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Gussy Lau Allegedly Married in Secret Former Partner of Ángela Aguilar Leaked Photo of Them Sparked Controversy Long before her marriage to Christian Nodal, Pepe Aguilar’s daughter had «other loves.» One of the most talked-about was her alleged relationship with composer Gussy Lau. A photo of the two sharing a kiss was leaked on social media, creating quite a stir. Now, it’s being reported that Gussy Lau, like Ángela Aguilar, got married—but in secret. Congratulations to the Newlyweds! Gussy Lau, Ángela Aguilar’s ex, Allegedly Married in Secret – PHOTO: Screenshot from X After Nodal and Ángela Aguilar’s wedding, Gussy Lau broke his silence, though in an unexpected way. «I wish them the best, always. Christian Nodal, for one, was very important to my career; he recorded more than eight of my songs,» he said. YOU MAY ALSO BE INTERESTED IN: Ángela Aguilar is booed at the Kids Choice Awards 2024 The composer also mentioned he could never wish ill upon Pepe Aguilar and his family. He has consistently denied being the one who leaked the controversial photo of him and Ángela kissing. According to Vox Populi Noticias, Ángela Aguilar’s ex, Gussy Lau, reportedly got married in October. Initially, Gussy’s wedding was scheduled for February of next year, but plans changed. The wedding took place in Mazatlán, Sinaloa. Little to nothing is known about the bride’s identity. While Gussy wore an all-black outfit, his bride donned the traditional white gown. No Official Statement from Gussy Lau Yet... PHOTO: Screenshot from Instagram So far, Ángela Aguilar’s ex, Gussy Lau, has not commented on his wedding on social media. In his most recent Instagram post, he shared a photo from Vancouver, Canada. It’s worth noting that their past relationship sparked controversy because Gussy was 33 years old when he dated Ángela, who was only 18. Fans now await confirmation of Gussy’s marriage... CLICK ON THE PHOTO TO LISTEN TO NATALIA RAMÍREZ AND THE TRUTH ABOUT THE NEW SEASON OF BETTY LA FEA Gussy Lau Ángela Aguilar – PHOTO: MundoNOW if(typeof custom_paginate == "function")custom_paginate()Stock market today: Nasdaq hits a record as Wall Street drifts ahead of Federal Reserve's meeting
"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum." Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC "Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" To keep reading, please log in to your account, create a free account, or simply fill out the form below.Oro-Medonte should expect to face budget challenges next year, council hears
Stock market today: Nasdaq hits a record as Wall Street drifts ahead of Federal Reserve's meetingArteta wanted his team to prove their European credentials following some underwhelming displays away from home, and the Gunners manager got exactly what he asked for. Goals from Gabriel Martinelli, Kai Havertz, Gabriel Magalhaes, Bukayo Saka and Leandro Trossard got their continental campaign back on track in style following the 1-0 defeat at Inter Milan last time out. A memorable victory also ended Sporting’s unbeaten start to the season, a streak of 17 wins and one draw, the vast majority of which prompted Manchester United to prise away head coach Ruben Amorim. The Gunners had failed to win or score in their two away games in the competition so far this season, but they made a blistering start in the Portuguese capital and took the lead after only seven minutes. Declan Rice fed overlapping full-back Jurrien Timber, who curled a low cross in behind the home defence for Martinelli to finish at the far post. Arsenal doubled their lead in the 20th minute thanks to a glorious ball over the top from Thomas Partey. Saka escaped the clutches of his marker Maximiliano Araujo to beat the offside trap and poke the ball past advancing goalkeeper Franco Israel for Havertz to tap home. It was a scintillating first-half display which completely overshadowed the presence of Viktor Gyokeres in Sporting’s attack. The prolific Sweden striker, formerly of Coventry, has been turning the heads of Europe’s top clubs with his 24 goals in 17 games this season – including a hat-trick against Manchester City earlier this month. But the only time he got a sniff of a run at goal after an optimistic long ball, he was marshalled out of harm’s way by Gabriel. David Raya was forced into one save, tipping a fierce Geovany Quenda drive over the crossbar. But Arsenal added a third on the stroke of half-time, Gabriel charging in to head Rice’s corner into the back of the net. To rub salt in the wound, the Brazilian defender mimicked Gyokeres’ hands-over-his-face goal celebration. That may have wound Sporting up as they came out after the interval meaning business, and they pulled one back after Raya tipped Hidemasa Morita’s shot behind, with Goncalo Inacio netting at the near post from the corner. Former Tottenham winger Marcus Edwards fired over, as did Gyokeres, with Arsenal temporarily on the back foot. But when Martin Odegaard’s darting run into the area was halted by Ousmane Diomande’s foul, Saka tucked away the penalty. Substitute Trossard added the fifth with eight minutes remaining, heading in the rebound after Mikel Merino’s shot was saved, and Gyokeres’ miserable night was summed up when his late shot crashed back off the post.CHARLOTTE, N.C. (AP) — Quimari Peterson had 16 points in East Tennessee State's 75-55 win over Charlotte on Wednesday. Peterson had five rebounds for the Buccaneers (5-2). John Buggs III went 6 of 12 from the field (3 for 5 from 3-point range) to add 15 points. Karon Boyd shot 3 for 8 (1 for 3 from 3-point range) and 7 of 10 from the free-throw line to finish with 14 points, while adding seven rebounds. Jaehshon Thomas led the way for the 49ers (3-3) with 13 points. Charlotte also got 13 points from Nik Graves. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .
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No. 7 Tennessee dispatches UT Martin to remain undefeatedAmbient Scientific unveils first ever AI module powered by a coin cell batteryOn the evening of November 20, Sotheby’s auction house sold an artwork by Maurizio Cattelan for an astonishing sum. The piece, entitled Comedian, is not a conventional painting or sculpture. It consists of an ordinary banana, duct-taped to a wall at a jaunty angle. The hammer price? A staggering US$6.2 million (£4.9 million). The widespread incredulity surrounding this exorbitant price has been tinged with humour. The sale has been perceived by many as a kind of jest at the expense of the buyer, Chinese-born crypto entrepreneur Justin Sun. It has even spawned its own meme and hash-tag, #BTW , which stands for “Banana Tape Wall”. Sun took to X (formerly known as Twitter) to say he was “thrilled” with his purchase and would be eating the banana in the coming days. Bananas have a rich comedic history. Given that Comedian is the title of the artwork, we are seemingly invited to conclude that Sun’s purchase itself is an unintentional pratfall – a slip on a banana peel. However, Cattelan claims that Comedian serves as “a sincere commentary on what we value” rather than merely a joke. Exploring Comedian’s place within the realm of conceptual art reveals its implications for our understanding of value, the role of technology – and the evolving relationship between art and finance. Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here . The essence of Comedian lies not in the specific combination of the banana and duct tape, but rather in the accompanying documentation. This documentation provides detailed instructions for replacing the perishable components (the banana and duct tape) that constitute the physical representation of the work. It also includes a certificate of authenticity, which is the essential element. This certificate elevates any arrangement of banana and tape, when executed according to the instructions, from a mere snack into a specific artwork by Maurizio Cattelan. This unique approach challenges conventional notions of art ownership and value, underscoring the significance of the idea embodied in the artwork rather than its physical manifestation. Comedian and the legacy of conceptual art Comedian is part of a lineage of conceptual art that broadens the definition of art and subverts traditional notions of artistic value. It invites comparisons to Marcel Duchamp’s Fountain (1917), a ready-made urinal presented as art, and to Andy Warhol’s Brillo Boxes (1964), which were silk-screened plywood replicas of commercial packaging. However, the most relevant precursor is Michael Craig-Martin’s 1973 conceptual masterpiece, An Oak Tree . It consists of a glass of water placed on a shelf, accompanied by a transcript of a conversation in which the artist explains how he has “changed” the glass of water into an oak tree, without physically altering any object. All these works, including Comedian, draw attention away from the material and aesthetic qualities of objects to focus on the concepts or ideas they embody. As art critic Rosalind Krauss has explained , conceptual art takes the idea, rather than the object, as the locus of artistic practice. In Comedian, the banana is transient and replaceable. Its worth lies in the certificate of authenticity, the artist’s conceptual gesture and the discussion it generates. An intriguing aspect of this piece is that it is not a unique object. Rather, it is part of a limited edition of three. US$6.2 million is a significant amount for a one-off piece. It is even more extraordinary for an item that is part of an edition. The work’s provocative simplicity and its association with the perceived excesses of the art market invite critique and reflection, which seems to be a deliberate point. Ultimately, Comedian is not merely a banana – it is one of three conceptual artworks whose essence is best understood as virtual. This article is part of our State of the Arts series. These articles tackle the challenges of the arts and heritage industry – and celebrate the wins, too. The crypto connection The surge in value of virtual bananas is paralleled by the rising tide of another intangible asset: cryptocurrency. Since the reelection of crypto-enthusiast Donald Trump, the value of a single bitcoin has surged by about a third , nearing US$100,000 (£79,300). Sun’s interest in Comedian is intricately linked to his advocacy for blockchain technology and cryptocurrency, drawing parallels between conceptual art and the digital currency market. Both challenge established value systems, disrupting traditional notions of ownership and authenticity. Cryptocurrencies derive their worth from decentralised networks and cryptographic protocols rather than from physical assets, which resonates with the conceptual art focus on ideas over tangible objects. However, this comparison raises questions about the speculative nature of both markets, suggesting that value may be governed more by hype than by intrinsic worth. This dynamic appears to be one that the artist is intentionally engaging with. In light of this, one might ponder whether it was precisely this commentary that attracted Justin Sun to the work. Comedian challenges perceptions of value ownership, and the very nature of art itself, while reflecting the complexities of contemporary cultural and financial landscapes. The piece has become not only a noteworthy artefact within the art world but also a provocative statement about the intersection of art and capitalism in today’s society. Benedict Carpenter van Barthold does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.