mind super game
Dance music can often really complex — with all the styles of music that fall under the umbrella term and the countless sounds, artists, fans, parties, opinions and cities that make up the global culture and community we usually just refer to as “the scene.” It’s also quite simple, when one considers that what’s ultimately fueling this world is the deeply primal, very human desire to get together and dance. In 2024, returning master Jamie xx distilled this point on his comeback album In Waves , with call to arms lyrics that encouraged that “All you children gather round, we will dance and we will whirl. All you children gather round, we will dance — together.” Whether that sense of togetherness was one you felt when pushed up against the rail while seeing your favorite artist alongside your best friends and the news pals you just met in the pit, or the old acquaintances you were delighted to run into on the dancefloor, or just that most special relationship between a person and their headphones, in 2024 dance music brilliantly accomplished what it has a special capacity to do — make us feel connected. This is not a small thing in an increasingly online and isolated world. While we were all out there going for it, or just at home enjoying living room listening, there were a select few tracks that raised spirits a bit higher, made heads bob a touch harder, got the blood pumping faster and generally just defined the year in dance music. These are the 50 best dance tracks of 2024, presented alphabetically by artist. A.G. Cook is one of the producers on Charli XCX’s Brat, and pop’s top club girl returns the favor on the title track to his expansive, three-disc 2024 album. Charli sings three words (yes, two of them are “brit” and “pop”) here, with Cook clipping and looping them over skittery synths that ping-pong around like agitated atoms under a flame. Buoyant, crisp and energetic, “Britpop” is a bright invitation to dancefloor liberation from one of the most influential dance producers of the last decade. — JOE LYNCH Keinemusik had a crossover moment in 2022 when two of its members, &Me and Rampa, produced a track on Drake’s dance album, Honestly, Nevermind . The German collective’s third member, Adam Port, followed them this year with his buzzing single, “Move” with Pakistani American producer Stryv and vocalist Malachiii. Clips of Port rinsing it in his DJ sets to ecstatic fanfare flooded social media months before its June release, and interest didn’t stall afterwards, either. To date, it’s collected over 420 million streams on Spotify and YouTube combined and has spent, as of publishing date, 26 weeks on the Afrobeats Songs chart, where it peaked at No. 1. And to make a big hit even bigger, pop star Camila Cabello later hopped on the October remix. — KRYSTAL RODRIGUEZ Released in May, the collaborative track from Aussie favorite Anna Lunoe and U.K. wizard Totally Enormous Extinct Dinosaurs finds both artists flexing their considerable powers, with the pair together creating a house production at once tough and lush. The song, which arrived 10 years after the duo’s first collaboration, builds then breaks into a euphoric chorus made of a looped vocal sample, with this bright heater setting the tone for the album from which it came — the first studio LP of Lunoe’s long career, released this past October. — KATIE BAIN The Dutch duo Anotr show their grasp of steamy disco-pop on “How You Feel,” with its searingly bright guitar, lithe, live-sounding bass line, and coquettish couplets: “If that’s how you feel, bring that body close to me/ Time to make it real, can’t keep this a fantasy.” It’s a slick update of the formula that buoyed golden oldies like Cerrone’s “Give Me Love” and Gino Soccio’s “Hold Tight,” floor-fillers that never forgot the importance of flirtation. — ELIAS LEIGHT After years of public scrutiny, Grande started 2024 with a clear message to her haters: she hears them, and she’s not listening. “Yes, And?” kicked off her (literal) blockbuster year with the self-assured, house-forward anthem, which called listeners to leave their cares behind and free their spirits on the dancefloor. The refreshing release kicked off her Eternal Sunshine era, earned the multi-hyphenate her sixth Hot 100 No. 1 debut and even attracted a rare remix feature from Mariah Carey . — MEGHAN MAHAR All the fat and extraneous detail has been cut away from “Chroma 002 L.A.V.A.”, Bicep and Benjamin Damage’s most effective collaboration, released in March. What’s left is cadaverously lean and relentlessly mean: Three words repeat over and over as a breathless beat and wriggling bass rush forward at a breakneck pace. It’s exhilaratingly simple, a testament to the power of brute force and blistering speed. — E. L. There’s no greater energy than the anticipation and potential you feel while driving around aimlessly with your friends on a Friday night. Anything is possible and adventure — or at least a couple of laughs is around the corner. Barry Can’t Swim’s “Still Riding” captures that spirit with a sample of Kali Uchis ‘ “Ridin Round,” matched with an upbeat house groove and swaying synths just off-kilter enough to feel a little bit dangerous. The driving layers unfold like the lights of the city coming to life, daring you to see what’s just around the corner, with the September track altogether serving as an exclamation point on the Scottish producer’s breakout year. — KAT BEIN Few producers can fuse dance music and pastoral flute, and Bonobo is one of these select few. “Expander” was the producer’s only new release of 2024, and it’s a statement. On it, the England-born, Los Angeles-based low-key icon weaves said flute and a folksy female vocal sample with increasingly thick and crispy electronic production, until the whole thing indeed expands into the kind of cerebral but blood-pumping IDM that’s long been the Bonobo signature. — K. Bain Few artists fuse dance with R&B and jazz so effectively (and seemingly effortlessly) as Cakes da Killa. The New York artist again demonstrated that ability on his third studio album Black Sheep (out on Tokimonsta’s Young Art Records) and its positively simmering February single “Do Dat Baby.” A collaboration with the reliably excellent Dawn Richard, the track balances smooth production with Cakes’ elastic and unmistakable flow, where here celebrates his sex appeal while talking about “pics on the gram, got these boys try to ravage.” — K. Bain After scoring a U.K. No. 1 hit last year with “Miracle,” Calvin Harris and Ellie Goulding reunited once again for its sequel, “Free,” a vibrant anthem that brings the magic of their ongoing collaborations to new heights. Another revisit of the ‘00s club sounds that remained very en vogue this year, this time they venture into euphoric piano house with cascading breaks and glowing synths. It’s a perfect storm of energy and emotion, as Goulding’s gossamer timbre soars alongside Harris’ melodies, capturing the liberating feeling of joy and loving whole-heartedly. — K.R. Between his laidback, West Coast-inspired production and cool-as-a-cucumber vocals, Channel Tres has effectively made swagger a cornerstone of his music. Somehow, he takes it up a notch on the retro-funky “Cactus Water.” The Compton-repping artist channels (no pun intended) the sexually charged energy of Rick James as he describes an intimate connection that’s metaphorically (and perhaps also literally) psychedelic — and of which he’s thirsty for more. The second single from his debut album Head Rush , “Cactus Water” bridges Channel’s previous work and his more sonically exploratory full-length . — K.R. When Charli sings “it’s okay to just admit that you’re jealous of me” at the top of “Von Dutch,” she doesn’t even come across as braggadocious: she knows how good Brat’ s lead single is, and she’s merely stating facts. A heady mix of modulated vocals, slurred synths and a thumping electroclash beat from producer Finn Keane, “Von Dutch” is the sound of the party rolling up to your door – and in 2024, Charli XCX was the party. — J. Lynch Released in April, the collaborative track by U.K. stars Chris Lake and Sammy Virji (with vocalist Nathan Nicholson), forecasted the season ahead with a moody track that fits its name. Lake and Virji pull off all kinds of cool moments on this one, with the track leveling up around the one minute mark with a galloping garage production and then introducing a gospel choir sample that hits like a welcome ray of sunlight on a cloudy summer day, before a track-closing chord change. “Summertime Blues” helped establish U.K. garage’s huge presence and profound influence on the scene this year. — K. Bain Diplo, Sharam from Deep Dish and Canadian rapper Pony got together for the March loosie deep house single, “Anthem.” The magic of this one lies in its restraint, with the guys keeping the ravey production to a low simmer and letting Pony’s coolly purring flow on the versus (“young wild and free, extremely handsome,” he declares of himself) do the heavy lifting, with the simply undeniable melody of the chorus elevating this one to the status designated by its own title. — K. Bain Some songs are just dripping in summer anthem glow, and Disclosure’s mighty “She’s Gone, Dance On” felt like an instant classic. Released singularly — and heralding no new album or sonic shift of greater weight — the track dropped in late May like a lightning bolt from the heavens and seemed to say, “Hey, it’s getting warm out. Why don’t you unplug from your doom-scrolling machines, go out and have a good time.” It’s basically one good sample of Ennio Morricone ‘s 1978 “Dance On” on a glorious loop — and some six months later, we’re still not ready for it to end. — K. Bein Dom Dolla, an expert purveyor of dancefloor bangers, and Swedish alt-pop queen Tove Lo linked for October’s collaborative track “Cave,” with the song marking the Aussie producer’s first foray into drum and bass. And yes, it slaps. The moody track opens with Lo’s unmistakable asking, “I got this hunger/ Are you alone?” and then 45 seconds in, a sultry, skittering D’n’B breakdown goes off and places the tune in a hazy late-night clubland, filled with darkly twinkling synths and questionable decisions. — ANA MONROY YGLESIAS Welsh DJ/producer Elkka is a sorceress at creating dreamy, euphoric queer love songs for the dancefloor, and “Your Skin,” along with much of her sonically layered 2024 debut album Prism of Pleasure , is a perfect example of this signature. Loops of sampled, distorted vocals create an indiscernible and otherworldly chorus that dances amongst layered drums, Elkka’s sultry lyrics, and a thick, resonate bassline that hits just right. — A.M.Y. After generating hype in the New York scene last year, 2024 saw the trio push the hard-launch button as Fcukers, sign to Ninja Tune’s Technicolor imprint and hit the road internationally. Discourse followed about the group’s authenticity, but there was little opposition to its hooky dance-pop and its Baggy$$ EP. That mini-set opened with “Bon Bon” and paired shades of Basement Jaxx-era big beat with vocalist Shannon Wise’s coolly spoken vocals. — THOMAS SMITH While filming The Crow in Prague in the summer of 2022, FKA twigs immersed herself in the city’s techno scene. The experience inspired her forthcoming third album, Eusexua , a probable portmanteau of “sexual” and “euphoria” she created to describe, as she says in the song’s video , “the pinnacle of human experience.” Like The Crow ’s dark fantasy of love beyond death, the LP’s title track seeks a connection that transcends realms. An oneiric blend of glitches, whirring synths and her whisper-to-wail vocals, “Eusexua” feels personal yet expansive, euphoric yet haunting. As twigs’ first solo music in three years, it reaffirms that she’s still as surprising and innovative as ever. — K.R. Earlier this year, Robert Hood described Floorplan’s music as “a soup, where the stock is house music and the seasoning is a little bit of minimal, a little bit of techno and a little bit of disco.” In practice, that often means looping throwbacks from potent vocalists — Ann Nesby’s “Lovin’ Is Really My Game” in “Tell You No Lie,” Aretha Franklin’s “Never Grow Old” in the duo’s own “Never Grow Old” — and imbuing them with enough pounding propulsion to shake walls and bust bunkers. On “What You Need,” the stabbing three-note horn line echoes Earth, Wind & Fire’s “On Your Face,” while the vocal sample evokes Franklin’s “Respect.” When the ingredients are of that quality, all Floorplan need to do is add a thunking beat and turn up the temperature. — E.L. The mysterious and often masked French producer declared his dark intentions for the year with March’s “Hard Dreams,” which found the producer in Depeche Mode mode — and previewed his third studio album Gamma , released that same month. Industrial synths and an undeniable (and very baritone) vocal performance from Yan Wagner make this one pulse with desire, with the song also among the original productions Gesaffelstein played on the road this year, his stunning live show schooling audiences from Coachella to Brooklyn Mirage on the harder, sharper edges of electronic music. — K. Bain British artist Hayla has helped create the blueprint for dance music over the last two years, with her power-lunged vocals and darkly emotive spirit featured on the 2023 Kx5 hit “Escape” and the John Summit’s 2024 smashes “Shiver” and “Where You Are.” In November, the artist released her own debut album Dusk , with the influence she had on her work with others in full effect across the ten tracks. The star across the album, and its especially stirring melodic house track “Fall Again,” is her rich and singular voice, which was easily one of the defining elements of dance music in 2024. — K. Bain Ghettotech is defined by raw expression, unfiltered lyrics and propulsive rhythms, something that Detroit trio HiTech has in spades, honoring the pioneers that defined the genre in the late ‘80s and ‘90s while bringing a fresh spin to it. “Spank!” moves recklessly with a 153bpm tempo, infectious vocals and a slick piano line — and if the track is anything to go by, the trio’s impending Honeypaqq Vol.1 project and Coachella 2025 set will be unmissable. — T.S. “I just need some exercise,” Horsegiirl states matter-of-factly in the pre-chorus to this sweat-soaked two-minute workout of a house-pop banger. Good news for the mysterious equine-masked producer and any listeners in similar want of physical exertion: Whether you’re getting it on the dancefloor or in the bedroom, “Take It Off” is the perfect soundtrack for getting in some real cardio, with its thumping bass, moaning synths and squeaking bedsprings invariably getting you in the mood for either loving or clubbing (or both). — ANDREW UNTERBERGER Prior to its July release, “I Adore You,” the collaboration between French producer Hugel, German artist Topic, Iranian-Swedish producer Arash and South African singer Daecolm, had already become a summer hit when clips of the song began circulating online. Its rhythm is smooth and sensual; combined with the serenading vocals, it transports you to the dance floor of an open-air beach club, where you’re trying to convince the person you’ve been dancing with all night that neither of you has to go home alone. The song’s reach extended further with a genre-crossing remix featuring Ellie Goulding and J Balvin that dropped in November. — K.R. For the lead single from his first album in nine years, the acclaimed producer turned to another legend, Honey Dijon – and the euphoric result is dancefloor gold. Long one of dance’s most thrilling DJs, Jamie brings the kinetic energy of his crate-digging sets to “Baddy On The Floor,” which, like 2022’s “Let’s Do It Again” (one of the handful of non-album loosies he released between 2015’s In Colour and this year’s In Waves ) takes place under the disco ball in a way some of his earlier signature tracks, much less his work with The xx, never quite did. The style suits him. — ERIC RENNER BROWN With a seemingly endless stream of releases, remixes, collaborations and sold-out shows, Summit’s career soared in 2024 — and while this packed schedule would be daunting to some, with the release of his debut album in July, the musician assured listeners that he finds “Comfort in Chaos.” The title track finds Summit at his most experimental and serves as a grand introduction to his debut, immersing listeners in a progressive production that feels large enough for Summit’s recent stages, yet delicate enough to match the vulnerably of the tracks — including the hits “Shimmer” and “Resonate” — that follow. — M.M. Of all the underground tracks to transcend club circles, Joy Orbison’s “flight fm” seems like an unexpected candidate. A nod to pirate radio stations, “flight fm” turns the dials across staticky textures and skipping U.K.-garage drums, overpowered by nose-diving bass that can both disorient a dancefloor and set it aflame. A must-play in many DJs’ sets (Four Tet, Caribou and Bicep among them), it found new life when Fred again.. reworked it in August with Playboi Carti , Future and Lil Yachty , and again when it soundtracked Chelsea FC’s video promo for their latest uniform. — K.R. Justice made their comeback back in January with a double A-side, the Tame Impala -starring “One Night/All Night” and “Generator,” a monstrous rager that’s already a staple in the French duo’s head-spinning live sets. Inspired by gabber and ‘90s hardcore techno, the latter is a welcome jolt of chaos in an otherwise pop-leaning LP, pairing unexpected piano stabs and well-earned drops. It ensured that Hyperdrama lived up to its billing. — T.S. As the first track on Hyperdrama, “Neverender” introduces the world to French electronic duo Justice’s sharpest and smoothest studio album to date. Ushering you in with glittering disco grooves and deep-space moods — on top of which sits the instantly recognizable voice of Tame Impala ’s Kevin Parker, itself is a Justice upset, given the group has traditionally steered away from marquee vocal collabs. This song wasn’t tapped as the album’s lead single (that was the other Tame Impala-assisted track, “One Night/All Night”), but with all the dramatic heft and sonic precision that has become Justice’s signature, “Neverender” was immediately welcomed by fans as a catalog classic. It also serves as the big finale in the duo’s live show, layered with other iconic catalog singles and bringing the whole “Neverender” vibe to delightful and thematic fruition. — K. Bein Kaytranada and Channel Tres are a match made in heaven. Their collaboration, released ahead of the full Kaytranada album Timeless in June , teed up a steamy summer on the dancefloor. Tres’ mesmerizing vocals melt over Kaytranada’s dark beat, brightened with reverberating horns for a hypnotic journey that you can’t help but groove to. Fans got to experience the artists’ synergy in person, as Kaytranada brought the Timeless experience to life on tour, with Tres as his special guest across all dates. — M.M. Opening the second half of LP Giobbi’s October album Dotr , “Love Come Through” makes for some of the most straightforward dancefloor fare on the album, with gentle and layered percussion and soft vocals from singer and producer Panama building to a lush climax that Giobbi dials up the emotion on with a gorgeously layered violin. This track also sets the stage for the two that follow, with the “Love Come Through,” “Succession,” “Really Good” hat trick marking some of the best and most experimental moments of the 17-track project. — K. Bain With its waterfall of blinking synth stabs, floating atmospheric background, punching beat and nostalgic lyrics, “Ripples in the Timeline” sucks you in like a raging undertow right out the gate. It’s frenetic and fast-moving, and somehow still languid, like a raver on the dance floor whose body moves to the beat while their mind is somewhere else entirely, exploring inner space. Australian producer Mall Grab was ecstatic to work with the U.K.’s Real Lies on the song, naming the group one of his “favorite bands of all time.” That passion certainly comes through here. — K. Bein With over four million monthly listeners on Spotify alone, Mau P is certainly not underground — but on “Beats for the Underground,” he recognizes the widespread appetite for a darker, tech house vibe. The highly anticipated release was first teased in 2022 and incorporated into his sets throughout 2023 – and the wait was worthwhile, as the final release is a stellar testament to the Dutch producer’s ability to mesmerize a crowd. Despite the long runway to its release, this January drop endured throughout the rest of 2024. — M.M. Brazilian wunderkid Mochakk kept his devoted global fanbase waiting after dropping the Loletta Holloway-sampling, dancefloor activating “Jealous,” but its follow up “Locomotiva Ibiza 2099” (both tracks dropped on Circoloco Records; he’s a regular at their parties) was well worth the 11-month wait. The six-and-a-half-minute heater, featuring a heavy dose of sass from techno-pop maven Vtss, takes you for a ride from the moment it begins, complete with a driving bassline, wiggly synths and thundering train sounds. Thankfully, the hot tune was part of a two-part, six-track EP, featuring three other big tunes and two remixes, a taste of the dynamism and eclecticism of Mochakk’s energetic DJ sets. — A.M.Y. Earlier this summer, British DJ and producer Mura Masa – real name Alex Crossan – slipped out his fourth LP, one that somewhat flew under the radar. Curve 1 was a back-to-basics club record, eschewing A-List guests for a handful of trusted vocalists to elevate its harder cuts. Singapore-born, London-based alt-pop artist Yeule was one of them, and they bring joyful abandon to “We Are Making Out”, an ode to snogging on the London Underground’s various tube lines. Mind the closing doors! — T.S. London producer nimino came seemingly out of nowhere this year with his August viral track “I Only Smoke When I Drink.” An ode to drinking, then smoking, in order to avoid thinking about a seemingly tormented romance, the song is a light and punchy duet with a stuttering beat that’s spent 15 weeks on Hot Dance/Electronic Songs and also clocked more than 20 million engagements on TikTok. A one to watch for 2025, indeed. — K. Bain There’s the EDM we know and love, and then there’s Girl EDM : a multifaceted celebration of femininity through dance, signature to Ninajirachi, and also the name of her September album. Across the project the glitchy, pitched sounds of hyperpop are punctuated by rave-ready beats that make every song hit even harder: especially on album opener “Angel Music,” a swirling, frantic collaboration with New York City duo MGNA Crrrta. On it the artists channel “Bangarang”-era Skrillex while making clear, as the vocals go, that this is “girl music” — with shimmery but hard-edged fourishes, and the occasional tongue-in-cheek (“weird!” one announces) vocal drops. — M.M. Welch electronic duo (and brothers) Overmono lay a spare, spacious production made of a skittering percussion and passing clouds of synth, then get the hell out of the way of the vocals by South London singer/songwriter Ruthven. His plaintive minor key delivering is full of longing and melancholy, which can be a tough mood to nail on a song ostensibly meant for the club. But overall, July’s “Gem Lingo (ovr now)” is the kind of set-closer fare that finds people just singing along with their eyes closed, and maybe a few tears leaking out. — K. Bain In the middle of the track list of Peggy Gou’s 2024 album I Hear You , “(It Goes Like) Nanana,” last year’s crossover smash that helped the South Korean producer level up her crowds, is placed next to “Lobster Telephone,” a spiritual follow-up that recaptures a lot of its predecessor’s slinkiness. Gou excels when juxtaposing airy, uncluttered production with a relentlessly thumping beat, and “Lobster Telephone” doubles down on her strengths — with a great breakdown to boot. — JASON LIPSHUTZ Spun from a melody that came to one of its members in a dream, Rüfüs du Sol ’s “Break My Love” is more than a promise of enduring love. There’s a determination, even defiance, in its refusal to let go in a push-and-pull relationship when the other side keeps pulling away. But the standout track from the Aussie trio’s latest album Inhale / Exhale captures you before a single word is uttered. Its slow, hypnotizing rhythm is led by what drummer James Hunt describes as a “weird... psychedelic stutter,” which deepens its grip on your gut with each loop – a perfect companion to the lyrics’ steely resolve. — K.R. When Sammy Virji and Interplanetary Criminal come together, chaos erupts in the best way. The rising U.K. garage stars teamed up on “Damager,” a speed-garage track that’s bursting with untamable energy: a brisk bassline, sampled vocals (from 2000’s “Just Begun,” by rapper Apathy) sped up like someone on their fourth cold brew and drums that wallop like whack-a-mole. Virji premiered the track during his Boiler Room Denver set, and in every video clip of it since, the crowd’s whooping and jumping with their hands in the air – all in one heaving mass – pretty much sums it up. — K.R. SG Lewis and Tove Lo are basically partners in crime, having worked on each other’s albums before teaming with Nelly Furtado for May’s sultry “Love Bites.” They officially cemented their partnership with June’s Heat EP, a tribute to the vibrancy of queer nightlife. The set’s title track pulses with acid house and trance influences, as Lo’s teasing refrain – “I already know you can’t take the heat” – invites listeners into a sweat-flinging whirlwind of desire. Like its racy music video, “Heat” embodies the carefree ecstasy of dancing with (and kissing strangers) on the dance floor. — K.R. U.K. dance producer Silk’s stellar Regret the Morning EP hits an early high — somewhat literally — with its intoxicating title track. Over spectral synth flares and a frisky bass line, singer-songwriter Mali-Koa sings in acrostic form about a destructive relationship, before spelling out in call-and-response form on the immediately addictive chorus: “D-R-U-G-S please/ ( Yes please! )” It’s a narrative blur of sex, drugs and dance — set during already-discombobulating golden hours — where the regret seems to be just as much about what she can’t do any more as what she knows she probably shouldn’t. — A.U . Shygirl set the scene for her breakout year with February’s Club Shy EP, a no-skips project from the British producer that featured this standout alongside German mainstay Boys Noize. Together, the pair maintain the effervescent vibe that marks Shygirls signature, while also giving this one some muscle in a ravey production that creates the foundation for the singer’s breathy delivery. Seven months after the EP’s release, she hit the road with Charli XCX and Troye Sivan as the support on their Sweat tour, bringing the Club Shy vibe to grateful fans across the country. — K. Bain The mega-collaboration “Push” joined an exclusive club this past October when it aired in an Apple commercial, a feat that’s previously elevated artists like Feist and Sofi Tukker . Skrillex is already a household name, but the wobbling bass track propelled the U.K. dubstep revivalist Hamdi, Argentinian rapper Taichu, U.K. producer Offaiah and Turkish act contra all to a new level of visibility. “Push” had plenty of momentum before its May release, getting rinsed ‘round the world on numerous festival stages (including Skrillex’ Coachella headline set as part of PHM). Supposedly a preview of the producer born Sonny Moore’s upcoming album, it leaves fans eagerly anticipating what’s next in 2025. — K.R. The Blessed Madonna caught Kylie Minogue at the right moment for her first proper album, Godspeed : revitalized as a commercial force thanks to surprise smash “Padam Padam” and her pair of top-notch Tension full-lengths, the pop icon is booking arenas, getting her flowers and game to lead strutting dance singles like “Edge of Saturday Night.” The collaboration works thanks to the urgency that both artists bring — the production crunches and Minogue pants, achieving nu-disco bliss by way of unyielding dedication. — J. Lipshutz The first song (after a spoken word intro) on TSHA’s sophomore album Sad Girl is a deliciously euphoric going-out-with-your-besties anthem inspired by the ’00 electro she listened to while coming of age in a small U.K. town. It features warm, confident vocals from London dance pop artist Rose Gray, who sings of the freedom found on the dancefloor. “Rose was perfect for it because she’s kind of camp and a lot of fun,” TSHA said of the track. “We wanted to make a sort of Cyndi Lauper ‘Girls Just Want to Have Fun’ vibes as a positive start to the album. I didn’t want the album to be doom and gloom.” This buoyant track is very far from that. — A.M.Y. On “booboo,” left-field electronic maven Yaeji came out swinging with a joyful, buoyant club banger, one of two singles she released in 2024. The infectious three-and-a-half-minute track features a prominent bouncing bassline along with a playful sample of (and lyrical reference to) her 2017 breakout hit “Raingurl.” (“You know that I wasn’t really ready at the time; you know how the growing pains just don’t stop, yeah?” the producer acknowledges in her spoken word delivery.) It’s also a celebration of the joy found on the dancefloor with friends — and, for Yaeji, of a decade of raving with her fellow creatives in New York’s underground. — A.M.Y. Turns out John Mayer is the perfect guest vocalist for smooth, lightly tropical and ’80s-derived dance-pop — who would’ve guessed? The answer, of course, is “everyone.” But still, no one actually put a plan in action to make it happen until Zedd enlisted Mayer to step his way the dancefloor on “Automatic Yes,” from his rock-solid 2024 LP Telos . Getting the King of Minivan Rock to play the boyfriend you shouldn’t keep coming back to (but usually do) over plinking electric piano — and provide a ripping guitar riff on the outro? I mean... it certainly ain’t an automatic no. — A.U.
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Saudi Arabia was officially confirmed Wednesday by FIFA as host of the 2034 World Cup in men’s soccer, giving the oil-rich kingdom its biggest prize yet for massive spending on global sports driven by Crown Prince Mohammed bin Salman. The Saudi bid was the only candidate and was acclaimed by the applause of more than 200 FIFA member federations. They took part remotely in an online meeting hosted in Zurich by the soccer body’s president Gianni Infantino. “The vote of the congress is loud and clear,” said Infantino, who had asked officials on a bank of screens to clap their hands at head level to show their support. The decision was combined with approving the only candidate to host the 2030 World Cup. Spain, Portugal and Morocco will co-host in a six-nation project, with Argentina, Paraguay and Uruguay each getting one of the 104 games. The South American connection will mark the centenary of Uruguay hosting the first World Cup in 1930. The decisions complete a mostly opaque 15-month bid process which Infantino helped steer toward Saudi Arabia without a rival candidate, without taking questions, and which human rights groups warn will put the lives of migrant workers at risk. FIFA and Saudi officials have said hosting the 2034 tournament can accelerate change, including more freedoms and rights for women, with Infantino on Wednesday calling the World Cup a “unique catalyst for positive social change and unity.” “I fully trust our hosts to address all open points in this process, and deliver a World Cup that meets the world’s expectations,” the FIFA president said. An international collective of rights groups said FIFA made a “reckless decision” to approve Saudi Arabia without getting public assurances, and the Football Supporters Europe group said it was “the day football truly lost its mind.” A fast-track path to victory was cleared last year by FIFA accepting the three-continent hosting plan for the 2030 World Cup. It meant only soccer federations in Asia and Oceania were eligible for the 2034 contest, and FIFA gave them less than four weeks to declare. Only Saudi Arabia did. “Already we look forward to welcoming the world, to sharing our beautiful country, our culture and our deep passion for the game with open arms and warm hearts," Saudi sports minister Prince Abdulaziz bin Turki al-Faisal said in a statement. The win will kick off a decade of scrutiny on Saudi labor laws and treatment of workers mostly from South Asia needed to help build and upgrade 15 stadiums, plus hotels and transport networks ahead of the 104-game tournament. One of the stadiums is planned to be 350 meters (yards) above the ground in Neom — a futuristic city that does not yet exist — and another named for the crown prince is designed to be atop a 200-meter cliff near Riyadh. During the bid campaign, FIFA has accepted limited scrutiny of Saudi Arabia’s human rights record that was widely criticized this year at the United Nations. Saudi and international rights groups and activists warned FIFA it has not learned the lessons of Qatar’s much-criticized preparations to host the 2022 World Cup. “At every stage of this bidding process, FIFA has shown its commitment to human rights to be a sham," said Amnesty International’s head of labor rights and sport, Steve Cockburn. The kingdom plans to spend tens of billion of dollars on projects related to the World Cup as part of the crown prince’s sweeping Vision 2030 project that aims to modernize Saudi society and economy. At its core is spending on sports by the $900 billion sovereign wealth operation, the Public Investment Fund, which he oversees. Critics have called it “sportswashing” of the kingdom's reputation. The prince, known as MBS, has built close working ties to Infantino since 2017 — aligning with the organizer of sport’s most-watched event rather than directly confronting the established system as it did with the disruptive LIV Golf project. The result for Saudi Arabia and FIFA has been smooth progress toward the win Wednesday with limited pushback from soccer officials, though some from women international players. The steady flow of Saudi cash into international soccer is set to increase. FIFA created a new and higher World Cup sponsor category for state oil firm Aramco, and Saudi funding is set to underwrite the 2025 Club World Cup in the United States that is a pet project for Infantino. North American soccer body CONCACAF signed a multi-year deal with PIF, Saudi stadiums host Super Cup games for Italy and Spain, and nearly 50 FIFA member federations have signed working agreements with Saudi counterparts. Lavish spending by PIF-owned Saudi clubs in the past two years buying and paying players – including Cristiano Ronaldo, Neymar, Karim Benzema and Sadio Mané – put hundreds of millions of dollars into European soccer. That influence could be key in talks to agree which months to play the 2034 World Cup. The November-December slot taken by Qatar in 2022 to avoid extreme midsummer heat is complicated in 2034 by the holy month of Ramadan through mid-December and Riyadh hosting the multi-sport Asian Games. Still, January 2034 could be an option — and likely better for European clubs and leagues —after the International Olympic Committee said it saw few issues in clashing with the Salt Lake Winter Games opening Feb. 10, 2034. The IOC also has a major commercial deal with Saudi Arabia, to host the new Esports Olympics.Who are the favorites to win Golden Globes? | Streamed & Screened podcastPakistan expressed its “deep regret” over the United States’ veto of a UN Security Council resolution calling for a ceasefire in Gaza. Foreign Office spokesperson, Mumtaz Zahra Baloch, during a weekly briefing, stated that Pakistan condemns the US decision to veto the Gaza ceasefire resolution, calling it deeply regrettable. She further stated that Pakistan has serious concerns regarding the safe havens for terrorist groups in Afghanistan and the foreign support these groups receive. This external support poses a significant challenge to Pakistan’s security and should be seriously addressed by the international community. The spokesperson also addressed the letter written by a British Member of Parliament about political and personal freedoms in Pakistan, which circulated on social media. She clarified that this letter was an internal matter between the British Parliament and its member, and it had not been shared with Pakistan officially. Regarding the suggestion of appointing a Special Representative for Afghanistan, Mumtaz Zahra Baloch dismissed the rumors, stating that the Chinese and Russian special envoys for Afghanistan had recently visited Pakistan and held meetings with Pakistani officials. Mumtaz Zahra Baloch also mentioned that Pakistan is engaged in discussions with the US on security issues, including the transfer of ballistic missiles into the hands of terrorist groups. It is worth noting that the US vetoed the Gaza ceasefire resolution in the UN Security Council on November 20 claiming it would have emboldened Hamas. The resolution called for an immediate end to the 13-month-long war in Gaza and demanded the release of Israeli nationals held by Hamas. The US used its veto power as a permanent member of the Security Council to block the resolution. The resolution demanded “an immediate, unconditional and permanent ceasefire” in the war between Israel and the Palestinian group, along with “the immediate and unconditional release of all hostages.” But Israel’s UN ambassador Danny Danon claims the resolution “was not a path to peace, it was a road map to more terror, more suffering and more bloodshed. Robert Wood, deputy ambassador to the United Nations, said that the US position remained there had “to be a linkage between a ceasefire and the release of hostages.”
Met Éireann weather warnings currently in place: 'Status Red warnings could still be issued for east coast' "We don't want people on the streets - at all - between 10pm and 2am during a Status Red warning" - Galway mayor Peter Keane Public transport services likely to be cancelled/curtailed during Storm Darragh Storm Darragh: Forecasters upgrade seven counties to Status Red wind warning, Bus Éireann services cancelled Bye for now Toll of Storm Darragh Wild conditions on the west coast 9pm on the dot and it went from 0 to 100 #StormDarragh has arrived in North Mayo pic.twitter.com/8FmVUGBlPf Gusts of over 140km/h now recorded Mace Head gusting up to 141kmh now at 10pm with Mayo Sailing club private station up to 148kmh. #StormDarragh pic.twitter.com/0VSoL6KrVs Large swathes of the west without power Thousands without power in the southwest due to Storm Darragh Flight diversions due to high winds ⚠️ Diversion #FR7722 / #RYR9PC from Gatwick to Cork is currently diverting to Shannon airport due to strong winds in cork #StormDarragh #aviation #avgeek #dublinairport #dublin #wind #corkairport #ireland #bert #storm #travel #goaround #diversion #corkairport #cork pic.twitter.com/jA7oGlyhk3 UK sends 'risk to life' alert to phones of over 3m people over Storm Darragh Storm Darragh about to draw near Ireland #StormDarragh is set to bring damaging winds, heavy rain, and some snow to parts of the UK and Ireland this weekend. Coastal gusts could reach 90 mph, with 60-70 mph gusts expected inland. pic.twitter.com/yqnWonrmQa Storm Darragh safety message from Gas Networks Ireland Met Éireann weather warnings currently in place: OPW warns Dublin Castle Christmas markets 'could close early' Due to Storm Darragh, Christmas at the Castle may close early this evening. On Saturday December 7th, the market will open at 1pm at the earliest, subject to the weather status. Please keep an eye on our socials & https://t.co/QgylwbOk9V for updates 📸Dublin Castle @opwireland pic.twitter.com/TxPA4cq34C Those planning "Christmas night out" advised to check local forecast and plan accordingly ❗Attention 📢Red warnings are now in place on the West & North West Coasts until 3pm tomorrow. Extremely strong and gusty northwest winds are expected. pic.twitter.com/ohNqIll1VF University of Galway to close during Red Alert hours **Weather Alert** Met Éireann have issued a Status Red wind warning for Galway and other counties from 10PM Friday, 6th December to 2AM Saturday, 7th December. University campuses in affected areas will be closed until the warning ends. If the warning is extended, the closure... pic.twitter.com/hZ58633OmS Leading homelessness organisations express 'grave concern' for asylum-seekers Assistance available to households Orange warning update Timings updated for Red warningsThe new, 12-team College Football Playoff brings with it a promise to be bigger, more exciting, more lucrative. Perfect or 100% fair? Well, nobody ever believed that. The first expanded playoff bracket unveiled Sunday left a presumably deserving Alabama team on the sideline in favor of an SMU squad with a better record after playing a schedule that was not as difficult. It ranked undefeated Oregon first but set up a possible rematch against Ohio State, the team that came closest to beating the Ducks this year. It treated underdog Boise State like a favorite and banged-up Georgia like a world beater at No. 2. It gave Ohio State home-field advantage against Tennessee for reasons it would take a supercomputer to figure out. It gave the sport the multiweek tournament it has longed for, but also ensured there will be plenty to grouse about between now and when the trophy is handed out on Jan. 20 after what will easily be the longest college football season in history. All of it, thankfully, will be sorted out on the field starting with first-round games on campuses Dec. 20 and 21, then over three succeeding rounds that will wind their way through traditional bowl sites. Maybe Oregon coach Dan Lanning, whose undefeated Ducks are the favorite to win it all, put it best when he offered: "Winning a national championship is not supposed to be easy.” Neither, it turns out, is figuring out who should play for it. SMU quarterback Kevin Jennings passes the ball in the first half of the ACC championship game against Clemson on Saturday in Charlotte, N.C. The Big Ten will lead the way with four teams in the tournament, followed by the SEC with three and the ACC with two. The lasting memory from the inaugural bracket will involve the decision that handed the ACC that second bid. Alabama of the SEC didn't play Saturday. SMU of the ACC did. The Mustangs fell behind by three touchdowns to Clemson before coming back to tie. But they ultimately lost 34-31 on a 56-yard field goal as time expired. “We were on pins and needles,” SMU coach Rhett Lashley said. “Until we saw the name ‘SMU’ up there, we were hanging on the edge. We're really, really happy and thankful to the committee for rewarding our guys for their total body of work." The Mustangs only had two losses, compared to three for the Crimson Tide. Even though SMU's schedule wasn't nearly as tough, the committee was impressed by the way the Mustangs came back against Clemson. “We just felt, in this particular case, SMU had the nod above Alabama,” said Michigan athletic director Warde Manuel, the chairman of the selection committee. “But it’s no disrespect to Alabama’s strength of schedule. We looked at the entire body of work for both teams.” Oregon offensive lineman Iapani Laloulu celebrates after winning the Big Ten championship game against Penn State on Saturday in Indianapolis. Georgia, the SEC champion, was seeded second; Boise State, the Mountain West champion, earned the third seed; and Big 12 titlist Arizona State got the fourth seed and the fourth and final first-round bye. All will play in quarterfinals at bowl games on Dec. 31-Jan. 1. Clemson stole a bid and the 12th seed with its crazy win over SMU, the result that ultimately cost Alabama a spot in the field. The Tigers moved to No. 16 in the rankings, but got in as the fifth-best conference winner. Automatic byes and bids made the bracket strange The conference commissioners' idea to give conference champions preferable treatment in this first iteration of the 12-team playoff could be up for reconsideration after this season. The committee actually ranked Boise State, the Mountain West Champion, at No. 9 and Big 12 champion Arizona State at No. 12, but both get to skip the first round. Another CFP guideline: There’s no reseeding of teams after each round, which means no break for Oregon. The top-seeded Ducks will face the winner of Tennessee-Ohio State in the Rose Bowl. Oregon beat Ohio State 32-31 earlier this year in one of the season’s best games. Texas linebacker Anthony Hill Jr. hits Georgia quarterback Gunner Stockton during the second half of the SEC championship game on Saturday in Atlanta. No. 12 Clemson at No. 5 Texas, Dec. 21: Clemson is riding high after the SMU upset, while Texas is 0-2 against Georgia and 11-0 vs. everyone else this season. The winner faces ... Arizona State in the Peach Bowl. Huh? No. 11 SMU at No. 6 Penn State, Dec. 21: The biggest knock against the Mustangs was that they didn't play any big boys with that 60th-ranked strength of schedule. Well, now they get to. The winner faces ... Boise State in the Fiesta Bowl. Yes, SMU vs. Boise was the quarterfinal we all expected. No. 10 Indiana at No. 7 Notre Dame, Dec. 20: Hoosiers coach Curt Cignetti thought his team deserved a home game. Well, not quite but close. The winner gets ... Georgia in the Sugar Bowl. The Bulldogs got the No. 2 seed despite a throwing-arm injury to QB Carson Beck. But what else was the committee supposed to do? No. 9 Tennessee at No. 8 Ohio State, Dec. 21: The Buckeyes (losses to Oregon, Michigan) got home field over the Volunteers (losses to Arkansas, Georgia) in a matchup of programs with two of the biggest stadiums in football. The winner faces ... Oregon in the Rose Bowl. Feels like that matchup should come in the semifinals or later. Buffalo Bills quarterback Josh Allen, foreground right, dives toward the end zone to score past San Francisco 49ers defensive end Robert Beal Jr. (51) and linebacker Dee Winters during the second half of an NFL football game in Orchard Park, N.Y., Sunday, Dec. 1, 2024. (AP Photo/Adrian Kraus) Houston Rockets guard Jalen Green goes up for a dunk during the second half of an Emirates NBA cup basketball game against the Minnesota Timberwolves, Tuesday, Nov. 26, 2024, in Minneapolis. (AP Photo/Abbie Parr) South Carolina guard Maddy McDaniel (1) drives to the basket against UCLA forward Janiah Barker (0) and center Lauren Betts (51) during the first half of an NCAA college basketball game, Sunday, Nov. 24, 2024, in Los Angeles. (AP Photo/Eric Thayer) Mari Fukada of Japan falls as she competes in the women's Snowboard Big Air qualifying round during the FIS Snowboard & Freeski World Cup 2024 at the Shougang Park in Beijing, Saturday, Nov. 30, 2024. (AP Photo/Andy Wong) LSU punter Peyton Todd (38) kneels in prayer before an NCAA college football game against Oklahoma in Baton Rouge, La., Saturday, Nov. 30, 2024. LSU won 37-17. (AP Photo/Gerald Herbert) South Africa's captain Temba Bavuma misses a catch during the fourth day of the first Test cricket match between South Africa and Sri Lanka, at Kingsmead stadium in Durban, South Africa, Saturday, Nov. 30, 2024. (AP Photo/Themba Hadebe) Philadelphia Eagles running back Saquon Barkley, left, is hit by Baltimore Ravens cornerback Marlon Humphrey, center, as Eagles wide receiver Parris Campbell (80) looks on during a touchdown run by Barkley in the second half of an NFL football game, Sunday, Dec. 1, 2024, in Baltimore. (AP Photo/Stephanie Scarbrough) Los Angeles Kings left wing Warren Foegele, left, trips San Jose Sharks center Macklin Celebrini, center, during the third period of an NHL hockey game Monday, Nov. 25, 2024, in San Jose, Calif. (AP Photo/Godofredo A. Vásquez) Olympiacos' Francisco Ortega, right, challenges for the ball with FCSB's David Miculescu during the Europa League league phase soccer match between FCSB and Olympiacos at the National Arena stadium, in Bucharest, Romania, Thursday, Nov. 28, 2024. (AP Photo/Andreea Alexandru) Brazil's Botafogo soccer fans react during the Copa Libertadores title match against Atletico Mineiro in Argentina, during a watch party at Nilton Santos Stadium, in Rio de Janeiro, Saturday, Nov. 30, 2024. (AP Photo/Bruna Prado) Seattle Kraken fans react after a goal by center Matty Beniers against the San Jose Sharks was disallowed due to goaltender interference during the third period of an NHL hockey game Saturday, Nov. 30, 2024, in Seattle. The Sharks won 4-2. (AP Photo/Lindsey Wasson) New York Islanders left wing Anders Lee (27), center, fight for the puck with Boston Bruins defensemen Parker Wotherspoon (29), left, and Brandon Carlo (25), right during the second period of an NHL hockey game, Wednesday, Nov. 27, 2024, in Elmont, N.Y. (AP Photo/Julia Demaree Nikhinson) Jiyai Shin of Korea watches her shot on the 10th hole during the final round of the Australian Open golf championship at the Kingston Heath Golf Club in Melbourne, Australia, Sunday, Dec. 1, 2024. (AP Photo/Asanka Brendon Ratnayake) Mathilde Gremaud of Switzerland competes in the women's Freeski Big Air qualifying round during the FIS Snowboard & Freeski World Cup 2024 at the Shougang Park in Beijing, Friday, Nov. 29, 2024. (AP Photo/Andy Wong) Lara Gut-Behrami, of Switzerland, competes during a women's World Cup giant slalom skiing race, Saturday, Nov. 30, 2024, in Killington, Vt. (AP Photo/Robert F. Bukaty) New York Islanders goaltender Ilya Sorokin cools off during first period of an NHL hockey game against the Boston Bruins, Wednesday, Nov. 27, 2024, in Elmont, N.Y. (AP Photo/Julia Demaree Nikhinson) Brazil's Amanda Gutierres, second right, is congratulated by teammate Yasmin, right, after scoring her team's first goal during a soccer international between Brazil and Australia in Brisbane, Australia, Thursday, Nov. 28, 2024. (AP Photo/Pat Hoelscher) Las Vegas Raiders tight end Brock Bowers (89) tries to leap over Kansas City Chiefs cornerback Joshua Williams (2) during the first half of an NFL football game in Kansas City, Mo., Friday, Nov. 29, 2024. (AP Photo/Ed Zurga) Luiz Henrique of Brazil's Botafogo, right. is fouled by goalkeeper Everson of Brazil's Atletico Mineiro inside the penalty area during a Copa Libertadores final soccer match at Monumental stadium in Buenos Aires, Argentina, Saturday, Nov. 30, 2024. (AP Photo/Natacha Pisarenko) England's Alessia Russo, left, and United States' Naomi Girma challenge for the ball during the International friendly women soccer match between England and United States at Wembley stadium in London, Saturday, Nov. 30, 2024. (AP Photo/Kirsty Wigglesworth) Gold medalists Team Netherlands competes in the Team Sprint Women race of the ISU World Cup Speed Skating Beijing 2024 held at the National Speed Skating Oval in Beijing, Sunday, Dec. 1, 2024. (AP Photo/Ng Han Guan) Minnesota Vikings running back Aaron Jones (33) reaches for an incomplete pass ahead of Arizona Cardinals linebacker Mack Wilson Sr. (2) during the second half of an NFL football game Sunday, Dec. 1, 2024, in Minneapolis. (AP Photo/Abbie Parr) Melanie Meillard, center, of Switzerland, competes during the second run in a women's World Cup slalom skiing race, Sunday, Dec. 1, 2024, in Killington, Vt. (AP Photo/Robert F. 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