licensed the first season. Premiering Dec. 19, it stars Anna Torv (“Fringe”) and Sam Reid (“Interview with the Vampire”) as TV reporters in Melbourne, circa 1986. At the outset, Reid’s character exudes big loser energy, which is such an amusing contrast to his work as Lestat. The show is unexpectedly funny and terrifically Machiavellian in its portrayal of small-time office politics, and I’m thrilled audiences in the U.S. will get another shot at watching it. Overall, 2024 offered a modestly better lineup than usual, but I’m not sure it felt that way. Too often the good stuff got drowned out by Hollywood’s pointless and endless pursuit of rebooting intellectual property (no thank you, Apple’s “Presumed Innocent” ) and tendency to stretch a perfectly fine two-hour movie premise into a saggy multi-part series (“Presumed Innocent” again!). There were plenty of shows I liked that didn’t make this year’s list, including ABC’s “Abbott Elementary” and CBS’ “Ghosts” (it’s heartening to see the network sitcom format still thriving in the streaming era), as well as Netflix’s “A Man on the Inside” (Ted Danson’s charisma selling an unlikely premise) and Hulu’s “Interior Chinatown” (a high-concept parody of racial stereotypes and cop show tropes, even if it couldn’t sustain the idea over 10 episodes). Maybe it just felt like we were having more fun this year, with Netflix’s “The Perfect Couple” (Nicole Kidman leading a traditional manor house mystery reinterpreted with an American sensibility) and Hulu’s “Rivals” (the horniest show of 2024, delivered with a wink in the English countryside). I liked what I saw of Showtime’s espionage thriller “The Agency” (although the bulk of episodes were unavailable as of this writing). The deluge of remakes tends to make me cringe, but this year also saw a redo of Patricia Highsmith’s “The Talented Mr. Ripley” on Netflix that was far classier than most of what’s available on the streamer. Starring Andrew Scott, I found it cool to the touch, but the imagery stayed with me. Shot in black and white, it has an indelible visual language courtesy of director of photography Robert Elswit, whether capturing a crisp white business card against the worn grain wood of a bar top, or winding stairways that alternately suggest a yawning void or a trap. As always, if you missed any of these shows when they originally premiered — the aforementioned titles or the Top 10 listed below — they are all available to stream. Top 10 streaming and TV shows of 2024, in alphabetical order: The least cynical reality show on television remains as absorbing as ever in Season 4, thanks to the probing questions and insights from the show’s resident therapist, Dr. Orna Guralnik. Everything is so charged. And yet the show has a soothing effect, predicated on the idea that human behavior (and misery) isn’t mysterious or unchangeable. There’s something so optimistic in that outlook. Whether or not you relate to the people featured on “Couples Therapy” — or even like them as individuals — doesn’t matter as much as Guralnik’s reassuring presence. Created by and starring Diarra Kilpatrick, the eight-episode series defies categorization in all the right ways. Part missing-person mystery, part comedy about a school teacher coming to grips with her impending divorce, and part drama about long-buried secrets, it has tremendous style right from the start — sardonic, knowing and self-deprecating. The answers to the central mystery may not pack a satisfying punch by the end, but the road there is as entertaining and absorbing as they come. We need more shows like this. A comedy created by and starring Brian Jordan Alvarez (of the antic YouTube series “The Gay and Wondrous Life of Caleb Gallo”), the show has a sensibility all its own, despite a handful of misinformed people on social media calling it a ripoff of “Abbott Elementary.” There’s room enough in the TV landscape for more than one sitcom with a school setting and “English Teacher” has a wonderfully gimlet-eyed point of view of modern high school life. I’m amused that so much of its musical score is Gen-X coded, because that neither applies to Alvarez (a millennial) nor the fictional students he teaches. So why does the show feature everything from Laura Branigan’s “Gloria” to Exposé’s “Point of No Return”? The ’80s were awash in teen stories and maybe the show is using music from that era to invoke all those tropes in order to better subvert them. It’s a compelling idea! It’s streaming on Hulu and worth checking out if you haven’t already. A one-time tennis phenom accuses her former coach of coercing her into a sexual relationship in this British thriller. The intimacy between a coach and athlete often goes unexplored, in real-life or fictional contexts and that’s what the show interrogates: When does it go over the line? It’s smart, endlessly watchable and the kind of series that would likely find a larger audience were it available on a more popular streamer. There’s real tenderness in this show. Real cruelty, too. It’s a potent combination and the show’s third and strongest season won it an Emmy for best comedy. Jean Smart’s aging comic still looking for industry validation and Hannah Einbinder’s needy Gen-Z writer are trapped in an endless cycle of building trust that inevitably gives way to betrayal. Hollywood in a nutshell! “Hacks” is doing variations on this theme every season, but doing it in interesting ways. Nobody self-sabotages their way to success like these two. I was skeptical about the show when it premiered in 2022 . Vampire stories don’t interest me. And the 1994 movie adaptation starring Tom Cruise and Brad Pitt wasn’t a persuasive argument to the contrary. But great television is great television and nothing at the moment is better than this show. It was ignored by Emmy voters in its initial outing but let’s hope Season 2 gets the recognition it deserves. Under showrunner Rolin Jones, the adaptation of Anne Rice’s novels is richly written, thrillingly inhabited by its cast and so effortlessly funny with a framing device — the interview of the title — that is thick with intrigue and sly comedy. I wouldn’t categorize the series as horror. It’s not scary. But it is tonally self-assured and richly made, rarely focused on the hunt for dinner but on something far more interesting: The melodrama of vampire existence, with its combination of boredom and lust and tragedy and zingers. Already renewed for Season 3, it has an incredible cast (a thrilling late-career boost for Eric Bogosian) and is well worth catching up with if you haven’t already. It’s been too long since the pleasures of banter fueled a romantic comedy in the spirit of “When Harry Met Sally.” But it’s all over the place in “Nobody Wants This,” one of the best shows on Netflix in recent memory. Renewed for a second season, it stars Kristen Bell as a humorously caustic podcaster and Adam Brody as the cute and emotionally intelligent rabbi she falls for. On the downside, the show has some terrible notions about Jewish women that play into controlling and emasculating stereotypes. You hate to see it in such an otherwise sparkling comedy, because overall Bell and Brody have an easy touch that gives the comedy real buoyancy. I suspect few people saw this three-part series on PBS Masterpiece, but it features a terrific performance by Helena Bonham Carter playing the real-life, longtime British soap star Noele “Nolly” Gordon, who was unceremoniously sacked in 1981. She’s the kind of larger-than-life showbiz figure who is a bit ridiculous, a bit imperious, but also so much fun. The final stretch of her career is brought to life by Carter and this homage — to both the soap she starred in and the way she carried it on her back — is from Russell T. Davies (best known for the “Doctor Who” revival). For U.S. viewers unfamiliar with the show or Gordon, Carter’s performance has the benefit of not competing with a memory as it reanimates a slice of British pop culture history from the analog era. The year is 1600 and a stubborn British seaman piloting a Dutch ship washes ashore in Japan. That’s our entry point to this gorgeously shot story of power games and political maneuvering among feudal enemies. Adapted from James Clavell’s 1975 novel by the married team of Rachel Kondo and Justin Marks, it is filled with Emmy-winning performances (for Anna Sawai and Hiroyuki Sanada; the series itself also won best drama) and unlike something like HBO’s far clunkier “House of the Dragon,” which tackles similar themes, this feels like the rare show created by, and for, adults. The misfits and losers of Britain’s MI5 counterintelligence agency — collectively known as the slow horses, a sneering nickname that speaks to their perceived uselessness — remain as restless as ever in this adaptation of Mick Herron’s Slough House spy novels. As a series, “Slow Horses” doesn’t offer tightly plotted clockwork spy stories; think too deeply about any of the details and the whole thing threatens to fall apart. But on a scene-by-scene basis, the writing is a winning combination of wry and tension-filled, and the cumulative effect is wonderfully entertaining. Spies have to deal with petty office politics like everyone else! It’s also one of the few shows that has avoided the dreaded one- or two-year delay between seasons, which has become standard on streaming. Instead, it provides the kind of reliability — of its characters but also its storytelling intent — that has become increasingly rare. Nina Metz is a Tribune critic.
It’s true. Doomsday TV has exploded into a genre of its own, captivating audiences with bleak scenarios, moral quandaries, and the steady drumbeat of the apocalypse. It’s everywhere, from zombie-infested wastelands to dystopian societies on the brink of collapse. While these narratives can be thrilling, they also come with some emotional baggage. Let’s explore why we can’t seem to get enough of the end of the world — and why it might not be great for our collective psyche. Doomsday stories tap into something primal: the fear of the unknown. Shows like The Last of Us and Silo allow us to confront existential dread in a controlled environment. Watching Joel and Ellie navigate a brutal, post-apocalyptic world offers a way to process anxieties without actually living through them. But let’s be honest: recent years have sometimes felt apocalyptic enough. These stories often showcase humanity’s remarkable ability to adapt and survive amid the chaos. Whether it’s battling zombies in The Walking Dead or enduring the harrowing survivalism of Yellowjackets , these narratives remind us that people keep going, no matter how bleak things seem. There’s also a strange comfort in stepping away from real-world stress to focus on fictional chaos. The stakes in these stories are high, the drama is gripping, and it’s weirdly satisfying to root for characters battling alien invasions (Independence Day), dodging asteroids (Deep Impact), or rebuilding society ( Designated Survivor ). Nostalgia plays a part, too. Back in the late ’90s, apocalyptic narratives like Millennium thrived on the collective anxiety surrounding Y2K. The fear was almost philosophical — what if our technology turned against us? What if the end really was nigh? When nothing catastrophic happened, shows like 24 shifted the genre to action-packed optimism, where Jack Bauer didn’t just survive — he saved the day. Today’s doomsday narratives feel darker and more fatalistic, reflecting a world grappling with climate change, pandemics, and political instability. It’s no longer “What if?” but “What now?” And it’s so depressing! (No wonder these young kids today are so unhinged! 😉) Doomsday Across Genres Apocalyptic themes have evolved to permeate nearly every genre, each offering a unique take on the end of the world. Science fiction often leads the charge with dystopian worlds that are chillingly plausible. In Silo, humanity survives underground in a society ruled by secrets and strict control. Its exploration of rebellion and the cost of truth resonates with anyone who’s ever questioned authority. Dramas take a more intimate approach, as seen in The Last of Us, where brutal loss is paired with tender human connections. It’s not just about survival; it’s about how love and relationships endure in the worst of times. Horror takes apocalyptic stakes to supernatural heights. Shows like Supernatural blended end-of-time scenarios with demonic battles, creating a genre mash-up that felt larger than life while still grappling with existential dread. Action and thrillers like 24 captured the urgency of averting societal collapse, giving viewers edge-of-their-seat drama while Jack Bauer raced against the clock. Meanwhile, survivalist suspense has found a unique home in Yellowjackets, which strips the apocalypse down to a micro-level. The show’s descent into chaos and madness explores how people create their own doomsday when pushed to the brink, making it just as harrowing as a global catastrophe. The Downsides of All This Doom For all its entertainment value, doomsday TV has its pitfalls. The constant barrage of worst-case scenarios can desensitize audiences to real-world crises. Watching society collapse again and again risks making events like natural disasters or political instability feel like just another episode of The Walking Dead . For some viewers, it can even amplify existing anxieties. The relentless focus on pandemics, nuclear war, and environmental disasters might start as escapism but end up dragging people deeper into their fears about the future (and don’t we get enough of that in the news already?). These narratives can also distort our sense of reality. Shows like Silo , The Last of Us, and numerous others paint such vivid pictures of societal collapse that it’s easy to start seeing the world as far more fragile than it is. Yes, things are messy, but the odds of civilization crumbling overnight? Not as high as these shows might have us believe. What Happened to Hope? Doomsday stories weren’t always this bleak. Earlier apocalyptic tales often left room for optimism. On Independence Day, humanity rallied together to fight back against alien invaders. Disaster films like Deep Impact balance tragedy with a sense of renewal. Remember Téa Leoni’s final moment on the beach with her father? Heartbreaking, yes, but it was also a reminder that humanity endures. Today’s narratives lean hard into nihilism.The Last of Us doesn’t ask, “How do we fix this?” It asks, “How do we survive in what’s left?” That shift reflects broader cultural pessimism, and while it makes for gripping TV, it can also drain viewers. But not every show has succumbed to the gloom. Sweet Tooth offers a refreshing take on the genre. It follows Gus, a boy who navigates a pandemic-ravaged world with a sense of wonder and hope. His journey is filled with moments of kindness and connection, reminding viewers that light still shines even in the darkest times. Why We Need a Balance Doomsday TV will always have a place in our cultural imagination. It helps us process fears, explore resilience, and grapple with big questions about humanity’s future. But maybe the pendulum should swing back toward stories that leave us with more than existential dread. Give us more Designated Survivor, where rebuilding is possible, or Sweet Tooth, where hope thrives in the ruins. Let’s bring back that early 2000s optimism — the idea that even when the world ends humanity finds a way to start again. Remember 9/11? Granted, thousands lost their lives that day, but we carried on. Why? Because we’re resilient. History has shown this to be true. From world wars to economic collapses, history has proven time and again that resilience is part of the human spirit. We adapt, rebuild, and keep moving forward. It’s a reminder that while challenges may feel insurmountable at the moment, humanity has always found a way to persevere. So, what do you think? Are you all in for the doom and gloom, or are you ready for a break from apocalyptic despair? Let’s hear your thoughts — what’s your favorite doomsday TV show, and does it leave you feeling hopeful or just plain drained? Drop your picks (and your survival tips) in the comments, and let’s start a conversation about whether it’s time for TV to balance the end of the world with a little more optimism. After all, if the apocalypse is coming, wouldn’t you rather go out with a smile?Los Angeles Chargers rookie wide receiver Ladd McConkey, listed as questionable due to a shoulder issue, is expected to play Monday night against the visiting Baltimore Ravens, NFL Network reported. McConkey missed practice on Thursday and was limited on Friday and Saturday. Star linebacker Khalil Mack, who was questionable because of a groin injury and was a limited participant, also is expected to play, according to the report. The Chargers (7-3) made several moves Monday ahead of the game against the Ravens (7-4), placing tight end Hayden Hurst (hip) on injured reserve, activating cornerback Deane Leonard (hamstring) off IR, signing cornerback Eli Apple from the practice to the active squad, and elevating linebacker Caleb Murphy and safety Tony Jefferson for game day. McConkey, 23, has started nine of 10 games and has 43 receptions on 63 targets for 615 yards and four touchdowns. The Chargers drafted the 6-foot, 185-pound McConkey in the second round of the 2024 NFL Draft out of Georgia. Mack, 33, is a three-time first-team All-Pro, an eight-time Pro Bowl selection and the 2016 NFL Defensive Player of the Year. He has started the nine games he has played and has 26 tackles and 4.5 sacks this season. For his career, Mack has 617 tackles, 106 sacks, 141 tackles for loss, 178 quarterback hits, three interceptions -- two returned for touchdowns -- 32 forced fumbles and 13 fumble recoveries in 160 games (159 starts). He has played for the Raiders (2014-17), Chicago Bears (2018-21) and Chargers. Hurst, 31, has started two of seven games in his first season with the Chargers. He has seven receptions on 12 targets for 65 yards. A first-round pick (25th overall) by Baltimore in the 2018 NFL Draft out of South Carolina, Hurst has 202 receptions for 1,967 yards and 15 TDs in 86 games (41 starts) for the Ravens (2018-19), Atlanta Falcons (2020-21), Cincinnati Bengals (2022), Carolina Panthers (2023) and Chargers. Apple, 29, has two tackles in three games this season, his first with the Chargers. The 10th overall selection in the 2016 draft, Apple has 383 career tackles and six interceptions in 101 games (82 starts) for the New York Giants (2016-18), New Orleans Saints (2018-19), Panthers (2020), Bengals (2021-22), Miami Dolphins (2023) and Chargers. Leonard, who turned 25 last Tuesday, has four tackles in four games this season. His 21-day practice window on IR opened Wednesday. --Field Level MediaAtria Investments Inc purchased a new position in shares of Stride, Inc. ( NYSE:LRN – Free Report ) in the 3rd quarter, according to the company in its most recent filing with the SEC. The institutional investor purchased 3,216 shares of the company’s stock, valued at approximately $274,000. Other hedge funds have also made changes to their positions in the company. State Board of Administration of Florida Retirement System grew its holdings in Stride by 15.7% during the first quarter. State Board of Administration of Florida Retirement System now owns 14,014 shares of the company’s stock valued at $884,000 after purchasing an additional 1,900 shares during the last quarter. O Shaughnessy Asset Management LLC raised its holdings in Stride by 12.9% in the 1st quarter. O Shaughnessy Asset Management LLC now owns 4,202 shares of the company’s stock worth $265,000 after acquiring an additional 481 shares during the period. UniSuper Management Pty Ltd acquired a new position in Stride during the 1st quarter worth $555,000. CANADA LIFE ASSURANCE Co boosted its holdings in Stride by 5.2% during the first quarter. CANADA LIFE ASSURANCE Co now owns 57,725 shares of the company’s stock valued at $3,639,000 after acquiring an additional 2,847 shares during the period. Finally, EntryPoint Capital LLC acquired a new stake in shares of Stride in the first quarter valued at about $77,000. Institutional investors and hedge funds own 98.24% of the company’s stock. Analyst Upgrades and Downgrades LRN has been the subject of several recent analyst reports. Canaccord Genuity Group started coverage on Stride in a research note on Thursday, August 8th. They set a “buy” rating and a $94.00 target price for the company. StockNews.com downgraded shares of Stride from a “buy” rating to a “hold” rating in a research note on Wednesday, October 23rd. Citigroup upped their target price on shares of Stride from $90.00 to $94.00 and gave the company a “neutral” rating in a research note on Tuesday, October 29th. BMO Capital Markets raised their price target on shares of Stride from $84.00 to $88.00 and gave the stock an “outperform” rating in a research report on Thursday, October 24th. Finally, Barrington Research boosted their price objective on shares of Stride from $90.00 to $100.00 and gave the stock an “outperform” rating in a report on Wednesday, October 23rd. Three research analysts have rated the stock with a hold rating and five have assigned a buy rating to the stock. Based on data from MarketBeat.com, the stock currently has an average rating of “Moderate Buy” and a consensus price target of $90.17. Insider Activity In other news, Director Todd Goldthwaite sold 8,028 shares of the company’s stock in a transaction dated Friday, October 25th. The shares were sold at an average price of $91.54, for a total value of $734,883.12. Following the sale, the director now owns 85,058 shares of the company’s stock, valued at approximately $7,786,209.32. This represents a 8.62 % decrease in their position. The transaction was disclosed in a document filed with the Securities & Exchange Commission, which is available through the SEC website . Corporate insiders own 3.00% of the company’s stock. Stride Stock Up 0.5 % LRN opened at $103.93 on Friday. The company has a market capitalization of $4.53 billion, a P/E ratio of 18.80, a P/E/G ratio of 0.76 and a beta of 0.27. The company has a debt-to-equity ratio of 0.38, a current ratio of 5.60 and a quick ratio of 5.50. The firm’s fifty day moving average price is $86.32 and its two-hundred day moving average price is $77.77. Stride, Inc. has a fifty-two week low of $54.81 and a fifty-two week high of $104.68. Stride ( NYSE:LRN – Get Free Report ) last posted its earnings results on Tuesday, October 22nd. The company reported $0.94 earnings per share for the quarter, beating analysts’ consensus estimates of $0.22 by $0.72. The business had revenue of $551.08 million for the quarter, compared to analysts’ expectations of $504.29 million. Stride had a net margin of 11.38% and a return on equity of 21.23%. The firm’s revenue for the quarter was up 14.8% on a year-over-year basis. During the same quarter in the previous year, the firm posted $0.11 earnings per share. On average, analysts anticipate that Stride, Inc. will post 6.66 EPS for the current year. About Stride ( Free Report ) Stride, Inc, a technology-based education service company, engages in the provision of proprietary and third-party online curriculum, software systems, and educational services in the United States and internationally. Its technology-based products and services enable clients to attract, enroll, educate, track progress, support, and facilitate individualized learning for students. Recommended Stories Five stocks we like better than Stride Why is the Ex-Dividend Date Significant to Investors? Tesla Investors Continue to Profit From the Trump Trade The Risks of Owning Bonds MicroStrategy’s Stock Dip vs. Coinbase’s Potential Rally What is a Death Cross in Stocks? 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The Eagle's 2024 Top 10 News Stories, No. 8: College Station tackles housing crisisFormer President Bill Clinton was admitted Monday to Georgetown University Medical Center in Washington, D.C., after developing a fever. The 78-year-old was hospitalized in the “afternoon for testing and observation,” Angel Urena, Clinton’s deputy chief of staff, said in a statement. “He remains in good spirits and deeply appreciates the excellent care he is receiving,” Urena said. Clinton, a Democrat who served two terms as president from January 1993 until January 2001, addressed the Democratic National Convention in Chicago this summer, and campaigned ahead of November’s election for the unsuccessful White House bid of Democratic Vice President Kamala Harris . In the years since Clinton left the White House, he’s faced some health scares. In 2004, he underwent quadruple bypass surgery after experiencing prolonged chest pains and shortness of breath. Clinton returned to the hospital for surgery for a partially collapsed lung in 2005, and in 2010 he had a pair of stents implanted in a coronary artery. We have launched our year-end campaign. Our goal: Raise $50,000 by Dec. 31. Help us get there. Times of San Diego is devoted to producing timely, comprehensive news about San Diego County. Your donation helps keep our work free-to-read, funds reporters who cover local issues and allows us to write stories that hold public officials accountable. Join the growing list of donors investing in our community's long-term future. Clinton responded by embracing a largely vegan diet that saw him lose weight and report improved health. In 2021, the former president was hospitalized for six days in California while being treated for an infection that was unrelated to COVID-19, when the pandemic was still near its height. An aide to the former president said then that Clinton had a urological infection that spread to his bloodstream, but was on the mend and never went into septic shock, a potentially life-threatening condition. The aide said Clinton was in an intensive care section of the hospital that time, but wasn’t receiving ICU care. Get Our Free Daily Email Newsletter Get the latest local and California news from Times of San Diego delivered to your inbox at 8 a.m. daily. Sign up for our free email newsletter and be fully informed of the most important developments.Intapp, Inc. ( NASDAQ:INTA – Get Free Report ) has received an average recommendation of “Moderate Buy” from the eleven brokerages that are covering the company, Marketbeat Ratings reports. Two investment analysts have rated the stock with a hold recommendation and nine have assigned a buy recommendation to the company. The average 12-month price objective among analysts that have covered the stock in the last year is $53.55. Several research firms recently weighed in on INTA. UBS Group increased their target price on Intapp from $49.00 to $50.00 and gave the stock a “buy” rating in a research report on Wednesday, August 14th. JPMorgan Chase & Co. raised their target price on shares of Intapp from $52.00 to $58.00 and gave the stock an “overweight” rating in a research report on Tuesday, November 5th. Piper Sandler reaffirmed an “overweight” rating and set a $60.00 price target (up previously from $46.00) on shares of Intapp in a research report on Tuesday, November 5th. Barclays lifted their price target on shares of Intapp from $44.00 to $48.00 and gave the company an “equal weight” rating in a report on Tuesday, November 5th. Finally, Bank of America decreased their price target on shares of Intapp from $52.00 to $48.00 and set a “buy” rating on the stock in a report on Wednesday, August 14th. Get Our Latest Stock Analysis on Intapp Intapp Price Performance Intapp ( NASDAQ:INTA – Get Free Report ) last released its earnings results on Monday, November 4th. The company reported $0.21 EPS for the quarter, topping the consensus estimate of $0.13 by $0.08. Intapp had a negative net margin of 4.74% and a negative return on equity of 2.08%. The firm had revenue of $118.81 million during the quarter, compared to analysts’ expectations of $117.88 million. During the same period in the previous year, the company earned ($0.20) EPS. Intapp’s revenue for the quarter was up 17.0% on a year-over-year basis. As a group, analysts forecast that Intapp will post -0.14 EPS for the current year. Insider Buying and Selling at Intapp In other Intapp news, insider Thad Jampol sold 31,666 shares of the firm’s stock in a transaction dated Thursday, September 19th. The stock was sold at an average price of $49.09, for a total value of $1,554,483.94. Following the transaction, the insider now directly owns 772,412 shares of the company’s stock, valued at $37,917,705.08. This trade represents a 3.94 % decrease in their ownership of the stock. The transaction was disclosed in a document filed with the SEC, which is available through this hyperlink . Also, Director Ralph Baxter sold 5,000 shares of the firm’s stock in a transaction dated Thursday, October 10th. The shares were sold at an average price of $47.44, for a total value of $237,200.00. Following the completion of the transaction, the director now directly owns 5,624 shares in the company, valued at $266,802.56. This trade represents a 47.06 % decrease in their ownership of the stock. The disclosure for this sale can be found here . Insiders have sold 237,017 shares of company stock valued at $12,156,222 over the last three months. 13.02% of the stock is owned by company insiders. Institutional Trading of Intapp A number of hedge funds and other institutional investors have recently modified their holdings of INTA. J.Safra Asset Management Corp increased its position in shares of Intapp by 634.0% during the second quarter. J.Safra Asset Management Corp now owns 712 shares of the company’s stock worth $26,000 after acquiring an additional 615 shares during the last quarter. Advisors Asset Management Inc. increased its holdings in Intapp by 239.1% in the first quarter. Advisors Asset Management Inc. now owns 824 shares of the company’s stock valued at $28,000 after buying an additional 581 shares during the last quarter. Farther Finance Advisors LLC increased its holdings in Intapp by 1,054.0% in the third quarter. Farther Finance Advisors LLC now owns 577 shares of the company’s stock valued at $28,000 after buying an additional 527 shares during the last quarter. Blue Trust Inc. bought a new stake in Intapp in the second quarter valued at about $30,000. Finally, Comerica Bank increased its holdings in Intapp by 218.4% in the first quarter. Comerica Bank now owns 1,261 shares of the company’s stock valued at $43,000 after buying an additional 865 shares during the last quarter. 89.96% of the stock is owned by hedge funds and other institutional investors. About Intapp ( Get Free Report Intapp, Inc, through its subsidiary, Integration Appliance, Inc, provides industry-specific cloud-based software solutions for the professional and financial services industry in the United States, the United Kingdom, and internationally. Its solutions include DealCloud, a deal and relationship management solution that manages financial services firms' market relationships, prospective clients and investments, current engagements and deal processes, and operations and compliance activities; collaboration and content solutions, including Intapp documents, an engagement-centric document management system, and Intapp workspaces; risk and compliance management solutions, such as Intapp conflicts, Intapp intake, Intapp terms, Intapp walls, and Intapp employee compliance; and operational and financial management solutions comprising Intapp Billstream, a cloud-based automated proforma invoice solution, Intapp time, and Intapp terms. Recommended Stories Receive News & Ratings for Intapp Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Intapp and related companies with MarketBeat.com's FREE daily email newsletter .