DETROIT (AP) — Starting in September of 2027, all new passenger vehicles in the U.S. will have to sound a warning if rear-seat passengers don’t buckle up. The National Highway Traffic Safety Administration said Monday that it finalized the rule, which also requires enhanced warnings when front seat belts aren’t fastened. The agency estimates that the new rule will save 50 lives per year and prevent 500 injuries when fully in effect, according to a statement. The new rule will apply to passenger cars, trucks, buses except for school buses, and multipurpose vehicles weighing up to 10,000 pounds. Before the rule, seat belt warnings were required only for the driver’s seat. Under the new rule, outboard front-seat passengers also must get a warning if they don’t fasten their belts. Front-center seats will not get a warning because NHTSA found that it wouldn’t be cost effective. The agency said most vehicles already have warnings for the outboard passenger seats. The rule also lengthens the duration of audio and visual warnings for the driver’s seat. The front-seat rules are effective starting Sept. 1 of 2026. Rear passengers consistently use seat belts at a lower rate than front passengers, the agency says. In 2022, front belt use was just under 92%, while rear use dropped to about 82%. About half of automobile passengers who died in crashes two years ago weren’t wearing belts, according to NHTSA data. The seat belt rule is the second significant regulation to come from NHTSA in the past two months. In November the agency bolstered its five-star auto safety ratings to include driver assistance technologies and pedestrian protection. Safety advocates want the Department of Transportation, which includes NHTSA, to finish several more rules before the end of the Biden administration, because President-elect Donald Trump has said he’s against new government regulations. Cathy Chase, president of Advocates for Highway and Auto Safety, urged the department to approve automatic emergency braking for heavy trucks and technology to prevent impaired driving.( MENAFN - USA Art News) In the vast tapestry of American art, women artists have historically played a vital role in shaping the narrative, yet their contributions have often been overlooked or undervalued. From the early colonial period through to the contemporary art scene, female artists have broken barriers, challenged societal norms, and carved out unique spaces for their voices within the art world. As we celebrate their contributions, it is essential to understand how these talented women continue to influence modern art movements and redefine the landscape of American art. The journey of women artists in America dates back to the colonial period when figures like Anna Mary Robinson started to gain recognition through their portraiture. However, it wasn't until the 19th century, with the rise of the women's suffrage movement, that women's roles in art began to shift. Artists such as Mary Cassatt and Georgia O'Keeffe emerged, gaining prominence for their explorations into modernism and social issues. Cassatt, known for her intimate depictions of women and children, challenged traditional representations of femininity, while O'Keeffe broke ground with her abstract, evocative interpretations of the American landscape and its flora. The early 20th century gave rise to the feminist art movement, which further highlighted the significance of women in art. This movement aimed to address the gender disparities within the art world and encouraged women to express their experiences through their work. Feminist art has continued to evolve, with artists like Judy Chicago and the Guerrilla Girls who emerged in the 1970s and 1980s actively working to raise awareness of the underrepresentation of women artists and the misogyny prevalent in the art industry. Their impact is still palpable today, as evident in art institutions and galleries that increasingly strive to include diverse voices in their programming. The feminist art movement has undoubtedly been a catalyst for change in American art. Artists affiliated with this movement used their creative expressions to confront societal norms and advocate for women's rights. Judy Chicago's monumental installation The Dinner Party (1979) remains a pivotal piece in this dialogue and has become an iconic symbol of female empowerment in art. This collaborative installation featured place settings honoring significant women in history, simultaneously celebrating their achievements and shedding light on their historical marginalization. Another notable figure, the Guerrilla Girls, shined a glaring spotlight on the gender and racial disparities within the art world. Through provocative posters and performances, they challenged institutions to recognize and celebrate women and artists of color. Their work compelled galleries and museums to reassess how they curate, often leading to increased representation of women artists and marginalized groups in exhibitions. The feminist art movement not only legitimized women's experiences in the art world but also inspired future generations of female artists to embrace their identities and navigate the chaotic territory of gender and power. Groups such as the Wavelengths Collective, formed in the 1990s, worked alongside the feminist art movement, blending activism and art while championing diverse and underrepresented artists. As the art scene expands in the 21st century, the conversation surrounding women artists continues to evolve. Institutions are increasingly prioritizing inclusivity and representation, resulting in a renewed focus on providing platforms for women artists in the USA. Initiatives such as the Brooklyn Museum's A Woman's Work: A Midsummer Night's Dream and Other Works by Female Artists exhibition exemplify the art world's commitment to honoring female talent. Additionally, non-profit organizations like the Women's Caucus for Art (WCA) strive to support women artists, advocate for gender equality in the arts, and bolster the representation of female artists through community engagement, awards, and exhibitions. Their work highlights the ongoing systemic issues women continue to face and emphasizes the importance of collaborative efforts to reshape the art world into a more equitable space. The Contemporary Landscape Today's American art scene boasts a wealth of female talent that is redefining boundaries and constantly pushing the envelope. Artists like Kehinde Wiley, who explores themes of race, identity, and representation, often collaborate with women artists to ensure diversity in their narratives. The rise of social media also plays an essential role in democratizing access to art, allowing women artists to reach wider audiences and gain recognition beyond traditional galleries. Artists like Amy Sherald and Njideka Akunyili Crosby have taken center stage, using their art to reflect on identity, culture, and race. Their work challenges conventional notions of beauty and representation, showcasing the depth and complexity of modern societal issues while giving visibility to previously unrepresented perspectives. Furthermore, the ongoing rise of queer and trans artists who identify as women is reshaping the conversation surrounding gender and identity in contemporary art. Artists like Juliana Huxtable actively interrogate the intersections of race, gender, and sexuality, pushing for expanded dialogues within art communities. Their work contributes to a broader understanding of the multiplicity of women's experiences and identities. The impact of women artists in American art can no longer be ignored; their contributions have been pivotal in shaping the art landscape throughout history. From the early pioneers who redefined femininity in art to the contemporary voices challenging societal norms, the journey of female artists continues to inspire and provoke change. As the art world progresses, it becomes increasingly essential to elevate and celebrate the stories of women artists, recognizing not only the barriers they have broken but also the innovative pathways they continue to forge. The future of American art lies in this commitment to inclusivity, paving the way for a more diverse and representative narrative that honors the invaluable impact of women artists in shaping the creative landscape of our time. Breaking barriers is more than a campaign; it is a call to action to recognize and amplify the voices of women who have always been at the forefront of American culture and expression. MENAFN29122024005694012507ID1109040170 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.
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Maximus contract with CMS for Medicare services cancelled; shares drop
President Joe Biden mourns Jimmy Carters death, orders official state funeral to honor himDETROIT (AP) — Starting in September of 2027, all new passenger vehicles in the U.S. will have to sound a warning if rear-seat passengers don’t buckle up. Related Articles National News | TikTok asks the Supreme Court for an emergency order to block a US ban unless it’s sold National News | Survivors seek a reckoning as FBI investigates child sex abuse in little-known Christian sect National News | Trump migrant deportations could threaten states’ agricultural economies National News | Federal Reserve is likely to slow its rate cuts with inflation pressures still elevated National News | Teacher and a teenage student killed in a shooting at a private Christian school in Wisconsin The National Highway Traffic Safety Administration said Monday that it finalized the rule, which also requires enhanced warnings when front seat belts aren’t fastened. The agency estimates that the new rule will save 50 lives per year and prevent 500 injuries when fully in effect, according to a statement. The new rule will apply to passenger cars, trucks, buses except for school buses, and multipurpose vehicles weighing up to 10,000 pounds. Before the rule, seat belt warnings were required only for the driver’s seat. Under the new rule, outboard front-seat passengers also must get a warning if they don’t fasten their belts. Front-center seats will not get a warning because NHTSA found that it wouldn’t be cost effective. The agency said most vehicles already have warnings for the outboard passenger seats. The rule also lengthens the duration of audio and visual warnings for the driver’s seat. The front-seat rules are effective starting Sept. 1 of 2026. Rear passengers consistently use seat belts at a lower rate than front passengers, the agency says. In 2022, front belt use was just under 92%, while rear use dropped to about 82%. About half of automobile passengers who died in crashes two years ago weren’t wearing belts, according to NHTSA data. The seat belt rule is the second significant regulation to come from NHTSA in the past two months. In November the agency bolstered its five-star auto safety ratings to include driver assistance technologies and pedestrian protection. Safety advocates want the Department of Transportation, which includes NHTSA, to finish several more rules before the end of the Biden administration, because President-elect Donald Trump has said he’s against new government regulations. Cathy Chase, president of Advocates for Highway and Auto Safety, urged the department to approve automatic emergency braking for heavy trucks and technology to prevent impaired driving.
Shares of Schwab 1-5 Year Corporate Bond ETF ( NYSEARCA:SCHJ – Get Free Report ) dropped 0.1% on Friday . The company traded as low as $24.33 and last traded at $24.33. Approximately 85,016 shares were traded during trading, a decline of 9% from the average daily volume of 93,414 shares. The stock had previously closed at $24.36. Schwab 1-5 Year Corporate Bond ETF Price Performance The firm has a 50 day moving average of $24.46 and a 200-day moving average of $24.48. Institutional Trading of Schwab 1-5 Year Corporate Bond ETF Several large investors have recently added to or reduced their stakes in the business. Peapack Gladstone Financial Corp acquired a new stake in shares of Schwab 1-5 Year Corporate Bond ETF in the third quarter worth about $278,000. Wilmington Savings Fund Society FSB acquired a new stake in Schwab 1-5 Year Corporate Bond ETF in the 3rd quarter worth approximately $134,000. Sanctuary Advisors LLC boosted its position in Schwab 1-5 Year Corporate Bond ETF by 182.3% during the third quarter. Sanctuary Advisors LLC now owns 67,937 shares of the company’s stock worth $3,370,000 after purchasing an additional 43,869 shares during the period. Integrated Wealth Concepts LLC grew its holdings in Schwab 1-5 Year Corporate Bond ETF by 11.4% during the third quarter. Integrated Wealth Concepts LLC now owns 67,433 shares of the company’s stock valued at $3,345,000 after purchasing an additional 6,899 shares during the last quarter. Finally, Flow Traders U.S. LLC acquired a new position in Schwab 1-5 Year Corporate Bond ETF during the third quarter valued at approximately $1,577,000. About Schwab 1-5 Year Corporate Bond ETF The Schwab 1-5 Year Corporate Bond ETF (SCHJ) is an exchange-traded fund that mostly invests in investment grade fixed income. The fund tracks a market-weighted index of USD-denominated investment-grade corporate bonds with short-term maturities of 1-5 years. SCHJ was launched on Oct 10, 2019 and is managed by Charles Schwab. Read More Receive News & Ratings for Schwab 1-5 Year Corporate Bond ETF Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Schwab 1-5 Year Corporate Bond ETF and related companies with MarketBeat.com's FREE daily email newsletter .Scottie Scheffler has new putting grip and trails Cameron Young by 3 in Bahamas
OKLAHOMA CITY (AP) — Shai Gilgeous-Alexander scored 35 points and the Oklahoma City Thunder won their 11th straight game, beating the short-handed Memphis Grizzlies 130-106 on Sunday night in a matchup of Western Conference leaders that turned lopsided before halftime. Rookie Ajay Mitchell scored 17 points, Aaron Wiggins contributed 16 and Jalen Williams added 14 points and 10 rebounds for the Thunder (26-5), who opened a five-game lead over second-place Memphis. Gilgeous-Alexander made 14 of 19 shots to go along with seven assists, six rebounds and a team-high four blocks. He sat most of the fourth quarter. Oklahoma City blocked nine shots, including three by center Isaiah Hartenstein. The Thunder led 76-50 at halftime behind 23 points from Gilgeous-Alexander and 12 each from Mitchell and Kenrich Williams, who combined to go 5 for 7 on 3-point shots. Oklahoma City outscored the Grizzlies 42-19 in the second quarter to take control. Desmond Bane had 22 points and nine rebounds for Memphis (22-11), which played without star Ja Morant (shoulder) and Zach Edey, the team’s No. 9 overall draft pick, who was in concussion protocol. Jay Huff added 17 points but Jaren Jackson Jr., the team’s leading scorer at 21.9 points per game, managed 13 points on 3-of-17 shooting. Takeaways Grizzlies: Memphis jumped out to a 9-0 lead but struggled to score after that, making 37 of 97 shots from the field (38.1%) and 14 of 51 from 3-point range (27.5%). Thunder: Oklahoma City lost the rebound battle 51-46, but outscored the Grizzlies 56-36 in the paint. Key moment Memphis pulled within 42-36 on a jumper by Jackson, but Oklahoma City went on a 32-9 run to extend the lead to 74-45 and put the game out of reach before halftime. Key stat Oklahoma City converted 21 Memphis turnovers into 33 points. Up next Grizzlies: Visit Phoenix on Tuesday night. Thunder: Host Minnesota on Tuesday night. ___ AP NBA: https://apnews.com/hub/nba
NoneProposed west Ottawa HART hub touted as way to divert patients from hospitals
Shai Gilgeous-Alexander, Thunder rout Grizzlies, run streak to 11Prime Minister Anthony Albanese has shared his top songs of 2024, posting his Spotify Wrapped music recap on social media. The yearly feature, which showcases the most popular songs, and artists, revealed Mr Albanese's top track was Australia by Melbourne-based singer-songwriter G Flip. Other tracks included Letting Go by Angie McMahon, Still Have Room by Hockey Dad, Pedestal by Lime Cordiale, and Get Me Out by King Stingray. Notably, all of his top songs were performed by Australian artists. That was not the case in 2023, when the Prime Minister's top artists included Lana Del Rey, Taylor Swift and Bruce Springsteen. The Prime Minister has made headlines throughout the year for his concert presence, attending performances by Radio Birdman, Nick Cave and Taylor Swift in 2024. His appearances, funded by free tickets, were listed on his Parliamentary Register of Members' Interests. The Prime Minister has been described as "losing touch" in recent months over his ability to address voter issues including inflation and the cost of living. Despite some policy wins on the final parliamentary sitting day of the year, his public image has remained tethered to personal moments. These have included his purchase of a $4.3 million beach house , his use of free Qantas flight upgrades and an offensive disability insult . While the country has grappled with a challenging economic environment, Mr Albanese’s approval rating has plunged to its lowest level since he took office. Prior to his election in 2022, the Member for Grayndler earned significant popularity while moonlighting as a DJ. "It's a good thing to have fun as well as fight Tories. And Greens," he told the audience of a charity event in Melbourne where he performed as a DJ in 2016. "Ten days to go. Ten more sleeps until we get a decent government. A Labor government." Labor went on to lose that election and the next one, before Mr Albanese was elected as Prime Minister in 2022. The Prime Minister will hope his music tastes will earn him some relatability points going into the Christmas break, ahead of the 2025 election to be held by May. Although his top songs were all home-grown, the rest of Australia has been listening primarily to international pop artists and rappers. The most streamed artist in the world in 2024 was Taylor Swift for the second year in a row, followed by The Weeknd, Bad Bunny, Drake and Billie Eilish. The most streamed artists in Australia were Taylor Swift, Drake, Zach Bryan, Billie Eilish and The Weeknd. The top local artists were The Wiggles, The Kid Laroi, AC/DC, Vance Joy and Rufus Du Sol.
President of Ireland leads tributes to former government minister Gemma HusseyNone