Credo shares surge after 64% jump in revenue, narrowed quarterly loss
LOS ANGELES (AP) — Democrats and Republicans agreed on at least one thing before November’s election: California would play a central role in determining control of the U.S. House. Indeed it did. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.ALBANY (NY) (5-3) Adewale 0-2 0-0 0, Klaczek 0-5 4-4 4, Briggs 4-9 6-6 17, Marshall 3-7 9-10 17, Strand 1-4 2-2 5, Neely 6-14 0-0 12, Matulu 1-1 0-0 2, Lindsey 4-5 0-0 8, Taylor 1-4 0-0 3, Adnan 0-2 0-0 0, Reddish 0-1 0-0 0, Topuz 0-2 0-0 0, Giralt 0-0 0-2 0. Totals 20-56 21-24 68. GEORGETOWN (6-1) Fielder 3-6 3-3 10, Sorber 6-9 1-1 14, Epps 4-7 0-0 8, Mack 6-8 1-1 16, Peavy 9-14 3-3 24, Burks 5-6 0-0 11, Mulready 1-3 0-0 2, Ca.Williams 4-6 1-1 9, Cu.Williams 2-3 0-0 4, McKenna 1-1 0-0 2, Asadallah 0-1 0-0 0, Montgomery 0-1 0-0 0, Van Raaphorst 0-0 0-0 0. Totals 41-65 9-9 100. Halftime_Georgetown 49-35. 3-Point Goals_Albany (NY) 7-22 (Briggs 3-5, Marshall 2-3, Strand 1-3, Taylor 1-3, Adnan 0-1, Reddish 0-1, Topuz 0-1, Klaczek 0-2, Neely 0-3), Georgetown 9-22 (Mack 3-4, Peavy 3-6, Burks 1-2, Fielder 1-2, Sorber 1-2, Montgomery 0-1, Cu.Williams 0-1, Epps 0-2, Mulready 0-2). Rebounds_Albany (NY) 21 (Neely 5), Georgetown 33 (Sorber 13). Assists_Albany (NY) 6 (Marshall, Neely 2), Georgetown 26 (Peavy 8). Total Fouls_Albany (NY) 14, Georgetown 17. A_4,227 (20,356).Calls for Emmanuel Macron to resign after French government toppled in no-confidence vote
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Busy and full: highlights of Jimmy Carter’s life
Magic may have touched Fairview football’s Class 5A quarterfinal game at EchoPark Stadium during last week’s stunner over No. 2 Mountain Vista, but on Saturday afternoon in the same location, it was the No. 7 Knights who were spellbound.Published 4:06 pm Friday, November 22, 2024 By Sabrina Simms Robertson NATCHEZ — As law enforcement officials announced joint efforts to crack down on gun violence, one mother is questioning why the man who shot her son five times earlier this year has never been charged. Sabrina Geraldson attended a press conference Thursday morning at City Hall wearing a white T-shirt with hand-written claims on it about her son William Rouse, who was shot in an incident on Walnut Street on May 31. “A crime had been committed against my son and they were refusing to let us press charges,” Geraldson said. “I attended the press conference with the shirt and they decided not to open (the press conference) up to questions.” Geraldson said she had arranged to meet with Mayor Dan Gibson and Natchez Police Chief Cal Green Thursday morning but was told their meeting was canceled because of the press conference. In the May incident, Rouse was shot five times by Hunter Craft — once in the hand while attempting to shield himself, in the left rear flank and back as he turned away from his shooter and twice in the rear lower body after he fell to the ground – during an incident at 412 Walnut St. Rouse was treated in a Jackson hospital for these injuries. Craft also was shot in the incident. Natchez police arrested Rouse’s friend Wesley Douglas on an aggravated assault charge for shooting Craft. Nearly a month later Rouse was also arrested for charges of simple assault; burglary of a dwelling whether armed or not, whether occupied or not; and contempt of court by failure to appear, according to police records. Craft was never charged in the incident, despite Rouse’s family attempting to press charges. Natchez Police Commander Jerry Ford said after the shooting that Craft had been staying at the residence with a female and that the two had been in an altercation at the Walnut Street residence. During the altercation, the female reportedly called Rouse, who picked her up and later returned to the house with Douglas when shots were fired. At the time, Ford released information that Douglas retrieved a gun from his vehicle and shot Craft. “Initially we were going to arrest everyone involved but after further investigation, we found out that Craft lived in the house with the female who owned or rented it. (Municipal Judge Christina Daugherty) said he had a right to be there and would not sign a warrant,” Ford said Friday. It can be argued that when Rouse and Douglas came back to the house, Craft was within his right to protect himself, Ford said. “Rouse came through the door and (Craft) began shooting at him. Then Douglas fired into the house at Craft,” he said. “He had a right to defend himself at that particular time because that was his residence. He had clothing there.” Geraldson claims her son had returned to the house to “check on things” because the woman who also lived there asked him to do so. Ford said, “I don’t know whether she asked him to or not. Based on the videos of how aggressive they were when they came over there it was clear that something had already transpired. You don’t go in that way if you’re going in peacefully.” District Attorney Tim Cotton said Friday, “The matter has been presented to a grand jury” which would determine whether there is probable cause to charge another individual in this case. Cotton said the grand jury had been presented with evidence including text messages, recording of 911 calls, and video from the day of the incident, and is awaiting lab results before making any ruling. Anyone with additional evidence would need to go through the proper channels so that evidence could be presented, Cotton said. Cotton said no evidence of any threat made before the shooting had been given to him, despite claims that there had been threats posted on social media by Craft. “They should go through the local law enforcement agency, present that information to them so it can properly be forwarded to us,” he said. “Charging somebody initially is not my decision to make.” The shirt Geraldson wore to the press conference alleges a refusal to allow the family to press any charges as well as “$1,800 stolen by NPD,” which Geraldson said is cash that went missing from her son’s wallet. She said the wallet was found in the car as it was impounded at the police department. The writing further alleged, “Crime Scene Contaminated,” and “Threat Made on Social Media,” minutes before the shooting. “No ballistics test, no investigation of areas or angles the shots hit my son, nothing,” Geraldson said of the police’s efforts. Geraldson shared with The Natchez Democrat what appears to be a screenshot taken from Snapchat of guns and text that says “got enough shots fa yu” she said was posted by Craft. She also claimed that officials had not taken Rouse’s shirt into evidence. Ford said he knew nothing about missing cash or about any threats made on social media by Craft. Geraldson also said Rouse had lived in the house before Craft and still had belongings there. “He provided funds for house expenses up until the incident,” she said.
Jason Whitlock claims Colorado players rented out a strip club TWICE before heavy Alamo Bowl defeat
Ohio State, Michigan players involved in postgame scuffle
Unlikely battleground California plays key role -- again -- in setting US House's political balanceNatixis Advisors LLC raised its holdings in shares of Solventum Co. ( NYSE:SOLV – Free Report ) by 271.4% in the third quarter, according to its most recent Form 13F filing with the Securities & Exchange Commission. The institutional investor owned 47,616 shares of the company’s stock after buying an additional 34,797 shares during the quarter. Natixis Advisors LLC’s holdings in Solventum were worth $3,320,000 as of its most recent SEC filing. Other hedge funds have also modified their holdings of the company. LRI Investments LLC purchased a new stake in Solventum in the 1st quarter valued at $43,000. Price T Rowe Associates Inc. MD purchased a new position in Solventum in the first quarter worth approximately $5,889,000. EverSource Wealth Advisors LLC purchased a new stake in Solventum in the first quarter valued at $30,000. GAMMA Investing LLC acquired a new position in shares of Solventum in the 2nd quarter valued at $74,000. Finally, Massmutual Trust Co. FSB ADV purchased a new position in shares of Solventum during the 2nd quarter worth $34,000. Analyst Upgrades and Downgrades Several analysts recently issued reports on SOLV shares. Stifel Nicolaus began coverage on shares of Solventum in a report on Tuesday, October 8th. They issued a “buy” rating and a $82.00 price objective on the stock. BTIG Research initiated coverage on shares of Solventum in a research note on Thursday, September 5th. They issued a “neutral” rating on the stock. Piper Sandler increased their price objective on shares of Solventum from $71.00 to $75.00 and gave the stock a “neutral” rating in a research report on Friday, November 8th. Wells Fargo & Company cut their price target on shares of Solventum from $69.00 to $64.00 and set an “equal weight” rating on the stock in a research note on Friday, August 9th. Finally, Morgan Stanley increased their target price on shares of Solventum from $60.00 to $73.00 and gave the stock an “equal weight” rating in a report on Monday, November 11th. One equities research analyst has rated the stock with a sell rating, eight have assigned a hold rating and one has given a buy rating to the company’s stock. Based on data from MarketBeat, the company has an average rating of “Hold” and an average price target of $68.00. Solventum Price Performance Shares of NYSE:SOLV opened at $70.81 on Friday. Solventum Co. has a 52 week low of $47.16 and a 52 week high of $96.05. The company’s 50 day moving average is $70.53 and its two-hundred day moving average is $62.33. The company has a debt-to-equity ratio of 2.45, a current ratio of 1.15 and a quick ratio of 0.83. Solventum Company Profile ( Free Report ) Solventum Corporation, a healthcare company, engages in the developing, manufacturing, and commercializing a portfolio of solutions to address critical customer and patient needs. It operates through four segments: Medsurg, Dental Solutions, Health Information Systems, and Purification and Filtration. Further Reading Want to see what other hedge funds are holding SOLV? Visit HoldingsChannel.com to get the latest 13F filings and insider trades for Solventum Co. ( NYSE:SOLV – Free Report ). Receive News & Ratings for Solventum Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Solventum and related companies with MarketBeat.com's FREE daily email newsletter .
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Michael Moore Blasts Senate Dems as ‘Genocide Arms Dealers’
Subscribe to our newsletter Privacy Policy Success! Your account was created and you’re signed in. Please visit My Account to verify and manage your account. An account was already registered with this email. Please check your inbox for an authentication link. Support Independent Arts Journalism As an independent publication, we rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider becoming a member today . Already a member? Sign in here. We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member . New York is rife with great art right now, of all genres and styles, but if the shows below share anything, it’s an explosion of color. Maybe artists and institutions are responding to the dull, gray surroundings — weather-related and otherwise — or maybe we’re drawn to it at the moment, but our list is filled with multi-hued, multimedia maximalism, ranging from Anne Samat’s grand sculptures incorporating everyday items to the captivating hand-dyed textiles in the group show The Lady and The Unicorn: New Tapestry to the seven stunning abstract paintings at Bienvenu Steinberg & C, to Jerome Baja’s tiny glitter-and nail polish paintings. Big names like Simone Leigh and Bill Viola also offer dazzling visuals in their own distinctive idioms. For a more solemn experience, but one hinting at human presence and connection, check out Tsohil Bhatia’s solo exhibition This Fire That Warms You at the CUE Art Foundation, just extended through December 14. — Natalie Haddad, Reviews Editor Abstract Expressions: 7 Paintings by 7 Painters Bienvenu Steinberg & C , 35 Walker Street, Tribeca, Manhattan Through December 14 I love to see galleries offer their spaces to artists who can show us what they got, and this exhibition is a nice celebration of seven painters who feel connected to the legacy of the New York School and its taste for large gestural paintings that are more event than object. Each artist brings their own visual vocabulary to the walls, from Andrea Belag’s luscious translucency to Stephen Pusey’s webs of radiant energy, and they all offer us insight into the artistic gardens they actively cultivate in their studios. You can feel the respect in the room among the artists, all of whom confidently showcase their very individualist styles. A nice tour of some artists who continue to challenge what the legacy of New York abstraction is today. — Hrag Vartanian Get the latest art news, reviews and opinions from Hyperallergic. Daily Weekly Opportunities Your Patience Is Appreciated: An Inaugural Show Marian Goodman Gallery , 385 Broadway, Tribeca, Manhattan Through December 14 This is your last chance to see the inaugural exhibition at Marian Goodman’s new large three-story gallery space. This is the latest proof that Tribeca has cemented its reputation as the city’s premiere art gallery hub — sorry, Chelsea, but you were always a terrible place to see art. Upon entering you’re greeted by a large cheesy Maurizio Cattelan “I Love NY” artwork, while works by Pierre Huyghe, Julie Mehretu, Nairy Baghramian, Marcel Broodthaers, Steve McQueen, Louise Lawler, Robert Smitson, Danh Vo, Giuseppe Penone, and so, so many others can be found in one of the 16 — if you include the stairwell — spaces. There’s even someone to perform Tino Seghal’s “This Ornation” (2024) for you in a rather nondescript office space on the third floor. — HV Jerome Caja: Ugly Pageant Bortolami Gallery , 39 Walker Street, Tribeca, Manhattan Through December 19 🤩 was the reaction from my nine-year-old niece when I sent her a picture of Jerome Caja’s “Virgin Poop” (1992), an anthropomorphic pile of dung with a beatific gaze. This is not to say that the painting is just for kids who like gross-out jokes. Rather, it points to the star quality that the artist could imbue in the most unlikely subjects. Born in Cleveland in 1958, one of 11 boys in a Catholic family, Caja left Middle America after high school to study ceramics at the San Francisco Art Institute. Between 1985 and ’95, the year he died, he created a presence in San Francisco as a drag performer but he continued to make visual art. The works on view here are primarily small paintings on paper. His materials include glitter, nail polish, collaged fabrics, and white-out. Some pieces are in found frames (including a toilet seat); others take the form of reliquaries. Most are portraits whose subjects range from crusty drag queens holding mixed drinks to amalgams of sexual and religious iconography. A lot of artists have tried in vain to capitalize on kitsch and camp aesthetics. In contrast, Caja plumbed the depths of the grotesque in all its glitter and doom to reflect a world where saints wearing fishnets are born in Cleveland and the Virgin Mary’s grace rings truer when she’s at the bottom of a sewer. — NH Andrea Geyer: Manifest Hales , 547 West 2oth Street, Chelsea, Manhattan Through December 2o I’m usually averse to text-based art because it often tries to tell me what to think and how. I’ll make an exception for Andrea Geyer, whose beautifully sewn banners deliver a piercing manifesto on what today’s deeply flawed art museums can and should be. She wants a museum to “face history without fear”; “be a space to breathe”; and “feel its own floors tremble when others are destroyed.” Amen to all that. — Hakim Bishara Anne Samat: The Origin of Savage Beauty Marc Straus Gallery , 57 Walker Street, Tribeca, Manhattan Through December 21 Born from grief and loss, Malaysian artist Anne Samat’s work looks from afar like pua kumbu textiles , with bright colors and totemic shapes that create an altar to the artist’s lost loved ones. But on closer inspection, the installations are composed of toy army figurines, a bra holder, and a container for a mosquito coil. Each of these objects references memories of individuals, stories that are not readily apparent but that flow easily from the artist’s recollection. For example, “Never Walk in Anyone’s Shadow,” the stunning centerpiece of the show, looks like a three-part altar that folds into the floor. The title comes from a memory of her late elder brother, who encouraged her to build an art career in New York with a style that is distinctly her own. — AX Mina Bill Viola: The Raft James Cohan Gallery , 291 Grand Street, Tribeca, Manhattan Through December 21 This is the first time “The Raft” (2004) has been exhibited in New York City. Commissioned for the 2004 Athens Olympics, the large-scale video work depicts 19 people being bombarded with water in a deluge whose source remains unknown to us. It is surprising how the work seems to portend the immigration crisis that would show up on the shores of Europe over a decade later, as people from across the Global South would brave the Mediterranean to find safety, only to be demonized by Europeans. The work is complemented by two other video pieces by the veteran video artist, including “Traveling on Foot” (2012), one of five works from his Mirage series, and the 83-minute portrait called “Anima” (2000). All three showcase Viola’s interest in the human form when placed under various types of stress or even in awkward scenarios. These works suggest a greater truth that is found beyond simply the image. — HV Jiha Moon: Fool’s Moon Derek Eller Gallery , 38 Walker Street, Ground Floor, Tribeca, Manhattan Through December 21 Bananas appear frequently in this one-person exhibition in Tribeca, and while Moon suggests it as a metaphor to navigate Asian American, particularly second-generation, identity, the zeitgeistiness of the very peelable fruit is not lost on the viewer. While Maurizio Cattelan may have leaned into the comedy of the banana in his obscenely expensive prank, Moon enjoys the more slippery aspect of the fruit that is often evoked when Asian Americans slide into good ol’ American assimilation politics. There’s one line in her press release that continues to bring me joy whenever I reread it: “I reference the Korean drag queen Kimchi and Keanu Reeves, whose life quotes resonate deeply with me, borrowing their voices to tell my story.” I can imagine no more apt way to encapsulate her aesthetic universe in a sentence. — HV Simone Leigh Matthew Marks Gallery , 522 and 526 West 22nd Street, Chelsea, Manhattan Through December 21 Simone Leigh has a way of charging her sculptures of Black female figures with a palpable aura, even if she makes them headless. Moving between them at Matthew Marks’s cavernous gallery spaces is traversing through millennia-old histories and traditions, but it also feels like these figures have their own stories to tell. Don’t miss “Okwui” (2024), an 11-foot-long bronze sculpture of a reclining woman with an outstretched skirt. Her body is alive with dance and music, grief and joy. She’s still on my mind, weeks after seeing the show. — HB The Lady and the Unicorn: New Tapestry Salon 94 , 3 East 89th Street,Upper East Side, Manhattan Through December 21 The Lady and The Unicorn: New Tapestry offers a refreshingly contemplative return to the body as AI and disembodied technologies cast a shadow across art. The show presents eight contemporary textile artists operating in different geographical and cultural regions who tell their stories using natural dye processes, traditional weaving techniques, and a variety of materials. On the gallery’s first floor, Zapotec textile artist Porfirio Gutiérrez’s richly patterned works combine modernist design with his reverence for the land in his native Oaxaca. Some of his pieces feature wool canvases dripping with natural indigo dyes produced by his family, as well as pomegranate and pericon dyes, within a tight geometric structure, making a record of the exact period the plants were harvested. Hanging from the walls and taller-than-life ceilings on the next floor, Mitsuko Asakura’s ombré silk tapestries fill an entire room with waves of color. Her works contemplate Western and Japanese visual histories, as the materials interweave their respective approaches. The exhibition also includes playful and provocative works such as Qualeasha Wood’s embroidered collages of webcam selfies and desktop screenshots, as well as Felix Beaudry’s humanoid fabric wearables, that humorously reflect upon one’s sense of self. — Sebastián Meltz-Collazo Pass Carry Hold: Studio Museum Artists in Residence 2023–24 MoMA PS1 , 22–25 Jackson Avenue, Long Island City, Queens Through February 10, 2025 For its sixth iteration, the Studio Museum’s artist in residence program tasked its artists to “explore themes related to ancestral and intuitive knowledge.” Each artist — sonia louise davis, Malcolm Peacock, and Zoë Pulley — responded with distinctive, personal artworks, but all three assert the works’ materiality as part and parcel of histories and lives. In three different gallery spaces, family histories and transient moments hold forth. Peacock’s multimedia sculpture, a single, huge object in a small room, incorporates synthetic hair among other materials to simulate a giant tree trunk. The rings and textures are reflected in davis’s abstract textile pieces, while Pulley transforms clothing into abstract artworks, covered in furniture plastic and displayed alongside family ephemera. Rather than bogging the work down in explanations about its physical presence and emotional resonance, I suggest you see it and experience it for yourself. — NH We hope you enjoyed this article! Before you keep reading, please consider supporting Hyperallergic ’s journalism during a time when independent, critical reporting is increasingly scarce. Unlike many in the art world, we are not beholden to large corporations or billionaires. Our journalism is funded by readers like you , ensuring integrity and independence in our coverage. We strive to offer trustworthy perspectives on everything from art history to contemporary art. We spotlight artist-led social movements, uncover overlooked stories, and challenge established norms to make art more inclusive and accessible. With your support, we can continue to provide global coverage without the elitism often found in art journalism. If you can, please join us as a member today . Millions rely on Hyperallergic for free, reliable information. By becoming a member, you help keep our journalism free, independent, and accessible to all. Thank you for reading. Share Copied to clipboard Mail Bluesky Threads LinkedIn FacebookVoters want more US involvement on world stage despite isolationist talk, Ronald Reagan Institute survey finds