Report tracks trends in Massachusetts birthsOTTAWA, ON , Nov. 21, 2024 /PRNewswire/ -- The Royal Canadian Mint is delighted that the one-of-a-kind 2024 10 kg 99.99% Pure Gold Coin – The Dance Screen (The Scream Too) , an exquisite numismatic tribute to the art of acclaimed Haida master carver Chief 7IDANsuu ( James Hart ), sold for $1,561,250 .00 CAD (including Buyer's Premium), after a live auction conducted by Heffel Fine Art Auction House (Heffel). This rare, pure gold masterpiece was sold to an anonymous bidder on November 20, 2024 , and beat the previous record for a coin offered at auction in Canada , held by The Ultimate , a one kilo pure platinum coin also produced by the Royal Canadian Mint. "We are thrilled by the collector interest in this unique coin and delighted that the skill of the Royal Canadian Mint and the talent of Chief 7IDANsuu ( James Hart ) have been recognized by the buyer of this rare and beautiful 10 kg pure gold masterpiece," said Marie Lemay , President and CEO of the Royal Canadian Mint. "It has been an extraordinary privilege to auction The Dance Screen (The Scream Too) 10kg pure gold coin," said David Heffel , President of Heffel Fine Art Auction House. "The profoundly significant artwork by the esteemed Chief James Hart , showcased on its face, stands as an enduring icon of Canadian art, embodying the rich traditions and cultural narratives of the Haida Nation. We are honoured to have placed this masterpiece in a distinguished collection and look forward to seeing its legacy continue to inspire." Impeccably crafted from 10 kg of 99.99% pure Canadian gold, The Dance Screen (The Scream Too) re–creates carved images from the original red cedar panel carved by Chief 7IDANsuu on its reverse. The reverse design of the flagship coin of the 2024 Opulence Collection brings together traditional Haida figures—a Shaman, the Beaver, Raven, Eagle, Frog, Orca and Mother Bear with cubs—whose life deeply depends on the Salmon, represented in human and animal form along the edge. Six pearlescent pieces of responsibly sourced abalone shell are inlayed along the coin's edge, where their aquatic hues shimmer in the light and their shapes evoke the Haida copper shields that serve as traditional markers of wealth. The imposing coin's obverse features the effigy of His Majesty King Charles III by Canadian artist Steven Rosati , surrounded by an engraving of subtle sketch lines from the original carving. About the Royal Canadian Mint The Royal Canadian Mint is the Crown corporation responsible for the minting and distribution of Canada's circulation coins. The Mint is one of the largest and most versatile mints in the world, producing award-winning collector coins, market-leading bullion products, as well as Canada's prestigious military and civilian honours. As an established London and COMEX Good Delivery refiner, the Mint also offers a full spectrum of best-in-class gold and silver refining services. As an organization that strives to take better care of the environment, to cultivate safe and inclusive workplaces and to make a positive impact on the communities where it operates, the Mint integrates environmental, social and governance practices in every aspect of its operations. For more information on the Mint, its products and services, visit www.mint.ca . Follow the Mint on LinkedIn , Facebook and Instagram . About Heffel Fine Art Auction House Since 1978, Heffel has connected passionate collectors across the world with outstanding works of art, with sales totaling nearly $1 billion . With offices in Toronto , Vancouver , Montreal , Ottawa and Calgary , Heffel has the most experienced team of fine art specialists in Canada and provides superior client service to both sellers and buyers internationally. For more information, media are asked to contact: Royal Canadian Mint, Alex Reeves , Senior Manager, Public Affairs, 613-884-6370, reeves@mint.ca ; Heffel Fine Art Auction House, Rebecca Rykiss , National Director, Brand and Communications, 416-961-6505 ext. 323, rebecca@heffel.com
Chess grandmaster Magnus Carlsen returns to a tournament after a dispute over jeans is resolved
Persistent high surf and flooding threats along California’s coast had residents on high alert a day after a major storm was blamed for one man’s death and the partial collapse of a pier, which propelled three people into the Pacific Ocean. The National Weather Service on Christmas Eve warned of dangerous, large-breaking waves of up to 35 feet (10.7 meters). Its latest high surf warning will be in effect until 6 p.m. Tuesday. “Large waves can sweep across the beach without warning, pulling people into the sea from rocks, jetties and beaches,” the weather service said in a Christmas Eve bulletin. In Santa Cruz, where a municipal wharf under construction partially collapsed on Monday, most beaches were cordoned off as they were inundated with high surf and debris. Residents received an alert on their phones Tuesday morning notifying them to “avoid all beaches including coastal overlook areas such as rocks, jetties or cliffs.” It warned powerful waves could sweep entire beaches unexpectedly. Local officials said there could be further damage to the wharf, but no more pieces broke off overnight. The wharf collapsed and fell into the ocean midday Monday, taking three people with it. Two people were rescued by lifeguards and a third swam to safety. No one was seriously injured. “We are anticipating that what is coming toward us is more serious than what was there this morning,” Santa Cruz Mayor Fred Keeley said Monday. The structure was in the middle of a $4 million renovation following destructive storms last winter about 70 miles (112 kilometers) south of San Francisco. “It’s a catastrophe for those down at the end of the wharf,” said David Johnston, who was allowed onto the pier on Monday to check on his business, Venture Quest Kayaking. Tony Elliot, the head of the Santa Cruz Parks & Recreation Department, estimated that about 150 feet (45 meters) of the end of the wharf fell into the water. It was immediately evacuated and will remain closed indefinitely. Some of the wharf’s pilings are still in the ocean and remain “serious, serious hazards” to boats, the mayor said. Each piling weighs hundreds of pounds and is being pushed by powerful waves. “You are risking your life, and those of the people that would need to try and save you by getting in or too close to the water,” the National Weather Service’s Bay Area office said on the social platform X. Building inspectors were looking at the rest of the pier’s structural integrity. Some California cities ordered beachfront homes and hotels to evacuate early Monday afternoon as forecasters warned that storm swells would continue to increase throughout the day. In Watsonville along the Monterey Bay, first responders were called to Sunset State Beach, a state park, around 11:30 a.m. Monday for a report of a man trapped under debris. The Santa Cruz County Sheriff’s Office believes a large wave pinned him there. The man was pronounced dead at a hospital. The storm’s high surf also likely pulled another man into the Pacific Ocean around noon Monday at Marina State Beach, nearly 13 miles (21 kilometers) south of Watsonville, authorities said. Strong currents and high waves forced searchers to abandon their efforts roughly two hours later as conditions worsened. The man remained missing Monday evening. In a post on X, the National Weather Service office in Portland, Oregon, said, “It will likely go down as some of the highest surf this winter.” ___ Dazio reported from Los Angeles. Persistent high surf and flooding threats along California’s coast had What do Tom Brady, Taylor Swift and comedy have to LeBron James made his Christmas debut in 2003. Victor Wembanyama Two people were rescued when a California pier partially collapsed
NoneJudge weighs whether to order Fani Willis to comply with lawmakers’ subpoenas over Trump caseNone
NoneIreland's Tánaiste Micheál Martin does not think the country will have a new Government in place before Christmas - while Taoiseach Simon Harris last week spoke about the impact President-elect Donald Trump could have on the timing. Martin's party Fianna Fáil emerged with the most seats - 48 - of any party in the Irish General Election 2024. However, despite winning the most seats, Fianna Fáil was still far off from claiming the 88 seats necessary to make a majority, meaning another coalition Government is likely in store for Ireland. Discussions have begun amongst party leaders to see who can form a majority-winning coalition. The probability of a return to some sort of Fianna Fáil - Fine Gael coalition is high as together they have a combined 86 seats. Both parties have vowed not to go into a coalition with Sinn Féin, who emerged as the second-largest party with 39 seats, beating Fine Gael's 38 seats. Sinn Féin, meanwhile, said on Monday it had contacted leaders of the Social Democrats and the Labour Party and that it would be contacting other "progressives" during the week. Sign up to IrishCentral's newsletter to stay up-to-date with everything Irish! According to the PA, the Tánaiste said on Tuesday in Dublin that most of the work to form a coalition could be done by Christmas but “we have to focus on the issues." “I don’t think we will have reached agreement by Christmas,” he said. “But I’m sure that most people in the country want us to form a Government as quickly as we can.” Martin also refused to say which ministerial portfolios his party will want to take, saying he wants to “respect the process." December 3, 2024: Tánaiste Micheál Martin at the British-Irish Intergovernmental Conference in Dublin. (RollingNews.ie) Last week, current Taoiseach Simon Harris, the leader of Fine Gael, touched upon the impact US President-elect Donald Trump will have on the timing of the formation of a new Government. “My concern is this, Donald Trump becomes President of the United States in January," Harris told the Irish Mirror on November 28 before voters went to the polls on Friday for the Irish General Election 2024. “I’d like if I had clarity that I was likely to be the Taoiseach. I’d like to be seeking an early meeting with President elect-Trump. “I don't want to be waiting until someone's handing over shamrock in the White House next March. I want an early engagement with President-elect Trump before he even takes office, if possible.” A few days earlier, the Taoiseach told Sky News that he was "preparing" Ireland for a possible "changed reality" regarding the economy when Trump begins his second presidency. November 30, 2024: Taoiseach and Fine Gael leader Simon Harris arrives at the Shoreline count centre in Wicklow. (RollingNews.ie) Meanwhile, a government official, speaking anonymously, told POLITICO on Tuesday that the choice of a “third leg to prop up the government stool” would add an edge to its Trump-era diplomacy. “If we let the independents into government, we could have Cabinet ministers singing Trump’s praises,” the official said. “If we get Labour on board, we could end up with Cabinet ministers calling him a fascist. “We don’t really want either option. We want to keep our heads down as much as possible, and fight our corner as quietly and politely as possible, for the next four years - and just hope and pray our economy’s still going strong on the other side.”
“ Gladiator II ” picks up 16 years after the first film ends. When director Ridley Scott was conceiving the original, the approach was, “Build the sets, fight real tigers, shoot real arrows,” says cinematographer John Mathieson . This time around, things had moved forward and the Colosseum was at its height. But also there had been huge improvements in technology, and processes were now faster, easier and 3D printing technology had since evolved. Scott went bigger on his second “Gladiator” outing with rhino showdowns, baboon fights and shark attacks during a mock naval battle. Mathieson says that Scott really embraces CGI: “He loves it. He feels much more comfortable. He’s good at it. He composed these amazing scenes with his supervisors. Look at ‘Napoleon.’ That was a big difference for us.” The shark battle might be one of the most entertaining sequences in the film. After Lucius’ ( Paul Mescal ) town comes under attack by Roman soldiers, he is captured as a prisoner. Eventually, he’s sold as a gladiator and becomes a leader. He battles with both the baboons and rhinos and conquers them both. “He’s getting a bit too powerful,” Mathieson explains. The emperors want to kill him off, so they devise a naval battle in the Colosseum. The scene itself is colorful, with the boats all different colors and the senators in their togas watching from the royal box. Mathieson says, “It’s like a Vegas boxing match in the 1970s when the men are like peacocks and the girls were not quite as well-dressed as the men. It’s totally over the top.” The sequence takes off as Lucius helms one of the boats and rams it onto another. It turns into a battle with gladiators and the Emperors’ guards falling into shark-infested water. To set it up, Mathieson explains the sequence was actually shot twice. “We shot it dry on SPMTs (self-propelled modular transporters) which are multi-wheeled, multi-steering bases. It’s like putting a thing on a massive skateboard with lots of wheels on it and the guy walks along next to it and he’s got a joystick and he drives it.” Explaining the process, Mathieson says when the dry sequence was shot, stuntmen had padding for the actors to fall onto. Once that was done, the production shot the sequence in Malta in a water tank. “It’s probably the largest tank in Europe, 300×400 feet, and it can be up to two meters deep,” Mathieson says. The water was an emerald, green-blue color that created sinister shadows lurking underneath. “The dry part where most of the shooting was fairly quick. And story-wise, there were only a few shots in the water, but they took maybe twice as long, just to give you some idea how difficult water is to work in,” Mathieson says. As for his camera set-up, Mathieson’s approach was to “stay back with the camera.” Since there was so much action going on he didn’t want to be tight. Rather, he wanted his framing to “feel like you’re in the action.” Mathieson also knew Scott’s vision which was to shoot it as much as he could, all at once, and film from every angle. “They get all the extras, you put lots of cameras in and you position them around the arena because the boats are moving. Not all the cameras will be on all the time, but the boats will come to you, and the action will come to you.” The advantage of shooting it all at once was the continuity. Says Mathieson, “The boat’s burning, the walls are being broken and guys are falling off. If you cut to another shot and the guy’s fallen off in the wide shot, and you cut to a close-up pull and he’s still there and he falls off, you can’t use that shot. Since everything’s running at the same time, when he falls off in the wide, he falls off in the close-up as well, so there’s a logic to it.” His camera of choice was the Alexa Mini LF with a zoom lens. “With a zoom lens, you just go zoom. I’m afraid, much as I admire cinematographers who choose the right lens, that’s not what we’re doing here. You’ve got a lot of people who’ve been up since 2:30 in the morning. They don’t want to be seeing you say, ‘Oh, there’s a 35mm or maybe a 40mm,’ No. You’ve got to be ready. You’ve got to be quick. You’ve got to be on it. When that energy happens, or if something happens or breaks in mid-shot, you’ve got to have something to change to.” Another factor in shooting the film almost 25 years later was utilizing how camera cranes had changed. “We didn’t have that. [Now], they’re telescopic, and they can reach 75 feet or more, but we used the short ones, so we’re mobile.” Watch the video above.TESSAN booth layout at CES 2025 LAS VEGAS , Dec. 24, 2024 /PRNewswire/ -- The leading charging solution provider TESSAN has announced its participation in CES 2025, where it will present its latest innovations designed to enhance connectivity and convenience for users. Visitors can explore the brand's new offerings at Booth 30562 in the Las Vegas Convention Center, South Hall 2. "Tessan aims to be a reliable companion for users in their lives and travels, ensuring that they stay connected at home or on the go. Participating in CES 2025 is also an opportunity for us to deepen the connection with more users, offering them a tangible experience of our commitment to innovation and sustainability," said Alex, CEO of TESSAN. At the heart of TESSAN's showcase are products that reflect its core values: simplicity and convenience, innovation and efficiency, as well as sustainability. Every product is designed with a user-centric approach, integrating advanced technologies and sustainable practices to meet modern demands. A highlight of the exhibit will be the 140W Universal Travel Adapter, designed for global use with EU, UK, US, and Australian plugs. Its lightweight, compact design makes it travel-ready. USB-C ports offer up to 140 watts for fast charging, while USB-A ports provide 18 watts. It can charge multiple devices simultaneously, including smartphones, laptops, cameras, and CPAP machines. Advanced safety features, like double-patented auto-resetting fuses, ensure secure operation. Another innovation on display is the 100W Charging Station. Compact and designed to save space, this multi-functional device can charge up to nine gadgets simultaneously at high speed. Its sleek upright design combines style with functionality, while robust safety measures safeguard devices from overcurrent, voltage surges, and overheating, ensuring uninterrupted charging around the clock. For electric vehicle owners, TESSAN will showcase its Level 2 Smart EV Charger, a high-performance charging solution that delivers up to 11.5kW/h, offering remote control via Wi-Fi or Bluetooth, off-peak scheduling, and adjustable currents. Compatible with most North American electric and plug-in hybrid vehicles, its SAE J1772 connector and water-resistant, fireproof design ensure safety and reliability. These innovative products have not gone unnoticed in the industry. In May 2024 , TESSAN was recognized at the MUSE Design Awards, earning gold and silver honors for its Intelligent Charging Set, multi-functional fast charging socket, and Household EV AC Charger. These accolades reflect the brand's dedication to blending exceptional design with cutting-edge functionality, resonating with users worldwide. Beyond technology, TESSAN remains deeply committed to environmental sustainability. In August 2024 , the brand received ClimatePartner certification, signifying its alignment with eco-friendly practices. Most recently, it announced a collaboration with the non-profit organization One Tree Planted, launching an initiative to plant 10,000 trees as part of its efforts to mitigate climate change and support global reforestation. As a brand committed to empowering users to explore the unknown while safeguarding the planet, TESSAN continues to lead through innovation, sustainability, and meaningful action. CES 2025 promises to be an exciting opportunity for audiences to witness these values brought to life. About TESSAN TESSAN, a trusted partner in charging solutions, is committed to enriching experiences both at home and during travel. The brand offers a wide array of products, including multifunctional power strips, travel adapters, wall extenders, and smart home devices. Supported by a robust R&D and production team, TESSAN develops innovative socket products for users across the globe. With the trust of over 20 million users, TESSAN empowers their journeys from home to every destination, promoting environmentally conscious electricity usage. For more information, visit www.tessan.com or the TESSAN Amazon store , and follow TESSAN on Facebook , Instagram , and YouTube . View original content to download multimedia: https://www.prnewswire.com/news-releases/ces-2025-preview-tessan-to-showcase-charging-solutions-for-enhanced-connectivity-and-convenience-302338829.html SOURCE TESSAN
Ollie's CEO John Swygert sells $413k in stockUnion announce offseason roster moves, part with Leon Flach
Ian Schieffelin came within two assists of a triple-double and Clemson handed Penn State its first loss with a 75-67 decision for the championship of the Sunshine Slam tournament Tuesday in Daytona Beach, Fla. Schieffelin finished with 18 points, 13 rebounds and eight assists for the Tigers (6-1), leading four players in double figures. Chase Hunter added 17 points, while Chauncey Wiggins scored 14 and reserve Del Jones chipped in 10 points. Clemson sank 9 of 19 3-pointers, converted 16 of 20 free throws and was able to limit the impact of the Nittany Lions' full-court pressure. The Tigers committed just 13 turnovers, helping them hold Penn State (6-1) to less than 85 points for the first time this year. Ace Baldwin starred in defeat with game highs of 20 points and 11 assists, while center Yanic Konan Niederhauser added 14 points. Nick Kern came off the bench to score 11 but Penn State was outscored 15-2 on the fast break and made just 4 of 18 attempts from 3-point range. Schieffelin came up big down the stretch, assisting on a 3-pointer by Jaeden Zackery with 6:04 left that made it 65-61. Then he made two foul shots and tossed in a jump hook from the lane to up the margin to 71-66 with 1:03 left. The big storyline going into this game was which team would be able to control the pace. Penn State came in averaging 96 ppg, while Clemson demonstrated its ability to enforce a slower tempo in March, advancing to a regional final in the NCAA Tournament. In the first 10 minutes of the game, the Tigers made the Nittany Lions play at a crawl, opening up a 17-10 advantage when Schieffelin converted a short hook in the lane. But Penn State answered with an 18-4 run over nearly six minutes, establishing a 28-21 lead when Kern shook free for a layup. Clemson rallied with nine straight points but the Nittany Lions had the last say as Baldwin converted a layup with 24 seconds left, cutting the Tigers' edge to 38-36 at halftime. --Field Level Media