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( MENAFN - EIN Presswire) Tiffany Chang Kneron ... Visit us on social media: Facebook LinkedIn Instagram YouTube Legal Disclaimer: EIN Presswire provides this news content "as is" without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above. MENAFN29122024003118003196ID1109040152 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.iFixit now sells official parts for the Xbox Series XNone
Oldacre scores 21 points as No. 5 Texas routs Texas Rio Grande Valley 94-35
Knight stops 20 shots, Florida rolls past Carolina 6-0 for 2nd win over 'Canes in as many daysCencora's executive chairman Steven Collis sells $5.2 million in stock
If someone offered to sell me something for 10 or 15 times the price I could have paid for it just a few years ago, I may feel at risk of . But that is the sort of return seen on ( ) shares in recent years. Having been under 40p at its 2020 low, the Rolls-Royce share price this week hovered close to the £6 mark. But while that may be welcome news for , what might it mean for an investor such as myself, hunting for value in today’s market? Potentially further to run In fact, I think the Rolls-Royce share price could potentially go from here. For starters, its of 21 while not exactly cheap does not look outrageous to me. Other firms have a higher P/E ratio. Fellow engineer , for example, trades on a P/E ratio of 28. Rolls’ P/E ratio is based on past earnings. But its prospective earnings may be stronger – potentially much stronger. It is still in the process of undergoing a medium-term transformation programme. Demand for civil aviation engine sales and servicing is high. Many Western governments are ramping up defence spending. Meanwhile, Rolls’ nuclear business may have large sales potential, thanks to its line of small modular reactors. I’m hesitant – and here’s why Still, although I see arguments as to why the Rolls-Royce share price could keep on moving up, I also have some reservations. To start with, the transformation programme remains a work in progress. Rolls is a large, slow-moving and historically unpredictable business in terms of performance. Whether that can change permanently and by how much remains to be seen. If cost-cutting goes too far, there is a risk of reputational damage. Airline customers pay a premium for Rolls’ engines because they want total peace of mind that their planes have top notch engineering underpinning every flight. The nuclear business could do very well, but people have been saying that about different nuclear businesses for decades already – with very mixed results. I feel this part of Rolls’ operations still needs to prove it can add significant long-term value for the company. Meanwhile, in the core civil aviation engine business, Rolls only has so much under its control. Historically, one of the biggest challenges has been unforeseen external demand shocks for the airline industry, from terrorist attacks to volcanic clouds and the pandemic. Indeed, that explains why the Rolls-Royce share price was in pennies in 2020. The company was on its knees. I see a risk that such events will happen again at some point in future – and there is little or nothing that Rolls can do about it. I reckon the current share price does not offer me a margin of safety considering that risk. So although I reckon the share may move higher still from here, I will not be along for the ride as I have no plans to invest.
Opposition fighters are closing in on Syria’s capital in a swiftly developing crisis that has taken much of the world by surprise. Syria’s army has abandoned key cities with little resistance. Nervous residents in Damascus describe security forces on the streets. The state news agency has been forced to deny rumors that President Bashar Assad has left the country. Who are these opposition fighters ? If they enter Damascus after taking some of Syria’s largest cities , what then? Here’s a look at the stunning reversal of fortune for Assad and his government in just the past 10 days, and what might lie ahead as Syria’s 13-year civil war reignites . The aim? Overthrow the government This is the first time that opposition forces have reached the outskirts of the Syrian capital since 2018, when the country’s troops recaptured the area following a yearslong siege. The approaching fighters are led by the most powerful insurgent group in Syria, Hayat Tahrir al-Sham , or HTS, along with an umbrella group of Turkish-backed Syrian militias called the Syrian National Army. Both have been entrenched in the northwest. They launched the shock offensive on Nov. 27 with gunmen capturing Aleppo, Syria’s largest city, and the central city of Hama, the fourth largest. The HTS has its origins in al-Qaida and is considered a terrorist organization by the U.S. and the United Nations. But the group said in recent years it cut ties with al-Qaida, and experts say HTS has sought to remake itself in recent years by focusing on promoting civilian government in their territory as well as military action. HTS leader Abu Mohammed al-Golani told CNN in an exclusive interview Thursday from Syria that the aim of the offensive is to overthrow Assad’s government. Possible rifts ahead The HTS and Syrian National Army have been allies at times and rivals at times, and their aims might diverge. The Turkish-backed militias also have an interest in creating a buffer zone near the Turkish border to keep away Kurdish militants at odds with Ankara. Turkey has been a main backer of the fighters seeking to overthrow Assad but more recently has urged reconciliation, and Turkish officials have strongly rejected claims of any involvement in the current offensive. Whether the HTS and the Syrian National Army will work together if they succeed in overthrowing Assad or turn on each other again is a major question. Others take advantage While the flash offensive against Syria’s government began in the north, armed opposition groups have also mobilized elsewhere. The southern areas of Sweida and Daraa have both been taken locally. Sweida is the heartland of Syria’s Druze religious minority and had been the site of regular anti-government protests even after Assad seemingly consolidated his control over the area. Daraa is a Sunni Muslim area that was widely seen as the cradle of the uprising against Assad’s rule that erupted in 2011. Daraa was recaptured by Syrian government troops in 2018, but rebels remained in some areas. In recent years, Daraa was in a state of uneasy quiet under a Russian-mediated ceasefire deal. And much of Syria’s east is controlled by the Syrian Democratic Forces, a Kurdish-led group backed by the United States that in the past has clashed with most other armed groups in the country. Syria’s government now has control of only three of 14 provincial capitals: Damascus, Latakia and Tartus. What’s next? Much depends on Assad’s next moves and his forces’ will to fight the rebels. A commander with the insurgents, Hassan Abdul-Ghani, posted on the Telegram messaging app that opposition forces have started carrying out the “final stage” of their offensive by encircling Damascus. And Syrian troops withdrew Saturday from much of the central city of Homs, Syria’s third largest, according to a pro-government outlet and the Britain-based Syrian Observatory for Human Rights. If that city is captured, the link would be cut between Damascus, Assad’s seat of power, and the coastal region where he enjoys wide support. “Homs to the coastal cities will be a very huge red line politically and socially. Politically, if this line is crossed, then we are talking about the end of the entire Syria, the one that we knew in the past,” said a Damascus resident, Anas Joudeh. Assad appears to be largely on his own as allies Russia and Iran are distracted by other conflicts and the Lebanon-based Hezbollah has been weakened by its war with Israel, now under a fragile ceasefire. The U.N. special envoy for Syria, Geir Pedersen, seeks urgent talks in Geneva to ensure an “orderly political transition,” saying the situation is changing by the minute. He met with foreign ministers and senior diplomats from eight key countries including Saudi Arabia, Russia, Egypt, Turkey and Iran on the sidelines of the Doha Summit. President-elect Donald Trump in his first extensive comments on the developments in Syria said the besieged Assad didn’t deserve U.S. support to stay in power. “THIS IS NOT OUR FIGHT,” Trump posted on social media. ___ Associated Press writer Abby Sewell in Beirut contributed.Significant milestones in life and career of Jimmy Carter
Miss Naomie to Tesfay: You’ve shaped me into a woman I am today
BOONE, N.C. (AP) — South Carolina offensive coordinator Dowell Loggains has been hired as head coach at Appalachian State and will receive a five-year contract, athletic director Doug Gillin announced Saturday. Read this article for free: Already have an account? To continue reading, please subscribe: * BOONE, N.C. (AP) — South Carolina offensive coordinator Dowell Loggains has been hired as head coach at Appalachian State and will receive a five-year contract, athletic director Doug Gillin announced Saturday. Read unlimited articles for free today: Already have an account? BOONE, N.C. (AP) — South Carolina offensive coordinator Dowell Loggains has been hired as head coach at Appalachian State and will receive a five-year contract, athletic director Doug Gillin announced Saturday. The 44-year-old Loggains replaces Shawn Clark, who was fired Monday after the Mountaineers finished 5-6 for their first losing season since 2013. Loggains was South Carolina’s offensive coordinator for two seasons and an assistant at Arkansas, his alma mater, for two seasons before that. He spent 16 years in the NFL as offensive coordinator and quarterbacks coach for Tennessee, Cleveland, Chicago, Miami and the New York Jets. “He brings experience as a leader and play-caller at the highest levels of professional and college football,” Gillin said. “He is a great recruiter and believes strongly in building relationships. He is aligned with our core values of academic integrity, competitive excellence, social responsibility and world-class experience. This is a great day for App State.” Loggains’ offense at South Carolina featured LaNorris Sellers, one of the nation’s top dual-threat quarterbacks, and running back Raheim “Rocket” Sanders. Sellers and Sanders led the Southeastern Conference’s third-ranked rushing offense. Loggains spent the 2021 and 2022 seasons as Arkansas’ tight ends coach, and he worked with Sam Darnold, Jay Cutler, Mitchell Trubisky, Brian Hoyer and Vince Young during his time in the NFL. The Mountaineers, the preseason favorites in the Sun Belt Conference’s East Division, tied for fifth with a 3-5 record in league play. App State was 40-24 under Clark, but the Mountaineers have failed to reach a bowl game two of the past three seasons. Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. ___ Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here. AP college football: https://apnews.com/hub/ap-top-25-college-football-poll and https://apnews.com/hub/college-football Advertisement Advertisement2 convicted of human smuggling after Indian family froze to death on US-Canada border
Finish strong? Rutgers did more than that in rout of Michigan State | ObservationsGreen and Jamiel score long TDs and Lehigh rallies to defeat Richmond 20-16 in FCS playoff openerContacts between the parties suggest that the early post-election preference of Fianna Fáil and Fine Gael for Labour to join them in government will not be reciprocated, at least not in the immediate future. Labour leader Ivana Bacik has instead been pursuing the broad red-green alliance with the Greens and the Social Democrats that she repeatedly flagged during the election campaign. The results of her efforts have not been encouraging, however; the Greens have been left without a meaningful parliamentary presence, while the Social Democrats – never visibly enthused by Bacik’s proposal – gave it the thumbs down on Friday. The Social Democrats said they would meet separately from Labour with other parties, including Fianna Fáil and Fine Gael. So that’s that. Labour must now decide whether to seek a coalition deal with Fianna Fáil and Fine Gael – and there is a difference between actually seeking a deal and just meeting for the optics, remember – or whether it wishes to continue in Opposition for another five years. The political dangers of going into government are well understood in Labour, and their fears are unlikely to have been assuaged by the fate of the Greens. At the same time, nobody knows better than Labour that government is where parties can achieve their aims, implement their policies and force the changes they have promised voters. There is, reportedly, division between Labour TDs on the issue, but the prospects of the party playing a role in the next government seem to be diminishing. And so, the focus will inevitably move to the Independents . A group convened by the Tipperary North TD Michael Lowry has made the early running, signalling its availability, and there have been some preliminary discussions. It is not yet clear whether they will seek positions in government, as Independents did in the 2016-20 administration, or be content to support the coalition from the outside, as Independents did previously. In any case, a series of deals with the Independents will not be straightforward. Each Independent TD speaks for himself or herself, and has only their own vote to trade; that is the nature of their status. They will be focused on their constituencies, but any new government will need them to stay on board for broader matters such as budgets, motions of confidence and controversial issues. A good deal of foresight will be required to future-proof any agreement. It seems unlikely that matters will have moved on conclusively when the new Dáil meets for the first time on December 18th. That means a new government is unlikely before mid-January. It should not take longer than that. The options are clear and the participants need to get on with it.
PLAINS, Ga. — Former U.S. President Jimmy Carter has died at his home in Plains, Georgia. His death comes more than a year after the former president entered hospice care. He was 100 years old. Here are some significant events in Jimmy Carter's life: — Oct. 1, 1924: James Earl Carter Jr. is born in Plains, Georgia, son of James Sr. and Lillian Gordy Carter. — June 1946: Carter graduates from the U.S. Naval Academy. — July 1946: Carter marries Rosalynn Smith, in Plains. They have four children, John William (“Jack”), born 1947; James Earl 3rd (“Chip”), 1950; Donnel Jeffrey (Jeff), 1952; and Amy Lynn, 1967. — 1946-1953: Carter serves in a Navy nuclear submarine program, attaining rank of lieutenant commander. — Summer 1953: Carter resigns from the Navy, returns to Plains after father’s death. — 1953-1971: Carter helps run the family peanut farm and warehouse business. — 1963-1966: Carter serves in the Georgia state Senate. — 1966: Carter tries unsuccessfully for the Democratic gubernatorial nomination. — November 1970: Carter is elected governor of Georgia. Serves 1971-75. — Dec. 12, 1974: Carter announces a presidential bid. Atlanta newspaper answers with headline: “Jimmy Who?” — January 1976: Carter leads the Democratic field in Iowa, a huge campaign boost that also helps to establish Iowa’s first-in-the-nation caucus. — July 1976: Carter accepts the Democratic nomination and announces Sen. Walter Mondale of Minnesota as running mate. — November 1976: Carter defeats President Gerald R. Ford, winning 51% of the vote and 297 electoral votes to Ford’s 240. — January 1977: Carter is sworn in as the 39th president of the United States. On his first full day in office, he pardons most Vietnam-era draft evaders. —September 1977: U.S. and Panama sign treaties to return the Panama Canal back to Panama in 1999. Senate narrowly ratifies them in 1978. — September 1978: Egyptian President Anwar Sadat, Israeli Prime Minister Menachem Begin and Carter sign Camp David accords, which lead to a peace deal between Egypt and Israel the following year. — June 15-18, 1979: Carter attends a summit with Soviet President Leonid Brezhnev in Vienna that leads to the signing of the SALT II treaty. — November 1979: Iranian militants storm the U.S. Embassy in Tehran, taking 52 hostages. All survive and are freed minutes after Carter leaves office in January 1981. — April 1980: The Mariel boatlift begins, sending tens of thousands of Cubans to the U.S. Many are criminals and psychiatric patients set free by Cuban leader Fidel Castro, creating a major foreign policy crisis. — April 1980: An attempt by the U.S. to free hostages fails when a helicopter crashes into a transport plane in Iran, killing eight servicemen. — Nov. 4, 1980: Carter is denied a second term by Ronald Reagan, who wins 51.6% of the popular vote to 41.7% for Carter and 6.7% to independent John Anderson. — 1982: Jimmy and Rosalynn Carter co-found The Carter Center in Atlanta, whose mission is to resolve conflicts, protect human rights and prevent disease around the world. — September 1984: The Carters spend a week building Habitat for Humanity houses, launching what becomes the annual Carter Work Project. — October 1986: A dedication is held for The Carter Presidential Center in Atlanta. The center includes the Carter Presidential Library and Museum and Carter Center offices. — 1989: Carter leads the Carter Center’s first election monitoring mission, declaring Panamanian Gen. Manuel Noriega’s election fraudulent. — May 1992: Carter meets with Mikhail and Raisa Gorbachev at the Carter Center to discuss forming the Gorbachev Foundation. — June 1994: Carter plays a key role in North Korea nuclear disarmament talks. — September 1994: Carter leads a delegation to Haiti, arranging terms to avoid a U.S. invasion and return President Jean-Bertrand Aristide to power. — December 1994: Carter negotiates tentative cease-fire in Bosnia. — March 1995: Carter mediates cease-fire in Sudan’s war with southern rebels. — September 1995: Carter travels to Africa to advance the peace process in more troubled areas. — December 1998: Carter receives U.N. Human Rights Prize on 50th anniversary of the Universal Declaration of Human Rights. — August 1999: President Bill Clinton awards Jimmy and Rosalynn Carter the Presidential Medal of Freedom. — September 2001: Carter joins former Presidents Ford, Bush and Clinton at a prayer service at the National Cathedral in Washington after Sept. 11 attacks. — April 2002: Carter’s book “An Hour Before Daylight: Memories of a Rural Boyhood” chosen as finalist for Pulitzer Prize in biography. — May 2002: Carter visits Cuba and addresses the communist nation on television. He is the highest-ranking American to visit in decades. — Dec. 10, 2002: Carter is awarded the Nobel Peace Prize for his “untiring effort to find peaceful solutions to international conflicts, to advance democracy and human rights, and to promote economic and social development.” — July 2007: Carter joins The Elders, a group of international leaders brought together by Nelson Mandela to focus on global issues. — Spring 2008: Carter remains officially neutral as Sens. Barack Obama and Hillary Rodham Clinton battle each other for the Democratic presidential nomination. — April 2008: Carter stirs controversy by meeting with the Islamic militant group Hamas. — August 2010: Carter travels to North Korea as the Carter Center negotiates the release of an imprisoned American teacher. — August 2013: Carter joins President Barack Obama and former President Bill Clinton at the 50th anniversary of the Rev. Martin Luther King Jr.’s “I Have A Dream” speech and the March on Washington. — Oct. 1, 2014: Carter celebrates his 90th birthday. — December 2014: Carter is nominated for a Grammy in the best spoken word album category, for his book “A Call To Action.” — May 2015: Carter returns early from an election observation visit in Guyana — the Carter Center’s 100th — after feeling unwell. — August 2015: Carter has a small cancerous mass removed from his liver. He plans to receive treatment at Emory Healthcare in Atlanta. — August 2015: Carter announces that his grandson Jason Carter will chair the Carter Center governing board. — March 6, 2016: Carter says an experimental drug has eliminated any sign of his cancer, and that he needs no further treatment. — May 25, 2016: Carter steps back from a “front-line” role with The Elders to become an emeritus member. — July 2016: Carter is treated for dehydration during a Habitat for Humanity build in Canada. — Spring 2018: Carter publishes “Faith: A Journey for All,” the last of 32 books. — March 22, 2019: Carter becomes the longest-lived U.S. president, surpassing President George H.W. Bush, who died in 2018. — September 18, 2019: Jimmy and Rosalynn Carter deliver their final in-person annual report at the Carter Center. — October 2019: At 95, still recovering from a fall, Carter joins the Work Project with Habitat for Humanity in Nashville, Tennessee. It’s the last time he works personally on the annual project. — Fall 2019-early 2020: Democratic presidential hopefuls visit, publicly embracing Carter as a party elder, a first for his post-presidency. — November 2020:The Carter Center monitors an audit of presidential election results in the state of Georgia, marking a new era of democracy advocacy within the U.S. — Jan. 20, 2021: The Carters miss President Joe Biden’s swearing-in, the first presidential inauguration they don’t attend since Carter’s own ceremony in 1977. The Bidens later visit the Carters in Plains on April 29. — Feb. 19, 2023: Carter enters home hospice care after a series of short hospital stays. — July 7, 2023: The Carters celebrate their 77th and final wedding anniversary. — Nov. 19, 2023: Rosalynn Carter dies at home, two days after the family announced that she had joined the former president in receiving hospice care. — Oct. 1, 2024 — Carter becomes the first former U.S. president to reach 100 years of age , celebrating at home with extended family and close friends. — Oct. 16, 2024 — Carter casts a Georgia mail ballot for Democratic presidential nominee Kamala Harris, having told his family he wanted to live long enough to vote for her. It marks his 21st presidential election as a voter. — Dec. 29, 2024: Carter dies at home.SUNRISE, Fla. (AP) — Spencer Knight made 20 saves, Mackie Samoskevich scored with less than a second left in the second period, and the Florida Panthers got four goals in the third to beat the Carolina Hurricanes 6-0 on Saturday and complete a two-day sweep. Aleksander Barkov, Sam Bennett, Aaron Ekblad, Evan Rodrigues and Adam Boqvist also scored for Florida, which won 6-3 at Carolina on Friday. The Panthers have won three straight — that streak following a stretch of six losses in seven games for the Stanley Cup champions. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.
SUNRISE, Fla. (AP) — Spencer Knight made 20 saves, Mackie Samoskevich scored with less than a second left in the second period, and the Florida Panthers got four goals in the third to beat the Carolina Hurricanes 6-0 on Saturday and complete a two-day sweep. Aleksander Barkov, Sam Bennett, Aaron Ekblad, Evan Rodrigues and Adam Boqvist also scored for Florida, which won 6-3 at Carolina on Friday. The Panthers have won three straight — that streak following a stretch of six losses in seven games for the Stanley Cup champions. It was Knight's fourth career shutout, his first since Nov. 9, 2022 — also at home against Carolina. Spencer Martin made 23 saves on 28 shots for the Hurricanes, who have dropped four of their last six games (2-3-1). It was Martin's fourth consecutive start for Carolina. Hurricanes: This was the first time all season that the Hurricanes failed to get a point in the game immediately following a loss. Carolina was 4-0-1 after a defeat entering Saturday. Panthers: A big day for Samoskevich — his alma mater Michigan beat Ohio State in football on Saturday, that game ending just before the Florida-Carolina game started. The Panthers are 5-0-0 when he scores this season. Sam Reinhart had each of the four most recent Florida goals at 19:59, before Samoskevich got his Saturday. The Panthers scored two goals 11 seconds apart in the third to make it 5-0, and Yaniv Perets replaced Martin in the Hurricanes' net with 8:12 remaining. It was the second NHL appearance for Perets, who came on once in relief for Carolina last season. Ekblad's goal was his first in a span of 1,045 regular-season shifts since Feb. 20. Carolina starts a two-game homestand Tuesday against Seattle. Florida goes to Pittsburgh to start a two-game trip on Tuesday. AP NHL: https://www.apnews.com/hub/NHLSUNRISE, Fla. (AP) — Spencer Knight made 20 saves, Mackie Samoskevich scored with less than a second left in the second period, and the Florida Panthers got four goals in the third to beat the Carolina Hurricanes 6-0 on Saturday and complete a two-day sweep. Aleksander Barkov, Sam Bennett, Aaron Ekblad, Evan Rodrigues and Adam Boqvist also scored for Florida, which won 6-3 at Carolina on Friday. The Panthers have won three straight — that streak following a stretch of six losses in seven games for the Stanley Cup champions. It was Knight's fourth career shutout, his first since Nov. 9, 2022 — also at home against Carolina. Spencer Martin made 23 saves on 28 shots for the Hurricanes, who have dropped four of their last six games (2-3-1). It was Martin's fourth consecutive start for Carolina. Hurricanes: This was the first time all season that the Hurricanes failed to get a point in the game immediately following a loss. Carolina was 4-0-1 after a defeat entering Saturday. Panthers: A big day for Samoskevich — his alma mater Michigan beat Ohio State in football on Saturday, that game ending just before the Florida-Carolina game started. The Panthers are 5-0-0 when he scores this season. Sam Reinhart had each of the four most recent Florida goals at 19:59, before Samoskevich got his Saturday. The Panthers scored two goals 11 seconds apart in the third to make it 5-0, and Yaniv Perets replaced Martin in the Hurricanes' net with 8:12 remaining. It was the second NHL appearance for Perets, who came on once in relief for Carolina last season. Ekblad's goal was his first in a span of 1,045 regular-season shifts since Feb. 20. Carolina starts a two-game homestand Tuesday against Seattle. Florida goes to Pittsburgh to start a two-game trip on Tuesday. AP NHL: https://www.apnews.com/hub/NHLOn August 1, 1981, a revolutionary network burst onto cable TV screens, introducing a groundbreaking way for music enthusiasts to connect with their favorite artists—MTV, aka “Music Television.” Although music performance clips had been around for a while, MTV transformed the game, reshaping how artists visually presented and marketed themselves. From DIY endeavors to cinematic masterpieces, music videos evolved into an art form, with icons like Michael Jackson and Björk pushing the visual boundaries. As MTV directors ascended to film careers, the debate ignited: did “Video Kill the Radio Star”? In this list, we present the 50 Greatest Music Videos of All Time, showcasing the creativity, innovation, and cultural impact that defined an era. Table of Contents 1. Bob Dylan “Subterranean Homesick Blues” (1967) One of the earliest precursors to the modern music video, Bob Dylan’s “Subterranean Homesick Blues” is an authentic DIY gem. Filmed in the alley of the Savoy Hotel in London for D.A. Pennebaker’s “Don’t Look Back” documentary, Dylan flips through cue cards syncopated with his rapid-fire lyrics. Simple yet revolutionary, this clip laid the groundwork for the optical innovation that music videos would soon embody. 2. Michael Jackson “Billie Jean” (1983) Michael Jackson’s “Billie Jean” is more than a chart-topping hit—it’s a cinematic masterpiece. Directed by Steve Barron, the video follows MJ’s pursuit of Billie Jean in a city street, featuring iconic moments like the light-up squares sequence. Initially resisted by MTV, the video’s eventual playtime catapulted Jackson into pop superstardom, proving the transformative power of music videos. 3. Michael Jackson “Thriller” (1983) Widely regarded as the greatest music video of all time, Michael Jackson’s “Thriller” is an epic production directed by John Landis. Combining horror movie themes with impeccable storytelling, the 13-minute video features MJ’s dance with the living dead. The choreography remains timeless, showcasing precision and impact that solidified “Thriller” as a groundbreaking cultural phenomenon. 4. a-ha “Take On Me” (1985) “Take On Me” by a-ha isn’t just a synthpop anthem; its music video, directed by Steve Barron, is a technical marvel. Using rotoscoping, the video blends live-action and animation, turning a flop single into a global smash. “Take On Me” became an enduring classic, and a-ha wisely embraced its legacy, continuing to create music to this day. 5. Peter Gabriel “Sledgehammer” (1986) Competing with “Thriller” for the title of greatest music video, Peter Gabriel’s “Sledgehammer” is a visual tour de force. Directed by Stephen R. Johnson and featuring animation by luminaries like the Brothers Quay, the stop-motion adventure required Gabriel to lay under glass for 16 hours. Bursting with color and style, “Sledgehammer” transformed Gabriel into a chart-topping oddball pop star. 6. “Weird Al” Yankovic “Fat” (1988) “Weird Al” Yankovic injected humor into the MTV landscape with “Fat,” a parody of Michael Jackson’s “Bad.” Directed by Jay Levey, the video lovingly skewers MJ’s iconic persona. Yankovic’s attention to detail, from tracking shots to sound-effect-triggered moves, made “Fat” an iconic live-show finale. Yankovic’s parody prowess proved music videos could be both entertaining and commercially viable. 7. Janet Jackson “Rhythm Nation” (1989) While some artists leaned heavily on narrative storytelling in music videos, Janet Jackson’s “Rhythm Nation” prioritized powerful performance. Directed by Dominic Sena, the black & white video showcases Jackson’s military precision and impeccable dance moves. Set in a steam factory, the video’s clear concept and outstanding choreography left an indelible mark on viewers’ eyes. 8. Sinéad O’Connor “Nothing Compares 2 U” (1990) In the evolving landscape of music videos, Sinéad O’Connor’s “Nothing Compares 2 U” stood out for its simplicity and emotional impact. Directed by John Maybury, the video features O’Connor’s expressive face against a black backdrop, delivering the dramatic cover of Prince’s B-side with raw intensity. The unadorned, no-frills approach propelled the song to global success and earned it the Video of the Year award. 9. Madonna “Vogue” (1990) Madonna’s mastery of visual storytelling reached its pinnacle with “Vogue.” Directed by David Fincher and set in black & white, the video portrays Madonna as a legendary blonde bombshell, effortlessly executing poses and dance moves. Starting a dance craze, “Vogue” became an enduring piece of pop culture, showcasing Madonna’s ability to push boundaries while creating timeless visuals. 10. Nirvana “Smells Like Teen Spirit” (1991) Nirvana’s “Smells Like Teen Spirit” challenged the status quo with a low-budget yet impactful video directed by Samuel Bayer. Set in a chaotic high school assembly, the video captured the disaffected spirit of a generation rejecting the excesses of hair metal. The authenticity of Nirvana’s appearance and catchy song made “Teen Spirit” an instant icon of the grunge movement. 11. Beck “Loser” (1993) Beck’s “Loser” epitomized the DIY ethos of the ’90s indie scene. Directed by Steve Hanft on a shoestring budget, the video blended eclectic visuals, from negative-image aerobics to a guitar on fire. “Loser” proved that big ideas, not big budgets, could make a lasting impact, opening doors for a new generation of filmmakers and establishing Beck as an alternative music icon. 12. Tool “Prıson Sex” (1993) Tool’s “Prıson Sex” pushed the boundaries of music video craft with haunting stop-motion puppetry. Directed by guitarist Adam Jones, the video addresses the harrowing subject of child abuse. Unsettling and groundbreaking, “Prıson Sex” elevated Tool as a force in metal and demonstrated the potential of music videos to convey powerful narratives akin to horror movies. 13. Beastie Boys “Sabotage” (1994) “Sabotage” by the Beastie Boys, directed by Spike Jonze, redefined music videos with its thrilling hard-rock single and ’70s cop show aesthetic. The Beasties, donning fake mustaches, delivered manic comic energy, embracing every wacky concept. “Sabotage” showcased the group’s commitment to diverse video concepts and elevated its comic value to masterclass levels. 14. Nine Inch Nails “Closer” (1994) Nine Inch Nails’ “Closer” directed by Mark Romanek brought industrial music to the mainstream with a haunting nightmare of a vision. Provocative and controversial, the video’s explicit imagery challenged conventional norms. With scenes edited for MTV rotation, “Closer” set Trent Reznor on a path of provocateur, proving that presenting grotesque concepts as high art could infiltrate the mainstream. 15. Weezer “Buddy Holly” (1994) Weezer’s “Buddy Holly,” directed by Spike Jonze, ingeniously blended the band’s performance with scenes from the classic sitcom “Happy Days.” The seamless integration of Weezer into the iconic show’s world, along with Jonze’s playful direction, created a timeless video. “Buddy Holly” became a defining moment in ’90s alternative rock and showcased the potential of merging music and pop culture. 16. TLC “Waterfalls” (1995) TLC’s “Waterfalls,” directed by F. Gary Gray, tackled social issues with a visually stunning narrative. The video featured powerful scenes addressing drug addiction and unsafe sex, paired with the group’s soulful performance. “Waterfalls” proved that music videos could be a platform for addressing real-world problems, resonating with audiences and earning critical acclaim. 17. Jamiroquai “Virtual Insanity” (1996) Jamiroquai’s “Virtual Insanity,” directed by Jonathan Glazer, featured Jay Kay’s gravity-defying dance moves in a room with sliding furniture. The video’s innovative visual effects complemented the song’s themes of societal chaos. “Virtual Insanity” earned recognition for its creativity and won multiple MTV Video Music Awards, solidifying Jamiroquai as a band with both musical and visual prowess. 18. The Prodigy “Breathe” (1996) The Prodigy’s “Breathe,” directed by Walter Stern, captured the essence of the band’s intense electronic sound. With a visually striking blend of fire, insects, and frenetic energy, the video matched the aggressive beats of the song. “Breathe” exemplified the synergy between electronic music and dynamic visuals, setting a standard for future electronic and dance music videos. 19. Radiohead “Just” (1995) Radiohead’s “Just,” directed by Jamie Thraves, took a minimalist approach that sparked endless debates over its meaning. The video featured a man lying on the street, with pedestrians and emergency responders trying to uncover the reason. Its ambiguous narrative fueled discussions and showcased the power of simplicity in conveying profound messages. 20. The Chemical Brothers “Block Rockin’ Beats” (1997) The Chemical Brothers’ “Block Rockin’ Beats,” directed by Joseph Kahn, fused psychedelic visuals with an infectious beat. The video’s kinetic energy and kaleidoscopic effects complemented the electronic soundscape. “Block Rockin’ Beats” not only became an anthem for electronic music lovers but also demonstrated the potential of music videos to enhance the listening experience through immersive visuals. 21. Fatboy Slim “Praise You” (1998) Fatboy Slim’s “Praise You,” directed by Spike Jonze, disrupted the conventional music video format with its guerrilla-style, amateur dance performance. Set in front of a movie theater, the video showcased the power of raw, unpolished creativity. “Praise You” challenged traditional aesthetics and earned acclaim for its originality and humor. 22. Madonna “Ray of Light” (1998) Madonna’s “Ray of Light,” directed by Jonas Åkerlund, embraced the frenetic pace of the electronic dance music scene. The video featured sped-up footage of city life and Madonna’s energetic performance. “Ray of Light” perfectly captured the late-’90s techno vibe and earned Madonna several MTV Video Music Awards, further solidifying her status as the queen of reinvention. 23. Lauryn Hill “Doo Wop (That Thing)” (1998) Lauryn Hill’s “Doo Wop (That Thing),” directed by Lauryn Hill herself, delivered a powerful message about self-respect and empowerment. The video featured split-screen effects and showcased Hill’s dynamic presence. “Doo Wop (That Thing)” became a cultural touchstone, emphasizing the importance of authenticity and self-worth. 24. TLC “No Scrubs” (1999) TLC’s “No Scrubs,” directed by Hype Williams, empowered women with its message against “scrubs” or men who offer nothing. The futuristic video featured TLC in various futuristic scenes, complementing the song’s fresh and assertive vibe. “No Scrubs” became a feminist anthem and further solidified TLC’s status as trailblazers in both music and visuals. 25. Eminem “The Real Slim Shady” (2000) Eminem’s “The Real Slim Shady,” directed by Dr. Dre and Philip G. Atwell, combined humor and social commentary. The video featured multiple Eminem look-alikes causing chaos, highlighting the rapper’s impact on popular culture. “The Real Slim Shady” showcased Eminem’s ability to blend wit with introspection, and the video’s playful yet provocative style earned it critical acclaim. 26. Fatboy Slim “Weapon of Choice” (2001) Fatboy Slim’s “Weapon of Choice,” directed by Spike Jonze, turned Christopher Walken into a dancing sensation. The video featured Walken’s mesmerizing dance routine in a hotel lobby, showcasing the unexpected combination of Walken’s acting prowess and Jonze’s creative direction. “Weapon of Choice” became an iconic example of how music videos could elevate a song through unforgettable visuals. 27. Gorillaz “Clint Eastwood” (2001) Gorillaz’s “Clint Eastwood,” directed by Jamie Hewlett, introduced the world to the virtual band’s animated members. The video seamlessly blended animation with live-action footage, creating a surreal and captivating visual experience. “Clint Eastwood” marked the beginning of Gorillaz’s exploration of the visual medium, setting the stage for their innovative approach to music videos. 28. Missy Elliott “Get Ur Freak On” (2001) Missy Elliott’s “Get Ur Freak On,” directed by Dave Meyers, showcased the rapper’s avant-garde style and boundary-pushing visuals. The video featured a mix of surreal imagery, innovative choreography, and bold fashion choices. Missy Elliott’s fearless creativity and willingness to experiment with visuals set “Get Ur Freak On” apart as a groundbreaking music video. 29. The White Stripes “Fell in Love with a Girl” (2002) The White Stripes’ “Fell in Love with a Girl,” directed by Michel Gondry, embraced the charm of LEGO animation. The video featured a stop-motion love story created entirely with LEGO bricks, adding a playful and visually striking element to the song. “Fell in Love with a Girl” exemplified Gondry’s unique vision and the ability of music videos to showcase innovative animation techniques. 30. Johnny Cash “Hurt” (2002) Johnny Cash’s “Hurt,” directed by Mark Romanek, is a poignant reflection on the aging artist’s life. Filmed at the House of Cash in the final years of Cash’s life, the video combines footage from his past with present-day shots. “Hurt” became a powerful farewell from a music legend, with Cash’s weathered voice and Romanek’s direction creating an emotionally charged masterpiece. 31. OutKast “Hey Ya!” (2003) OutKast’s “Hey Ya!,” directed by Bryan Barber, took a vibrant and visually dynamic approach. The video featured André 3000 playing all the band members in a variety show setting, and its playful style complemented the song’s infectious energy. “Hey Ya!” became a cultural phenomenon, and its innovative visual approach contributed to the song’s massive success. 32. Beyoncé ft. Jay-Z “Crazy in Love” (2003) Beyoncé’s “Crazy in Love,” directed by Jake Nava, marked a defining moment in her solo career. The video showcased Beyoncé’s captivating performance and chemistry with Jay-Z. With its energetic dance sequences and glamorous visuals, “Crazy in Love” set a new standard for pop music videos, solidifying Beyoncé’s status as a global superstar. 33. Kanye West “Jesus Walks” (2004) Kanye West’s “Jesus Walks,” directed by Chris Milk, tackled themes of faith, racism, and social issues. The video’s powerful imagery and West’s unapologetic approach added depth to the song’s message. “Jesus Walks” demonstrated Kanye West’s ability to use visuals to amplify his music’s social and cultural impact. 34. Franz Ferdinand “Take Me Out” (2004) Franz Ferdinand’s “Take Me Out,” directed by Jonas Odell, featured a unique split-screen format. The video showcased the band’s performance alongside a narrative of a violent confrontation in a nightclub. The juxtaposition of the energetic music with the dramatic storyline created a visually compelling experience, earning acclaim for its creativity. 35. Usher ft. Lil Jon, Ludacris “Yeah!” (2004) Usher’s “Yeah!,” directed by Mr. X, combined infectious R&B beats with vibrant visuals. The video featured energetic dance sequences and dynamic lighting, capturing the party atmosphere of the song. “Yeah!” became a chart-topping hit, and its music video added to the overall entertainment value, making it a memorable piece of mid-2000s pop culture. 36. Coldplay “The Scientist” (2005) Coldplay’s “The Scientist,” directed by Jamie Thraves, told a reverse-chronological love story. The video featured Chris Martin moving backward through scenes of destruction and chaos, adding a poignant layer to the song’s emotional impact. “The Scientist” showcased the band’s ability to create visually striking narratives that complemented their music. 37. Gorillaz “Feel Good Inc.” (2005) Gorillaz’s “Feel Good Inc.,” directed by Jamie Hewlett, continued the band’s exploration of animated visuals. The video featured the virtual band in a surreal, floating windmill, and its colorful, imaginative style complemented the song’s infectious groove. “Feel Good Inc.” further solidified Gorillaz’s reputation for pushing the boundaries of conventional music videos. 38. Rihanna ft. Jay-Z “Umbrella” (2007) Rihanna’s “Umbrella,” directed by Chris Applebaum, became an instant classic. The video featured Rihanna and Jay-Z in a sleek, futuristic setting with striking visual effects. “Umbrella” not only became a chart-topping hit but also showcased Rihanna’s evolution as a pop icon with a strong visual presence. 39. OK Go “Here It Goes Again” (2006) OK Go’s “Here It Goes Again,” directed by the band’s members, became a viral sensation for its innovative use of treadmills. The single-take video featured the band performing a synchronized routine on moving treadmills, showcasing a perfect blend of choreography and visual creativity. “Here It Goes Again” demonstrated how a simple yet well-executed concept could capture the audience’s attention. 40. Kanye West “Stronger” (2007) Kanye West’s “Stronger,” directed by Hype Williams, combined hip-hop with futuristic visuals. The video drew inspiration from anime and featured Kanye West in a futuristic cityscape with innovative special effects. “Stronger” not only became a hit but also demonstrated Kanye West’s ability to push the boundaries of music video aesthetics. 41. Justice “D.A.N.C.E.” (2007) Justice’s “D.A.N.C.E.,” directed by Jonas & François, embraced retro aesthetics and vibrant visuals. The video featured animated elements alongside live-action performances, creating a visually dynamic experience. “D.A.N.C.E.” became a standout in the electronic music scene and showcased the creative possibilities of combining different visual elements in a music video. 42. Beyoncé “Single Ladies (Put a Ring on It)” (2008) Beyoncé’s “Single Ladies (Put a Ring on It),” directed by Jake Nava, became a cultural phenomenon. The video, featuring iconic dance moves and black-and-white aesthetics, perfectly complemented the song’s message of empowerment. “Single Ladies” not only dominated the charts but also inspired countless parodies and dance covers. 43. Lady Gaga “Bad Romance” (2009) Lady Gaga’s “Bad Romance,” directed by Francis Lawrence, was a visually stunning and avant-garde masterpiece. The video featured elaborate costumes, intricate choreography, and surreal set designs, creating a cinematic experience. “Bad Romance” not only elevated Lady Gaga’s status as a pop icon but also set a new standard for the visual extravagance of music videos. 44. Jay-Z ft. Alicia Keys “Empire State of Mind” (2009) Jay-Z and Alicia Keys’ “Empire State of Mind,” directed by Hype Williams, celebrated the city of New York. The video featured iconic landmarks and captured the energy of the city, perfectly complementing the anthemic song. “Empire State of Mind” became a cultural phenomenon and showcased the ability of music videos to capture the spirit of a location. 45. Kanye West “Runaway” (2010) Kanye West’s “Runaway,” directed by Kanye West himself, was a visually striking short film. The video featured ballet dancers, elaborate set designs, and surreal imagery, providing a cinematic experience. “Runaway” served as a personal expression for Kanye West and demonstrated the potential of music videos as a medium for artistic storytelling. 46. Adele “Rolling in the Deep” (2010) Adele’s “Rolling in the Deep,” directed by Sam Brown, featured a simple yet powerful visual concept. The video showcased Adele’s emotive performance, emphasizing the raw emotion of the song. “Rolling in the Deep” became a massive success and highlighted the impact of a well-executed, emotionally resonant music video. 47. Childish Gambino “This Is America” (2018) Childish Gambino’s “This Is America,” directed by Hiro Murai, became a cultural phenomenon for its social commentary. The video addressed issues of gun violence and racial injustice, featuring symbolism and chaotic scenes. “This Is America” sparked intense discussions and showcased the potential of music videos as a platform for addressing societal issues. 48. Billie Eilish “Bad Guy” (2019) Billie Eilish’s “Bad Guy,” directed by Dave Meyers, embraced a playful and surreal aesthetic. The video featured quirky visuals and unexpected transitions, perfectly complementing Eilish’s unconventional style. “Bad Guy” not only became a chart-topping hit but also solidified Billie Eilish’s reputation as a boundary-pushing artist with a unique visual identity. 49. Taylor Swift “Blank Space” (2014) Directed by Joseph Kahn, Taylor Swift’s “Blank Space” is a visually stunning and narratively compelling music video. Swift plays the role of a glamorous yet emotionally volatile character, creating a visual spectacle that mirrors the song’s themes of love, heartbreak, and the public perception of celebrities. “Blank Space” showcases Swift’s ability to embrace storytelling in her music videos, contributing to her status as one of the leading artists in the industry. 50. Kendrick Lamar “HUMBLE.” (2017) Directed by Dave Meyers, Kendrick Lamar’s “HUMBLE.” is a visually striking and socially relevant music video. The video features Lamar in various powerful and symbolic scenes, addressing issues of race, beauty standards, and societal expectations. With its bold visuals and thought-provoking imagery, “HUMBLE.” solidifies Kendrick Lamar’s reputation as an artist who uses his music videos to convey meaningful messages and challenge societal norms.