
Sportradar to Participate in the Morgan Stanley Consumer & Retail ConferenceThe United States will provide Ukraine with a large weapons package, as President Joe Biden's outgoing administration seeks to bolster the government in Kyiv in its war with Russian invaders before leaving office in January. or signup to continue reading The deal is worth $US725 million ($A1.1 billion). The assistance will include Stinger missiles, ammunition for High Mobility Artillery Rocket Systems (HIMARS), drones and land mines, among other items, Secretary of State Antony Blinken said on Monday. Reuters had reported last week that the Biden administration planned to provide the equipment, much of it anti-tank weapons to ward off Russia's attacking troops. "The United States and more than 50 nations stand united to ensure Ukraine has the capabilities it needs to defend itself against Russian aggression," Blinken's statement said. The announcement marks a steep uptick in size from Biden's recent use of so-called Presidential Drawdown Authority (PDA), which allows the US to draw from current weapons stocks to help allies in an emergency. Recent PDA announcements have typically ranged from $US125 million ($A194 million) to $US250 million ($A388 million). Biden has an estimated $US4 billion ($A6.2 billion) to $US5 billion ($A7.8 billion) in PDA already authorised by Congress that he is expected to use for Ukraine before Republican President-elect Donald Trump takes office on January 20. The tranche of weapons represents the first time in decades the US has exported land mines, the use of which is controversial because of the potential harm to civilians. Although more than 160 countries have signed a treaty banning their use, Kyiv has been asking for them since Russia launched its full-scale invasion in early 2022, and Russian forces have used them on the front lines. The land mines that would be sent to Ukraine are "non-persistent," with a power system that lasts for just a short time, leaving the devices non-lethal. This means that - unlike older landmines - they would not remain in the ground, threatening civilians indefinitely. DAILY Today's top stories curated by our news team. WEEKDAYS Grab a quick bite of today's latest news from around the region and the nation. WEEKLY The latest news, results & expert analysis. WEEKDAYS Catch up on the news of the day and unwind with great reading for your evening. WEEKLY Get the editor's insights: what's happening & why it matters. WEEKLY Love footy? We've got all the action covered. WEEKLY Every Saturday and Tuesday, explore destinations deals, tips & travel writing to transport you around the globe. WEEKLY Going out or staying in? Find out what's on. WEEKDAYS Sharp. Close to the ground. Digging deep. Your weekday morning newsletter on national affairs, politics and more. TWICE WEEKLY Your essential national news digest: all the big issues on Wednesday and great reading every Saturday. WEEKLY Get news, reviews and expert insights every Thursday from CarExpert, ACM's exclusive motoring partner. TWICE WEEKLY Get real, Australia! Let the ACM network's editors and journalists bring you news and views from all over. AS IT HAPPENS Be the first to know when news breaks. DAILY Your digital replica of Today's Paper. Ready to read from 5am! DAILY Test your skills with interactive crosswords, sudoku & trivia. Fresh daily! Advertisement Advertisement
A West Vancouver non-profit is raising funds to help provide opportunities for urban Indigenous people to succeed. On Giving Tuesday, which is Dec. 3, the Urban Spirit Foundation is hosting a fundraiser event where people can enjoy chili and bannock along with sales of baked goods, raffle prizes and a 50/50 draw. “Without fundraisers like this, it would be less money in the pot to be able to do the good work that we’re doing,” said Lynn White, executive director of the Urban Spirit Foundation. White says urban Indigenous people are those who reside in cities, but also those who may not have status or are not connected to their First Nation. The Urban Spirit Foundation is a charitable organization that provide opportunities for Indigenous people living in the city through education and employment training, secondary and post-secondary scholarships and relief of poverty. The fundraiser began shortly after the foundation launched in 2007. Once the team heard about Giving Tuesday, White said they were inspired to use it as a charity fundraising event. The Urban Spirit Foundation works in partnership with the Aboriginal Community Career Employment Services Society (ACCESS), where White is also the CEO. Some of the raffle prizes include Vancouver Canucks tickets and gift cards for Hype Chocolate and Indigenous owned cosmetic brand Cheekbone Beauty. The money collected helps go back into the programs the foundation and ACCESS offer, White said. Since its creation, the foundation has been able to provide scholarships to Indigenous people within the Vancouver and Surrey school districts, British Columbia Institute of Technology (BCIT) and more. I really take pride in being able to give out some scholarships and support our people who are going back to school and trying to struggle their way out of poverty and into a career,” White said. The two organizations also help provide employment opportunities, including the BladeRunners program, that helps give at-risk young people between ages 19 and 30 work experience, certified health and safety training and social skills development. As the hours lead up to the fundraiser, the team is preparing the chili and bannock. “We welcome anybody who would like to come by and support us and have some chili,” White said. Urban Spirit Foundation fundraiser Where: ACCESS head office, 108-100 Park Royal South, West Vancouver When: Dec. 3, 11:30 a.m. to 1 p.m. Admission: $18 Abby Luciano is the Indigenous and civic affairs reporter for the North Shore News. This reporting beat is made possible by the Local Journalism Initiative.
“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.” This is one of the most famous and influential first lines in literature, the celebrated opening sentence of Gabriel García Márquez’s novel and foundational text for the magical realist genre and contemporary Latin American fiction, One Hundred Years of Solitude. Wisely, the expansive Netflix series that just debuted the first eight (of an eventual 16) hour-long episodes deploys the use of a narrator, ensuring that these peculiar, unpredictable words are the first spoken in the show. Watching this, however, was the first time I heard them in Spanish, reminding me that despite my enthusiasm for García Márquez’s work, I’d never actually read it as it was meant to be read. And surely there will be many whose only encounter with One Hundred Years of Solitude will be the television version, despite the 50 million copies sold. (Someone buying a book doesn’t mean they read it; my copy sat on a shelf for more than a quarter of the title’s time.) Those who encounter the story of the seven generations of the Buedía family living in the fictional village of Macondo as television will experience an even more radical translation than written language. That doesn’t mean this isn’t a remarkable production. New technologies García Márquez, nicknamed Gabo in his native Colombia and elsewhere in Latin America, was pretty adamant that a movie could never be made from the work. He told Harvey Weinstein that he would give Weinstein the rights on the condition that the producer “film the entire book but only release one chapter—two minutes long—each year, for 100 years.” This quote, like George Harrison saying “there won’t be a Beatles reunion as long as John Lennon remains dead,” might seem like final words, but don’t count out new technologies (like the deep-pocketed Netflix, and whatever is responsible for zombie Beatles songs like “Now and Then”), as well as the malleability of an artist’s estate. One Hundred Years of Solitude, the series, has been produced in concert with Rodrigo García and Gonzalo García Barcha, sons of the author, who maintain rights to their father’s work following his death in 2014 and the death of their mother, Mercedes Barcha, in 2020. Still, there are some Colombians who are pre-boycotting the work on principle. Such extreme fealty is understandable. A possibly true factoid you can read on the internet is that only the Bible has sold more copies in Spanish than the works of García Márquez. Another one, even hazier but just as striking, is that the influential book’s depiction of the Banana Massacre of 1928 was what forced United Fruit to rebrand and change its name to Chiquita. Then there’s the specificity of form. One Hundred Years is a massive, meaty text with frequent swerves into fantasy, prurience, and violence, and makes quick jumps between flashbacks and flashforwards. Then there’s the biggest roadblock for many readers, its intentionally perplexing family tree with a great many of the characters sharing the same name. Surely this confusion means something, you reassure yourself, unsure for the moment which José Arcadio has the spotlight in the middle of another fabulous tale. Indeed, the idea of behavior recurring over long periods of time is central. But filmed, as you are actually seeing it (and seeing faces), a lot of this magic gets lost in the translation—a complaint which goes beyond the expected “hey, that’s not how I visualized Pilar the fortune teller’s house!” gripes. One Hundred Years of Solitude has a narrative far too stuffed to summarize, but I can try. Married cousins José Arcadio and Úrsula decide to leave their village after José Arcadio kills another man while defending Úrsula’s honour. (She has been denying her husband sex, wearing chastity belts despite their raging desires out of fear that any offspring will have pig-like tails.) The dead man then starts hanging out in their home. A ghost story, I suppose, but García Márquez’s approaches the haunting—and every other fantastical element of the story—in a curious and direct manner. The dead man just appears in the house, hanging around, getting blood everywhere, more of a nuisance than a terror. Long journey José Arcadio has visions of a utopian city so he, Úrsula, and others join him on a long journey and eventually put down roots. Their village, Macondo, is totally isolated (indeed, for many of the early chapters you have no clue what year it is), lending each development the heft of importance. “Clearly,” you think, “every character and utterance is meant to be symbolic of mankind’s evolution, as Macondo is nothing if not all of humanity under a microscope.” And surely you can read it that way, or look for analogies in Colombian political history, but to do that too much undercuts the fun of riding along on García Márquez’s roller coaster. And this is precisely why some things work better in a book than in a movie or television adaptation. In prose, the bizarre elements—visions, levitation, impossibly long periods of rain, a character who chews on the walls—take on a humorous and discordant tone when simply stated as everyday fact. When you see it, at least for me, it cheapens it. The best example I can give you is when the town’s founding father, driven to madness after years as an only partially successful alchemist, decides to tie himself to an enormous (and rather symbolic) tree. Heavy oak metaphors have considerably less panache when you are watching them on your screen. The other big change is that, other than the foreshadowing in the famous first line, the series is told chronologically. This is an understandable decision, but it undercuts some of the magic of Macondo, where any stray moment can initiate a relevant jump on the timeline. Still, the production design of the town—a shabby collection of huts that grows into turn-of-the-century elegance—is remarkable, and reportedly one the largest productions in Latin American history. (Three separate towns were created, to represent Macondo’s evolution.) The eight episodes have been split between two directors. Alex Garcia Lopez is a United States-based director of Argentine origin, and an alumnus of hit shows like The Witcher, The Punisher and the recent Star Wars series The Acolyte. Laura Mora Ortega is a Colombian director with a less international resume, but whose work includes the Netflix series Green Frontier. Neither are afraid of One Hundred Years’s more lusty moments (you can set your watch to the regular hammock-based interludes) and when civil war eventually barges into Macondo, there are some heart-pounding battle sequences that don’t hold back on the gore. Visual form Some of the more famous moments from the first half of the novel (or, I should say, first half of the narrative, since the show mostly goes in order) stitch together quite nicely in a visual form. There is a stretch in which a plague of insomnia hits the town, which at first is welcomed. More time to get things accomplished, José Arcadio says. But with a lack of sleep comes confusion, until no one can remember what anything represents, forcing them to leave notes everywhere. (“Don’t Pee In The Streets, People Get Angry” is probably my favorite, because it’s funny but also true.) Eventually, the memory of the townsfolk gets so blitzed that no one can even read anymore, plunging everyone into paranoia and violence. This whole chapter cuts together marvelously in the show. Another moment—among the most emotionally resonant images from the story—is when one character is violently killed, and their blood spills out of their house, down the street, weaving around corners, into another house, and across several rooms until the streak ends at the foot of the deceased’s mother. This is a moment that is not diminished when filmed. However, there are some aspects of García Márquez’s story that are wisely tamped down. A major character (an adult) experiences love at first sight with a 9-year-old girl. His obsession becomes “a physical sensation that almost bothered him when he walked, like a pebble in his shoe,” and he is described in the novel as having fits of asthma just hearing her voice, especially when she calls him “sir.” Egads! He decides he must marry her, and a deal is worked out between the families. She can marry once she’s reached puberty, which occurs for her “before getting over the habits of childhood.” Yikes all around. All I can say is that in the book—in which there are soothsayers and ghosts and the pursuit of the Philosopher’s Stone, not to mention enormous blocks of eloquent prose—these deviations don’t read quite so repulsive as I’ve laid them out here. Inadvertent near-incest To its credit, the show doesn’t erase this section entirely, but it is lessened. When we first meet the character Remedios, she is presented as “very young,” but she doesn’t look 9. I don’t know the age of the actress playing her, but when she later gets her first period (which we witness both as metaphor and reality), a few costume changes age her up considerably. It’s still questionable, but certainly skirts around the ick factor. The same goes for a moment of inadvertent near-incest. (A less inadvertent one awaits in season two, but I don’t know how that will play out just yet.) This loyalty to the text might be why Netflix’s promotional machine has been pretty minimal in the United States. Other than an article this summer in Vanity Fair, most of the press has been geared to the Hispanic market. (There were lines around the block to see the first episodes in Havana, but nothing happened in New York City.) Considering that Netflix’s biggest hit is the South Korean series Squid Game, the fact that One Hundred Years is in Spanish can’t be used as an excuse to keep this exclusively international. There is, however, a lot of content out there, so I’m wondering how much of an impact it will make with U.S. viewers. Will I watch season two? Absolutely, and not just because of the time I’ve already invested. On its own merits, the show is engaging, the performances (particularly Claudio Cataño as Colonel Aureliano Buendía and the mononymous Akima as the feral cousin Rebeca) are quite good. Everything (and everyone) is gorgeous, so the show is a winner from a visual perspective alone. But it may not be a bad idea to take advantage of the intermezzo between seasons and take the book off the shelf before the launch of part two. The series is, after all, only a rough translation. – foreignpolicy.com
Ruud van Nistelrooy ‘disappointed’ and ‘hurt’ after cutting ties with Man UtdDave & Buster's Entertainment Inc. stock underperforms Monday when compared to competitorsMiami enters the week still stunned after losing its fourth straight game. Next up, the Hurricanes will play host to Arkansas on Tuesday night in Coral Gables, Fla., as part of the ACC/SEC Challenge. Miami (3-4) lost on Saturday afternoon to Charleston Southern, a team that entered with a 1-7 record. Arkansas (5-2) is coming off a Thanksgiving loss to Illinois on a neutral floor in Kansas City, Mo. "We've got a lot to learn," said John Calipari, in his first season coaching Arkansas. "We really haven't scrimmaged because we haven't had 10 guys (due to injuries). "But this team is going to be fine." The same thing cannot confidently be said about the Hurricanes. Their first three defeats of the current skid were tough for Miami to take, losing to Drake, Oklahoma State and VCU on a neutral court as part of the Charleston Classic. But the loss to Charleston Southern -- which was a 25-point underdog -- has to be considered among the worst in Miami history. Hurricanes coach Jim Larranaga was without point guard Nijel Pack, who missed the contest due to a lower-body injury. Pack leads Miami in scoring (15.2) and assists (4.7). There are no reports on how long he will be out. With Pack unavailable, five-star freshman Jalil Bethea made his first college start. However, the 6-foot-5 shooting guard has not yet played up to his ranking. Bethea is averaging 6.3 points, 1.1 rebounds and 0.7 assists. He is also shooting 30.0 percent on 3-pointers. Miami ranks 284th in the nation in rebounds and 259th in blocked shots. "We haven't been able to put together a solid defensive effort," Larranaga said following the loss to Charleston Southern. "Some of it has to do with fundamentals. Some of it has to do with athletic ability. Some of it has to do with size." Tuesday's game will match two veteran coaches: Larranaga, 75, and Calipari, 65. Calipari brought in seven transfers and five freshmen for his first season in Fayetteville. Two of those transfers -- 6-foot-8 wing Adou Thiero and 7-foot-2 center Zvonimir Ivisic -- were signed after leaving Kentucky, Calipari's previous stop. Thiero leads Arkansas in scoring (19.1), rebounds (5.9) and steals (2.9). Ivisic leads Arkansas in blocks (2.7) while ranking third in points (12.1). Freshman Boogie Fland, a McDonald's All-American, has made a quick transition to college ball. The 6-foot-2 point guard is second on the team in scoring (15.9) and steals (1.9) and first in assists (4.9). Among Arkansas' bench pieces are 6-foot-11 Tennessee transfer Jonas Aidoo and 6-foot-10 Arkansas holdover Trevon Brazile. Their combined 92 college starts illustrate Arkansas' depth. "The ceiling is there," Calipari said. "But we need to be the aggressors." --Field Level Media
The Miami Dolphins (5-6) ring in the holidays against the Green Bay Packers (8-3) with a Thanksgiving Day game. Kickoff Thursday from Lambeau Field is set for 8:20 p.m. EST (NBC). Let's analyze BetMGM Sportsbook's NFL odds around the Dolphins vs. Packers odds , and make our expert NFL picks and predictions . The Phins have won 3 straight after a 34-15 win over the New England Patriots as 7.5-point favorites. QB Tua Tagovailoa is rounding into form as he threw for 317 yards and 4 TDs. WR Jaylen Waddle (8-144-1) and TE Jonnu Smith (9-87-1) balled out in the victory. The Packers have won 2 straight and 6 of 7 games after a 38-10 beatdown of the beat-up San Francisco 49ers. They were 6-point faves in that one. RB Josh Jacobs controlled the game with 26 carries for 106 yards and 3 TDs. QB Jordan Love didn't have to do a whole lot as he was 13-for-23 for 163 yards and 2 scores. Play our free daily Pick’em Challenge and win! Play now ! Dolphins at Packers odds Provided by BetMGM Sportsbook ; access USA TODAY Sports Scores and Sports Betting Odds hub for a full list of NFL odds . Lines last updated at Wednesday at 6:32 p.m. ET. WIN YOUR FANTASY FOOTBALL LEAGUE! The Huddle has been turning players like you into winners for over 25 years. This season, it's your turn. Custom fantasy football rankings, sleepers and tools are just a click away. Save 25% off the Internet's best-kept secret. Subscribe now ! Dolphins at Packers key injuries Dolphins Packers FOOTBALL NEVER STOPS Live games, analysis and more 7 days a week: Get ESPN+ Dolphins at Packers picks and predictions Prediction Packers 24, Dolphins 20 Moneyline It's slated to be 27 degrees for this game, and Miami is a warm-weather team that will likely flounder in the cold. However, -185 is too steep for me. JOSH JACOBS OVER 74.5 RUSHING YARDS (-110) is a no-brainer for me. He has hit this mark in 5 straight games, and the cold weather will give Green Bay the advantage to run some clock. Against the spread Go easy here, and I would consider paying to scale it back to -2.5 (-150), but I will take the PACKERS -3.5 (-105) . The Pack have gone 1-4 ATS over the last 5 games, and the Dolphins' offense has looked good. But this weather is a different animal. Over/Under The Packers are 4-5-1 O/U in the last 10 games, and the Dolphins are 5-5. These teams last met in 2022 in Miami, and the Under hit with the Pack winning 26-20. The last time Miami was in Lambeau was 2018 and it was a 31-12 Packers victory with an Under cash. I like the UNDER 47.5 (-105) . Want to play some games of your own? Play for free at the best social casinos and enjoy lots of slots, blackjack, video poker, roulette and more. You can even earn real prizes! For more sports betting picks and tips , check out SportsbookWire.com and BetFTW . Follow Ryan Dodson on Twitter/X . Follow SportsbookWire on Twitter/X and like us on Facebook . Access more NFL coverage: BetFTW | TheHuddle Fantasy Football | BearsWire | BengalsWire | BillsWire | BroncosWire | BrownsWire | BucsWire | CardsWire | ChargersWire | ChiefsWire | ColtsWire | CommandersWire | CowboysWire | DolphinsWire | EaglesWire | FalconsWire | GiantsWire | JaguarsWire | JetsWire | LionsWire | NinersWire | PackersWire | PanthersWire | PatriotsWire | RaidersWire | RamsWire | RavensWire | SaintsWire | SeahawksWire | SteelersWire | TexansWire | TitansWire | VikingsWire | DraftWire | TouchdownWire | ListWire More NFL Picks and Predictions! Fantasy football rankings (PPR scoring) and cheat sheets: Week 13 New York Giants at Dallas Cowboys odds, picks and predictions Best NFL underdog picks and predictions for Week 13Fake news witnessed surge during PTI march, reveals report Fake News Watchdog says PTI protests underscored impact of false reports on political, institutional dynamics ISLAMABAD: A huge influx of fake news was witnessed during the Pakistan Tehreek-e-Insaf’s (PTI) recent protest in the federal capital, revealed a report by the Fake News Watchdog, a non-profit organisation fighting disinformation and misinformation. The watchdog said that the bombardment of concocted news played a cataclysmic role all this time. It said the unverified information hurt Pakistan’s image globally as well. The PTI protest from November 24-27 caused immense unrest in the federal capital. The party leadership suspended the protest only after the authorities launched a late-night crackdown on the protesters who had forced their way to D-Chowk, despite several hurdles along the way. “The events surrounding the PTI protests from 24–27 November 2024 underscored the profound impact of fake news on political, social, and institutional dynamics in Pakistan. Misinformation during this period did not merely serve as a byproduct of political unrest; it actively shaped the narrative, inflamed tensions, and influenced public actions. Fabricated content — whether through manipulated images, doctored videos, or false statements attributed to key figures — spread rapidly across social media and traditional news platforms, magnifying confusion and mistrust. “This phenomenon revealed vulnerabilities in the country’s information ecosystem, where unverified claims gained traction in the absence of effective countermeasures,” the fake news buster said. As per the report, a fabricated statement attributing to the interior minister about the citizens of Kashmir kept circulating. A fake report about an alleged PTI founder statement was also doing rounds on various platforms. A false report about the arrest of Khyber Pakhtunkhwa Chief Minister Ali Amin Gandapur and former prime minister Imran Khan’s wife intensified the protest, the report said, adding that the fake news regarding hundreds of dead bodies at the Pakistan Institute of Medical Sciences (PIMS) and Polyclinic Hospital, Islamabad, also had an adverse effect. Meanwhile, fake reports of PTI leader and former speaker of National Assembly Asad Qaiser’s designation as the party’s chairman also became a piece of breaking news, the Fake News Watchdog said. The report said workers were incited through a fake account named Sulaiman Isa Khan, the son of the PTI founder. “News of the PTI founder being transferred from Adiala jail turned out to be fake. Whereas, news of 600 youth resigning from army academies during the protest also proved to be baseless,” the report maintained. Another baseless news of the firing on Qaiser and Mahmood Khan Achakzai was also spread. While statements of PTI leader Qasim Suri regarding PTI founder’s health had extremely negative impacts, said the Islamabad-based organisation. The report said an old picture of the PTI protest was shown in DPO Attock Ghiyas Gul’s press conference. The news of the alleged death of a PTI worker after falling off a container during prayer came under discussion at the international level. Whereas, the news about the same person, who fell from a container, meeting the KP chief minister also proved to be counterfeit. The fake news not only troubled the security institutes but the PTI leadership as well. As per the fake news monitor, affectees of the fake news include the government, security institutes and political parties. The watchdog emphasised taking emergency measures to address the challenges posed by the fake news. It pointed out the role of social media in serving as a crucial tool for wrong information. “The role of social media was particularly significant, acting as both a tool for mobilisation and a breeding ground for misinformation. The platform’s speed and reach allowed false narratives to proliferate unchecked, with emotionally charged content exploiting public sentiment. “At the same time, lapses in journalistic standards by mainstream media contributed to the problem, as unverified reports from influential outlets further legitimised misleading information. The circulation of fake news was not limited to grassroots users or individual influencers but also involved established institutions, illustrating a systemic challenge in ensuring credible communication,” it added.
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