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PARIS (AP) — Paris Saint-Germain failed to score in Ligue 1 for the first time this season as the reigning champion was denied by outstanding goalkeeping from Auxerre's Donovan Léon in a 0-0 draw on Friday. Léon's string of superb saves thwarted PSG’s attacking stars. After a fairly even first 45 minutes, PSG camped in the Auxerre half but could not find a way past León, who made memorable stops from Gonçalo Ramos, Achraf Hakimi, Kang-In Lee, Désiré Nonka-Maho and Randal Kolo Muani. Vitinha saw one curling shot come back off the bar. PSG had 25 shots to Auxerre’s six and 15 corners to Auxerre’s three but the home side still could have stolen all three points, as PSG keeper Gianluigi Donnarumma had to make a smart stop from Hamed Traorè. PSG remained eight points clear on top of Ligue 1. Auxerre was eighth. Canadian striker Jonathan David scored two and made another as Lille brushed past Brest 3-1 to extend its unbeaten run to 10 games in Ligue 1. The last time Lille lost to Brest at home was in 1989 and that long run never looked likely to fall as David turned in a man-of-the-match performance at Stade Pierre-Mauroy. He put Lille ahead from the penalty spot after nine minutes and he got away from his marker and crossed for Hákon Haraladsson to clip home a second just before halftime. Ludovic Ajorque got one back for Brest early in the second half but David restored Lille’s two-goal cushion when he pounced on a loose ball to slide home his team’s third. David’s goals took his season total to 17 in 23 games. They were his 10th and 11th in the league and lift him to the top of the Ligue 1 goal-scoring chart. Marseille was second ahead of Lille and Monaco on goal difference. AP soccer: https://apnews.com/hub/soccer
COPPELL, Texas & LEWISVILLE, Texas--(BUSINESS WIRE)--Nov 26, 2024-- Lovett Industrial, a Houston-based real estate investment firm is excited to announce the recent groundbreaking of 121 Logistics Park, a 27-acre urban infill development consisting of 339,280 square feet across two Class A logistics facilities in Coppell and Lewisville, Texas. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20241126678656/en/ 121 Logistics Park Rendering provided by Meinhardt & Associates Architects Located directly off State Highway 121, 121 Logistics Park offers immediate access to one of the major transportation arteries in the Dallas-Fort Worth area. The business park will offer above-standard specifications in both buildings. Building 1, a 257,591 square foot rear loader with a 36-foot clear height, 7-inch reinforced concrete slab, 49 dock-high doors, 185-foot truck court, and at least 67 trailer parks. Building 2 will be an 81,689 square-foot front loader offering a 32-foot clear height, 6-inch reinforced concrete slab, 18 dock doors, 130 -185-foot-deep truck court, and 12 trailer parks. “With high barriers of entry, close proximity to executive housing, and ample blue-collar labor, the North DFW Airport submarket is considered not only to be one of the most desirable infill submarkets in the Dallas Fort Worth industrial market but one of the most desirable industrial submarkets in the United States,” said Bennett See, Dallas-Fort Worth Market Leader. “This opportunity became a reality through a fantastic partnership with the City of Coppell and the City of Lewisville, and we feel incredibly fortunate to be able to work with two great cities that shared our vision for this land.” 121 Logistics Park is expected to be completed in the third quarter of 2025 and will cater to tenants ranging from 85,000 SF to 339,000 square feet in size. Marketing and leasing efforts for 121 Logistics Park will be exclusively handled by Adam Graham and Alex Wilson of Lee & Associates. Construction financing is being provided by Comerica Bank. Bob Moore Construction is the General Contractor, Meinhardt & Associates Architecture is the lead architect, and Kimley-Horn & Associates is serving as the project’s civil engineer. 121 Logistics Park is Lovett Industrial’s ninth industrial development in the greater Dallas-Fort Worth area. Other projects include Trinity West Phases I & II, Innovation Ridge Logistics Park, Wylie Business Center, Addison Innovation Center, Lovett 35 Logistics Park, Garland Innovation Center, and Texport Logistics Center. Together, these projects comprise over 5.4 million square feet of completed or under-construction product in Dallas-Fort Worth. About Lovett Industrial: Founded in 2020 and based in Houston, Texas, Lovett Industrial is a privately held vertically integrated logistics real estate investment platform that seeks to develop and acquire industrial real estate assets that are differentiated by their quality, location, and functionality. Currently active in over 15 markets across the United States, Lovett Industrial’s portfolio comprises approximately 17 million square feet of completed, acquired, and under-construction warehouses and over 10 million square feet of warehouses planned for future development. Lovett Industrial’s founders have combined over 60+ years of experience in the commercial and industrial real estate sectors. For more information, visit https://lovettindustrial.com/ and follow @Lovett_industrial on social media. View source version on businesswire.com : https://www.businesswire.com/news/home/20241126678656/en/ CONTACT: Lily Aguilar Liliana.aguilar@lovettindustrial.com KEYWORD: UNITED STATES NORTH AMERICA TEXAS INDUSTRY KEYWORD: SUPPLY CHAIN MANAGEMENT ARCHITECTURE OTHER CONSTRUCTION & PROPERTY COMMERCIAL BUILDING & REAL ESTATE CONSTRUCTION & PROPERTY OTHER TRANSPORT RETAIL AIR BUILDING SYSTEMS TRANSPORT REIT LOGISTICS/SUPPLY CHAIN MANAGEMENT SOURCE: Lovett Industrial Copyright Business Wire 2024. PUB: 11/26/2024 04:00 PM/DISC: 11/26/2024 04:02 PM http://www.businesswire.com/news/home/20241126678656/enPresident Joe Biden’s announcement on Tuesday of a couldn’t have come soon enough for Lebanon, a country in the midst of a yearslong economic crisis and intense political paralysis. The war, which began on Oct. 8, 2023, as a series of hostile exchanges across the Israel-Lebanon border and escalated into a heavy Israeli air and ground campaign in Southern Lebanon, and turned some of Beirut’s districts into a war zone. Hours before the U.S.-brokered deal was announced, Israel in what was no doubt a message to the Lebanese militia: Israel can sustain the conflict for as long as it sees fit. In the end, Israel and Hezbollah concluded that they could gain more through negotiations than they could on the battlefield. The agreement is a recitation of , which ended a previous monthlong war between the two adversaries more than 17 years ago but was viewed by all the parties involved, Israel in particular, as a lackluster initiative that wasn’t enforced. The current deal seeks to strengthen UNSCR 1701 by adding stronger monitoring. During a 60-day ceasefire, Israeli troops will withdraw from Southern Lebanon, Hezbollah will do the same, and the Lebanese army will re-deploy to the area. Meanwhile, the approximately 60,000 Israelis who have been displaced in northern Israel will get to return home. In effect, the deal allows both Israel and Hezbollah to claim victory; Israeli Prime Minister Benjamin Netanyahu can boast that Hezbollah’s military capacity has been significantly diminished; Hezbollah can claim that its resistance drove Israeli forces out of Lebanon. Over the long term, the pause in fighting is designed to give Israel and Lebanon the time and space to officially demarcate their shared border. Yet, at the risk of sounding like a pessimist, just getting to that point would be an achievement. A lot can go wrong between now and then. After all, signing an agreement means nothing if it isn’t implemented. There are any number of ways the agreement can go sideways. First and foremost, the question of whether Hezbollah will actually withdraw north of the Litani River, approximately 20 miles from the Israeli-Lebanese border, is very much in question. Southern Lebanon is Hezbollah’s support base; the militia is a core part of the social fabric in the region, its fighters have homes and families there, and the small towns and villages dotting the area have often been given the short end of the stick from the Lebanese government, which has proven incapable of delivering social services or even basic administration. Hezbollah may be willing to move their weapons caches further north, but the idea that tens of thousands of Hezbollah fighters will uproot their lives is difficult to believe. In this case, Israel will then be forced with a choice: renew military operations and risk the resumption of war, or loosen enforcement and risk Hezbollah maintaining its power base. Second, is the Lebanese army capable of patrolling Southern Lebanon to Israel’s satisfaction? While the Lebanese army is a well-respected institution inside the country and crosses the usual sectarian divisions that have defined Lebanese political life for decades, it’s also arguably the weakest military in the Middle East. , the Lebanese army is smaller than Hezbollah. The since 2006 has barely kept the Lebanese army afloat. The defense systems you would expect a modern military to possess — air defenses, fighter and bomber aircraft, patrol vessels, various air-to-air and air-to-ground munitions — . Due in large part to Lebanon’s financial crisis, some of Lebanon’s soldiers to support themselves and their families. Israel understands all this but is nevertheless unlikely to be very patient. If the Lebanese army is unable or unwilling to do the job of clearing Hezbollah forces out and confronting the remnants that remain, the Israeli army will do it for them as Netanyahu during his remarks upon announcing the ceasefire. This, in effect, would negate the ceasefire and risk plunging the country into war again. Assuming the ceasefire in Lebanon sticks, Israeli and U.S. officials are hopeful it will change Hamas’ calculations about continuing its war with Israel in Gaza. “What Hamas wanted was support from Hezbollah and others,” an Israeli official the Times of Israel. “Once you cut the connection, you have the ability to reach a deal. It’s a strategic achievement. Hamas is alone.” But this sounds more like wishful thinking than reality. Hamas has experienced the most destructive war with Israel in its 37-year history, with tens of thousands of its fighters killed, its upper echelon wiped out and its control in Gaza at its weakest since it kicked the Palestinian Authority out of the coastal territory in 2007. Even so, it’s bottom-line negotiating position remains unchanged: If Israel wants to retrieve the rest of its hostages, it must withdraw entirely from Gaza and end the war permanently. Hamas’ strategy doesn’t depend on Hezbollah, so the notion it will adopt Hezbollah’s position now that it is out of the fight is fanciful at best. If all goes according to plan, Lebanon will now have a chance to rebuild. But how long the peace will stick is another matter entirely.
NYC's mayor warms to Trump and doesn't rule out becoming a RepublicanNYC's mayor warms to Trump and doesn't rule out becoming a RepublicanVolunteers with Nebraskans for Medical Marijuana sort through boxes of petitions submitted just before a deadline in 2022 to submit signatures to qualify for the November ballot. July 7, 2022. (Paul Hammel/Nebraska Examiner) LINCOLN — The Nebraska Attorney General’s Office and the Hall County Attorney’s Office are appealing the dismissal of criminal charges against a notary public who notarized medical cannabis petitions for the fall election. Hall County Attorney Marty Klein, Nebraska Attorney General Mike Hilgers and Assistant Attorney General Michael Jensen filed an appeal Friday to take the case to Hall County District Court against Jacy C. Todd, 54, a notary from York. Mark Porto, Todd’s attorney, did not immediately respond to a request for comment Friday on the appeal but previously urged prosecutors to “ stop playing political games .” “A series of politically orchestrated (and false) Class II misdemeanors are among the least scary and intimidating things Mr. Todd has ever encountered,” Porto said in a statement last month. Prosecutors to appeal case against Nebraska notary, whose attorney asks ‘to stop playing games’ Prosecutors charged Todd on Oct. 2 with 24 counts of “ official misconduct ” for allegedly notarizing petitions outside the presence of a paid petition circulator — Michael Egbert of Grand — on 24 separate dates. Egbert pleaded guilty Nov. 8 to a Class I misdemeanor for circulator fraud, down from a felony. He testified in court that he used a phone book to illegally add and forge voter signatures. Hall County Judge Alfred Corey dismissed all charges against Todd on Nov. 22, finding that notaries are not public officials and that allegations of notarial “malfeasance” can already be tried administratively. Corey ordered the state to pay associated court costs. “While these duties greatly assist others, notary publics are not public servants who are performing governmental functions,” Corey wrote in a four-page opinion. The prosecutors, in their appeal, argue that Corey erred in finding that a notary was not a public official and said many states recognize notaries public as having governmental power. The prosecutors added that an administrative investigation doesn’t prohibit criminal prosecution. Todd is believed to be the first notary public criminally charged in Nebraska in actions involving allegations of notary malfeasance. Hilgers’ office accused about seven other notaries involved with the medical marijuana ballot initiatives of similar malfeasance by Hilgers’ office in a Lancaster County District Court case against the petitions . None of the seven have been charged in the same manner as Todd. The Lancaster County district judge dismissed the case after rejecting arguments from the AG’s Office, which included accusations of notarial malfeasance. That ruling is also being appealed . SUBSCRIBE: GET THE MORNING HEADLINES DELIVERED TO YOUR INBOX Originally published on nebraskaexaminer.com , part of the BLOX Digital Content Exchange . Get local news delivered to your inbox!The House Ethics Committee has just released its report on former Rep. Matt Gaetz that includes an array of shocking findings, including that the Florida representative paid multiple women , including a 17-year-old girl, for sex, as well as purchased and used illegal drugs. The committee concluded that Gaetz violated multiple state laws related to sexual misconduct while in office, including the state’s statutory rape law. “The Committee determined there is substantial evidence that Representative Gaetz violated House Rules and other standards of conduct prohibiting prostitution, statutory rape, illicit drug use, impermissible gifts, special favors or privileges, and obstruction of Congress,” panel investigators wrote. While ethics reports have previously been released after a member’s resignation, it is extremely rare. Gaetz has repeatedly denied all wrongdoing, and on Monday filed a lawsuit seeking to block the report’s release, saying it contains “untruthful and defamatory information” that would “significantly damage” his “standing and reputation in the community.” Matt Gaetz withdraws from consideration for attorney general citing 'distraction' to Trump transition House Ethics Committee made 'no agreement' on releasing Matt Gaetz report after meeting The release of the report comes after at least one Republican joined all five Democrats on the panel earlier this month in a secret vote to release the report about their former colleague despite initial opposition from GOP lawmakers, including House Speaker Mike Johnson, to publishing findings about a former member of Congress, the Associated Press reported. Here are the five most shocking findings in the House report on Gaetz: The report states that between 2017-2020, Gaetz paid "tens of thousands of dollars" across at least 20 occasions to women that the committee determined "were likely in connection with sexual activity and/or drug use." The committee found that the sexual encounters were often organized by his friend Joel Greenberg, a former Seminole County tax collector who is serving an 11-year prison sentence for underage sex trafficking, and wire fraud. Greenberg, who cooperated with federal investigators, said he set up the rendezvous through the website SeekingArrangement.com “Mr. Greenberg told the Committee that Representative Gaetz was aware that the women they had sex with and paid had met Mr. Greenberg through the ‘sugar dating’ website,” the panel wrote. The report said Gaetz made payment to women using multiple platforms, including PayPal, Venmo and CashApp. The report states many of the women interviewed "were clear that there was a general expectation of sex" and text messages show Gaetz would ask the women "to bring drugs to their rendezvous". “Nearly every young woman that the Committee interviewed confirmed that she was paid for sex by, or on behalf of, Representative Gaetz,” the panel wrote. One woman "said that she brought cocaine to at least one event with Representative Gaetz and that she witnessed him taking cocaine or ecstasy on at least five occasions," the report reads. After Gaetz’s attempt to block the release of the report failed, he began posting excerpts of testimony from the women he was found to have paid for sex on social media. He highlighted that one woman said she never "charged" money, but was simply given money. “Giving funds to someone you are dating — that they didn’t ask for — and that isn’t ‘charged’ for sex is now prostitution?!?” he wrote in one post. “There is a reason they did this to me in a Christmas Eve-Eve report and not in a courtroom of any kind where I could present evidence and challenge witnesses.” One of the sexual encounters during that time period involved a 17-year-old girl, the committee said. The woman told the committee she had sex with Gaetz twice at a July 2017 party when she was 17. “The Committee received testimony that Victim A and Representative Gaetz had sex twice during the party, including at least once in the presence of other party attendees,” the committee wrote. “Victim A recalled receiving $400 in cash from Representative Gaetz that evening, which she understood to be payment for sex. At the time, she had just completed her junior year of high school.” The then-17-year-old did not tell Gaetz she was a minor at the time, and he did not ask her age, the committee found. The committee did not receive any evidence Gaetz was aware of her age. The woman told congressional investigators she was under the influence of ecstasy at the party and that she recalled seeing Gaetz use cocaine at the party. Gaetz has denied having sex with a minor. “I NEVER had sexual contact with someone under 18,” the Florida Republican wrote on X last week. “Any claim that I have would be destroyed in court - which is why no such claim was ever made in court. The committee investigation also focused on September 2018 trip to the Bahamas, in which they say Gaetz violated the House Gift Rule, a set of rules for members of the House of Representatives regarding gifts, benefits, and hospitality The report said that for that trip Gaetz accepted gifts of transportation and lodging in excess of permissible amounts. Gaetz traveled to the Bahamas with two other men and six women. He flew to the Bahamas on a commercial airline but returned on a private plane, the committee found. “The attendees stated that this was a social trip — they sunbathed, chartered a boat, and went to dinners and to a casino as a group. Representative Gaetz engaged in sexual activity with at least four of the women on the trip,” the committee wrote. Committee investigators concluded that between 2017 to 2020, Gaetz “used or possessed illegal drugs, including cocaine and ecstasy, on multiple occasions.” “There is substantial evidence that Representative Gaetz used cocaine, ecstasy, and marijuana. At least two women saw Representative Gaetz using cocaine and ecstasy at different events,” the committee wrote. “Additionally, nearly every witness interviewed observed Representative Gaetz using marijuana.” The committee wrote that Gaetz appeared to set up a “pseudonymous e-mail account from his House office in the Capitol complex for the purpose of purchasing marijuana.” Gaetz denied using illicit drugs in written correspondence to the committee, the report said. He also categorically stated to the committee that the allegations he “may have engaged in sexual misconduct including violations of federal laws relating to sex trafficking and state laws relating to prostitution and statutory rape,” were “false” Gaetz also repeatedly denied having ever paid for sex, but when given the opportunity to put that assertion in writing Gaetz refused to respond, asserting that “asking about [his] sexual history as a single man with adult women is a bridge too far," according to the report. Gaetz did broadly address the allegation that he engaged in sexual activity with a minor in a Sept. 2024 letter to the Committee, writing: “Your correspondence of September 4 asks whether I have engaged in sexual activity with any individual under 18. The answer to this question is unequivocally NO. You can apply this response to every version of this question, in every forum.” The Committee said they found substantial evidence that Gaetz attempted to obstruct the Committee’s investigation into his wrongdoings by withholding relevant information, providing irrelevant documents in an overall effort to delay the investigation. "Representative Gaetz pointed to evidence that would “exonerate” him yet failed to produce any such materials," the report said. "Gaetz continuously sought to deflect, deter, or mislead the Committee in order to prevent his actions from being exposed." This was most notable in regards to the Committee’s specific requests regarding the Bahamas trip. The committee said Gaetz intentionally withheld information relating to his return trip via private plane. "Representative Gaetz clearly understood that he had acted contrary to House Rules by accepting private plane travel but chose to try to cover up his actions rather than comply with the Committee’s request," the report said. "Despite asserting he wanted an opportunity to address the allegations against him Gaetz declined to provide testimony voluntarily and did not appear when subpoenaed." The committee said that Gaetz was given ample time to review and produce documents requested at various points in the Committee’s investigation, but he chose to hand over documents that were largely irrelevant from time periods after most of the relevant conduct occurred. DAILY NEWSLETTER: Sign up here to get the latest news and updates from the Mirror US straight to your inbox with our FREE newsletter.
Prosecutors appeal dismissal of charges against notary for Nebraska medical cannabis petitions
If you’re looking for the best movies to watch on , you’ve come to the right place. Below, we’ve put together an expertly curated selection of some of the most exciting, compelling, emotional and funny movies currently streaming right now. While it can be daunting thumbing through the streamer’s catalog to find out what to watch, we’ve taken the guesswork and mindless scrolling out of it. This post will be frequently updated with new recommendations, keeping you up to date with all the Netflix movies you should be prioritizing in your queue. So peruse our list of the best movies on Netflix right now below, and happy watching! If you’re in the mood for a comedy, make it a double feature with Phil Lord and Chris Miller’s “21 Jump Street” and its sequel “22 Jump Street.” The first film is a meta take on the TV series with Jonah Hill and Channing Tatum playing two cops who go undercover at a high school, only to see their fortunes flipped as Hill’s character – who struggled to fit in – being embraced by the cool kids while Tatum’s jock vibes don’t gel with this generation’s idea of “cool.” The sequel “22 Jump Street” takes the action to college and is one of the most smartly self-referential sequels ever made, directly taking on the idea that most sequels merely retread the same things that were covered in the original film. Both movies are hilarious. Quentin Tarantino’s eighth film is his meanest but also one of his most formally interesting. “The Hateful Eight” is a Western set in the wake of the Civil War and takes place almost entirely inside Minnie’s Haberdashery during a blizzard, where eight strangers seek refuge. But each has a secret, and each is incredibly violent (or are they?). The stellar ensemble includes Samuel L. Jackson, Jennifer Jason Leigh, Walton Goggins, Kurt Russell and more. The “Scream” franchise got revitalized in 2022 from “Ready or Not” filmmakers Radio Silence, and while this new film doesn’t reach the heights of Wes Craven’s first two entries in the iconic slasher franchise, it’s a sharp and enjoyable return. The story is split between returning characters played by Neve Campbell, Courteney Cox and David Arquette and new characters played by Melissa Barrera, Jack Quaid and Jenna Ortega. When Ghostface returns to Woodsboro, both groups find themselves intertwined as twist upon twist unfurls with Radio Silence paying deep homage to the original “Scream” both in style and structure. If you want to watch something that’s both scary and surprising, get thee to “You’re Next.” This 2011 slasher from filmmaker Adam Wingard – who would go on to direct the “Godzilla vs. Kong” movies – is a twist on both the slasher and home invasion genres. After opening with a shocking kill, the film moves into its main premise: an estranged family is gathering in a home, only to be attacked and killed off one-by-one by a group of assailants wearing creepy masks. We won’t spoil the further twists and turns but this one’s a blast. Few films are as surprising moment to moment as “A Simple Favor.” Truly, at any given turn, anything could happen in this candy-coated thriller/dark comedy. Anna Kendrick plays a vlogging single mother who suddenly finds the opportunity to step into the spotlight when her friend, a PR director for a fashion company (played by Blake Lively) goes missing. Henry Golding and Andrew Rannells co-star in this Hitchcock-inspired delight that you might be shocked to find hails from “Bridesmaids” and “Spy” filmmaker Paul Feig. “Will & Harper” is tremendous. The documentary, which premiered at the 2024 Sundance Film Festival, follows Will Ferrell and his longtime friend and collaborator Harper Steele as they go on a road trip together. Steele was a writer on “SNL” and worked with Ferrell on his weirder films and projects (like that Lifetime movie with Kristen Wiig), and Steele transitioned during the pandemic. Ferrell proposed they take a road trip across the United States, during which Steele welcomes the opportunity for Ferrell to ask a number of questions about her transition. It’s sweet and emotional, but also feels truly important and potentially life-changing for many. will have you on the edge of your seat from its first frame to its last. The original thriller from writer/director Jeremy Saulnier stars Aaron Pierre as a man who’s urgently trying to bail his cousin out of prison for reasons that soon become clear. But when a pair of small-town cops seize the cash, he’s put on the backfoot with the clock ticking and mountains of corruption to sift through. What unfolds is a cross between “Jack Reacher,” “First Blood” and “The Pelican Brief” with crackling dialogue, a terrific Don Johnson performance and a star-making turn from Pierre. “Sing Street” is the definition of a feel-good movie. The 2016 film takes place in 1985 Dublin and follows a young boy yearning for more who decides to start a band with his new classmates. Inspired by his older brother’s (Jack Reynor) love of Duran Duran and other similar bands, he and his friends strive to make the band work all while juggling teenage problems like crushes, broken friendships and tough home lives. The original songs in this film are incredibly catchy (no surprise given that it’s written and directed by “Once” filmmaker John Carney) and the film builds to a tremendously emotional crescendo. This movie is an absolute blast. Inspired by a true story, “Hit Man” stars Glen Powell as a mild-mannered man who does contract work for the local police disguising himself as a hit man to catch people plotting murders on tape. But when he falls for one of his would-be criminals (a woman played by Adria Arjona), he finds himself caught between two identities — the “hit man” personality she fell in love with and the guy he really is. Richard Linklater, the award-winning filmmaker behind “School of Rock,” “Boyhood” and the “Before” series, directs with a keen eye for humanity in every character but packages the whole thing as a screwball comedy. Powell co-wrote the script and is in the lead role, showing off tremendous chemistry with Arjona. The film that really put Timothee Chalamet on the map, “Call Me by Your Name” is one of the most deeply felt love stories ever put to screen. Filmmaker Luca Guadagnino transports the viewer to a time and place, yes, but also exudes the feeling of lust, love and possibility throughout. Chalamet plays a 17-year-old vacationing with his family in Italy in 1983 who strikes up a romantic relationship with a 24-year-old grad student (played by Armie Hammer). The soundtrack features two original songs by Sufjan Stevens, and the supporting performance by Michael Stuhlbarg is outstanding. If you dug “Challengers,” also by Guadagnino, check out the director’s more quietly romantic spin on a love story. A delightful romantic comedy with a teen twist, “Easy A” is also a terrific showcase for the charms and talent of Emma Stone. The eventual Oscar winner stars in this 2010 film as a high school student named Olive who, in a bid to help her friend who’s being bullied for being gay, offers to pretend to have sex with him. Olive soon gets a bit of a reputation, all the while boys from her school start paying her in gifts in return for telling people they hooked up. “The Scarlet Letter” serves as a backdrop for this bitingly funny and sharp teen tale, and the swell ensemble cast includes Penn Badgley, Thomas Hayden Church, Lisa Kudrow, Stanley Tucci and Patricia Clarkson. Sam Mendes’ one-shot World War I film earned a boatload of Oscars, and deservedly so. The film is presented as one long, unbroken take (for which cinematographer Roger Deakins won an Academy Award) as it follows a soldier played by George MacKay through one day on the battlefield in April, 1917. It’s an astounding accomplishment and best watched with your full attention. Andrew Scott, Benedict Cumberbatch, Richard Madden and Mark Strong all have memorable but small roles as MacKay’s character makes his way through the muck. Before “The Florida Project” or “Red Rocket,” filmmaker Sean Baker burst onto the scene with his 2015 comedy “Tangerine” – shot entirely on an iPhone. Kitana Kiki Rodriguez stars as a trans sex worker living in Los Angeles who finds out that her boyfriend and pimp has been cheating on her. While it looks like an indie and tackles some heavy material at times, the film has the tone and pacing of a raucous comedy, and is all the better for it. Even better to brush up on Baker’s breakout film ahead of the release of his new film which won the Palme d’Or at Cannes this year. “Shaun of the Dead” and “Scott Pilgrim vs. the World” filmmaker Edgar Wright combined his love of music and action filmmaking in 2017’s “Baby Driver,” which is packed wall-to-wall with music. Ansel Elgort is a getaway driver with tinnitus who constantly listens to music to drown out the ringing in his ears, but Wright times the action beats of the story to the songs that are playing, resulting in something of an action musical. Lily James is the object of Baby’s affection, and the ensemble cast also includes Jamie Foxx, Jon Hamm, Eiza Gonzalez and, uh, Kevin Spacey. This romcom took the world by storm after it hit Netflix, but it was first released in theaters by Sony in December. Glen Powell and Sydney Sweeney play a pair of strangers who meet, hook up and then immediately part ways after a misunderstanding. They’re forced to play nice when a mutual friend invites them to a wedding in Australia, but wouldn’t you know it, they kinda start to like each other. Powell proves his leading man muster and this one’s a fun throwback. Impossibly, “Spider-Man: Across the Spider-Verse” might be even better than “Spider-Man: Into the Spider-Verse,” which itself is nearly a masterpiece. The sequel — once again produced and written by Phil Lord and Chris Miller — finds Miles Morales (Shameik Moore) contending with the multiverse of Spider-People by going to various other universes, and squaring off against a unique antagonist known as The Spot (Jason Schwartzman) who keeps slipping through various universes. It builds to a climax worthy of comparisons to “Star Wars: The Empire Strikes Back,” no small feat. David Fincher’s is a delightfully unique twist on the hitman movie. Written by “Seven” writer Andrew Kevin Walker, the film is broken up into chapters and follows an assassin played by Michael Fassbender in the wake of a hit gone wrong. But whereas most films would go right, “The Killer” goes left. There is precious little dialogue spoken out loud by Fassbender’s character as our insight into this machine-like presence comes from lengthy voiceovers. Fincher delights in immersing us into this man’s psyche as he world kinda sorta unravels. You simply must, must, watch if you enjoy things like “fun” and “comedy.” This “Knives Out” sequel (once again written and directed by Rian Johnson) is a brand new mystery, with Daniel Craig’s Benoit Blanc as the only returning character from the original film. This time, he’s invited to a secluded island by a tech billionaire (played by Edward Norton), who has gathered a group of his closest friends – played by Kate Hudson, Dave Bautista, Kathryn Hahn, Leslie Odom Jr. and Janelle Monae – in Greece to play an elaborate murder mystery game. To say more would spoil the surprises, but suffice it to say this is just as thrilling, hilarious and surprising as the first “Knives Out” and you’ll want to watch it again immediately once it’s over. Guillermo del Toro’s first stop-motion feature film is as emotional as you’d expect, and the story before. Co-written and directed by del Toro, this adaptation features the voices of Ewan McGregor, David Bradley, Burn Gorman, Cate Blanchett, Finn Wolfhard, Ron Perlman and Tilda Swinton and offers up a fantastical twist on the Carlo Collodi Italian classic. Emotional and awe-inspiring in equal measure, and set against the backdrop of fascist Italy, this is a gorgeous work of art. The first film to ever earn a woman an Academy Award nomination for Best Cinematography, 2017’s “Mudbound” is a moving and compelling historical drama. and shot by Rachel Morrison, the film follows two World War II veterans as they return home to Mississippi, one white and one Black. Carey Mulligan, Jason Mitchell, Garrett Hedlund and Mary J. Blige anchor the terrific ensemble cast as the film tackles race relations in the past with a direct line to our present, packed with rich and complex characters. While “The Master” may be filmmaker Paul Thomas Anderson at his most serious, “ ” is him at his most playful. The acerbic romance stars Daniel Day-Lewis in his final onscreen role before his retirement and is set in 1954 London. Day-Lewis stars as a famous fashion designer who takes his meticulous process seriously. But when he strikes up a relationship with a waitress, his routine starts to get shaken up, and he must consider the impact said relationship will have on his work. This is Paul Thomas Anderson’s version of a twisted romantic drama, and the film is surprisingly funny. Writer/director Jane Campion’s 2021 drama is a powerful and surprising film about, among other things, family. Set in 1925 Montana, Benedict Cumberbatch and Jesse Plemons play a pair of brothers whose strained relationship is pushed to the limit when Plemons marries a widowed single mother (played by Kirsten Dunst) on a whim, and brings her son (played by Kodi Smit-McPhee) to live with them on their ranch. The performances are top-notch all around, as Campion crafts a complex and tension-filled character-centric drama that’s certainly one of 2021’s best films. “Hamilton” creator with the Netflix musical “tick, tick... BOOM!,” based on the autobiographical stage musical by “Rent” creator Jonathan Larson. Andrew Garfield plays Larson, who is on the cusp of turning 30 and has yet to have a masterpiece staged on Broadway. As he puts the finishing touches on his sci-fi rock epic, he grapples with his own anxieties, his crumbling relationship with his girlfriend, and the impending AIDS epidemic that’s taking his friends far too quickly. The songs are incredible and the direction is inspired, but Garfield’s electric and soulful performance makes this a must-watch. This one might come with a “For Cinephiles Only” warning, but if that describes you there’s much to love in David Fincher’s 2020 film “Mank.” Gary Oldman stars as Hollywood writer Herman J. Mankiewicz as the film chronicles his experience writing the screenplay for “Citizen Kane,” all while flashing back to events from his life that inspired certain characters and themes in what many consider to be the greatest film ever made. Fincher presents the film entirely in black-and-white (it won the Oscar for Best Cinematography), and Amanda Seyfried gives a terrific performance as Marion Davies while Trent Reznor and Atticus Ross compose a surprising original score. Kathryn Hahn has made a career out of scene-stealing supporting performances, but she takes center stage in writer/director Tamara Jenkins’ 2018 dramedy “Private Life.” Inspired by Jenkins’ own experience, r as a middle-aged New York City couple struggling through infertility who decide to try and have a child through IVF. The film follows the ups and downs of infertility in heartbreaking detail, while also finding moments of humor throughout that ring true to life. Hahn and Giamatti are spectacular together, as they also chronicle how their journey strains their marriage. This Western anthology from the Coen Brothers is a delightful romp that builds to a shockingly emotional conclusion. “The Ballad of Buster Scruggs” is made up of six different stories set in the Old West, each featuring different characters. Themes of mortality, morality and justice are prevalent throughout “Buster Scruggs” just as they are through the Coens’ other films, but this time all against a wonderful, slightly exaggerated Western backdrop. The stellar cast includes Tim Blake Nelson, Stephen Root, Zoe Kazan, Bill Heck, Liam Neeson and Brendan Gleeson. Writer/director Noah Baumbach 2019’s drama “ ” is, ultimately, a divorce story, but it’s so richly drawn and beautifully acted that you’ll find your own heart breaking as you watch the conscious uncoupling of a pair played by Scarlett Johansson and Adam Driver. This is far from a mean-spirited or even depressing film. Instead, while it does indeed chronicle the dissolution of a relationship (inspired by Baumbach’s own life) and how the divorce impacts their young son, “Marriage Story” smartly always keeps an eye on one very important fact: while these two individuals may be splitting up, that doesn’t mean the love they once had for each other wasn’t real. Driver and Johansson are terrific, and Laura Dern is a scene-stealer in her Oscar-winning supporting turn. If you’re looking for a movie the whole family can enjoy, the 2021 Netflix original “The Mitchells vs. the Machines” is an emotional that’s as funny as it is inventive. Directed by Mike Rianda and produced by Phil Lord and Chris Miller, the film follows a family going on a cross-country road trip to send their eldest daughter Katie (Abbi Jacobson) to college, where she hopes to learn how to become a filmmaker. The family isn’t on the best terms when the road trip begins, which makes things even trickier when a robot uprising occurs, leaving the dysfunctional Mitchells as humanity’s last hope. This is a hilarious, colorful and heartfelt story about the importance of communication. Netflix has a wide variety of documentaries to choose from, but Ava DuVernay’s 2016 film “13th” is a must-watch. The doc delves into mass incarceration in the United States, and how race and injustice intersect with the issue, through the prism of the 13th Amendment to the United States Constitution, which abolishes slavery except as punishment for a crime. Through a number of interviews, DuVernay examines why a disproportionate number of Black people are incarcerated in the U.S., and how the current justice system perpetuates this injustice. One of the great things about Netflix is how it has a little bit of something for everyone, and in that vein, the YA-skewing “Enola Holmes” is a delight for the teenaged crowd (and beyond). Based on the young adult series of the same name by author Nancy Springer, the film stars Millie Bobby Brown as the younger sister of Sherlock Holmes (Henry Cavill). When her mother (Helena Bonham Carter) goes missing, Enola leaves the safety of her home compound and ventures into London to try and solve this mystery. Along the way, however, Enola learns that her mother kept many secrets of her own. This is a rollicking mystery-adventure that’s also a sweet and substantial coming-of-age story, all wrapped up in a gorgeous 19th century Victorian package. If you’re into romantic comedies, you simply must check out “Set It Up.” This Netflix original is a throwback in the best way, as Zoey Deutch and Glen Powell have that Meg Ryan/Tom Hanks chemistry in a story about friends turning into lovers. They play overworked assistants to demanding bosses (played by Lucy Liu and Taye Diggs) and hatch a plan to set their bosses up in an effort to earn more free time themselves. But their scheming puts them in frequent close contact, during which sparks fly. Before Taika Waititi took audiences by storm with “Thor: Ragnarok” and won an Oscar with “Jojo Rabbit,” he crafted a wonderfully whimsical comedy called “Hunt for the Wilderpeople.” The film stars Julian Dennison as a troubled youth who goes on the run with a cantankerous man (played by Sam Neill) when both are being hunted through a remote part of Australia. The film is packed with Waititi’s signature sense of humor and unique style, and Dennison and Neill make for one heck of a dynamic duo. The Netflix original comedy “Eurovision Song Contest: The Story of Fire Saga” is not just an incredibly funny film, it’s a surprisingly emotional one too. Based on an original idea by Will Ferrell, the “Elf” actor stars as one half of an Icelandic duo alongside Rachel McAdams, both of whom are thrust into the spotlight when they’re unexpectedly selected to compete in the international singing competition Eurovision. The film is packed with some genuinely great songs, and a sweet story about staying true to your roots in the face of immense growth. Everyone loves a good scare, but the gives you three times the thrills for the price of one overarching story. These three interconnected films trace the origins of a witch’s curse on a small town, covering events in 1994 in the “Scream”-inspired first film, then heading back to 1978 for the summer camp slasher sequel, before concluding in the year 1666 for the third and final feature that reveals the origin story of the Shadyside witch. Colorful, fun and genuinely scary, the “Fear Street” trilogy tells a truly epic horror story. The Taylor Swift documentary “Miss Americana” is full of surprises. While the film begins by chronicling Swift’s career, complete with the ups and downs it encompassed, it soon morphs into the origin story of a feminist as Swift begins to speak out on socio-political issues important to her. It’s a fascinating window into the management of fame, as some around her caution against making any kinds of political statements for fear of alienating her fanbase. Swift is honest throughout – or as honest as a documentary like this can be – and the film doesn’t shy away from tough moments like Kanye West infamously interrupting her at the 2009 MTV Video Music Awards. Martin Scorsese’s 3-hour-and-40-minute gangster epic “The Irishman” is best viewed in one sitting – trust me. The brilliance of the film is in its construction, as Scorsese charts the career of a hitman for the mob from the 1950s up to the present day. But unlike the bombast of “Goodfellas,” this is a film where regret and grief hang over nearly every frame, subtly building until the mournful third act hits you like a ton of bricks. Robert De Niro’s Frank Sheeran spends his entire life killing people, and what does it all add up to? Scorsese gets downright philosophical with questions of morality and mortality, crafting a self-reflexive film about what it means to come to the end of your life and look back on what you’ve done, why you did it and whether it was all worth it in the end. Spike Lee is not known for making bland films, and indeed his 2020 Vietnam veterans drama “Da 5 Bloods” is confrontational in the best way. The story revolves around four aging Vietnam War veterans who return to the Southeast Asian country to search for the remains of their fallen leader — and also a trove of buried treasure. Along the way they confront their own fears and differences, as Lee’s film delves into how America left an entire generation of soldiers behind. Netflix is host to a ton of great documentaries, including “Crip Camp.” This Oscar-nominated 2020 film begins by showcasing archival footage from a camp in the 1970s that was created for teens with disabilities, before then following various individuals as they fought for disability rights. It’s a moving portrait of activism that shows just how far we’ve come as a country, and how far we have left to go. The post appeared first on .OTTAWA - The federal government has reached a settlement in a class-action lawsuit launched by casual and non-union employees over the Phoenix pay system. Law firm Saraïlis Avocats says casual workers, students and some short-term and part-time employees, as well as individuals appointed by the government, are among those who can get individual payments. It says problems with the government’s Phoenix system caused employees significant hardship and disrupted their lives and finances. The firm did not specify the total amount of the settlement but a document on its website indicates employees can expect to receive a maximum amount of $175 or $350 per financial year. The settlement will go to the Quebec Superior Court for approval in February. Hundreds of thousands of problems with the system have plagued the public service since 2016, with Ottawa aiming to clear the backlog of problems by March 2025. This report by The Canadian Press was first published Nov. 27, 2024.What channel is the Lightning vs. Capitals game on tonight? Stream for free